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first big baritone role." The supporting singers were also greatly admired, in particular, Barreille as the huntsman and Warot as the harvester. Meyerbeer's music was praised for its originality, but the libretto was found incomprehensible and even met with derision. In the initial run of performances up to the end of 1859, changes were made, the most significant being the casting of the contralto
Palmyre Wertheimber in the role of Hoël.
605:) in Italian on 24 November 1862. As a novelty, it attracted a great deal of attention and (starring the now nearly forgotten Angelina Cordier) was very popular. One of its attractions was to be the appearance of an actual, live goat on stage, which "inspired a vast dissemination of facetious goat-lore in all the papers." Unfortunately, the opera followed close on the heels of a highly successful production of Bellini's
1876:
568:
The principal singers were highly acclaimed: "Marie Cabel for her vertiginous-virtuoso interpretation of
Dinorah; Sainte-Foy for his overwhelmingly convincing characterization of Corentin, lyrically as well as dramatically; Jean-Baptiste Faure for his fascinating stage presence as Hoël, Meyerbeer's
454:
During the annual pilgrimage to the chapel of the Virgin, Dinorah has gone mad because her bridegroom Hoël disappeared following a storm that interrupted their wedding on the same day the previous year. Dinorah has lost her pet goat Bellah but, believing she has found it, she sings a lullaby to the
517:
Hoël and
Corentin descend upon the cache where Dinorah also happens to be. From her, Corentin learns about the legend, and later he and Hoël invite each other first to inspect the treasure. During that time, Dinorah, in pursuit of her pet goat, steps on a tree trunk by a river as it is hit by
462:). Hoël returns to the village, having discovered the whereabouts of a treasure. He enlists Corentin to help him recover the riches, but not without sinister intent, since according to the legend, the first to touch them will perish.
626:, but was rarely performed during the latter half of the 20th century except for the famous virtuoso aria for soprano "Ombre légère", also known as "The Shadow Song", in which Dinorah sings to and then dances with her
853:
Isabelle
Philippe (Dinorah), Armand Arapian (Hoël), Frédéric Mazzotta (Corentin) – Théâtre français de la musique, Cori Spezzatti, Orchestre de L’Opéra d’Etat Hongrais Failoni, Olivier Opdebeeck (conductor),
682:
526:
576:
on 27 August 1874, 23 May 1881, 6 June 1896, and 16 March 1912, by which time it had been performed over 200 times by the company. It was revived in
Brussels as late as 11 January 1939.
903:
Meyerbeer's manuscripts have not been found, and most published libretti reflect cuts to the score made in almost all productions. A complete libretto has recently been published by
1924:
411:
984:
Additions to the libretto were made in German by
Meyerbeer and Charlotte Birch-Pfeiffer and translated into French by Georges-Frédéric Burguis and Joseph Duesburg respectively (
694:
615:(6 December 1862) was highly critical, writing: "Beside such music as this (the heaviest of light operas), Bellini's melodies are golden and Rossini's operas classic."
716:
from 12 November 1938, has been preserved. This unusual overture has several sections with chorus, and ample percussion, and has been compared favorably with those of
1234:
583:
to replace the spoken dialog for performances abroad. The opera was translated into
Italian by Achille de Lauzières for the premiere in London on 26 July 1859 (with
1521:
545:. She recognizes him and regains her sanity. The villagers arrive and sing a hymn of forgiveness and lead the two lovers to the chapel where they will be married.
1334:
667:
1718:
1604:
565:
and Jean-Louis Chéret. Those for the more technically demanding act 2, which included onstage running water, were by Joseph and Karl
Wilhelm MĂĽhldorfer.
1678:
1265:
959:
and is not generally used as the title in
English-speaking countries. Some revivals in France and most performances outside France have used the name
859:
562:
500:). A moonbeam falls on her and casts its shadow on her feet. Imagining that it is the day before her wedding, she sings and dances with her shadow (
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1934:
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Although the opera has been largely neglected during the latter half of the last century, a rare broadcast performance of the overture by
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1929:
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Paris: Michel Lévy Frères, 1859. (Second edition of the libretto used for additional stage directions and scenic descriptions.)
584:
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1939:
904:
1133:
518:
lightning, and falls in the water and is swept away by the current. Hoël having witnessed the scene leaps to her rescue.
