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26:-born writer, visual artist and filmmaker known primarily for his films and photographic installations. His works include long-term, multi-media projects that delve into Latin American history through a combination of scholarly research, anthropology, photography, moving images and printed texts.
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won the Coral Prize at the
Festival del Nuevo Cine Latinoamericano de La Habana, among others. In 2021 he was awarded the Premio Nacional a la Trayectoria by the National Minister of Culture, Argentina, 109 Salón Nacional.
681:(Based on Freddy Alborta's photographs of Che Guevara) with texts by Eduardo Grüner, John Berger, Jean Franco, Mariano Mestman and Jeffrey Skoller - Bilingual edition, Viper's Tongue Book, 2010.
261:(Raptures, Diagonals and Ruptures), Espacio Fundación Telefónica, Buenos Aires, a retrospective with films and installations from 1965 to 2013, curated by Bérénice Reynaud, and
281:-Museo Universitario de Arte Contemporáneo - MUAC, Mexico City, 2018, and Fundación Proa, Buenos Aires, curated by Cuauhtémoc Medina, Amanda de la Garza, and Cecilia Rabossi.
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with over 200 never-before-seen photographs of Ludlam's avant garde plays of the 60s and 70s, and with extended quotations from "Queer
Theatre" by Stefan Brecht.
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with essays by Jesse Lerner, Mariano
Mestman - Bilingual edition, Colección Conceptual, Fundación Espigas / Fundación Telefónica, 2013.
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113:, a project that examines the figure of Tamara Bunke, the only woman who fought together with Che Guevara in his last campaign of 1967.
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Museo
Universitario de Arte Contemporáneo - MUAC, México City - México -Proyecto para el día que me quieras y la danza de fantasmas
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Proyecto para el día que me quieras y la danza de fantasmas - (Project for the day you'll love me and the ghost dance)
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Chosen
Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond
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Chosen
Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond
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The J.Paul Getty Museum, curated by Idurre Alonso and Judy Keller, Los
Angeles, California 2017.
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Leandro Katz has exhibited as an artist, and screened his films, at institutions including the
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The Day You'll Love Me (El Día Que Me
Quieras) - Che Guevara and The Films of Leandro Katz
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133:, were published in 2010. His artist's book dealing with matters of time and daily life,
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THE VISIT (Foreign
Particles) (1980) 35mm. slide sequence, 75 min., B&W, sync sound.
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Sterling
Memorial Library – Artists’ Books Collection, Yale University, New Haven, CT
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The Getty Center for the History of Art and the Humanities – Santa Monica, California
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Bedlam Days: The Early Plays of Charles Ludlam and The Ridiculous Theatrical Company
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Bedlam Days: The Early Plays of Charles Ludlam and The Ridiculous Theatrical Company
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BLUEBEARD by CHARLES LUDLAM (1970-20012), video, 9.15 min., black and white, sound.
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Leandro Katz has produced many books and artists’ books and eighteen narrative and
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which deals with Central American archaeology and the banana plantations of the
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737:(with texts from “Queer Theater” by Stefan Brecht) Viper's Tongue Books, 2019.
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TWELVE MOONS (& 365 SUNSETS) (1976), S8, 30 min., toned B&W, audiotape.
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Premios 19na Edición del Festival Internacional del Nuevo Cine Latinoamericano
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Museo de Arte Moderno de Buenos Aires (MAMBA), Permanent Collection, Argentina
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The Houghton Library, Rare Book Collection, Harvard University – Massachusetts
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The Catherwood Project: Incidents of visual reconstructions and other matters
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PARIS HAS CHANGED A LOT (1977) 16mm., 25 min., color, sound, vertical screen.
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REEL SIX, Charles Ludlam's Grand Tarot (1987) 16mm., 8 min., color, sound.
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Proa 21 - Buenos Aires - Argentina - Proyecto para el día que me quieras
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A LOVE FOR 3 OR 4 ORANGES (2015), digital video, 10 mins., color, sound.
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The Museum of Modern Art, New York, 2023, curated by Inés Katzenstein.
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465:, The Roy and Edna Disney/CalArts Theater (REDCAT), February 9, 2009.
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The New York Public Library at Lincoln Center, Billy Rose Collection
85:, which investigates the events around the capture and execution of
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The Brooklyn Museum, Prints and Photographs Collection – New York
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Museo Universitario Arte Contemporáneo (MUAC), UNAM – Mexico City
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METROPOTAMIA (1982) 16mm., 25 min., color, sound, zig-zag screen.
265:(Works and Alphabets), Herlitzka+Faria, Buenos Aires, Argentina.
73:, a photographic reconstruction of the two 1850s expeditions of
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137:, was published in Buenos Aires in 2008. In 2019, he published
540:, Media Arts Fellowships, Tribeca Film Institute, New York, NY
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The Museum of Modern Art – Latin American Collection, New York
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Encuentros de Pamplona 72: fin de fiesta del arte experimental
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The University of New Mexico Museum, Albuquerque, New Mexico
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The Museum of Modern Art – Photography Collection, New York
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EL DIA QUE ME QUIERAS (1997) 16mm., 30 min., color, sound.
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LOS ANGELES STATION (1976) 16mm., 10 min., color, silent.
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The Watermill Center, Robert Wilson's Theatre Collection
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EXHUMACION (2007), digital video, 38 min., color, sound.
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MIRROR ON THE MOON (1992) 16mm., 100 min., color, sound.
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THE VISIT (1986) 16mm., 30 min., black and white, sound.
