43:
971:
86:
997:
415:
224:
bell-ringer's son to play holy music on the bells and drive the devil away but the devil turns the music into a jig which he echoes on his violin. The villagers are irresistibly driven to dance and the devil leads them towards the canal but before they plunge in, the devil suddenly raises his bow and the music ceases.
204:
was given in a concert performance on 28 February 2012 at Centre des Arts
Crowley in Montreal, Canada. The Orchestre 21 was conducted by Paolo Bellomia. The cast was as follows: Bourgmestre: François-Nicolas Guertin; Jeannette (his daughter): Geneviève Colletta; Le Haut-Sonneur: Simon Chalifoux; Jean
237:
The villagers are the same as those in the first tableau but their characters have been transformed into something much wilder in spirit. Only the bell-ringer's son, Jean, is immune to the devil's magic because of his love for the mayor's daughter. She, however, mocks him. Jean climbs the belfry and
153:
The Devil is represented as cynical and cruel – much more devilish than the red, brimstone-breathing clown that has, so illogically, become a tradition with us. I should also like to put an end to the idea that the Devil is the spirit of evil. He is simply the spirit of contradiction; perhaps it is
223:
Various villagers, including the bell-ringer and his son, and the mayor and his daughter, are depicted. At noon the bell-ringer prepares to do his job but the devil appears and makes the clock strike thirteen, before descending to mix with the astonished crowd and tease them. The mayor orders the
192:). Nevertheless, the work was never to be completed, although on 31 March 1912 the composer played some extracts on the piano for Henri Busser. All that survives are three pages of musical sketches lacking text, which apparently date from August 1903.
144:
in 1902 and worked on it until around 1912 but he never completed the score. He planned to make the chorus the only singing part and have the devil of the title whistle. He described his conception of the devil's character in a letter to
483:
533:
782:
367:
238:
prays aloud. The devil's spell is broken and he vanishes in a red flash. The villagers return to their normal selves as the clock strikes twelve.
414:
385:
545:
578:
867:
158:
Debussy's scenario for the opera is dated 25 August 1903. The composer used some musical material from the opera for a short piano piece,
593:
429:
188:
408:
140:
1027:
910:
731:
305:
1032:
745:
321:
987:
360:
1047:
738:
875:
1017:
820:
752:
902:
572:
464:
1042:
974:
934:
353:
127:
90:
71:
939:
812:
597:
400:
507:
163:
894:
768:
710:
686:
539:
1022:
859:
724:
695:
678:
566:
526:
175:
790:
491:
42:
944:
171:
761:
670:
662:
638:
146:
85:
949:
828:
703:
630:
584:
499:
1037:
956:
448:
313:
123:
94:
77:
622:
376:
335:
297:
115:
34:
1011:
646:
301:
1001:
928:
775:
30:
178:, to offer Debussy a contract for three unfinished opera projects, including
851:
654:
119:
996:
717:
111:
84:
345:
205:(his son): Chris Coyne; Le Diable (spoken role) Vlad Horia Guzu.
456:
349:
154:
he who inspires those who do not think like everybody else.
138:
Debussy began the piece after the success of his opera
985:
166:
scored a great success with the
American premiere of
921:
886:
843:
804:
614:
607:
559:
518:
475:
440:
392:
66:
58:
23:
361:
8:
162:, published in January, 1905. In 1908, the
801:
611:
515:
368:
354:
346:
41:
20:
992:
252:
170:, prompting the director of the rival
783:Hommage Ă S. Pickwick Esq. P.P.M.P.C.
546:Rhapsodie for saxophone and orchestra
7:
579:Dances for Harp and String Orchestra
594:Six sonatas for various instruments
322:The Cambridge Companion to Debussy
16:Unfinished opera by Claude Debussy
14:
868:Cinq poèmes de Charles Baudelaire
534:Fantaisie for piano and orchestra
484:Prélude à l'après-midi d'un faune
995:
970:
969:
413:
319:Tresize, Simon, (ed.) (2003),
1:
911:Le Martyre de saint SĂ©bastien
48:
342:. Cambridge University Press
325:. Cambridge University Press
739:La fille aux cheveux de lin
430:La chute de la maison Usher
219:Scene: a village in Holland
189:La chute de la maison Usher
1064:
732:Ce qu'a vu le vent d'ouest
965:
422:Le diable dans le beffroi
383:
308:Le Diable dans le Beffroi
233:Scene: a village in Italy
202:Le Diable dans le beffroi
180:Le diable dans le beffroi
110:) is an unfinished comic
103:Le diable dans le beffroi
97:, the basis for the opera
40:
28:
24:Le diable dans le beffroi
1028:Operas by Claude Debussy
805:Four hands or two pianos
316:, London, 13 April 2012.