1172:
813:
496:
Dinorah imagined she heard Hoël's voice and followed it into the wood, but once there, she weeps to find herself alone (
1437:
Strong on Music: The New York Music Scene in the Days of George
Templeton Strong. Volume III: Repercussions, 1857–1862
1919:
922:
Le Pardon de Ploërmel; opéra en trois actes. "Edition contenant les récitatifs et les morceaux ajoutés par l’auteur."
450:, a rugged and wild site illuminated by the last rays of the setting sun with, in the foreground, Corentin's cottage
1828:
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51:
273:
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918:. Paris: Brandus & Dufour, 1859. (First edition of the full orchestral score with spoken dialogue.)
572:
The opera remained very successful in Paris up to 1912. Under its original title it was revived at the
1914:
1028:
The real name of the bass singer using the stage name of Barreille was Alexandre-Maximilien Bonvoux (
805:
779:
744:
911:. The following are the early printed sources which were used in the preparation of that libretto:
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313:
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was presented in full production by New York City's Amore Opera from March 19 to 23, 2019, at the
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An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays
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1004:, p. 187 (Letellier gives the title of the second story as "Le Kacouss de l'amour".)
162:
73:
1860:
1836:
855:
840:
801:
721:
804:(Dinorah), Étienne Dupuis (Hoël), Phiippe Talbot (Corentin) – Chorus and Orchestra of
630:. Other sopranos who have enjoyed considerable success in the role of Dinorah include
1893:
1820:
1495:
1206:
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635:
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607:
252:
158:
68:
17:
1052:, p. 196 gives the name Jules Chérets (probably confusing him with the painter
824:
727:
Meyerbeer's operas have become performed more often in Europe in the 21st century.
558:
339:
740:
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was initially performed quite often outside France and became a great favorite of
580:
447:
229:
166:
1684:
832:
791:
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Paris: Benoit, 1885. (Score with sung recitatives in place of spoken dialog.)
858:(adaptation and production) – Recorded in performance in October 2002 at the
651:
1124:, column 942 has the exact date and language, but not the venue. Note that
1659:
1651:
1585:
1581:
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Hoël admits his love and regrets to Dinorah as she regains consciousness
1655:
732:
457:
434:
308:
170:
154:
94:
1589:
1480:(third, revised ed.). Totowa, New Jersey: Rowman and Littlefield.
239:
1048:
identifies the set designer Chéret as Jean Louis Chéret (1810–1882).
627:
1696:
736:
525:
472:
464:
268:
879:
1700:
611:, and Meyerbeer's work suffered by comparison. The reviewer in
591:, but it was first performed in America on 4 March 1861 at the
863:
743:
in 2002. A concert performance of the opera was given by the
1307:
The Meyerbeer Libretti: Opéra Comique 2 Le Pardon de Ploërmel
469:
Act 2, scene 1, Dinorah dances with her shadow (London, 1859)
56:
Poster for the premiere depicting Corentin, Dinorah, and Hoël
909:
Giacomo Meyerbeer: The Complete Libretti in Eleven Volumes
1392:
Giacomo Meyerbeer: Briefwechsel und Tagebücher, 1856–1859
1423:
Joyce, John; McPeek, Gwynn Spencer (2001). "New Orleans"
955:. The translation "The Pilgrimage of Ploërmel" is by
561:
in Paris. The stage designs for acts 1 and 3 were by
928:
Le Pardon de Ploërmel; opéra-comique en trois actes.
1734:
1394:(volume 7) (in German). Berlin: Walter de Gruyter.
916:
Le Pardon de Ploërmel; opéra-comique en trois actes
101:
90:
82:
61:
31:
1205:
819:The aria "Ombre légère" has been recorded by many
1555:Théâtre de l'Opéra-Comique: Repertoire 1762–1972
1158:
1145:
1522:The New Grove Dictionary of Music and Musicians
951:In France the opera is most often performed as
553:The opera was premiered on 4 April 1859 by the
165:. The story takes place near the rural town of
1681:(Includes vocal scores in French and Italian.)
1375:. New York: Penguin Putnam. pp. 570–577.
1066:
1064:
1062:
1712:
1367:Brown, Clive (2001). "Giacomo Meyerbeer". In
1041:
177:, "La Chasse aux trésors" and "Le Kacouss de
8:
1461:. Hampshire, England: Ashgate. p. 195.
