350:. I find it the most extraordinary piece of wit & wisdom that America has yet contributed. I am very happy in reading it, as great power makes us happy. It meets the demand I am always making of what seemed the sterile & stingy Nature, as if too much handiwork or too much lymph in the temperament were making our western wits fat & mean. I give you joy of your free & brave thought. I have great joy in it. I find incomparable things said incomparably well, as they must be. I find the courage of treatment, which so delights us, & which large perception only can inspire. I greet you at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start. I rubbed my eyes a little to see if this sunbeam were no illusion; but the solid sense of the book is a sober certainty. It had the best merits, namely, of fortifying & encouraging.
29:
850:
433:
3405:
497:
456-page book was finally issued, Whitman said, "It is quite 'odd', of course", referring to its appearance: it was bound in orange cloth with symbols like a rising sun with nine spokes of light and a butterfly perched on a hand. Whitman claimed that the butterfly was real in order to foster his image as being "one with nature". In fact, the butterfly was made of cloth and was attached to his finger with wire. The major poems added to this edition were "
1104:
684:
3669:
919:. Griswold also suggested, in Latin, that Whitman was guilty of "that horrible sin not to be mentioned among Christians", one of the earliest public accusations of Whitman's homosexuality. Griswold's intensely negative review almost caused the publication of the second edition to be suspended. Whitman incorporated the full review, including the innuendo, in a later edition of
3174:
3158:
3142:
1032:
662:, which he has been working on at great intervals and partially issued for the past thirty-five or forty years, is now completed, so to call it, and he would like this new 1892 edition to absolutely supersede all previous ones. Faulty as it is, he decides it as by far his special and entire self-chosen poetic utterance.
871:
read it and said he found it offensive. An early review of the first publication focused on the persona of the anonymous poet, calling him a loafer "with a certain air of mild defiance, and an expression of pensive insolence on his face". Another reviewer viewed the work as an odd attempt at reviving
736:
is usually interpreted according to the individual poems contained within its individual editions. Discussion is often focused upon the major editions typically associated with the early respective versions of 1855 and 1856, to the 1860 edition, and finally to editions late into
Whitman's life. These
306:
A calculated feature of the first edition was that the book included neither the author nor the publisher's name (both the author and publisher being
Whitman). Instead, the cover included an engraving by Samuel Hollyer depicting Whitman himself—in work clothes and a jaunty hat, arms at his side. This
496:
shortly after its publication, and were almost unable to pay
Whitman. "In regard to money matters", they wrote, "we are very short ourselves and it is quite impossible to send the sum." Whitman received only $ 250, and the original plates made their way to Boston publisher Horace Wentworth. When the
317:
One paper-bound copy was sent to
Emerson, who had initially inspired its creation. Emerson responded with a letter of heartfelt thanks, writing, "I find it the most extraordinary piece of wit and wisdom America has yet contributed." He went on, "I am very happy in reading it, as great power makes us
181:
is also notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. The book was highly controversial during its time for its explicit sexual imagery, and
Whitman was subject to derision by many contemporary critics. Over time, however,
1010:
Whitman rejected the censorship, writing to Osgood, "The list whole & several is rejected by me, & will not be thought of under any circumstances." Osgood refused to republish the book and returned the plates to
Whitman when his suggested changes and deletions were ignored. The poet found a
836:
From 1866 to his death, the ideas
Whitman presented in his second period had experienced an evolution: his focus on death had grown to a focus on immortality, the major theme of this period. Whitman became more conservative in his old age, and had come to believe that the importance of law exceeded
824:
In the first period, 1855 to 1859, his major work is "Song of Myself", which exemplifies his prevailing love for freedom. "Freedom in nature, nature which is perfect in time and place and freedom in expression, leading to the expression of love in its sensuous form." The second period, from 1859 to
365:
The first edition was very small and collected only twelve unnamed poems in 95 pages. Whitman once said he intended the book to be small enough to be carried in a pocket. "That would tend to induce people to take me along with them and read me in the open air: I am nearly always successful with the
3161:
781:
Particularly in "Song of Myself", Whitman emphasizes an all-powerful "I" who serves as narrator. The "I" attempts to relieve both social and private problems by using powerful affirmative cultural images; the emphasis on
American culture in particular helped reach Whitman's intention of creating a
3177:
876:
thoughts, "the speculations of that school of thought which culminated at Boston fifteen or eighteen years ago". Emerson approved of the work in part because he considered it a means of reviving
Transcendentalism, though even he urged Whitman to tone down the sexual imagery in 1860.
307:
figure was meant to represent the devil-may-care
American working man of the time, one who might be taken as an almost idealized figure in any crowd. The engraver, later commenting on his depiction, described the character with "a rakish kind of slant, like the mast of a schooner".
447:
the count depending on how they are distinguished: scholars who hold that an edition is an entirely new set of type will count the 1855, 1856, 1860, 1867, 1871–72, and 1881 printings; whereas others will include the 1876, 1888–1889, and 1891–1892 (the "deathbed edition") releases.
3145:
765:
In a constantly changing culture, Whitman's literature has an element of timelessness that appeals to the American notion of democracy and equality, producing the same experience and feelings within people living centuries apart. Originally written at a time of significant
464:
It was Emerson's positive response to the first edition that inspired Whitman to quickly produce a much-expanded second edition in 1856. This new edition contained 384 pages and had a cover price of one dollar. It also included a phrase from Emerson's letter, printed in
353:
I did not know until I, last night, saw the book advertised in a newspaper, that I could trust the name as real & available for a post-office. I wish to see my benefactor, & have felt much like striking my tasks, & visiting New York to pay you my respects.
481:, noted, "In one stroke, Whitman had given birth to the modern cover blurb, quite without Emerson's permission." Emerson later took offense that this letter was made public< and became more critical of his work. This edition included "
994:
We are of the opinion that this book is such a book as brings it within the provisions of the Public Statutes respecting obscene literature and suggest the propriety of withdrawing the same from circulation and suppressing the editions
167:
project. Whitman chose his idealized self as the subject of the book, created the style in which it was written and worked hard and intelligently to perfect the style over a period of six or seven years, creating the personality of the
670:
had grown from a small book of 12 poems to a hefty tome of almost 400 poems. As the volume changed, so did the pictures that Whitman used to illustrate them—the last edition depicts an older Whitman with a full beard and jacket.
1080:
describes Whitman as a man who will "mix indiscriminately" with the people. The volume, which was presented for an international audience, attempted to present Whitman as representative of an America that accepts people of all
1054:
series introduced Whitman's work to a wider audience than ever before. A series that backed socialist and progressive viewpoints, the publication connected the poet's focus on the common man to the empowerment of the working
543:
The 1889 (eighth) edition was little changed from the 1881 version, but it was more embellished and featured several portraits of Whitman. The biggest change was the addition of an "Annex" of miscellaneous additional poems.
144:
The collection of loosely connected poems represents the celebration of his philosophy of life and humanity and praises nature and the individual human's role in it. Rather than focusing on religious or spiritual matters,
366:
reader in the open air", he explained. About 800 copies were printed, though only 200 were bound in its trademark green cloth cover. The only American library known to have purchased a copy of the first edition was in
140:
were produced, depending on how they are distinguished. This resulted in vastly different editions over four decades. The first edition was a small book of twelve poems, and the last was a compilation of over 400.
451:
The editions were of varying length, each one larger and augmented from the previous version—the final edition reached over 400 poems. The first 1855 edition is particularly notable for its inclusion of the poems
242:" (1844), which expressed the need for the United States to have its own new and unique poet to write about the new country's virtues and vices. This concept, along with the call to abandon strict rhyme and
957:
Whitman firmly believed he would be accepted and embraced by the populace, especially the working class. Years later, he regretted not having toured the country to deliver his poetry directly by lecturing:
1319:'s character, Ebby Calvin "Nuke" Laloosh, excerpts from Whitman's "I Sing the Body Electric". When Nuke asks Annie who Walt Whitman plays for, she responds "He sort of pitches for the Cosmic All-Stars".
1062:, the American government distributed for free much of Whitman's poetry to their soldiers, in the belief that his celebrations of the American Way would inspire the people tasked with protecting it.
961:
If I had gone directly to the people, read my poems, faced the crowds, got into immediate touch with Tom, Dick, and Harry instead of waiting to be interpreted, I'd have had my audience at once.