277:Orledge & Wyatt 2012
821:Six Ă©pigraphes antiques
753:La cathédrale engloutie
746:La sérénade interrompue
340:Debussy and the Theatre
128:The Devil in the Belfry
108:The Devil in the Belfry
91:The Devil in the Belfry
72:The Devil in the Belfry
1033:French-language operas
940:Impressionism in music
200:The world premiere of
156:
98:
771:, Book 2 (1912–1913)
713:, Book 1 (1909–1910)
290:Holmes, Paul (1991),
184:La légende de Tristan
164:Manhattan Opera House
151:
88:
935:Musée Claude-Debussy
725:Des pas sur la neige
409:Pelléas et Mélisande
386:List of compositions
176:Giulio Gatti-Casazza
168:Pelléas et Mélisande
141:Pélléas et Mélisande
401:Rodrigue et Chimène
312:, Lecture given at
268:Tresize 2003, p. 81
196:Performance history
160:Morceau de concours
134:Composition history
1048:The Devil in opera
945:Debussy quadrangle
895:La Damoiselle Ă©lue
687:Reflets dans l'eau
540:Première rhapsodie
465:La boîte à joujoux
259:Holmes 1991, p. 68
172:Metropolitan Opera
99:
1018:Unfinished operas
983:
982:
860:Ariettes oubliées
839:
838:
800:
799:
762:La plus que lente
696:Children's Corner
650:suite (1894–1901)
639:Suite bergamasque
555:
554:
527:L'enfant prodigue
182:(the others were
89:Illustration of "
83:
82:
1055:
1000:
999:
991:
973:
972:
829:En blanc et noir
802:
704:The Little Nigar
631:Valse romantique
612:
516:
417:
370:
363:
356:
347:
278:
275:
269:
266:
260:
257:
126:'s short story "
53:
50:
45:
21:
1063:
1062:
1058:
1057:
1056:
1054:
1053:
1052:
1008:
1007:
1006:
994:
986:
984:
979:
961:
957:Debussy Heights
917:
882:
835:
796:
682:, Set 1 (1905)
603:
551:
514:
471:
436:
388:
379:
374:
336:Orledge, Robert
332:
330:Further reading
314:Gresham College
298:Orledge, Robert
282:
281:
276:
272:
267:
263:
258:
254:
244:
230:
216:
211:
198:
136:
124:Edgar Allan Poe
95:Edgar Allan Poe
78:Edgar Allan Poe
75:
54:
51:
47:Claude Debussy
17:
12:
11:
5:
1061:
1059:
1051:
1050:
1045:
1043:One-act operas
1040:
1035:
1030:
1025:
1020:
1010:
1009:
1005:
1004:
981:
980:
978:
977:
966:
963:
962:
960:
959:
954:
953:
952:
942:
937:
932:
925:
923:
919:
918:
916:
915:
907:
903:Trois Chansons
899:
890:
888:
884:
883:
881:
880:
876:FĂŞtes galantes
872:
864:
856:
847:
845:
841:
840:
837:
836:
834:
833:
825:
817:
808:
806:
798:
797:
795:
794:
788:
787:
786:
779:
766:
758:
757:
756:
749:
742:
735:
728:
721:
708:
700:
692:
691:
690:
675:
671:L'isle joyeuse
667:
659:
651:
643:
635:
627:
623:Two Arabesques
618:
616:
609:
605:
604:
602:
601:
591:
582:
576:
573:String Quartet
570:
563:
561:
557:
556:
553:
552:
550:
549:
543:
537:
531:
522:
520:
519:With a soloist
513:
512:
504:
496:
488:
479:
477:
473:
472:
470:
469:
461:
453:
444:
442:
438:
437:
435:
434:
426:
418:
405:
396:
394:
390:
389:
384:
381:
380:
377:Claude Debussy
375:
373:
372:
365:
358:
350:
344:
343:
331:
328:
327:
326:
317:
295:
280:
279:
270:
261:
251:
250:
243:
240:
229:
228:Second tableau
226:
215:
212:
210:
207:
197:
194:
147:André Messager
135:
132:
116:Claude Debussy
114:in one act by
81:
80:
68:
64:
63:
60:
56:
55:
46:
38:
37:
35:Claude Debussy
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
1060:
1049:
1046:
1044:
1041:
1039:
1036:
1034:
1031:
1029:
1026:
1024:
1021:
1019:
1016:
1015:
1013:
1003:
998:
993:
989:
976:
968:
967:
964:
958:
955:
951:
948:
947:
946:
943:
941:
938:
936:
933:
930:
927:
926:
924:
920:
913:
912:
908:
905:
904:
900:
897:
896:
892:
891:
889:
885:
878:
877:
873:
870:
869:
865:
862:
861:
857:
854:
853:
849:
848:
846:
842:
831:
830:
826:
823:
822:
818:
815:
814:
810:
809:
807:
803:
792:
789:
785:
784:
780:
778:
777:
773:
772:
770:
767:
764:
763:
759:
755:
754:
750:
748:
747:
743:
741:
740:
736:
734:
733:
729:
727:
726:
722:
720:
719:
715:
714:
712:
709:
706:
705:
701:
698:
697:
693:
689:
688:
684:
683:
681:
680:
676:
673:
672:
668:
665:
664:
660:
657:
656:
652:
649:
648:
647:Pour le piano
644:
641:
640:
636:
633:
632:
628:
625:
624:
620:
619:
617:
613:
610:
606:
599:
596:(1915–1917):
595:
592:
589:
587:
583:
580:
577:
574:
571:
568:
565:
564:
562:
558:
547:
544:
541:
538:
535:
532:
529:
528:
524:
523:
521:
517:
510:
509:
505:
502:
501:
497:
494:
493:
489:
486:
485:
481:
480:
478:
474:
467:
466:
462:
459:
458:
454:
451:
450:
446:
445:
443:
439:
432:
431:
427:
424:
423:
419:
416:
411:
410:
406:
403:
402:
398:
397:
395:
391:
387:
382:
378:
371:
366:
364:
359:
357:
352:
351:
348:
341:
337:
334:
333:
329:
324:
323:
318:
315:
311:
309:
303:
302:Stephen Wyatt
299:
296:
293:
289:
288:
287:
286:
274:
271:
265:
262:
256:
253:
249:
248:
241:
239:
235:
234:
227:
225:
221:
220:
214:First tableau
213:
208:
206:
203:
195:
193:
191:
190:
185:
181:
177:
173:
169:
165:
161:
155:
150:
149:in June 1902:
148:
143:
142:
133:
131:
129:
125:
121:
117:
113:
109:
105:
104:
96:
92:
87:
79:
73:
69:
65:
61:
57:
44:
39:
36:
32:
27:
22:
19:
909:
901:
893:
874:
866:
858:
850:
827:
819:
813:Petite suite
811:
781:
774:
760:
751:
744:
737:
730:
723:
716:
702:
694:
685:
677:
669:
661:
653:
645:
637:
629:
626:(1888, 1891)
621:
598:Cello Sonata
585:
525:
506:
498:
490:
482:
463:
455:
447:
428:
421:
420:
412:(1893–1902)
407:
399:
339:
320:
310:(1902–1912?)
307:
291:
284:
283:
273:
264:
255:
246:
245:
236:
232:
231:
222:
218:
217:
201:
199:
187:
183:
179:
167:
159:
157:
152:
139:
137:
107:
102:
101:
100:
18:
1023:1912 operas
929:Emma Bardac
887:Other vocal
879:(1891–1904)
871:(1887–1889)
863:(1885–1887)
816:(1886–1889)
776:Brouillards
699:(1906–1908)
642:(1890–1905)
548:(1901-1911)
542:(1909–1910)
536:(1889–1890)
511:(1905–1912)
503:(1903–1905)
495:(1897–1899)
460:(1912–1913)
452:(1911–1912)
433:(1908–1917)
425:(1902–1911)
404:(1890–1892)
122:, based on
118:to his own
52: 1900
31:comic opera
29:Unfinished
1012:Categories
567:Piano Trio
476:Orchestral
242:References
852:Beau soir
588:for flute
492:Nocturnes
338:(1982),
294:. Omnibus
975:Category
769:Préludes
711:Préludes
655:Estampes
304:(2012),
209:Synopsis
120:libretto
67:Based on
59:Language
922:Related
663:Masques
560:Chamber
292:Debussy
285:Sources
1038:Operas
988:Portal
950:crater
931:(wife)
914:(1911)
906:(1909)
898:(1889)
855:(1880)
832:(1915)
824:(1914)
793:(1915)
791:Études
765:(1910)
718:Voiles
707:(1909)
679:Images
674:(1904)
666:(1904)
658:(1903)
634:(1890)
600:(1915)
590:(1913)
586:Syrinx
581:(1904)
575:(1893)
569:(1879)
530:(1884)
508:Images
500:La mer
487:(1894)
468:(1913)
449:Khamma
441:Ballet
62:French
1002:Opera
844:Songs
608:Piano
393:Opera
247:Notes
112:opera
93:" by
615:Solo
457:Jeux
186:and
130:".
76:by
33:by
1014::
300:;
174:,
49:c.
990::
369:e
362:t
355:v
306:"
106:(
74:"
70:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.