1196:
1194:
1085:
1083:
1081:
1079:
997:
972:
181:", both published separately in 1850 in the
1117:
498:Romance: Me voici, Hoël doit m’attendre ici
1925:Opera world premieres at the Opéra-Comique
1875:
1719:
1705:
1697:
1574:Un demi-siècle d'Opéra-Comique (1900–1950)
1333:: CS1 maint: location missing publisher (
1121:
1089:
50:
28:
1679:International Music Score Library Project
1557:(in French). Sprimont, Belgium: Mardaga.
1070:
1049:
1029:
1001:
543:(Romance: Ah ! mon remords te venge)
1439:. Chicago: University of Chicago Press.
1212:. Fairleigh Dickinson University Press.
194:
1289:
1132:, p. 584, say it was given at the
1101:
1012:
1010:
985:
956:
944:
656:
1553:Wild, Nicole; Charlton, David (2005).
1326:
1309:. Cambridge Scholars. Introduction by
1129:
1113:
782:(Hoël), Alexander Oliver (Corentin) –
587:) and became known internationally as
477:MĂĽhldorfers' design for act 2, scene 2
1426:
1416:
1345:
1175:. ToscaniniOnline.com. Archived from
1125:
1016:
211:Premiere cast, 4 April 1859
197:Roles, voice types, and premiere cast
7:
963:. Other French titles have included
1615:. L'Almanacco di Gherardo Casaglia
1525:(2nd ed.). London: Macmillan.
1390:Henze-Döhring, Sabine, ed. (2004).
1693:, Amore Opera, New York City, 2019
1342:Belsom, Jack (1992). "New Orleans"
601:was performed in New York (at the
25:
1501:The New Grove Dictionary of Opera
1355:A History of Opera in New Orleans
1874:
1504:(4 volumes). London: Macmillan.
693:
681:
666:
563:Edouard-Désiré-Joseph Despléchin
410:
398:
386:
1208:The Operas of Giacomo Meyerbeer
965:Le Pardon de Notre-Dame d'Auray
747:, in 2014, which was recorded.
1305:Arsenty, Richard, ed. (2008).
660:The Victrola Book of the Opera
1:
905:Cambridge Scholars Publishing
860:Théâtre impérial de Compiègne
1519:Sadie, Stanley, ed. (2001).
1362: (archived May 31, 2008)
492:A birch wood lit by the moon
149:in three acts with music by
1905:Operas by Giacomo Meyerbeer
1644:Kobbé's Complete Opera Book
1476:Loewenberg, Alfred (1978).
1373:The New Penguin Opera Guide
1266:"New York Classical Review"
1956:
1829:Ein Feldlager in Schlesien
1603:Casaglia, Gherardo (2005).
1455:Letellier, Robert Ignatius
1348:, vol. 3, pp. 584–585
1270:newyorkclassicalreview.com
1202:Letellier, Robert Ignatius
786:, Philarmonia Orchestra –
595:in New Orleans in French.
460:: Bellah, ma chèvre chérie
455:goat and then walks away (
1930:Libretti by Jules Barbier
1871:
1478:Annals of Opera 1597–1940
1409:Huebner, Steven (1992). "
862:. Cascavelle DVDELD7000 (
446:In the Breton village of
367:
49:
38:
1935:Libretti by Michel Carré
1622:Huebner, Steven (2008).
1572:Wolff, Stéphane (1953).
998:Wild & Charlton 2005
973:Wild & Charlton 2005
430:Time: Nineteenth century
274:Charles-Louis Sainte-Foy
1767:Semiramide riconosciuta
1419:, vol. 1, pp. 1179–1180
1313:. Newcastle upon Tyne.
1173:"Toscanini Discography"
1118:Joyce & McPeek 2001
784:Geoffrey Mitchell Choir
213:(Conductor: Meyerbeer)
1900:French-language operas
1754:(1813) (also known as
1576:. Paris: André Bonne.
1433:Brodsky Lawrence, Vera
907:as part of the series
714:NBC Symphony Orchestra
538:
478:
470:
370:peasants and villagers
106:4 April 1859
1799:Il crociato in Egitto
1674:Le pardon de Ploërmel
1352:Belsom, Jack (2007).
1171:Wilson, John (2002).
1159:Brodsky Lawrence 1999
1146:Brodsky Lawrence 1999
953:Le pardon de Ploërmel
731:received stagings in
537:act 3 scene 1 (1870).
529:
476:
468:
184:Revue des deux mondes
145:), is an 1859 French
134:Le pardon de Ploërmel
34:Le pardon de Ploërmel
18:Le pardon de Ploërmel
1940:Operas set in France
1646:. New York: Putnam.