273:, curated by Berta Sichel, Madrid 2017. Getty Museum –
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A Canoe Trip - Henrique Faria Fine Art, New York - USA
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THE JUDAS WINDOW (1982) 16mm., 17 min., color, silent.
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El Museo del Barrio – Permanent Collection – New York
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PARADOX (2001), digital video, 30 min., color, sound.
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The Seagull's Footprint - Tabacalera, Madrid - Spain
525:"Premio Nacional a la Trayectoria Artística 2020/21"
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Canadian Centre for Architecture – Montreal, Canada
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RHOMB (2011), digital video, 6 mins., color, sound.
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El Rastro de la Gaviota – (The Seagull’s Footprint)
165:, the Jerome Foundation, and the Hubert Bals Fund,
161:Fellowship, and he has received support from the
81:to the Maya areas of Central America and Mexico,
421:The J.Paul Getty Museum, Los Angeles, California
415:Museo Nacional Centro Reina Sofía, Madrid, Spain
318:MOON NOTES (1980) 16mm., 15 min., color, silent.
306:THE SHADOW (1976) 16mm., 20 min., color, silent.
751:Paradiso Ediciones, Colección Narrativa, 2022.
418:Colección Patricia Phelps de Cisneros, New York
303:MOONSHOTS (1976) 16mm., 17 min., color, silent.
294:CROWD 7X7 (1976) 16mm., 20 min., color, silent.
595:https://www.moma.org/calendar/exhibitions/5528
259:Leandro Katz: Arrebatos, Diagonales y Rupturas
376:The Ruth and Marvin Sackner Archive – Florida
42:. He has been a member of the faculty at the
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433:Museo Nacional de Bellas Artes. Buenos Aires
373:The Museum of Modern Art Library – New York
315:SPLITS (1978) 16mm., 25 min., color, sound.
309:FALL (1977) 16mm., 20 min., color, silent.
38:from 1965 to 2006, and currently lives in
490:, Viper's Tongue Books, October 29, 2019.
424:Museum of Fine Arts Boston, Massachusetts
235:Museo Nacional Centro de Arte Reina Sofía
224:Museo Nacional Centro de Arte Reina Sofía
630:Works in Henrique Faria New York gallery
400:CeDinCi Archive, Buenos Aires, Argentina
802:National Endowment for the Arts Fellows
723:- University of New Mexico Press,2018.
625:The Catherwood Project at SITE Santa Fe
552:, Henrique Faria Fine Art, New York, NY
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212:Museum of Contemporary Art, Los Angeles
69:Katz's notable long-term works include
167:Rotterdam International Film Festival
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463:Leandro Katz: The Day You'll Love Me
427:Blanton Museum of Art, Austin, Texas
394:Museo Castagnino, Rosario, Argentina
822:21st-century Argentine male writers
812:20th-century Argentine male writers
705:Sackner, Marvin and Sackner, Ruth,
453:, The New York Times, May 24, 1996.
149:Leandro Katz's work has earned the
16:Argentine-born writer and filmmaker
584:Project for the day you'll love me
275:Photography in Argentina 1850-2010
163:New York State Council on the Arts
83:Project For The Day You'll Love Me
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719:Katz, Leandro and Lerner, Jesse,
478:, Fundación PROA, August 4, 2010.
216:Buenos Aires Museum of Modern Art
656:De la A a la Z: Viaje a la luna
615:S(h)elf Portrait at Reina Sofia
476:Artists + Critics: Leandro Katz
451:Art in Review by Holland Cotter
159:National Endowment for the Arts
817:21st-century Argentine writers
807:20th-century Argentine writers
782:Argentine contemporary artists
430:Power Station of Art, Shanghai
241:, Henrique Faría Gallery, NY,
192:New Museum of Contemporary Art
188:Whitney Museum of American Art
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709:- Thames & Hudson, 2015.
550:Natural History, Leandro Katz
229:Recent exhibitions include
101:in Honduras and Guatemala,
52:William Paterson University
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792:Artists from Buenos Aires
787:Writers from Buenos Aires
538:Leandro Katz, 1993 Fellow
125:. His most recent books,
111:Tania, Masks and Trophies
679:The Ghosts of Ñancahuazu
666:The Museum of Modern Art
131:The Ghosts of Ñancahuazú
573:El rastro de la gaviota
46:, Art History Program,
34:He lived and worked in
707:The Art of Typewriting
171:The Day You'll Love Me
155:Rockefeller Foundation
71:The Catherwood Project
61:
502:, Slought Foundation.
208:Chicago Art Institute
151:Guggenheim Fellowship
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44:School of Visual Arts
30:Early life and career
610:Leandro Katz website
263:Leandro Katz | obras
184:Museum of Modern Art
157:Fellowship, and the
99:United Fruit Company
79:Frederick Catherwood
797:Rockefeller Fellows
658:Centro de la Imagen
220:Bienal de La Habana
196:El Museo del Barrio
123:non-narrative films
75:John Lloyd Stephens
62:
22:(born 1938) is an
757:978-987-4170-64-4
743:978-987-24581-3-3
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677:Katz, Leandro,
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222:, Cuba, and the
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48:Brown University
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672:Further reading
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40:Buenos Aires
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20:Leandro Katz
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772:1938 births
359:Collections
289:Filmography
178:Exhibitions
145:Recognition
117:Other works
87:Che Guevara
766:Categories
438:References
271:Tabacalera
237:, Madrid,
93:in 1967,
24:Argentine
204:MoMA PS1
36:New York
95:Paradox
91:Bolivia
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