1097:, hierarchical, racist and exclusive; such an America is unacceptable to Native Americans, African-Americans, immigrants, the disabled, the infertile, and all those who value equal rights."
762:, for instance, he lifted phrases from popular newspapers dealing with Civil War battles. He also condensed a chapter from a popular science book into his poem "The World Below the Brine".
2720:
469:: "I Greet You at the Beginning of a Great Career." Recognized as a "first" for U.S. book publishing and marketing techniques, Whitman has been cited as "inventing" the use of the book
3532:
644:— after 33 y'rs of hackling at it, all times & moods of my life, fair weather & foul, all parts of the land, and peace & war, young & old." This last version of
533:, was delayed when the binder went bankrupt and its distributing firm failed. When it was finally printed, it was a simple edition and the first to omit a picture of the poet.
628:
Earlier editions contained a section called "Chants Democratic"; later editions omitted some of the poems from this section, publishing others in Calamus and other sections.
3729:
1365:
1073:
wrote that Whitman's "all-embracing words lock arms with workers and farmers, Negroes and whites, Asiatics and Europeans, serfs, and free men, beaming democracy to all."
1011:
new publisher, Rees Welsh & Company, which released a new edition of the book in 1882. Whitman believed the controversy would increase sales, which proved true. Its
3714:
3734:
3594:
2916:
1230:
to gradually realize Walter is the notorious drug dealer Heisenberg. Numerous reviewers have analyzed and discussed the various connections among Walt Whitman/
1093:
and other works. In a 2009 essay regarding Whitman's nationalism in the first edition, Nathanael O'Reilly claims that "Whitman's imagined America is arrogant,
1122:
1377:
648:
was published in 1892 and is referred to as the 'deathbed edition'. In January 1892, two months before Whitman's death, an announcement was published in the
310:
The first edition contained no table of contents, and none of the poems had a title. Early advertisements appealed to "lovers of literary curiosities" as an
3601:
3371:
1514:
1007:", "Spontaneous Me", "Native Moments", "The Dalliance of the Eagles", "By Blue Ontario's Shore", "Unfolded Out of the Folds", "The Sleepers", and "Faces".
830:
801:, includes the phrenologist among those he describes as "the lawgivers of poets". Borrowing from the discipline, Whitman uses the phrenological concept of
738:
210:
2747:
1415:, one of two such in the story, that acts as a side character giving the protagonist advice and quoting the original. The other "book" is Baudelaire's
1332:'s character, Byron Sully, reads an excerpt from section 22 of "Song of Myself" to Dr. Mike. She becomes uneasy at the innuendos suggested in the poem.
837:
the importance of freedom. His materialistic view of the world became far more spiritual, believing that life had no meaning outside of the context of
2939:
2661:
2951:
2532:
861:
2105:
894:
865:
752:") his poetry to be "Nature without check with original energy", scholars have discovered that Whitman borrowed from a number of sources for his
817:
many times before his death, and over the years his focus and ideas were not static. One critic has identified three major "thematic drifts" in
3229:
2798:
2724:
1121:
1877:
1737:
1015:, for example, became a major scandal and it generated much publicity for Whitman and his work. Though it was also banned by retailers like
3704:
3699:
1392:
3636:
3631:
3516:
3315:
946:
and even offered him her womb should he want a child. Although he found much of the language "reckless and indecent", critic and editor
826:
291:
at the printing shop of two Scottish immigrants, James and Andrew Rome, whom Whitman had known since the 1840s. The shop was located at
194:
1701:
1042:
Its status as one of the more important collections of American poetry has meant that over time various groups and movements have used
260:(1828). Whitman, likely having read all three, consciously set out to answer their call. He thus began working on the first edition of
3524:
2073:
1371:
3433:
3098:
3072:
3042:
3016:
2992:
2781:
2590:
2563:
2292:
1847:
947:
911:
1239:
264:. Whitman later commented on Emerson's influence, stating, "I was simmering, simmering, simmering; Emerson brought me to a boil."
3589:
2635:
2064:, 1855) gan Walt Whitman. Cyfieithwyd gan M Wyn Thomas. Cyfres Barddoniaeth Pwyllgor Cyfieithiadau'r Academi Gymreig – Cyfrol X
1467:
1077:
596:
202:
3709:
1869:
1223:
1113:
299:
West) and Cranberry Street, now the site of apartment buildings that bear Whitman's name. Whitman paid for and did much of the
3259:
2196:
2186:
1128:
An 1890 recording, thought to be of Walt Whitman, reading the opening four lines of his poem "America", which is included in
1023:, this version went through five editions of 1,000 copies each. Its first printing, released on July 18, sold out in a day.
3719:
3419:
3273:
2693:
3659:
3357:
2935:
1219:
414:
272:
132:. Though it was first published in 1855, Whitman spent most of his professional life writing, rewriting, and expanding
3556:
3301:
2964:... we will highlight a musical composition entitled "Weave In, My Hardy Life" by composer Aaron Travers ...
2846:
Allie Funk (July 24, 2015). "How 'Paper Towns' Walt Whitman Book Plays A Major Part In Solving The Mystery of Margo".
1215:
999:
Stevens demanded the removal of the poems "A Woman Waits for Me" and "To a Common Prostitute", as well as changes to "
2507:
1345:
by his ski instructor Professor Thistlethorpe, however it is attributed to "Walt Whitmantis" instead of Walt Whitman.
182:
the collection has infiltrated popular culture and became recognized as one of the central works of American poetry.
432:
3449:
3364:
3287:
3222:
1502:
885:
3200:
1624:
1324:
2607:
2455:
3280:
1356:
1280:
1004:
942:. A woman from Connecticut named Susan Garnet Smith wrote to Whitman to profess her love for him after reading
927:
849:
478:
395:
292:
190:
28:
3189:
2863:
3623:
3266:
1218:
has the same initials (and almost the same name) as Walt Whitman (as noted in episode four of season four, "
881:
482:
322:—without the writer's permission—and caused an uproar among prominent New England men of letters, including
3294:
2191:
1456:
1187:
987:
868:
149:
focuses primarily on the body and the material world. Its poems do not rhyme or follow standard rules for
3646:
3508:
3329:
3215:
2113:
1572:
902:
498:
774:
also responds to the impact such has on the masses. The title metaphor of grass, however, indicates a
3724:
3308:
2888:
1706:
1497:
489:
3694:
3689:
3618:
3343:
3322:
2612:
1937:
1433:
1294:
1285:
1065:
Whitman's work has been claimed in the name of racial equality. In a preface to the 1946 anthology
935:
525:
388:
327:
323:
235:
1046:, and Whitman's work in general, to advance their own political and social purposes. For example:
3641:
3611:
3606:
3584:
3476:
3336:
3115:
2313:
1862:
1641:
1182:
474:
288:
247:
3404:
509:
The 1867 edition was intended to be, according to Whitman, "a new & much better edition of
3540:
3441:
3134:
3094:
3086:
3068:
3064:
3038:
3012:
2988:
2848:
2806:
2777:
2771:
2586:
2580:
2559:
2553:
2288:
2069:
1873:
1843:
1839:
1833:
1482:
1417:
1031:
873:
436:
331:
38:
2883:
2284:
2278:
287:
is another name for the pages on which they were printed. The first edition was published in
3078:
2308:
1633:
1528:, and is a setting of the poem of that name from the "From Noon to Starry Night" section of
1388:
1203:
1051:
1012:
775:
239:
3548:
3382:
3120:
3052:
2868:
2767:
2430:
2106:""The Ever-Changing Nature of the Sea": Whitman's Absorption of Maximilian Schele de Vere"
2092:
2003:
1337:
1252:
1070:
979:
939:
650:
571:
206:
126:
34:
856:(Boston: Thayer & Eldridge, year 85 of the States, 1860–61) (New York Public Library)
3564:
3500:
3484:
3425:
3350:
3057:
1719:
1510:
1472:
1452:
1438:
1312:
1016:
1000:
975:
749:
721:
716:
453:
375:
243:
186:
164:
150:
107:
2748:"Why Did Lana Del Rey Make a 30-Minute Video About God, and What Does It Mean for Me?"
