419:
375:
23:
2102:
450:
have shown that there is a significant amount of material in Hotho's text that is not represented in the student notes, and it is unclear how much of the material is originally based on manuscripts that have been lost. Additionally, the student notes show that Hegel's views on aesthetics evolved over
437:
Lydia Moland states that understanding Hegel's theory of aesthetics presents a significant challenge with Hegel scholarship due to the nature of the surviving materials on
Aesthetics. Although Hegel lectured on art several times , he died before he was able to publish the handbook that he intended to
409:
Contrary to once-common belief, Hegel nowhere declares art to be "dead." What he says, in a representative statement is, "For us art counts no longer as the highest mode in which truth procures existence for itself." He speaks frequently of its "dissolution" , not its end , despite Hotho's use of the
466:
between 1816 and 1818. Vieweg argues that this material will help scholars resolve the issue relating to the authenticity of Hotho's transcriptions, which are so far the only source on
Hegelian aesthetics. These new notes are the only ones available dating back to Hegel's teaching period in
1901:
446:, gathered the lecture notes that Hegel had intended to adapt for publication and combined them with a significant number of student notes. While this work has been the standard text for almost 200 years, more recent studies by
288:
Now when truth in this its external existence is present to consciousness immediately, and with the concept remains immediately in unity with its external appearance, the Idea is not only true but
454:
A possible solution to these interpretative problems will come from the discovery in 2022 made by Hegel's biographer Klaus Vieweg. More than 4,000 pages of notes from Hegel's lectures at the
276:, using Hegel's own hand-written notes and notes his students took during the lectures, but Hotho's work may render some of Hegel's thought more systematic than Hegel's initial presentation.
1951:
459:
2137:
382:
as "standing at an unapproachable height" in his portrayal "on the infinite breadth of his 'world-stage'" of his characters as "free artists of their own selves"
467:
Heidelberg and will be of absolute use in reconstructing the genesis of
Hegelian thought on art and its relationship with religion and philosophy in general.
1881:
99:
22:
643:
199:
1005:
972:
944:
916:
888:
858:
811:
769:
741:
226:
1163:
479:. Hegel's thesis about the historical dissolution of art has been the subject of much scholarly debate and influenced such thinkers like
838:
284:
Hegel develops his account of art as a mode of absolute spirit that he calls "the beautiful ideal," which he defines most generally as
512:
1782:
1475:
1127:
418:
2132:
1460:
1385:
422:
269:
130:
123:
116:
109:
27:
2084:
2011:
463:
711:
Philosophie der Kunst oder Ă„sthetik. Nach Hegel. Im Sommer 1826. Mitschrift
Friedrich Carl Hermann Victor von Kehler
2142:
1610:
1440:
500:
447:
74:
374:
1317:
1136:
1131:
219:
1595:
1971:
1755:
1156:
272:
in
Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29. It was compiled in 1835 by his student
1510:
1077:
475:
Hegel's
Aesthetics is regarded by many as one of the greatest aesthetic theories to have been produced since
2127:
2031:
1981:
1535:
1405:
347:
part concerns itself with an examination of each of the five major arts in ascending order of "inwardness":
1961:
1668:
1370:
1236:
442:
he only published a brief section in the
Encyclopedia. After his death, one of his former Berlin students
84:
79:
2089:
1663:
1616:
1525:
1350:
1323:
1297:
1231:
455:
443:
273:
64:
1638:
1119:
2051:
1931:
1921:
1829:
1802:
1705:
1485:
1226:
430:
212:
2094:
2061:
2036:
1871:
1824:
1819:
1633:
1590:
1580:
1550:
1530:
1415:
1267:
1221:
1216:
1211:
1206:
1149:
379:
89:
1505:
1052:
488:
2056:
2046:
2016:
1991:
1777:
1715:
1575:
1375:
1282:
1201:
1186:
508:
2106:
2066:
1941:
1834:
1808:
1450:
1410:
1365:
1345:
1302:
1277:
1196:
1191:
1001:
968:
940:
912:
884:
854:
807:
765:
737:
480:
426:
147:
1570:
1520:
1465:
1380:
1312:
997:
993:
719:, eds. A Gethmann-Siefert, J.-I. Kwon and K. Berr. Frankfurt am Main: Suhrkamp Verlag, 2004.
