113:
180:
reduced form. The small eyes of their figures are another striking feature. The group's artists profit particularly from innovations in terms of perspective and spatial depictions, although they use them rarely. All figures feature idealised proportions of body and facial expression. Compared to the figures by the
Antimenes Painter, they appear quite sturdy. The group does not waste available space; its image fields are usually well filled. That they do not appear crammed is due to the compositional talent of the painters. The compositions are balanced, convincing and full of tension. Sometimes, details extend beyond the margins of the pictorial field proper.
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184:
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playing a board game is depicted several times. Some motifs were newly introduced by painters of the
Leagros Group, others depicted and interpreted in new ways. Although similar changes took place in red-figure vase painting, the two developments should probably be seen as separate, in spite of the
179:
show the possibilities offered by the newly introduced red-figure technique, veritably indulging in details of anatomy and clothing. The
Leagros Group achieved to adopt some of the innovations associated with the new technique within the limits of their style. Muscles and textiles are depicted in a
174:
Their figural scenes, for the last time, demonstrate the power and complexity of the black-figure style. They include complex scenes with multiple figures, often overlapping. The incisions are forceful and clear, the depiction of anatomic detail is restrained. Additional colours are only used to a
214:
Within the group, several smaller sub-groups and individual painters can be identified, albeit with considerable difficulty, due to the very homogenous styles of the painters. The most significant individual artists are the
166:
on the necks of their amphora, again a feature introduced by the
Antimenes Painter. The decoration of their neck amphorae is also similar to his, but the vegetal ornaments on the necks are more carefully painted and the
68:
The
Leagros Group was the final important group of Attic vase painters in the black-figure style to paint large-format images on vases. Their significance is so great that their time of activity is also known as the
175:
limited extent. Garment folds and patterns only occur rarely and in little detail. Thus, the
Leagros Group artists demonstrate the strong points of the black-figure style, while the contemporaneous
244:
possibility of a degree of mutual influence. Leagros Group painters may have been active in the same workshops as
Pioneer Group ones, as is suggested by the fact that the
61:
vase painters active during the last two decades of the 6th century BC. The name given to the group by modern scholars is a conventional one, derived from a series of
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112:
1349:
158:
with broad separate leaves. They are organised in rounded loops. Such patterns are rare in black-figure vase painting, but very popular in the
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98:, and, in small amounts, some other shapes. The group's conventional name is derived from five vases with
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1238:
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448:
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1158:
1143:
1063:
1048:
935:
681:
651:
611:
586:
536:
531:
438:
288:
Paralipomena. Additions to Attic black-figure vase-painters and to Attic red-figure vase-painters
257:
203:
132:
1208:
1203:
1198:
1128:
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1008:
988:
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576:
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481:
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147:
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sees them exist side-by-side, Heide
Mommsen suggests a major degree of interaction.
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1173:
1078:
831:
746:
641:
591:
571:
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contemporary with the
Leagros Group. At times, the Leagros Group painters used the
136:
81:
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1083:
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839:
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261:
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24:
347:
1248:
1068:
786:
636:
236:
232:
187:
155:
151:
116:
94:
264:. The links and mutual influences among the two groups remain disputed.
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476:
103:
85:
30:
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89:
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55:
39:
1281:
761:
646:
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111:
18:
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and frame lines decorated with ivy leaves are now replaced by
73:. About 400 vases are ascribed to the group; most of them are
1300:
1257:
934:
912:
889:
871:
853:
830:
447:
414:
396:
127:, who is hiding in a large sunken storage vessel.
374:
315:Schwarzfigurige Vasen aus Athen. Ein Handbuch
8:
1254:
827:
381:
367:
359:
300:and Mary B. Moore. Berkeley 1986. 74-80
171:flowers look rather like celery stalks.
294:The Development of Attic Black-figure
284:, Oxford 1956, p. 354-391, 695f.