683:
3683:
3673:
3031:
3026:
3002:
2980:
2921:
1402:
1264:
1227:
838:
537:
370:. The poems of the first edition, which were given titles in later issues, included:
3006:
2087:. "Civil War Poems in 'Drum-Taps' and 'Memories of President Lincoln'&thnisp;",
1622:
Rubin, Joseph Jay (1941). "John Neal's Poetics as an influence on Whitman and Poe".
3492:
3238:
2084:
1489:
1360:
1276:
1198:
1175:
1167:
1162:
1094:
1059:
1020:
767:
367:
296:
129:
54:
1733:
1120:
517:
work!" He assumed it would be the final edition. The edition, which included the
3468:
1316:
1307:
1171:
1086:
783:
300:
256:
169:
154:
1369:), after first appearing as the title of an episode Bradbury wrote in 1962 for
821:: the period from 1855 to 1859, from 1859 to 1865, and from 1866 to his death.
1428:
1248:
1160:"The Untold Want" features prominently in the Academy Award-winning 1942 film
1141:
915:, calling it "a mass of stupid filth", and categorized its author as a filthy
794:
493:
466:
275:, Southern District of New Jersey, and received its copyright. The title is a
112:
2810:
2137:
Still the New World: American Literature in a Culture of Creative Destruction
3393:
3387:
2752:
1521:
1407:
1329:
916:
758:
587:
579:
519:
3668:
1513:
uses translated German text from "Ages and ages, returning at intervals"; "
825:
1865, paints the picture of a more melancholic, sober poet. In poems like "
3183:
3167:
3151:
860:
When the book was first published, Whitman was fired from his job at the
2954:. Unitarian Universalist Church of Bloomington, Indiana. October 5, 2021
311:
2065:
1520:"Weave in, my hardy life" is a composition by Aaron Travers for choir,
2533:"Imagined America: Walt Whitman's Nationalism in the First Edition of
1645:
898:
printed a thrashing review that advised its author to commit suicide.
2670:
1363:
as the title of both a 1969 short story and the book it appeared in (
1259:
971:
3129:
2213:
658:
Walt Whitman wishes respectfully to notify the public that the book
2280:
Genteel Rhetoric: Writing High Culture in Nineteenth-Century Boston
1637:
1567:
1525:
1030:
848:
787:
742:
470:
431:
231:
198:
2906:. University of Iowa Press, Volume #21, November 3, 2004: 189–191
2799:"Lauren Gunderson on 'I and You,' a Play With an Explosive Twist"
805:
in reference to one's propensity for friendship and camaraderie.
230:
was published on July 4, 1855. The poem has its beginnings in an
2694:"Movie Review: Back To Woodstock, And To The Spirit Of The '60s"
2508:"Whitman in Selected Anthologies: The Politics of His Afterlife"
172:
3211:
3207:
314:. Sales of the book were few, but Whitman was not discouraged.
2698:
1076:
Similarly, a 1970 volume of Whitman's poetry published by the
678:
334:
who agreed with Emerson's letter and his statements regarding
276:
1341:(2014), the character of Mr. Peanutbutter is given a copy of
636:
As 1891 came to a close, Whitman prepared a final edition of
2395:. Athens, Georgia: University of Georgia Press. p. 246.
2283:. Columbia, SC: University of South Carolina Press. p.
1222:", and made more salient in "Gliding Over All"), that leads
1102:
559:
283:
was a term given by publishers to works of minor value, and
136:
until his death in 1892. Six or nine individual editions of
2666:"Gliding Over All:" There's No Redemption for Walter White"
443:
There have been held to be either six or nine editions of
2917:"Shades of Cool: 12 of Lana Del Rey's Biggest Influences"
1196:
plays a prominent role in the American television series
1067:
I Hear the People Singing: Selected Poems of Walt Whitman
888:
wrote, "It is no discredit to Walt Whitman that he wrote
2892:. Vol. 84, no. 32. August 5, 1972. p. 21.
2214:"A study of thematic drift in Whitman's Leaves of Grass"
1838:. Los Altos, California: William Kaufmann, Inc. p.
884:
was said to have thrown his 1855 edition into the fire.
2902:
Folsom, Ed. "In Memorium: Robert Strasburg 1915–2003".
2582:
The Social Lives of Poems in Nineteenth-Century America
1942:
The Library of Congress Exhibitions: American Treasures
695:
2393:
George Ripley: Transcendentalist and Utopian Socialist
540:
and began printing and marketing unauthorized copies.
3657:
640:, writing to a friend upon its completion, "L. of G.
346:
I am not blind to the worth of the wonderful gift of
3575:
3460:
3412:
3245:
2864:"Vaughan Williams: Symphony No.1, 'A Sea Symphony'"
2558:. University of North Carolina Press. p. 120.
1441:" plays a particularly noteworthy role in the plot.
1210:) pulls together many of the series' references to
1050:In the first half of the 20th century, the popular
833:", the prevailing themes are of love and of death.
102:
94:
84:
76:
68:
60:
50:
3056:
3030:
2095:. Malden, Massachusetts: Blackwell, 2006: 522–538.
1085:Nevertheless, Whitman has been criticized for the
2985:From Noon to Starry Night: A Life of Walt Whitman
2585:. University of Pennsylvania Press. p. 163.
1268:, Timothy gives Madeline a first-edition copy of
926:Not all responses were negative, however. Critic
1234:/"Gliding Over All", Walter White, and the show.
2456:"The Walt Whitman Controversy: A Lost Document"
2207:
2205:
988:New England Society for the Suppression of Vice
986:constituted "obscene literature". Urged by the
407:"Europe: The 72d and 73d Years of These States"
341:
246:, were explored more fully in earlier works by
2110:Walt Whitman Quarterly Review 30 (2013), 57–77
1803:
1801:
1799:
1593:
1591:
1411:features a cybernetically-enhanced edition of
1186:(1989) makes repeated references to the poem "
267:On May 15, 1855, Whitman registered the title
3223:
666:By the time this last edition was completed,
163:is regarded by many scholars as a completely
8:
3091:Walt Whitman's America: A Cultural Biography
2326:
2324:
2236:
2234:
1757:
1755:
1302:while on psychiatric admission for "sodomy".
892:, only that he did not burn it afterwards."
21:
3602:Walt Whitman Birthplace State Historic Site
2029:
2027:
2025:
2004:"A Guide to Walt Whitman's Leaves of Grass"
1786:
1784:
1782:
1672:
1670:
1657:
1655:
748:While Whitman has famously proclaimed (in "
536:In 1879, Richard Worthington purchased the
501:" and "As I Ebb'd With the Ocean of Life".
3230:
3216:
3208:
2884:"The World of Classics & Progressives"
1190:", along with other references to Whitman.
934:a classic along the lines of the works of
197:". Later editions would include Whitman's
27:
20:
2940:International Music Score Library Project
1509:"Drei Hymnen von Walt Whitman" (1919) by
813:Whitman edited, revised, and republished
3730:LGBT-related controversies in literature
3533:When Lilacs Last in the Dooryard Bloom'd
3372:When Lilacs Last in the Dooryard Bloom'd
2491:
2405:
2378:
2354:
2342:
2264:
2161:
2149:
2016:
1978:
1954:
1912:
1900:
1819:
1807:
1773:
1688:
1609:
1597:
1515:When Lilacs Last in the Dooryard Bloom'd
831:When Lilacs Last in the Dooryard Bloom'd
739:When Lilacs Last in the Dooryard Bloom'd
737:latter editions would include the poem "
211:When Lilacs Last in the Dooryard Bloom'd
185:Among the works in this collection are "
16:Expansive Walt Whitman poetry collection
3664:
2723:. BYU TV. April 4, 2015. Archived from
2636:"'Breaking Bad' Takes Mid-Season Break"
2608:"'Breaking Bad' Finale: Poetic Justice"
2139:. Harvard University Press. p. 66.
1542:
1471:(1972) is the second album released by
1298:(2020) Lily Cartwright is seen reading
360:Letter to Walter Whitman July 21, 1855
2797:Weinert-kendt, Rob (January 6, 2016).
2776:. John Wiley & Sons. p. 349.
2479:
2435:University of South Carolina Libraries
2417:
2366:
2330:
2252:
2240:
2173:
2045:
2033:
1990:
1966:
1924:
1888:
1790:
1761:
1676:
1661:
1549:
1139:
318:happy." The letter was printed in the
3715:Obscenity controversies in literature
3163:Birds of Passage from Leaves of Grass
2502:
2500:
1738:Metropolitan Transportation Authority
1734:"MTA Neighborhood Maps: neighborhood"
1562:
1560:
1558:
7:
3735:LGBT literature in the United States
2431:"Rare Books and Special Collections"
1393:American Theatre Critics Association
1214:, such as the fact that protagonist
954:radiated "vigor and quaint beauty".