484:
310:
152:
451:
time, while Hotho's text only presents a compiled, synthesized version of Hegel's thought.
1455:
1395:
1272:
833:
713:, eds. A. Gethmann-Siefert and B. Collenberg-Plotnikov. Munich: Wilhelm Fink Verlag, 2004.
492:
399:
251:
178:
173:
157:
2041:
2021:
1891:
1648:
1600:
1560:
1495:
1445:
1425:
1360:
1028:
829:
59:
54:
2121:
2071:
1861:
1720:
1643:
1585:
1500:
1480:
1340:
1292:
1069:
504:
338:
Romantic art, understood to emerge with the advent of
Christianity on the world stage
69:
1675:
1540:
1420:
1400:
1252:
496:
350:
1902:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
984:
962:
934:
906:
876:
848:
801:
759:
731:
1844:
1797:
1653:
1605:
1565:
1515:
1307:
35:
1130:& W.M. Bryant, "The Journal of Speculative Philosophy", 1886; published by
1814:
1792:
1685:
1470:
1430:
1390:
1257:
1172:
265:
1725:
1695:
1490:
1435:
1355:
1287:
476:
395:
49:
332:
Symbolic art, understood to encompass everything before
Classical Greek art
2026:
1760:
1710:
1690:
1555:
358:
406:. At the time it was noted for the wealth of pictures included with it.
1839:
1787:
1745:
1730:
1700:
1262:
1772:
1750:
1680:
1658:
736:. Translated by T.M. Knox. Clarendon Press, Oxford University Press.
410:
latter for the heading of the final moment of the Romantic art form.
403:
391:
1074:
The Cambridge Companion to Hegel and Nineteenth-Century Philosophy
390:, Hegel documents the development of art from the paradigmatically
1545:
644:"Manuscript treasure trove may offer fresh understanding of Hegel"
417:
373:
363:
329:
part examines this ideal as it actualizes itself in three stages:
1766:
1740:
1145:
539:
Hegel lectured on art in 1818, 1820-1821, 1823, 1826, and 1829
1735:
1084:
Tragedy and Comedy. A Systematic Study and a Critique of Hegel
707:, ed. A. Gethmann-Siefert. Hamburg: Felix Meiner Verlag, 2003.
520:
462:. These notes mainly deal with aesthetics and were written by
1141:
1059:, Graduate Faculty Philosophy Journal, vol. 23, Nr 2, 87-124.
1072:, 2009. "The Absence of Aesthetics in Hegel’s Aesthetics",
1049:, trans. J. McFarland. Stanford: Stanford University Press.
699:
Vorlesung ĂĽber Ă„sthetik. Berlin 1820/21. Eine Nachschrift
701:, ed. H. Schneider. Frankfurt am Main: Peter Lang, 1995.
264:) is a compilation of notes from university lectures on
1952:
The Work of Art in the Age of Mechanical Reproduction
519:"the most comprehensive reflection on the essence of
322:
part is devoted to the concept of the artistic ideal.
613:
611:
609:
607:
605:
603:
601:
2004:
1853:
1626:
1333:
1245:
1179:
1040:
Art and the Absolute. A Study of Hegel's Aesthetics
803:
Art and the Absolute: A Study of Hegel's Aesthetics
983:
438:use to accompany the lectures, and outside of the
1107:Hegel's Art History and the Critique of Modernity
1102:. Gainesville, FL, University Press of Florida.
1047:The End of Art. Readings in a Rumor after Hegel
1033:Beauty and Truth. A Study of Hegel's Aesthetics
429:in 1828 (sketch after nature and lithograph by
394:architecture to the paradigmatically classical
1124:Selections from Hegel's Lectures on Aesthetics
796:Evanston, Ill.: Northwestern University Press.
1157:
220:
8:
1882:The Literary Mind and the Carving of Dragons
850:Art, Myth and Society in Hegel's Aesthetics
458:have been discovered in the library of the
1164:
1150:
1142:
705:Vorlesungen ĂĽber die Philosophie der Kunst
227:
213:
124:Encyclopedia of the Philosophical Sciences
17:
717:Philosophie der Kunst. Vorlesung von 1826
1109:. Cambridge: Cambridge University Press.
1094:, Cambridge: Cambridge University Press
908:Hegel's Aesthetics: The Art of Idealism
730:Hegel, Georg Wilhelm Friedrich (1998).
