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The work is scored for speaker, tenor solo, male chorus and orchestra. It consists of several vocal and orchestral movements, each introduced by a recitation. The different sections of the ode move from the song of the desert, arrival of a caravan,
180:, first performed at the house of the Countess Bertin de Vaux at the end of February 1846. A simple bourgeois is bored in the desert, and diverted by several choruses and dances. At the break of dawn a long crescendo leads to the tune '
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was successful from its premiere and influenced the conception of works based around the orient by many other French composers. David later wrote other works in similar vein, such as his operas
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took it upon themselves to challenge a contract David had innocently signed with
Escudier which had given the publisher the rights to all David's works for ever, for only 1,200 francs.
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in his short-lived tenure at the Théâtre
Lyrique presented seven well-received concert performances in 1869–70, as well as concerts of David's symphonic ode
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used the melody of the ‘chant du muezzin’ in his ballet music for the Paris premiere of
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Auguste Colin, written after the composer's stay in Egypt and the Holy Land.
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was fond of this "likeable" piece as a teenager, as reported in his memoir
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This article is about the musical work. For the former French commune, see
321:(translated by Roger Nichols). Faber & Faber, London and Boston, 1995.
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Berlioz and his century – an introduction to the age of romanticism.
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University of Chicago Press, Chicago and London, 1986, p209-210.
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in 1894. Budden also finds the influence of the dawn movement of
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in 1867, but these plans did not come to fruition. However,
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is an "ode-symphonie" in three parts by the French composer
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Second Empire Opera: The Théâtre
Lyrique Paris 1851–1870.
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The work was first performed to great acclaim at the
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The Keys to French Opera in the
Nineteenth Century.
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JM Dent and Sons Ltd, London & Melbourne, 1985.
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La tempête au désert; La caravane reprend sa marche
176:wrote music for a 'parodie' of the work entitled
394:University of California Press, Berkeley, 2001.
114:, departure of the caravan and song to Allah.
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120:was planned to be staged as an opera at the
365:John Calder (Publishers Ltd), London, 1981.
191:David's work is mentioned in chapter XV of
438:International Music Score Library Project
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304:Macdonald H. Félicien David. In :
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215:made a transcription of the tenor aria
417:Wikisource text of Robur the Conqueror
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335:Music, Musicians and Saint-Simonians.
308:Macmillan, London and New York, 1997.
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16:Ode composed by Félicien-César David
306:The New Grove Dictionary of Opera.
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258:Fantaisie arabe; Danse des Almées
50:on 8 December 1844, conducted by
407:Éditions Gallimard, Paris, 2000.
350:Meridian Books, New York, 1956.
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379:Verdi (the Master Musicians).
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319:Selected letters of Berlioz
80:Barthélemy Prosper Enfantin
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160:(1846). Parts of Bizet's
282:Le départ de la caravane
178:Citrouillard au désert
163:Les pecheurs de perles
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240:Marche de la caravane
223:for viola and piano.
39:with words by fellow
261:La liberté au désert
237:Chœur: Allah! Allah!
208:Si le grain ne meurt
198:Robur the Conqueror
182:Au clair de la lune
104:storm in the desert
68:Le Sommeil de Paris
48:Paris Conservatoire
405:Jacques Offenbach.
403:Yon, Jean-Claude.
276:Le lever du soleil
264:La rêverie du soir
188:on 27 March 1846.
89:La perle du Brésil
453:1844 compositions
317:Macdonald H, ed.
217:"Hymne à la nuit"
136:Christophe Colomb
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72:Charles Duveyrier
52:Théophile Tilmant
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203:André Gide
76:Mélesville
433:Le désert
174:Offenbach
168:Le désert
152:Le désert
132:Pasdeloup
118:Le désert
84:Le désert
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21:Le Désert
375:Budden J
221:La Nuit
112:muezzin
60:Berlioz
58:and by
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142:Verdi
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