745:to Abraham Lincoln after his death.
488:The publishers of the 1860 edition,
420:"Who Learns My Lesson Complete?" and
175:, the supposed writer of the poems.
3637:Walt Whitman High School (New York)
3632:Walt Whitman High School (Maryland)
3316:Out of the Cradle Endlessly Rocking
2606:Ryan, Maureen (September 3, 2012).
1279:quotes some verses from Whitman's "
827:Out of the Cradle Endlessly Rocking
613:First Annex: Sands at Seventy
195:Out of the Cradle Endlessly Rocking
3525:Secular Cantata No. 2: A Free Song
3037:. University of California Press.
3011:. New York: Simon & Schuster.
2746:Duncan Cooper (December 6, 2013).
2660:Thier, Dave (September 12, 2012).
1938:"Walt Whitman and Leaves of Grass"
1479:Leaves of Grass: A Choral Symphony
1240:Peace, Love & Misunderstanding
1003:", "From Pent-Up Aching Rivers", "
909:in the November 10, 1855 issue of
797:, Whitman, in the 1855 preface to
14:
3434:Life and Adventures of Jack Engle
3033:Walt Whitman: The Song of Himself
2541:Irish Journal of American Studies
1202:. Episode eight of season five ("
845:Critical response and controversy
732:Whitman's collection of poems in
3667:
3590:Walt Whitman and Abraham Lincoln
3403:
3172:
3156:
3140:
1463:, written between 1903 and 1909.
1140:Problems playing this file? See
1118:
1078:United States Information Agency
950:believed "isolated portions" of
682:
2936:Drei Hymnen, Op. 14 (Hindemith)
2721:"All Truths Wait in All Things"
1870:The University of Chicago Press
1835:The Almanac of American Letters
1702:"A Gesture in Cranberry Street"
1315:'s character Annie Savoy reads
966:Censorship in the United States
616:Second Annex: Good-bye My Fancy
303:for the first edition himself.
3260:Come Up from the Fields Father
3179:Sea Drift from Leaves of Grass
1258:In season 3, episode 8 of the
1035:A 1913 illustrated edition of
978:wrote to Whitman's publisher,
477:, Professor of English at the
217:Publication history and origin
1:
2904:Walt Whitman Quarterly Review
2692:Andrew Lapin (June 7, 2012).
2277:Broaddus, Dorothy C. (1999).
597:Memories of President Lincoln
2195:29(Fall). Archived from the
1866:Henry David Thoreau – A Life
1492:references Walt Whitman and
415:There Was a Child Went Forth
273:United States District Court
3705:Works published anonymously
3700:American poetry collections
3302:One Hour to Madness and Joy
3190:"A Guide to Walt Whitman's
3182:public domain audiobook at
3166:public domain audiobook at
3150:public domain audiobook at
3093:. New York: Vintage Books.
2773:A Companion to Walt Whitman
2089:A Companion to Walt Whitman
1868:, 394. Chicago and London:
786:comparable to the works of
724:translation was published.
330:, who were some of the few
45:, published on July 4, 1855
3751:
3365:This Dust Was Once the Man
3288:A Noiseless Patient Spider
3274:Hush'd Be the Camps To-Day
2831:Jane M. Lindskold (1993).
1710:. June 1, 1931. p. 18
1405:'s 1979 time-travel novel
1335:In season 4, episode 1 of
1322:In season 3, episode 5 of
1292:In season 1, episode 3 of
886:Thomas Wentworth Higginson
862:Department of the Interior
778:vision of rural idealism.
604:Whispers of Heavenly Death
125:is a poetry collection by
3401:
3201:Academy of American Poets
2579:Michael C. Cohen (2015).
2552:Kenneth M. Price (2005).
2185:Mackey, Nathaniel. 1997.
1832:Nelson, Randy F. (1981).
1625:The New England Quarterly
1366:I Sing the Body Electric!
1325:Dr. Quinn, Medicine Woman
866:Secretary of the Interior
607:From Noon to Starry Night
556:had grown to 14 sections.
428:Republications, 1856–1889
222:Initial publication, 1855
37:of Whitman served as the
26:
3281:I Sing the Body Electric
2987:. Chicago: Ivan R. Dee.
2555:To Walt Whitman, America
1468:I Sing the Body Electric
1387:features prominently in
1378:I Sing the Body Electric
1357:I Sing the Body Electric
1281:I Sing the Body Electric
1005:I Sing the Body Electric
928:William Michael Rossetti
479:University of Notre Dame
396:I Sing the Body Electric
381:"A Song for Occupations"
191:I Sing the Body Electric
41:to the first edition of
3267:Crossing Brooklyn Ferry
2391:Crowe, Charles (1967).
2187:"Phrenological Whitman"
2135:Fisher, Philip (1999).
1517:"; "Beat! Beat! Drums!"
882:John Greenleaf Whittier
552:By its later editions,
483:Crossing Brooklyn Ferry
3710:Poetry by Walt Whitman
3295:O Captain! My Captain!
1457:Ralph Vaughan Williams
1188:O Captain! My Captain!
1107:
1039:
997:
963:
857:
664:
632:Deathbed edition, 1892
456:" and "The Sleepers".
440:
404:"Song of the Answerer"
362:
271:with the clerk of the
3647:Whitman-Walker Health
3358:Song of the Open Road
3330:Pioneers! O Pioneers!
2634:Caldwell, Stephanie.
2531:O'Reilly, Nathanael.
1612:, pp. 41–42, 82.
1573:World Digital Library
1455:" (Symphony No.1) by
1437:, in which the poem "
1359:" was used by author
1206:", after poem 271 of
1106:
1034:
992:
959:
903:Rufus Wilmot Griswold
852:
656:
584:By the Roadside
499:A Word Out of the Sea
490:Thayer & Eldridge
435:
423:"Great Are the Myths"
226:The first edition of
3720:Self-published books
3053:Miller, James E. Jr.
3008:Walt Whitman: A Life
2835:. Twayne Publishers.
2199:on February 2, 2016.
2116:on November 25, 2015
1707:Brooklyn Daily Eagle
1283:" in her short film
1272:as a Christmas gift.
782:distinctly American
531:Songs before Parting
3619:Walt Whitman Bridge
3323:Patrolling Barnegat
2613:The Huffington Post
1863:Walls, Laura Dassow
1459:contains text from
1395:award-winning play
1155:Film and television
990:, his letter said:
936:William Shakespeare
439:of the 1883 edition
328:Amos Bronson Alcott
324:Henry David Thoreau
236:Ralph Waldo Emerson
23:
3642:Walt Whitman Shops
3607:Walt Whitman House
3585:Walt Whitman Award
3337:Prayer of Columbus
3203:. January 1, 2000.
3087:Reynolds, David S.
2803:The New York Times
2768:Donald D. Kummings
2314:The New York Times
2093:Donald D. Kummings
1183:Dead Poets Society
1150:In popular culture
1108:
1040:
974:district attorney
970:On March 1, 1882,
895:The Saturday Press
858:
694:. You can help by
565:Inscriptions
538:electrotype plates
485:"—a notable poem.
475:Laura Dassow Walls
441:
384:"To Think of Time"
332:Transcendentalists
3655:
3654:
3613:The Long Islander
3541:The Wound-Dresser
3442:Democratic Vistas
3309:One's Self I Sing
3252:(1855–1892)
3135:Project Gutenberg
3065:Twayne Publishers
1878:978-0-226-59937-3
1568:"Leaves of Grass"
1483:Robert Strassburg
1418:Les Fleurs du Mal
1372:The Twilight Zone
1123:
1013:banning in Boston
793:As a believer in
712:
711:
625:
624:
410:"A Boston Ballad"
118:
117:
95:Publication place
3742:
3672:
3671:
3663:
3517:Dona nobis pacem
3450:Passage to India
3407:
3232:
3225:
3218:
3209:
3204:
3198:
3176:
3175:
3160:
3159:
3144:
3143:
3137:
3104:
3082:
3079:Internet Archive
3062:
3048:
3036:
3022:
2998:
2967:
2966:
2961:
2959:
2948:
2942:
2938:: Scores at the
2933:
2927:
2926:
2925:. July 16, 2014.