552:
532:
304:This ideal is developed throughout the
186:
165:
139:
97:
41:
34:
2138:Works by Georg Wilhelm Friedrich Hegel
629:
617:
998:10.1093/oxfordhb/9780199355228.013.26
576:
7:
839:Stanford Encyclopedia of Philosophy
800:Desmond, William (1 January 1986).
761:Introductory Lectures on Aesthetics
131:Elements of the Philosophy of Right
1035:. Oxford: Oxford University Press.
933:Peters, Julia (20 November 2014).
513:Friedrich Wilhelm Joseph Schelling
499:. Hegel was himself influenced by
460:Archdiocese of Munich and Freising
196:
14:
988:. In Beiser, Frederick C. (ed.).
985:"Hegel's aesthetics: An overview"
961:Rutter, Benjamin (29 July 2010).
680:, vol. 5, Frankfurt, 1977, p. 68.
386:In these second two parts of the
2100:
990:The Cambridge Companion to Hegel
982:Robert Wicks (29 January 1993).
875:Moland, Lydia L. (15 May 2017).
847:James, David (3 November 2011).
733:Aesthetics: Lectures on Fine Art
21:
1098:Winfield, Richard Dien, 1995.
792:Houlgate, Stephen (ed.), 2007,
1120:Hegel’s Lectures on Aesthetics
992:. Cambridge University Press.
967:. Cambridge University Press.
758:Hegel, G.W.F. (29 July 2004).
642:Tor, Sara (29 November 2022).
296:is determined as the sensible
1:
423:Georg Wilhelm Friedrich Hegel
402:arts of painting, music, and
270:Georg Wilhelm Friedrich Hegel
256:Vorlesungen ĂĽber die Ă„sthetik
200:Georg Wilhelm Friedrich Hegel
28:Georg Wilhelm Friedrich Hegel
2012:Aestheticization of politics
881:The Oxford Handbook of Hegel
425:delivering a lecture at the
1138:German text in .pdf format.
1082:Roche, Mark-William, 1998.
911:. Oxford University Press.
883:. Oxford University Press.
877:"Hegel's Philosophy of Art"
110:The Phenomenology of Spirit
2159:
523:that the West possesses".
515:. Heidegger calls Hegel's
501:Johann Joachim Winckelmann
448:Annemarie Gethmann-Siefert
2080:
1132:Marxists Internet Archive
1090:Rutter, Benjamin (2010),
905:Moland, Lydia L. (2019).
308:in accordance to Hegel's
1092:Hegel on the Modern Arts
1038:Desmond, William, 1986,
964:Hegel on the Modern Arts
879:. In Moyar, Dean (ed.).
464:Friedrich Wilhelm Carové
2032:Evolutionary aesthetics
1982:The Aesthetic Dimension
1062:Maker, W. (ed.), 2000.
1962:Avant-Garde and Kitsch
1912:Lectures on Aesthetics
517:Lectures on Aesthetics
434:
383:
302:
255:
241:Lectures on Aesthetics
2133:Aesthetics literature
2107:Philosophy portal
1100:Systematic Aesthetics
1042:. Albany: SUNY Press.
456:Heidelberg University
444:Heinrich Gustav Hotho
421:
377:
286:
274:Heinrich Gustav Hotho
2052:Philosophy of design
1932:In Praise of Shadows
1922:The Critic as Artist
1064:Hegel and Aesthetics
830:"Hegel's Aesthetics"
117:The Science of Logic
2062:Philosophy of music
2037:Mathematical beauty
1086:. Albany. New York.
1045:Geulen, Eva, 2006,
828:Houlgate, Stephen.
794:Hegel and the Arts.
380:William Shakespeare
2057:Philosophy of film
2047:Patterns in nature
2017:Applied aesthetics
1992:Why Beauty Matters
1778:Life imitating art
1639:Art for art's sake
1105:Wyss, Beat, 1999,
1057:Hegel's Aesthetics
693:Lecture Trancripts
676:Martin Heidegger,
509:Friedrich Schiller
435:
384:
187:Related categories
2143:Books of lectures
2115:
2114:
2067:Psychology of art
1942:Art as Experience
1128:Bernard Bosanquet
1007:978-1-139-82495-8
974:978-1-139-48978-2
946:978-1-317-63523-9
918:978-0-19-084732-6
890:978-0-19-935523-5
860:978-1-4411-6471-1
853:. A&C Black.