806:Deutsche Oper Berlin
780:Christian du Plessis
745:Deutsche Oper Berlin
169:and is based on two
1245:on 9 September 2018
1235:"Meyerbeer:Dinorah"
1128:, p. 576, and
969:Les Chercheurs d'or
899:Libretto and scores
821:coloratura sopranos
658:Illustrations from
632:Amelita Galli-Curci
579:Meyerbeer composed
549:Performance history
513:A mysterious valley
314:Jean-Baptiste Faure
297:Marguerite Decroix
199:
1813:Ballet of the Nuns
1791:L'esule di Granata
1783:Margherita d'Anjou
1751:Die beiden Kalifen
1686:Act 2, storm scene
1629:Grove Music Online
1547:Grove Music Online
1161:, pp. 514–515
1042:Henze-Döhring 2004
593:French Opera House
539:
479:
471:
225:coloratura soprano
195:
1887:
1886:
1728:Giacomo Meyerbeer
1640:Harewood, Earl of
1564:978-2-87009-898-1
1532:978-1-56159-239-5
1511:978-1-56159-228-9
1487:978-0-87471-851-5
1468:978-0-7546-6039-2
1401:978-3-11-018030-5
1320:978-1-84718-969-1
1264:Simpson, Eric C.
1219:978-0-8386-4093-7
1134:Théâtre d'Orléans
892:978-0-7697-7983-6
755:Riverside Theatre
688:"The Shadow Song"
640:Georgina Schubert
533:, set design for
502:Air: Ombre légère
375:
374:
151:Giacomo Meyerbeer
124:
123:
44:Giacomo Meyerbeer
16:(Redirected from
1947:
1878:
1877:
1845:L'Ă©toile du nord
1807:Robert le diable
1775:Emma di Resburgo
1721:
1714:
1707:
1698:
1687:
1677:: Scores at the
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1311:Robert Letellier
1293:
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1241:. Archived from
1233:Baker, David J.
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878:. Kultur D4013 (
710:Arturo Toscanini
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648:Maria Barrientos
644:Luisa Tetrazzini
603:Academy of Music
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113:
111:
54:
29:
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1920:Opéras comiques
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1743:Jephtas GelĂĽbde
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1598:Further reading
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1360:Wayback Machine
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1292:, pp. 2–3.
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1122:Loewenberg 1978
1112:
1108:
1104:, p. 1180.
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1090:Loewenberg 1978
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1077:
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1040:
1036:
1032:, p. 241).
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1008:
1000:, p. 353;
996:
992:
983:
979:
975:, p. 353).
950:
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901:
829:Joan Sutherland
810:Enrique Mazzola
763:
739:in 2000 and in
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585:Miolan-Carvalho
551:
531:Un sito agreste
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175:Émile Souvestre
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1937:
1932:
1927:
1922:
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1902:
1892:
1891:
1885:
1884:
1880:List of operas
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1756:wirth und Gast
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1667:External links
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1498:, ed. (1992).
1496:Sadie, Stanley
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1179:on 3 June 2010
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817:
812:(conductor) –
802:Patrizia Ciofi
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790:(conductor) –
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618:Nevertheless,
613:Dwight's Music
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1636:Kobbé, Gustav
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1613:4 April 1859"
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1018:
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837:June Anderson
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629:
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624:Adelina Patti
621:
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604:
600:
596:
594:
590:
586:
582:
577:
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574:Opéra-Comique
570:
566:
564:
560:
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555:Opéra-Comique
548:
546:
544:
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532:
528:
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267:
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261:
260:
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253:mezzo-soprano
251:
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210:
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188:
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176:
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159:Jules Barbier
156:
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147:opéra comique
144:
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136:
135:
131:, originally
130:
129:
118:
117:Opéra-Comique
104:
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96:
93:
89:
85:
81:
75:
72:
70:
69:Jules Barbier
67:
66:
64:
60:
53:
48:
45:
41:
40:Opéra comique
37:
30:
27:
19:
1873:
1859:
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1835:
1827:
1819:
1811:
1805:
1797:
1789:
1781:
1773:
1765:
1759:
1755:
1749:
1741:
1673:
1643:
1627:
1623:
1617:(in Italian)
1606:
1573:
1554:
1520:
1499:
1477:
1458:
1436:
1410:
1391:
1372:
1354:
1306:
1298:
1297:
1290:Arsenty 2008
1285:
1273:. Retrieved
1269:
1259:
1247:. Retrieved
1243:the original
1238:
1228:
1207:
1181:. Retrieved
1177:the original
1166:
1153:
1141:
1109:
1102:Huebner 1992
1097:
1092:, column 942
1054:Jules Chéret
1037:
1024:
993:
986:Arsenty 2008
980:
968:
964:
960:
952:
947:
939:
938:
927:
921:
915:
908:
902:
847:
846:
825:Maria Callas
823:, including
797:
776:Deborah Cook
771:
765:
764:
750:
749:
728:
726:
707:
659:
619:
617:
612:
606:
598:
597:
588:
578:
571:
567:
559:Salle Favart
552:
542:
540:
534:
530:
516:
512:
511:
501:
497:
495:
491:
490:
456:
453:
445:
444:
369:
340:Victor Warot
333:A harvester
303:
263:
219:
182:
163:Michel Carré
138:
133:
132:
127:
126:
125:
74:Michel Carré
26:
1915:1859 operas
1861:L'Africaine
1837:Le prophète
1249:9 September
1130:Belsom 1992
1114:Belsom 2007
778:(Dinorah),
701:Galli-Curci
581:recitatives
393:Marie Cabel
320:A huntsman
304:a goat-herd
264:a bag-piper
257:Emma Belia
230:Marie Cabel
143:of Ploërmel
1894:Categories
1427:Sadie 2001
1417:Sadie 1992
1346:Sadie 1992
1183:7 November
1157:Quoted in
1126:Brown 2001
1044:, p.
1017:Wolff 1953
935:References
833:Anna Moffo
792:Opera Rara
788:James Judd
761:Recordings
703:as Dinorah
676:as Dinorah
674:Tetrazzini
405:Sainte-Foy
328:Barreille
262:Corentin,
207:Voice type
110:1859-04-04
62:Librettist
1660:637971238
1652:560129867
1624:"Dinorah"
1586:459125672
1582:250469567
1543:419285866
1329:cite book
876:717423316
741:Compiègne
652:Lily Pons
417:J-B Faure
363:Palianti
349:baritone
291:Goatherd
280:Goatherd
249:Shepherd
244:Breuillé
236:Shepherd
218:Dinorah,
173:tales by
1810:(1831) (
1760:Alimelek
1656:10720244
1642:(1958).
1457:(2008).
1435:(1999).
1275:22 March
1204:(2006).
884:Region 1
868:Region 0
733:Dortmund
712:and the
458:Berceuse
448:Ploërmel
435:Brittany
425:Synopsis
368:Chorus:
352:Lemaire
309:baritone
294:soprano
283:soprano
167:Ploërmel
155:libretto
102:Premiere
91:Based on
83:Language
1853:Dinorah
1691:YouTube
1607:Dinorah
1590:2174128
1411:Dinorah
1371:(ed.).
1358:at the
1299:Sources
961:Dinorah
798:Dinorah
772:Dinorah
751:Dinorah
729:Dinorah
718:Rossini
620:Dinorah
599:Dinorah
589:Dinorah
535:Dinorah
508:Scene 2
487:Scene 1
433:Place:
357:Claude
240:soprano
179:l'Armor
128:Dinorah
108: (
32:Dinorah
1910:Operas
1864:(1865)
1856:(1859)
1848:(1854)
1840:(1849)
1832:(1844)
1824:(1836)
1802:(1824)
1794:(1822)
1786:(1820)
1778:(1819)
1770:(1819)
1746:(1812)
1735:Operas
1650:
1611:
1580:
1561:
1541:
1529:
1508:
1484:
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1443:
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1379:
1317:
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890:
874:
816:(2014)
794:(1979)
662:(1919)
650:, and
628:shadow
360:tenor
336:tenor
302:Hoël,
286:Dupuy
171:Breton
153:and a
141:Pardon
95:Breton
86:French
940:Notes
848:Video
766:Audio
737:Parma
722:Verdi
608:Norma
522:Act 3
482:Act 2
441:Act 1
346:LoĂŻc
269:tenor
203:Role
191:Roles
97:tales
1758:and
1648:OCLC
1578:OCLC
1559:ISBN
1539:OCLC
1527:ISBN
1506:ISBN
1482:ISBN
1463:ISBN
1441:ISBN
1396:ISBN
1377:ISBN
1335:link
1315:ISBN
1277:2019
1251:2018
1214:ISBN
1185:2010
967:and
888:ISBN
880:NTSC
872:OCLC
839:and
735:and
720:and
324:bass
161:and
139:The
1689:on
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