2913:
2907:
2900:
2894:
2893:
2880:
2874:
2873:
2860:
2854:
2853:
2843:
2837:
2836:
2828:
2822:
2821:
2819:
2817:
2794:
2788:
2787:
2764:
2758:
2757:
2743:
2737:
2736:
2734:
2732:
2727:on July 16, 2016
2717:
2711:
2710:
2708:
2706:
2689:
2683:
2682:
2680:
2678:
2657:
2651:
2650:
2648:
2646:
2631:
2625:
2624:
2622:
2620:
2603:
2597:
2596:
2576:
2570:
2569:
2549:
2543:
2529:
2523:
2522:
2520:
2518:
2504:
2495:
2489:
2483:
2477:
2471:
2470:
2468:
2466:
2452:
2446:
2445:
2443:
2441:
2427:
2421:
2415:
2409:
2403:
2397:
2396:
2388:
2382:
2376:
2370:
2364:
2358:
2352:
2346:
2340:
2334:
2328:
2319:
2318:
2309:"Loving Whitman"
2305:
2299:
2298:
2274:
2268:
2262:
2256:
2250:
2244:
2238:
2229:
2228:
2226:
2224:
2218:www.academia.edu
2209:
2200:
2183:
2177:
2171:
2165:
2159:
2153:
2147:
2141:
2140:
2132:
2126:
2125:
2123:
2121:
2112:. Archived from
2102:
2096:
2082:
2076:
2055:
2049:
2043:
2037:
2031:
2020:
2014:
2008:
2007:
2000:
1994:
1988:
1982:
1976:
1970:
1964:
1958:
1952:
1946:
1945:
1934:
1928:
1922:
1916:
1910:
1904:
1898:
1892:
1886:
1880:
1860:
1854:
1853:
1829:
1823:
1817:
1811:
1805:
1794:
1788:
1777:
1771:
1765:
1759:
1750:
1749:
1747:
1745:
1730:
1724:
1723:
1717:
1715:
1698:
1692:
1686:
1680:
1674:
1665:
1659:
1650:
1649:
1619:
1613:
1607:
1601:
1595:
1586:
1585:
1583:
1581:
1564:
1553:
1547:
1488:American singer
1481:was composed by
1389:Lauren Gunderson
1275:American singer
1204:Gliding Over All
1125:
1124:
1105:
1052:Little Blue Book
809:Thematic changes
707:
704:
686:
679:
642:at last complete
610:Songs of Parting
576:Birds of Passage
568:Children of Adam
560:
513:complete — that
445:Leaves of Grass,
320:New York Tribune
86:Publication date
31:
24:
22:Leaves of Grass
3750:
3749:
3745:
3744:
3743:
3741:
3740:
3739:
3680:
3679:
3678:
3666:
3658:
3656:
3651:
3577:
3571:
3456:
3408:
3399:
3251:
3248:Leaves of Grass
3241:
3236:
3196:
3192:Leaves of Grass
3188:
3173:
3157:
3147:Leaves of Grass
3141:
3130:Leaves of Grass
3127:
3121:Standard Ebooks
3116:Leaves of Grass
3111:
3101:
3085:
3075:
3051:
3045:
3025:
3019:
3001:
2995:
2979:
2976:
2971:
2970:
2957:
2955:
2950:
2949:
2945:
2934:
2930:
2915:
2914:
2910:
2901:
2897:
2882:
2881:
2877:
2862:
2861:
2857:
2845:
2844:
2840:
2830:
2829:
2825:
2815:
2813:
2796:
2795:
2791:
2784:
2766:
2765:
2761:
2745:
2744:
2740:
2730:
2728:
2719:
2718:
2714:
2704:
2702:
2691:
2690:
2686:
2676:
2674:
2659:
2658:
2654:
2644:
2642:
2633:
2632:
2628:
2618:
2616:
2605:
2604:
2600:
2593:
2578:
2577:
2573:
2566:
2551:
2550:
2546:
2535:Leaves of Grass
2530:
2526:
2516:
2514:
2506:
2505:
2498:
2490:
2486:
2478:
2474:
2464:
2462:
2454:
2453:
2449:
2439:
2437:
2429:
2428:
2424:
2416:
2412:
2404:
2400:
2390:
2389:
2385:
2377:
2373:
2365:
2361:
2353:
2349:
2341:
2337:
2329:
2322:
2307:
2306:
2302:
2295:
2276:
2275:
2271:
2263:
2259:
2251:
2247:
2239:
2232:
2222:
2220:
2211:
2210:
2203:
2184:
2180:
2172:
2168:
2160:
2156:
2148:
2144:
2134:
2133:
2129:
2119:
2117:
2104:
2103:
2099:
2083:
2079:
2062:Leaves of Grass
2056:
2052:
2044:
2040:
2032:
2023:
2015:
2011:
2002:
2001:
1997:
1989:
1985:
1977:
1973:
1965:
1961:
1953:
1949:
1936:
1935:
1931:
1923:
1919:
1911:
1907:
1899:
1895:
1887:
1883:
1861:
1857:
1850:
1831:
1830:
1826:
1818:
1814:
1806:
1797:
1789:
1780:
1772:
1768:
1760:
1753:
1743:
1741:
1732:
1731:
1727:
1713:
1711:
1700:
1699:
1695:
1687:
1683:
1675:
1668:
1660:
1653:
1621:
1620:
1616:
1608:
1604:
1596:
1589:
1579:
1577:
1566:
1565:
1556:
1548:
1544:
1539:
1530:Leaves of Grass
1500:", from her EP
1494:Leaves of Grass
1461:Leaves of Grass
1448:
1425:Leaves of Grass
1413:Leaves of Grass
1385:Leaves of Grass
1352:
1343:Leaves of Grass
1338:BoJack Horseman
1300:Leaves of Grass
1270:Leaves of Grass
1253:Elizabeth Olsen
1245:Leaves of Grass
1232:Leaves of Grass
1212:Leaves of Grass
1208:Leaves of Grass
1194:Leaves of Grass
1157:
1152:
1147:
1146:
1138:
1136:
1135:
1134:
1133:
1130:Leaves of Grass
1126:
1119:
1116:
1109:
1103:
1091:Leaves of Grass
1071:Langston Hughes
1044:Leaves of Grass
1037:Leaves of Grass
1029:
984:Leaves of Grass
980:James R. Osgood
968:
952:Leaves of Grass
944:Leaves of Grass
940:Dante Alighieri
932:Leaves of Grass
921:Leaves of Grass
907:Leaves of Grass
890:Leaves of Grass
854:Leaves of Grass
847:
819:Leaves of Grass
815:Leaves of Grass
811:
799:Leaves of Grass
772:Leaves of Grass
754:Leaves of Grass
734:Leaves of Grass
730:
708:
702:
699:
692:needs expansion
677:
668:Leaves of Grass
660:Leaves of Grass
651:New York Herald
646:Leaves of Grass
638:Leaves of Grass
634:
626:
601:Autumn Rivulets
554:Leaves of Grass
550:
511:Leaves of Grass
507:
462:
430:
363:
348:Leaves of Grass
336:Leaves of Grass
269:Leaves of Grass
262:Leaves of Grass
228:Leaves of Grass
224:
219:
207:Abraham Lincoln
179:Leaves of Grass
161:Leaves of Grass
147:Leaves of Grass
138:Leaves of Grass
134:Leaves of Grass
122:Leaves of Grass
108:Leaves of Grass
87:
46:
43:Leaves of Grass
35:steel engraving
17:
12:
11:
5:
3748:
3746:
3738:
3737:
3732:
3727:
3722:
3717:
3712:
3707:
3702:
3697:
3692:
3682:
3681:
3677:
3676:
3653:
3652:
3650:
3649:
3644:
3639:
3634:
3629:
3621:
3616:
3609:
3604:
3599:
3598:
3597:
3587:
3581:
3579:
3573:
3572:
3570:
3569:
3565:Dooryard Bloom
3561:
3557:Symphony No. 2
3553:
3545:
3537:
3529:
3521:
3513:
3505:
3501:Morning Heroes
3497:
3489:
3485:A Sea Symphony
3481:
3473:
3464:
3462:
3458:
3457:
3455:
3454:
3446:
3438:
3430:
3426:Franklin Evans
3422:
3416:
3414:
3410:
3409:
3402:
3400:
3398:
3397:
3390:
3385:
3380:
3376:
3375:
3368:
3361:
3354:
3351:Song of Myself
3347:
3340:
3333:
3326:
3319:
3312:
3305:
3298:
3291:
3284:
3277:
3270:
3263:
3255:
3253:
3243:
3242:
3237:
3235:
3234:
3227:
3220:
3212:
3206:
3205:
3186:
3170:
3154:
3138:
3125:
3123:
3110:
3109:External links
3107:
3106:
3105:
3099:
3083:
3073:
3049:
3043:
3027:Loving, Jerome
3023:
3017:
3003:Kaplan, Justin
2999:
2993:
2981:Callow, Philip
2975:
2972:
2969:
2968:
2952:"The Prologue"
2943:
2928:
2908:
2895:
2875:
2855:
2838:
2823:
2789:
2782:
2759:
2738:
2712:
2684:
2652:
2626:
2598:
2591:
2571:
2564:
2544:
2524:
2496:
2494:, p. 543.