813:978-0-88706-150-9
771:978-0-14-191561-6
743:978-0-19-823816-4
481:Theodor W. Adorno
427:Berlin University
378:Hegel considered
300:of the Idea.
237:
236:
148:Absolute idealism
2150:
2105:
2104:
2103:
1997:
1987:
1977:
1967:
1957:
1947:
1937:
1927:
1917:
1907:
1897:
1887:
1877:
1867:
1166:
1159:
1152:
1143:
1095:
1018:
1016:
1014:
987:
978:
957:
955:
953:
929:
927:
925:
901:
899:
897:
871:
869:
867:
843:
834:Zalta, Edward N.
824:
822:
820:
782:
780:
778:
754:
752:
750:
681:
674:
668:
665:
659:
658:
656:
654:
639:
633:
627:
621:
615:
596:
586:
580:
574:
568:
557:
540:
537:
485:Martin Heidegger
229:
222:
215:
198:
153:British idealism
25:
18:
2158:
2157:
2153:
2152:
2151:
2149:
2148:
2147:
2118:
2117:
2116:
2111:
2101:
2099:
2076:
2000:
1995:
1985:
1975:
1972:Critical Essays
1965:
1955:
1945:
1935:
1925:
1915:
1905:
1895:
1885:
1875:
1865:
1849:
1622:
1536:Ortega y Gasset
1329:
1241:
1175:
1170:
1122:web version of
1116:
1089:
1029:Bungay, Stephen
1025:
1023:Further reading
1012:
1010:
1008:
981:
975:
960:
951:
949:
947:
936:Hegel on Beauty
932:
923:
921:
919:
904:
895:
893:
891:
874:
865:
863:
861:
846:
827:
818:
816:
814:
799:
789:
776:
774:
772:
757:
748:
746:
744:
729:
726:
695:
690:
685:
684:
675:
671:
666:
662:
652:
650:
641:
640:
636:
628:
624:
616:
599:
587:
583:
575:
571:
558:
554:
549:
544:
543:
538:
534:
529:
493:Jacques Derrida
473:
416:
282:
233:
204:
203:
202:
195:
179:Young Hegelians
174:Right Hegelians
158:German idealism
30:
12:
11:
5:
2156:
2154:
2146:
2145:
2140:
2135:
2130:
2128:1835 documents
2120:
2119:
2113:
2112:
2110:
2109:
2097:
2092:
2087:
2081:
2078:
2077:
2075:
2074:
2069:
2064:
2059:
2054:
2049:
2044:
2042:Neuroesthetics
2039:
2034:
2029:
2024:
2022:Arts criticism
2019:
2014:
2008:
2006:
2002:
2001:
1999:
1998:
1988:
1978:
1968:
1958:
1948:
1938:
1928:
1918:
1908:
1898:
1892:On the Sublime
1888:
1878:
1868:
1857:
1855:
1851:
1850:
1848:
1847:
1842:
1837:
1832:
1827:
1822:
1817:
1812:
1805:
1800:
1795:
1790:
1785:
1780:
1775:
1770:
1763:
1758:
1756:Interpretation
1753:
1748:
1743:
1738:
1733:
1728:
1723:
1718:
1713:
1708:
1703:
1698:
1693:
1688:
1683:
1678:
1673:
1672:
1671:
1666:
1656:
1651:
1649:Artistic merit
1646:
1641:
1636:
1630:
1628:
1624:
1623:
1621:
1620:
1613:
1608:
1603:
1598:
1593:
1588:
1583:
1578:
1573:
1568:
1563:
1558:
1553:
1548:
1543:
1538:
1533:
1528:
1523:
1518:
1513:
1508:
1503:
1498:
1493:
1488:
1483:
1478:
1473:
1468:
1463:
1458:
1453:
1448:
1443:
1438:
1433:
1428:
1423:
1418:
1413:
1408:
1403:
1398:
1393:
1388:
1383:
1378:
1373:
1368:
1363:
1358:
1353:
1348:
1343:
1337:
1335:
1331:
1330:
1328:
1327:
1320:
1315:
1310:
1305:
1300:
1298:Psychoanalysis
1295:
1290:
1285:
1280:
1275:
1270:
1265:
1260:
1255:
1249:
1247:
1243:
1242:
1240:
1239:
1234:
1229:
1224:
1219:
1214:
1209:
1204:
1199:
1194:
1189:
1183:
1181:
1177:
1176:
1171:
1169:
1168:
1161:
1154:
1146:
1140:
1139:
1134:
1115:
1114:External links
1112:
1111:
1110:
1103:
1096:
1087:
1080:
1070:Pippin, Robert
1067:
1060:
1053:Lukács, György
1050:
1043:
1036:
1024:
1021:
1020:
1019:
1006:
979:
973:
958:
945:
930:
917:
902:
889:
872:
859:
844:
825:
812:
806:. SUNY Press.