7:
1350:Greek artist groups and collectives
227:themes, especially scenes from the
146:by the group resemble those by the
999:Painter of the Berlin Dancing Girl
547:Class of Cabinet des MĂ©dailles 218
16:Ancient Greek vase painting studio
14:
346:
282:Attic Black-Figure Vase-Painters
1234:Painter of the Vatican Mourner
290:. Oxford 1971. p. 160-172
1:
235:. For example, the scene of
44:Staatliche Antikensammlungen
1345:6th-century BC Greek people
1335:Ancient Greek vase painters
390:Ancient Greek vase painters
1366:
1340:Artists of ancient Attica
457:Painter of Acropolis 606
336:Vol. 6 (1999), Col. 1203
252:also occurs on vases by
692:Painter of Nicosia Olpe
712:Painter of Palermo 489
667:Painter of Munich 1410
512:Painter of Berlin 1686
507:Painter of Berlin A 34
231:and the adventures of
211:
194:playing a board-game,
164:white-ground technique
140:
47:
922:Group of Rhodes 12264
707:Oxford Palmette Class
223:. The group favoured
186:
115:
22:
1239:Villa Giulia Painter
355:at Wikimedia Commons
298:Dietrich von Bothmer
1219:Triptolemos Painter
1139:Penthesilea Painter
1094:Kleophrades Painter
1074:Ilioupersis Painter
502:Bellerophon Painter
1224:Underworld Painter
1169:Providence Painter
1159:Pistoxenos Painter
1144:Persephone Painter
1064:Hasselmann Painter
1049:Eucharides Painter
652:Lysippides Painter
617:Horse-bird Painter
612:Heidelberg Painter
587:Euphiletos Painter
537:Cerameicus Painter
532:Castellani Painter
439:Polyphemos Painter
212:
141:
100:kalos-inscriptions
48:
1322:
1321:
1318:
1317:
1209:Tarquinia Painter
1204:Tarporley Painter
1199:Snub-nose Painter
1129:Oreithyia Painter
1034:Dokimasia Painter
1009:Bryn Mawr Painter
989:Baltimore Painter
964:Andokides painter
930:
929:
881:Cavalcade Painter
757:Princeton Painter
702:Northampton Group
697:Nikoxenos Painter
677:Naucratis Painter
632:Kassandra Painter
622:Hypobibazon Class
577:Edinburgh Painter
492:Antimenes Painter
482:Arkesilas Painter
351:Media related to
325:, p. 120-122
148:Antimenes Painter
1357:
1255:
1214:Tithonos Painter
1189:Sisyphus Painter
1179:Shuvalov Painter
1154:Pisticci Painter
1114:Meleager Painter
1089:Kleophon Painter
969:Antiphon Painter
954:Altamura Painter
944:Achilles Painter
899:Acheloos Painter
873:Gorgoneion Group
828:
822:Xenokles Painter
807:Three Line Group
797:Taleides Painter
562:Diosphos Painter
557:Daybreak Painter
552:Columbus Painter
472:Anagyrus Painter
434:Mesogeia Painter
429:Honolulu Painter
424:Analatos Painter
383:
376:
369:
360:
350:
217:Acheloos Painter
160:red-figure style
121:Erymanthian boar
1365:
1364:
1360:
1359:
1358:
1356:
1355:
1354:
1325:
1324:
1323:
1314:
1296:
1253:
1244:Wedding Painter
1229:Varrese Painter
1109:Meidias Painter
1104:Marsyas Painter
1054:Foundry Painter
1044:Eretria Painter
1014:Chrysis Painter
926:
908:
885:
867:
849:
826:
802:Theseus Painter
777:Rycroft Painter
737:Piraeus Painter
732:Phrynos Painter
717:Panther Painter
567:Dodwell Painter
542:Chimera Painter
443:
410:
392:
387:
343:
328:Heide Mommsen:
274:
102:mentioning the
54:was a group of
17:
12:
11:
5:
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1149:Phiale Painter
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1119:Niobid Painter
1116:
1111:
1106:
1101:
1096:
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1086:
1081:
1076:
1071:
1066:
1061:
1059:Harrow Painter
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1031:
1026:
1024:Darius Painter
1021:
1019:Codrus Painter
1016:
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1006:
1004:Brygos Painter
1001:
996:
994:Berlin Painter
991:
986:
981:
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959:Amykos Painter
956:
951:
946:
940:
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927:
925:
924:
918:
916:
914:Little Masters
910:
909:
907:
906:
904:Chiusi Painter
901:
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859:
857:
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819:
817:Tydeus Painter
814:
812:Tityos Painter
809:
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782:Sappho Painter
779:
774:
769:
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759:
754:
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739:
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727:Pholoe Painter
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722:Perizoma Group
719:
714:
709:
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699:
694:
689:
687:Nessos Painter
684:
679:
674:
669:
664:
662:Mastos Painter
659:
657:Madrid Painter
654:
649:
644:
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614:
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607:Haimon Painter
604:
602:Gorgon Painter
599:
597:Goltyr Painter
594:
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504:
499:
497:Beldam Painter
494:
489:
487:Athena Painter
484:
479:
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469:
467:Amasis Painter
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406:Dipylon Master
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341:External links
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338:
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334:Der Neue Pauly
330:Leagros-Gruppe
326:
317:, Mainz 1977,
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221:Chiusi Painter
71:Leagros period
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891:Leagros Group
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792:Swing Painter
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772:Rider Painter
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767:Ptoon Painter
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627:Kabiria Group
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417:
416:Orientalizing
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372:
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364:
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353:Leagros Group
349:
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331:
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324:
323:3-8053-0233-9
320:
316:
312:
311:John Boardman
309:
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306:0-520-05593-4
303:
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266:John Boardman
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177:Pioneer Group
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118:
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91:
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83:
82:neck amphorae
79:
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57:
53:
52:Leagros Group
45:
41:
37:
33:
32:
27:
26:
21:
1174:Reed Painter
1079:Jena Painter
979:Aristophanes
890:
832:Comast Group
747:Pontic Group
642:Lion Painter
592:Gela Painter
572:Duel Painter
522:Burgon Group
449:Black-figure
329:
314:
293:
287:
281:
278:John Beazley
272:Bibliography
249:
245:
225:mythological
213:
208:Getty Museum
199:
196:neck amphora
173:
143:
142:
137:Getty Museum
128:
119:carries the
93:
74:
70:
67:
59:black-figure
51:
49:
35:
29:
23:
1310:Pan Painter
1084:Kerch style
974:Apollodoros
517:BMN Painter
296:. Rev. ed.
28:scene on a
1329:Categories
1302:Mannerists
1277:Euthymides
1272:Euphronios
1164:Polygnotos
936:Red-figure
845:KY Painter
840:KX Painter
582:Elbows Out
262:Euthymides
254:Euphronios
229:Trojan War
125:Eurystheus
63:name vases
1267:Epiktetos
1134:Pamphaios
672:N Painter
527:C Painter
398:Geometric
156:palmettes
152:predellas
25:Symposion
1287:Phintias
1249:YZ Group
1124:Onesimos
1069:Hermonax
787:Sophilos
682:Nearchos
637:Kleitias
462:Affecter
258:Phintias
237:Achilles
233:Herakles
219:and the
202:510 BC.
188:Achilles
131:510 BC.
117:Herakles
95:lekythoi
86:amphorae
38:510 BC.
1292:Smikros
1194:Skythes
863:Exekias
855:Group E
477:Anakles
250:Leagros
144:Hydriai
107:Leagros
90:kraters
31:psykter
1099:Makron
1039:Douris
984:Asteas
332:, in:
321:
304:
204:Malibu
133:Malibu
104:ephebe
76:hydria
40:Munich
1282:Oltos
949:Aison
762:Psiax
647:Lydos
248:name
246:kalos
200:circa
169:lotus
129:Circa
56:Attic
36:circa
319:ISBN
302:ISBN
260:and
241:Ajax
239:and
192:Ajax
190:and
80:and
50:The
123:to
1331::
313::
280::
256:,
206::
198:,
135::
109:.
92:,
88:,
65:.
42::
34:,
382:e
375:t
368:v
210:.
139:.
78:I
46:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.