2484:
2482:, p. 416.
2472:
2447:
2422:
2420:, p. 414.
2410:
2408:, p. 339.
2398:
2383:
2381:, p. 404.
2371:
2369:, p. 317.
2359:
2357:, p. 348.
2347:
2345:, p. 347.
2335:
2320:
2300:
2293:
2269:
2267:, p. 194.
2257:
2255:, p. 186.
2245:
2230:
2201:
2178:
2176:, p. 155.
2166:
2164:, p. 324.
2154:
2152:, p. 332.
2142:
2127:
2097:
2077:
2074:978-0906906163
2058:Dail Glaswellt
2050:
2038:
2021:
2019:, p. 586.
2009:
1995:
1983:
1981:, p. 475.
1971:
1969:, p. 314.
1959:
1957:, p. 474.
1947:
1929:
1927:, p. 250.
1917:
1915:, p. 405.
1905:
1903:, p. 343.
1893:
1891:, p. 236.
1881:
1855:
1848:
1824:
1822:, p. 311.
1812:
1795:
1778:
1776:, p. 305.
1766:
1751:
1725:
1720:Newspapers.com
1693:
1691:, p. 310.
1681:
1666:
1651:
1638:10.2307/360926
1632:(2): 359–362.
1614:
1602:
1587:
1554:
1541:
1540:
1538:
1535:
1534:
1533:
1518:
1511:Paul Hindemith
1507:
1486:
1476:
1473:Weather Report
1464:
1453:A Sea Symphony
1447:
1444:
1443:
1442:
1439:Song of Myself
1431:'s 2008 novel
1422:
1400:
1382:
1351:
1348:
1347:
1346:
1333:
1320:
1313:Susan Sarandon
1303:
1290:
1273:
1256:
1255:'s characters.
1235:
1191:
1179:
1156:
1153:
1151:
1148:
1137:
1127:
1117:
1112:
1111:
1110:
1101:
1100:
1099:
1083:
1082:
1074:
1063:
1056:
1028:
1025:
1001:Song of Myself
976:Oliver Stevens
967:
964:
874:Transcendental
846:
843:
810:
807:
750:Song of Myself
729:
726:
722:Welsh language
717:Dail Glaswellt
710:
709:
689:
687:
676:
673:
633:
630:
623:
622:
618:
617:
614:
611:
608:
605:
602:
599:
592:
591:
590:
585:
582:
577:
574:
569:
566:
558:
549:
546:
529:, and the new
506:
503:
461:
458:
454:Song of Myself
429:
426:
425:
424:
421:
418:
411:
408:
405:
402:
399:
392:
385:
382:
379:
376:Song of Myself
357:R. W. Emerson
340:
223:
220:
218:
215:
187:Song of Myself
165:do-it-yourself
116:
115:
104:
100:
99:
96:
92:
91:
88:
85:
82:
81:
78:
74:
73:
70:
66:
65:
62:
58:
57:
52:
48:
47:
32:
15:
13:
10:
9:
6:
4:
3:
2:
3747:
3736:
3733:
3731:
3728:
3726:
3723:
3721:
3718:
3716:
3713:
3711:
3708:
3706:
3703:
3701:
3698:
3696:
3693:
3691:
3688:
3687:
3685:
3675:
3670:
3665:
3661:
3648:
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3626:
3622:
3620:
3617:
3615:
3614:
3610:
3608:
3605:
3603:
3600:
3596:
3593:
3592:
3591:
3588:
3586:
3583:
3582:
3580:
3574:
3567:
3566:
3562:
3559:
3558:
3554:
3551:
3550:
3546:
3543:
3542:
3538:
3535:
3534:
3530:
3527:
3526:
3522:
3519:
3518:
3514:
3511:
3510:
3506:
3503:
3502:
3498:
3495:
3494:
3490:
3487:
3486:
3482:
3479:
3478:
3474:
3471:
3470:
3466:
3465:
3463:
3459:
3452:
3451:
3447:
3444:
3443:
3439:
3436:
3435:
3431:
3428:
3427:
3423:
3421:
3420:List of poems
3418:
3417:
3415:
3411:
3406:
3396:
3395:
3391:
3389:
3386:
3384:
3381:
3378:
3377:
3373:
3369:
3366:
3362:
3359:
3355:
3352:
3348:
3345:
3341:
3338:
3334:
3331:
3327:
3324:
3320:
3317:
3313:
3310:
3306:
3303:
3299:
3296:
3292:
3289:
3285:
3282:
3278:
3275:
3271:
3268:
3264:
3261:
3257:
3256:
3254:
3250:
3249:
3244:
3240:
3233:
3228:
3226:
3221:
3219:
3214:
3213:
3210:
3202:
3195:
3193:
3187:
3185:
3181:
3180:
3171:
3169:
3165:
3164:
3155:
3153:
3149:
3148:
3139:
3136:
3132:
3131:
3126:
3124:
3122:
3118:
3117:
3113:
3112:
3108:
3102:
3100:0-679-76709-6
3096:
3092:
3088:
3084:
3080:
3076:
3074:9780805707922
3070:
3066:
3061:
3060:
3054:
3050:
3046:
3044:0-520-22687-9
3040:
3035:
3034:
3028:
3024:
3020:
3018:0-671-22542-1
3014:
3010:
3009:
3004:
3000:
2996:
2994:0-929587-95-2
2990:
2986:
2982:
2978:
2977:
2973:
2965:
2958:September 14,
2953:
2947:
2944:
2941:
2937:
2932:
2929:
2924:
2923:
2922:Rolling Stone
2918:
2912:
2909:
2905:
2899:
2896:
2891:
2890:
2885:
2879:
2876:
2871:
2870:
2865:
2859:
2856:
2851:
2850:
2842:
2839:
2834:
2833:Roger Zelazny
2827:
2824:
2812:
2808:
2804:
2800:
2793:
2790:
2785:
2783:9781405195515
2779:
2775:
2774:
2769:
2763:
2760:
2755:
2754:
2749:
2742:
2739:
2726:
2722:
2716:
2713:
2701:
2700:
2695:
2688:
2685:
2677:September 10,
2673:
2672:
2667:
2665:
2656:
2653:
2641:
2637:
2630:
2627:
2615:
2614:
2609:
2602:
2599:
2594:
2592:9780812291315
2588:
2584:
2583:
2575:
2572:
2567:
2565:9780807876114
2561:
2557:
2556:
2548:
2545:
2542:
2538:
2536:
2528:
2525:
2513:
2509:
2503:
2501:
2497:
2493:
2492:Reynolds 1995
2488:
2485:
2481:
2476:
2473:
2461:
2457:
2451:
2448:
2436:
2432:
2426:
2423:
2419:
2414:
2411:
2407:
2406:Reynolds 1995
2402:
2399:
2394:
2387:
2384:
2380:
2379:Reynolds 1995
2375:
2372:
2368:
2363:
2360:
2356:
2355:Reynolds 1995
2351:
2348:
2344:
2343:Reynolds 1995
2339:
2336:
2333:, p. 184
2332:
2327:
2325:
2321:
2316:
2315:
2310:
2304:
2301:
2296:
2294:1-57003-244-0
2290:
2286:
2282:
2281:
2273:
2270:
2266:
2265:Reynolds 1995
2261:
2258:
2254:
2249:
2246:
2243:, p. 185
2242:
2237:
2235:
2231:
2219:
2215:
2208:
2206:
2202:
2198:
2194:
2193:
2188:
2182:
2179:
2175:
2170:
2167:
2163:
2162:Reynolds 1995
2158:
2155:
2151:
2150:Reynolds 1995
2146:
2143:
2138:
2131:
2128:
2115:
2111:
2107:
2101:
2098:
2094:
2090:
2086:
2085:Genoways, Ted
2081:
2078:
2075:
2071:
2067:
2063:
2059:
2054:
2051:
2048:, p. 51.