797:
788:
785:
784:
783:
770:
764:. Penguin UK.
755:
742:
725:
722:
721:
720:
714:
708:
702:
694:
691:
689:
686:
683:
682:
669:
667:Houlgate, 2009
660:
634:
632:, p. 562.
622:
597:
581:
569:
551:
550:
548:
545:
542:
541:
531:
530:
528:
525:
472:
469:
415:
412:
372:
371:
370:
369:
366:
361:
356:
353:
341:
340:
339:
336:
333:
323:
281:
278:
235:
234:
232:
231:
224:
217:
209:
206:
205:
194:
193:
192:
189:
188:
184:
183:
182:
181:
176:
168:
167:
166:Related topics
163:
162:
161:
160:
155:
150:
142:
141:
137:
136:
135:
134:
127:
120:
113:
103:
102:
95:
94:
93:
92:
87:
82:
77:
72:
67:
62:
57:
52:
44:
43:
39:
38:
32:
31:
26:
13:
10:
9:
6:
4:
3:
2:
2155:
2144:
2141:
2139:
2136:
2134:
2131:
2129:
2126:
2125:
2123:
2108:
2098:
2096:
2093:
2091:
2088:
2086:
2083:
2082:
2079:
2073:
2072:Theory of art
2070:
2068:
2065:
2063:
2060:
2058:
2055:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2018:
2015:
2013:
2010:
2009:
2007:
2003:
1994:
1993:
1989:
1984:
1983:
1979:
1974:
1973:
1969:
1963:
1959:
1953:
1949:
1944:
1943:
1939:
1934:
1933:
1929:
1923:
1919:
1914:
1913:
1909:
1904:
1903:
1899:
1894:
1893:
1889:
1884:
1883:
1879:
1874:
1873:
1869:
1864:
1863:
1862:Hippias Major
1859:
1858:
1856:
1852:
1846:
1843:
1841:
1838:
1836:
1833:
1831:
1828:
1826:
1823:
1821:
1818:
1816:
1813:
1811:
1810:
1806:
1804:
1801:
1799:
1796:
1794:
1791:
1789:
1786:
1784:
1781:
1779:
1776:
1774:
1771:
1769:
1768:
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1742:
1739:
1737:
1734:
1732:
1729:
1727:
1724:
1722:
1721:Entertainment
1719:
1717:
1714:
1712:
1709:
1707:
1704:
1702:
1699:
1697:
1694:
1692:
1689:
1687:
1684:
1682:
1679:
1677:
1674:
1670:
1667:
1665:
1662:
1661:
1660:
1657:
1655:
1652:
1650:
1647:
1645:
1644:Art manifesto
1642:
1640:
1637:
1635:
1634:Appropriation
1632:
1631:
1629:
1625:
1619:
1618:
1614:
1612:
1609:
1607:
1604:
1602:
1599:
1597:
1594:
1592:
1589:
1587:
1584:
1582:
1579:
1577:
1574:
1572:
1569:
1567:
1564:
1562:
1559:
1557:
1554:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1526:Merleau-Ponty
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1497:
1494:
1492:
1489:
1487:
1484:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1457:
1454:
1452:
1449:
1447:
1444:
1442:
1439:
1437:
1434:
1432:
1429:
1427:
1424:
1422:
1419:
1417:
1414:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1349:
1347:
1344:
1342:
1341:Abhinavagupta
1339:
1338:
1336:
1332:
1326:
1325:
1321:
1319:
1316:
1314:
1311:
1309:
1306:
1304:
1301:
1299:
1296:
1294:
1293:Postmodernism
1291:
1289:
1286:
1284:
1281:
1279:
1276:
1274:
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1254:
1251:
1250:
1248:
1244:
1238:
1235:
1233:
1230:
1228:
1225:
1223:
1220:
1218:
1215:
1213:
1210:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1184:
1182:
1178:
1174:
1167:
1162:
1160:
1155:
1153:
1148:
1147:
1144:
1137:
1135:
1133:
1129:
1125:
1121:
1118:
1117:
1113:
1108:
1104:
1101:
1097:
1093:
1088:
1085:
1081:
1078:
1075:
1071:
1068:
1065:
1061:
1058:
1054:
1051:
1048:
1044:
1041:
1037:
1034:
1030:
1027:
1026:
1022:
1009:
1003:
999:
995:
991:
986:
980:
976:
970:
966:
965:
959:
948:
942:
939:. Routledge.
938:
937:
931:
920:
914:
910:
909:
903:
892:
886:
882:
878:
873:
862:
856:
852:
851:
845:
841:
840:
835:
831:
826:
815:
809:
805:
804:
798:
795:
791:
790:
786:
773:
767:
763:
762:
756:
745:
739:
735:
734:
728:
727:
723:
718:
715:
712:
709:
706:
703:
700:
697:
696:
692:
687:
679:
678:Gesamtausgabe
673:
670:
664:
661:
649:
645:
638:
635:
631:
626:
623:
619:
614:
612:
610:
608:
606:
604:
602:
598:
594:
590:
585:
582:
578:
573:
570:
566:
562:
556:
553:
546:
536:
533:
526:
524:
522:
518:
514:
510:
506:
505:Immanuel Kant
502:
498:
494:
490:
489:György Lukács
486:
482:
478:
470:
468:
465:
461:
457:
452:
449:
445:
441:
440:Phenomenology
432:
428:
424:
420:
413:
411:
407:
405:
401:
397:
393:
389:
381:
376:
367:
365:
362:
360:
357:
354:
352:
349:
348:
346:
342:
337:
335:Classical art
334:
331:
330:
328:
324:
321:
317:
316:
315:
313:
312:
307:
301:
299:
295:
291:
285:
279:
277:
275:
271:
267:
263:
262:
257:
253:
249:
248:
243:
242:
230:
225:
223:
218:
216:
211:
210:
208:
207:
201:
197:
191:
190:
185:
180:
177:
175:
172:
171:
170:
169:
164:
159:
156:
154:
151:
149:
146:
145:
144:
143:
138:
133:
132:
128:
126:
125:
121:
119:
118:
114:
112:
111:
107:
106:
105:
104:
101:
96:
91:
88:
86:
83:
81:
78:
76:
73:
71:
68:
66:
63:
61:
58:
56:
53:
51:
48:
47:
46:
45:
40:
37:
33:
29:
24:
20:
19:
16:
1990:
1980:
1970:
1940:
1930:
1911:
1910:
1900:
1890:
1880:
1870:
1860:
1807:
1783:Magnificence
1765:
1615:
1581:Schopenhauer
1416:Coomaraswamy
1334:Philosophers
1322:
1253:Aestheticism
1123:
1106:
1099:
1091:
1083:
1073:
1063:
1056:
1046:
1039:
1032:
1011:. Retrieved
989:
963:
950:. Retrieved
935:
922:. Retrieved
907:
894:. Retrieved
880:
864:. Retrieved
849:
837:
817:. Retrieved
802:
793:
775:. Retrieved
760:
747:. Retrieved
732:
724:Translations
716:
710:
704:
698:
688:Bibliography
677:
672:
663:
651:. Retrieved
648:The Guardian
647:
637:
625:
592:
588:
584:
572:
564:
560:
555:
535:
516:
497:Arthur Danto
474:
453:
439:
436:
431:Franz Kugler
408:
387:
385:
351:architecture
344:
326:
319:
309:
305:
303:
297:
293:
289:
287:
283:
260:
259:
246:
245:
240:
239:
238:
129:
122:
115:
108:
15:
1876:(c. 335 BC)
1866:(c. 390 BC)
1845:Work of art
1798:Picturesque
1654:Avant-garde
1611:Winckelmann
1486:Kierkegaard
1411:Collingwood
1381:Baudrillard
1308:Romanticism
1278:Historicism
1212:Mathematics
1076:, New York
1066:. New York.