2047:
2042:
2039:
2035:
2030:
2028:
2026:
2022:
2018:
2017:Reynolds 1995
2013:
2010:
2005:
1999:
1996:
1993:, p. 55.
1992:
1987:
1984:
1980:
1979:Reynolds 1995
1975:
1972:
1968:
1963:
1960:
1956:
1955:Reynolds 1995
1951:
1948:
1943:
1939:
1933:
1930:
1926:
1921:
1918:
1914:
1913:Reynolds 1995
1909:
1906:
1902:
1901:Reynolds 1995
1897:
1894:
1890:
1885:
1882:
1879:
1875:
1871:
1867:
1864:
1859:
1856:
1851:
1849:0-86576-008-X
1845:
1841:
1837:
1836:
1828:
1825:
1821:
1820:Reynolds 1995
1816:
1813:
1810:, p. 352
1809:
1808:Reynolds 1995
1804:
1802:
1800:
1796:
1792:
1787:
1785:
1783:
1779:
1775:
1774:Reynolds 1995
1770:
1767:
1764:, p. 227
1763:
1758:
1756:
1752:
1739:
1735:
1729:
1726:
1721:
1709:
1708:
1703:
1697:
1694:
1690:
1689:Reynolds 1995
1685:
1682:
1679:, p. 179
1678:
1673:
1671:
1667:
1664:, p. 198
1663:
1658:
1656:
1652:
1647:
1643:
1639:
1635:
1631:
1627:
1626:
1618:
1615:
1611:
1610:Reynolds 1995
1606:
1603:
1599:
1598:Reynolds 1995
1594:
1592:
1588:
1575:
1574:
1569:
1563:
1561:
1559:
1555:
1552:, p. 57.
1551:
1546:
1543:
1536:
1531:
1527:
1523:
1519:
1516:
1512:
1508:
1505:
1504:
1499:
1498:Body Electric
1496:in her song "
1495:
1491:
1487:
1484:
1480:
1477:
1474:
1470:
1469:
1465:
1462:
1458:
1454:
1450:
1449:
1445:
1440:
1436:
1435:
1430:
1426:
1423:
1420:
1419:
1414:
1410:
1409:
1404:
1403:Roger Zelazny
1401:
1398:
1394:
1390:
1386:
1383:
1380:
1379:
1374:
1373:
1368:
1367:
1362:
1358:
1354:
1353:
1349:
1344:
1340:
1339:
1334:
1331:
1327:
1326:
1321:
1318:
1314:
1310:
1309:
1304:
1301:
1297:
1296:
1291:
1288:
1287:
1282:
1278:
1274:
1271:
1267:
1266:
1265:Granite Flats
1261:
1257:
1254:
1250:
1246:
1242:
1241:
1236:
1233:
1229:
1228:Hank Schrader
1225:
1221:
1220:Bullet Points
1217:
1213:
1209:
1205:
1201:
1200:
1195:
1192:
1189:
1185:
1184:
1180:
1177:
1173:
1169:
1165:
1164:
1159:
1158:
1154:
1149:
1145:
1143:
1131:
1115:
1098:
1096:
1092:
1089:expressed in
1088:
1079:
1075:
1072:
1068:
1064:
1061:
1057:
1053:
1049:
1048:
1047:
1045:
1038:
1033:
1026:
1024:
1022:
1018:
1014:
1008:
1006:
1002:
996:
991:
989:
985:
981:
977:
973:
965:
962:
958:
955:
953:
949:
948:George Ripley
945:
941:
937:
933:
929:
924:
922:
918:
914:
913:
912:The Criterion
908:
904:
899:
897:
896:
891:
887:
883:
878:
875:
870:
867:
863:
855:
851:
844:
842:
840:
834:
832:
828:
822:
820:
816:
808:
806:
804:
800:
796:
791:
789:
785:
779:
777:
773:
769:
763:
761:
760:
755:
751:
746:
744:
741:", Whitman's
740:
735:
727:
725:
723:
719:
718:
706:
703:December 2023
697:
693:
690:This section
688:
685:
681:
680:
674:
672:
669:
663:
661:
655:
653:
652:
647:
643:
639:
631:
629:
621:
615:
612:
609:
606:
603:
600:
598:
595:
594:
593:
589:
586:
583:
581:
578:
575:
573:
570:
567:
564:
563:
562:
561:
557:
555:
547:
545:
541:
539:
534:
532:
528:
527:
523:section, its
522:
521:
516:
512:
504:
502:
500:
495:
491:
486:
484:
480:
476:
472:
468:
459:
457:
455:
449:
446:
438:
434:
427:
422:
419:
416:
412:
409:
406:
403:
400:
397:
393:
390:
386:
383:
380:
377:
373:
372:
371:
369:
361:
358:
355:
351:
349:
344:
339:
337:
333:
329:
325:
321:
315:
313:
308:
304:
302:
298:
294:
293:Fulton Street
290:
286:
282:
278:
274:
270:
265:
263:
259:
258:
253:
249:
245:
241:
237:
233:
229:
221:
216:
214:
212:
208:
204:
200:
196:
192:
188:
183:
180:
176:
174:
171:
166:
162:
158:
156:
152:
148:
142:
139:
135:
131:
128:
127:American poet
124:
123:
114:
110:
109:
105:
101:
98:United States
97:
93:
89:
83:
79:
75:
71:
67:
63:
59:
56:
53:
49:
44:
40:
36:
30:
25:
19:
3625:Walt Whitman
3624:
3612:
3563:
3555:
3547:
3539:
3531:
3523:
3515:
3507:
3499:
3493:Ode to Death
3491:
3483:
3475:
3467:
3448:
3440:
3432:
3424:
3392:
3344:The Sleepers
3247:
3246:
3239:Walt Whitman
3191:
3178:
3162:
3146:
3128:
3114:
3090:
3077:– via
3063:. New York:
3059:Walt Whitman
3058:
3032:
3007:
2984:
2963:
2956:. Retrieved
2946:
2931:
2920:
2911:
2903:
2898:
2887:
2878:
2867:
2858:
2847:
2841:
2832:
2826:
2814:. Retrieved
2802:
2792:
2772:
2762:
2751:
2741:
2729:. Retrieved
2725:the original
2715:
2703:. Retrieved
2697:
2687:
2675:. Retrieved
2669:
2664:Breaking Bad
2663:
2655:
2643:. Retrieved
2639:
2629:
2617:. Retrieved
2611:
2601:
2581:
2574:
2554:
2547:
2540:
2534:
2527:
2517:November 30,
2515:. Retrieved
2511:
2487:
2475:
2463:. Retrieved
2459:
2450:
2438:. Retrieved
2434:
2425:
2413:
2401:
2392:
2386:
2374:
2362:
2350:
2338:
2312:
2303:
2279:
2272:
2260:
2248:
2223:November 13,
2221:. Retrieved
2217:
2212:Bora, Indu.