630:Moland 2017
618:Moland 2017
414:Transcripts
325:The second
42:Forerunners
36:Hegelianism
2122:Categories
1815:Recreation
1793:Perception
1686:Creativity
1386:Baumgarten
1376:Baudelaire
1258:Classicism
1173:Aesthetics
749:4 December
653:4 December
577:Hegel 1998
547:References
343:The third
327:particular
318:The first
266:aesthetics
98:Principal
1820:Reverence
1726:Eroticism
1696:Depiction
1669:Masculine
1571:Santayana
1531:Nietzsche
1476:Hutcheson
1466:Heidegger
1451:Greenberg
1406:Coleridge
1371:Balthasar
1356:Aristotle
1318:Theosophy
1313:Symbolism
1288:Modernism
1273:Formalism
477:Aristotle
471:Influence
396:sculpture
355:sculpture
320:universal
290:beautiful
268:given by
90:Schelling
85:Hölderlin
50:Aristotle
2095:Category
2027:Axiology
1896:(c. 500)
1886:(c. 100)
1761:Judgment
1716:Emotions
1711:Elegance
1691:Cuteness
1664:Feminine
1627:Concepts
1596:Tanizaki
1576:Schiller
1561:Richards
1551:Rancière
1521:Maritain
1456:Hanslick
1396:Benjamin
1268:Feminism
1237:Theology
1217:Medieval
1207:Japanese
1202:Internet
1055:, 2002,
1031:, 1984,
1013:24 March
896:24 March
400:romantic
392:symbolic
388:Lectures
359:painting
345:singular
306:Lectures
65:Rousseau
2090:Outline
2005:Related
1872:Poetics
1840:Tragedy
1830:Sublime
1803:Quality
1788:Mimesis
1746:Harmony
1731:Fashion
1706:Ecstasy
1701:Disgust
1617:more...
1586:Scruton
1511:Lyotard
1446:Goodman
1426:Deleuze
1361:Aquinas
1351:Alberti
1324:more...
1303:Realism
1283:Marxism
1263:Fascism
1246:Schools
1232:Science
1187:Ancient
952:9 April
924:9 April
866:9 April
836:(ed.).
819:9 April
787:Sources
777:9 April
398:to the
298:shining
280:Content
140:Schools
60:Spinoza
1996:(2009)
1986:(1977)
1976:(1946)
1966:(1939)
1956:(1935)
1946:(1934)
1936:(1933)
1926:(1891)
1916:(1835)
1906:(1757)
1773:Kitsch
1751:Humour
1681:Comedy
1659:Beauty
1601:Vasari
1591:Tagore
1566:Ruskin
1506:Lukács
1496:Langer
1441:Goethe
1366:Balázs
1346:Adorno
1227:Nature
1192:Africa
1004:
971:
943:
915:
887:
857:
810:
768:
740:
567:I.151)
404:poetry
368:poetry
294:Beauty
252:German
80:Fichte
75:Goethe
2085:Index
1854:Works
1835:Taste
1825:Style
1606:Wilde
1546:Plato
1541:Pater
1501:Lipps
1461:Hegel
1431:Dewey
1421:Danto
1401:Burke
1222:Music
1197:India
1180:Areas
1126:, by
832:. In
595:I.141
527:Notes
364:music
311:Logic
100:works
55:Böhme
1809:Rasa
1767:Kama
1741:Gaze
1676:Camp
1556:Rand
1491:Klee
1481:Kant
1471:Hume
1391:Bell
1015:2022
1002:ISBN
969:ISBN
954:2022
941:ISBN
926:2022
913:ISBN
898:2022
885:ISBN
868:2022
855:ISBN
821:2022
808:ISBN
779:2022
766:ISBN
751:2022
738:ISBN
655:2022
591:103/
563:111/
511:and
495:and
70:Kant
1736:Fun
1516:Man
1436:Fry
994:doi
521:art
2124::
1964:"
1954:"
1924:"
1000:.
646:.
600:^
593:VĂ„
589:LA
565:VĂ„
561:LA
507:,
503:,
491:,
487:,
483:,
314::
292:.
261:VĂ„
258:,
254::
250:;
247:LA
1960:"
1950:"
1920:"
1165:e
1158:t
1151:v
1079:.
1017:.
996::
977:.
956:.
928:.
900:.
870:.
842:.
823:.
781:.
753:.
657:.
620:.
579:.
559:(
433:)
244:(
228:e
221:t
214:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.