2192:Conjunctions
2190:
2181:
2169:
2157:
2145:
2136:
2130:
2120:September 1,
2118:. Retrieved
2114:the original
2109:
2100:
2088:
2080:
2061:
2057:
2053:
2041:
2036:, p. 36
2012:
1998:
1986:
1974:
1962:
1950:
1941:
1932:
1920:
1908:
1896:
1884:
1865:
1858:
1834:
1827:
1815:
1793:, p. 27
1769:
1742:. Retrieved
1728:
1718:– via
1712:. Retrieved
1705:
1696:
1684:
1629:
1623:
1617:
1605:
1600:, p. 82
1578:. Retrieved
1571:
1545:
1529:
1501:
1493:
1490:Lana Del Rey
1478:
1466:
1460:
1432:
1424:
1416:
1412:
1406:
1396:
1384:
1376:
1370:
1364:
1361:Ray Bradbury
1342:
1336:
1323:
1306:
1299:
1293:
1284:
1277:Lana Del Rey
1269:
1263:
1244:
1238:
1231:
1216:Walter White
1211:
1207:
1199:Breaking Bad
1197:
1193:
1181:
1176:Paul Henreid
1168:Claude Rains
1163:Now, Voyager
1161:
1129:
1095:expansionist
1090:
1084:
1066:
1060:World War II
1043:
1041:
1036:
1021:Philadelphia
1009:
998:
993:
983:
969:
960:
956:
951:
943:
931:
925:
920:
910:
906:
900:
893:
889:
879:
869:James Harlan
859:
853:
835:
823:
818:
814:
812:
803:adhesiveness
802:
798:
792:
780:
771:
770:in America,
768:urbanization
764:
757:
753:
747:
733:
731:
715:
713:
700:
696:adding to it
691:
675:Translations
667:
665:
659:
657:
649:
645:
641:
637:
635:
627:
619:
553:
551:
542:
535:
530:
524:
518:
514:
510:
508:
487:
463:
450:
444:
442:
437:Frontispiece
389:The Sleepers
368:Philadelphia
364:
359:
356:
352:
347:
345:
342:
335:
319:
316:
309:
305:
297:Cadman Plaza
284:
280:
268:
266:
261:
255:
251:
227:
225:
203:assassinated
184:
178:
177:
160:
159:
146:
143:
137:
133:
130:Walt Whitman
121:
120:
119:
106:
90:July 4, 1855
55:Walt Whitman
42:
39:frontispiece
18:
3725:LGBT poetry
3469:Elegiac Ode
3461:Adaptations
3413:Other works
2816:October 31,
2480:Loving 1999
2418:Loving 1999
2367:Loving 1999
2331:Loving 1999
2253:Loving 1999
2241:Loving 1999
2174:Miller 1962
2046:Kaplan 1979
2034:Miller 1962
1991:Miller 1962
1967:Loving 1999
1925:Kaplan 1979
1889:Callow 1992
1791:Miller 1962
1762:Callow 1992
1714:October 27,
1677:Loving 1999
1662:Kaplan 1979
1550:Miller 1962
1434:Paper Towns
1427:appears in
1317:Tim Robbins
1308:Bull Durham
1247:is read by
1172:Bette Davis
1166:, starring
1087:nationalism
1017:Wanamaker's
930:considered
492:, declared
301:typesetting
257:Rachel Dyer
254:(1823) and
170:proletarian
155:line length
3695:1855 poems
3690:1855 books
3684:Categories
3627:(Davidson)
2869:Classic FM
2512:VQR Online
2460:VQR Online
1744:October 1,
1537:References
1429:John Green
1350:Literature
1249:Jane Fonda
1142:media help
917:free lover
839:God's plan
795:phrenology
756:. For his
515:unkillable
494:bankruptcy
343:Dear Sir,
205:President
113:Wikisource
3578:honoraria
3509:Sea Drift
3477:Sea Drift
3394:Drum-Taps
3388:Sea-Drift
2889:Billboard
2811:0362-4331
2753:The Fader
2640:StarPulse
1580:August 3,
1522:bandoneon
1408:Roadmarks
1397:I and You
1330:Joe Lando
1114:"America"
905:reviewed
784:epic poem
759:Drum-Taps
714:In 1995,
588:Drum-Taps
580:Sea-Drift
520:Drum-Taps
505:1867–1889
467:gold leaf
460:1856–1860
250:: novels
248:John Neal
77:Publisher
3595:Lectures
3576:Life and
3379:Sections
3374:" (1865)
3367:" (1871)
3360:" (1856)
3353:" (1855)
3346:" (1855)
3339:" (1900)
3332:" (1865)
3325:" (1856)
3318:" (1859)
3311:" (1867)
3304:" (1860)
3297:" (1865)
3290:" (1891)
3283:" (1855)
3276:" (1865)
3269:" (1855)
3262:" (1865)
3184:LibriVox
3168:LibriVox
3152:LibriVox
3089:(1995).
3055:(1962).
3029:(1999).
3005:(1979).
2983:(1992).
2770:(2009).
2197:original
2068:, 1995.
1872:, 2017.
1503:Paradise
1485:in 1992.
1311:(1988),
1243:(2011),
995:thereof.
776:pastoral
728:Analysis
548:Sections
289:Brooklyn
252:Randolph
240:The Poet
238:called "
193:", and "
61:Language
3383:Calamus
2974:Sources
2731:July 5,
2705:July 2,
2645:July 5,
2619:May 25,
2465:July 5,
2440:July 5,
2066:Cardiff
1506:(2012).
1399:(2013).
1295:Ratched
1289:(2013).
1286:Tropico
1262:series
1081:groups.
1058:During
982:, that
901:Critic
829:" and "
572:Calamus
401:"Faces"
201:to the
64:English
3674:Poetry
3660:Portal
3568:(2004)
3560:(1999)
3552:(1996)
3549:Lilacs
3544:(1989)
3536:(1946)
3528:(1942)
3520:(1936)
3512:(1933)
3504:(1930)
3496:(1919)
3488:(1909)
3480:(1906)
3472:(1884)
3453:(1871)
3445:(1871)
3437:(1852)
3429:(1842)
3097:
3071:
3041:
3015:
2991:
2849:Bustle
2809:
2780:
2671:Forbes
2589:
2562:
2291:
2091:, ed.
2072:
1876:
1846:
1740:. 2018
1646:360926
1644:
1576:. 1855
1260:BYU TV
1226:agent
1174:, and
1055:class.
1027:Legacy
972:Boston
864:after
720:, the
620:
526:Sequel
312:oddity
285:leaves
72:Poetry
51:Author
3197:(PDF)
1642:JSTOR
1526:piano
1446:Music
880:Poet
788:Homer
743:elegy
471:blurb
295:(now
281:grass
279:, as
244:meter
232:essay
199:elegy
151:meter
69:Genre
33:This
3095:ISBN
3069:ISBN
3039:ISBN
3013:ISBN
2989:ISBN
2960:2024
2818:2016
2807:ISSN
2778:ISBN
2733:2016
2707:2020
2679:2012
2647:2016
2621:2017
2587:ISBN
2560:ISBN
2519:2015
2467:2016
2442:2016
2289:ISBN
2225:2015
2122:2016
2070:ISBN
1874:ISBN
1844:ISBN
1746:2018
1716:2015
1582:2013
1524:and
1251:and
938:and
872:old
326:and
189:", "
173:bard
153:and
103:Text
80:Self
3133:at
3119:at
2699:NPR
1840:144
1634:doi
1391:'s
1305:In
1237:In
1224:DEA
1019:in
698:.
277:pun
234:by
213:".
209:, "
111:at
3686::
3199:.
3067:.
2962:.
2919:.
2886:.
2866:.
2805:.
2801:.
2750:.
2696:.
2668:.
2638:.
2610:.
2539:.
2510:.
2499:^
2458:.
2433:.
2323:^
2311:.
2287:.
2285:76
2233:^
2216:.
2204:^
2189:.
2108:.
2024:^
1940:.
1842:.
1798:^
1781:^
1754:^
1736:.
1704:.
1669:^
1654:^
1640:.
1630:14
1628:.
1590:^
1570:.
1557:^
1381:).
1328:,
1170:,
1069:,
923:.
841:.
790:.
654::
473:.
338:.
157:.
3662::
3370:"
3363:"
3356:"
3349:"
3342:"
3335:"
3328:"
3321:"
3314:"
3307:"
3300:"
3293:"
3286:"
3279:"
3272:"
3265:"
3258:"
3231:e
3224:t
3217:v
3194:"
3103:.
3081:.
3047:.
3021:.
2997:.
2872:.
2852:.
2820:.
2786:.
2756:.
2735:.
2709:.
2681:.
2662:"
2649:.
2623:.
2595:.
2568:.
2537:"
2521:.
2469:.
2444:.
2317:.
2297:.
2227:.
2124:.
2060:(
2006:.
1944:.
1852:.
1748:.
1722:.
1648:.
1636::
1584:.
1532:.
1475:.
1451:"
1421:.
1375:(
1355:"
1178:.
1144:.
1132:.
705:)
701:(
452:"
417:"
413:"
398:"
394:"
391:"
387:"
378:"
374:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
