Knowledge (XXG)

Leeds Pottery

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287: 208: 251: 275: 299: 115: 263: 192: 22: 224: 315: 79: 286: 236: 111:. The final 1814 catalogue had over 200 general items and 48 patterns of tea, coffee, and chocolate services in a wide variety of plain, ornamented, perforated, and basketwork styles; this same catalogue continued with minor variations until a much later period. At this time, annual sales were about £30,000 per year. 177:
then demolished. However, in 1888 production was restarted by James Wraith Senior, who used the old designs and marked his products Leeds Pottery. This business wound down in 1957. Leeds City Council restarted the brand in 1983, making reproduction pieces, but soon had to sell the business. Production was moved to
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An impressed mark of "Leeds Pottery" (or "Leeds * Pottery") was introduced around 1775, to which "Hartley Greens & Co" was added from 1800. The earlier wares were unmarked, and attribution of pieces to Leeds is sometimes uncertain (with Liverpool and Swansea being the most likely alternatives).
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In the early 19th century, however, the company went into a prolonged decline and from 1821 was sold repeatedly, becoming in turn Wainwright & Co., Stephen & James Chappell, Warburton & Britton, and finally Richard Britton & Sons, until it finally closed in 1881. Its buildings were
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Leeds Pottery has had a long and complex business history. It was created in Hunslet by John Green and Joshua Green, unrelated, around 1756, joined by Richard Humble in 1775 to become Humble, Green, and Co. Circa 1783 a businessman named William Hartley joined the firm, and the firm was renamed
207: 134:), a high proportion of the earlier wares were not decorated. Other decorative techniques used include "engine-turning", where the body is covered with coloured slip, which is then selectively removed to create a pattern, and (in the early 19th century) " 106:
By 1790 the company employed 150 people. Leeds wares were lighter than those of most of their competitors, which gave them an advantage in European markets where import tariffs were based on weight. But this trade was greatly disrupted by the
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The pottery produced catalogues of goods in 1783, 1785, 1786, 1794, and 1814; the pattern is somewhat indicative of the development of the business. There are other documents, and pattern books illustrating decoration, in the
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glaze is applied. Some black "basalt" stonewares were produced, mostly teawares and after 1790. Many were "engine-turned", with geometric decoration cut on a wheel. Some figures, rather in the style of
250: 298: 893: 274: 223: 1014: 926: 1004: 67:, made either by piercing solid parts, or "basketwork", weaving thin strips of clay together. Several other types of ware were produced, mostly 235: 497: 262: 548: 292:
Chestnut basket on dish, attributed to Leeds Pottery, 1780-1800, creamware. Hot roast chestnuts needed to be able to "breathe".
314: 931: 503: 936: 857: 100: 867: 170: 1009: 911: 862: 567: 181:, and in 1992 after acquisition by John Croft it was renamed Hartley Greens & Co. In 2011 it was acquired by 999: 626: 971: 832: 214: 96: 916: 541: 114: 515: 822: 782: 699: 694: 144: 59:, which is often called Leedsware; it was the "most important rival" in this highly popular ware of 872: 827: 641: 636: 78: 21: 807: 775: 770: 754: 734: 729: 493: 131: 127: 921: 669: 659: 534: 34: 951: 946: 679: 616: 108: 201:
in overglaze enamels, c. 1770; hand-painted wares such as this are relatively uncommon.
966: 802: 178: 993: 941: 852: 842: 792: 182: 63:, who had invented the improved version used from the 1760s on. Many pieces include 749: 198: 903: 877: 664: 586: 68: 711: 684: 631: 321: 148: 139: 123: 30: 956: 744: 739: 706: 689: 621: 606: 523:, by Llewellynn Frederick William Jewitt, J. S. Virtue, 1883, pages 268-272. 305: 241: 72: 56: 26: 229:
1770s sauceboat, attributed to Leeds; the twisted handle is characteristic.
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The 18th-century marks are often copied in later "reproductions" or fakes.
217:, c. 1775, earthenware. The plate shape is the same as the previous image. 847: 817: 674: 611: 596: 581: 122:
Although all the standard types of colour decoration were used at times (
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was in 1814 replaced by a converted windmill on their Leeds premises.
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An Illustrated Encyclopaedia of British Pottery and Porcelain
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Hartley Greens & Co. The company's flint mill at
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lustre" where parts of the piece are covered before a
85:"basketwork" dish, built up by weaving strips, c. 1785 894:
Conservation and restoration of ancient Greek pottery
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Sauce boat, c. 1775, "in a faintly Japanese style".
47:, is a pottery manufacturer founded around 1756 in 256:Harvester and companion, c. 1790, 7.5 inches high 151:and others, were made, sold plain or enamelled. 542: 8: 504:Hartley Greens and Leeds Pottery information 549: 535: 527: 280:Plate with pierced openwork, 18th century 334: 304:Admiral Nelson jug, probably 1790s, in 187: 1015:Manufacturing companies based in Leeds 25:Leeds Pottery tulip vase, circa 1780, 510:The Country Life Pocket Book of China 7: 244:plate with pierced openwork, c. 1780 55:, England. It is best known for its 14: 1005:Ceramics manufacturers of England 521:The Ceramic Art of Great Britain 313: 297: 285: 273: 261: 249: 234: 222: 206: 190: 308:, cheap lead-glazed earthenware 1: 858:Northern Black Polished Ware 431:Godden, 192-193; Hughes, 262 368:Godden, 192; Hughes, 260-262 359:Godden, 192; Hughes, 260-262 268:Creamware cocklepot, c. 1790 101:Victoria & Albert Museum 16:English pottery manufacturer 1031: 575:Base minerals, and glazes 568:Glossary of pottery terms 565: 516:Denby Pottery information 764:Processes and decoration 512:, 1965, Country Life Ltd 440:Godden, 192; Hughes, 262 422:Godden, 197; Hughes, 262 395:Godden, 192; Hughes, 262 45:Hartley Greens & Co. 215:Elizabeth I of England 119: 97:Leeds City Art Gallery 86: 37: 927:Pre-conquest Americas 492:, 1992, Magna Books, 145:Staffordshire figures 117: 81: 24: 652:Main types, by body 508:Hughes, G Bernard, 904:History of pottery 828:Black and red ware 722:Forming techniques 502:"Hartley Greens": 488:Godden, Geoffrey, 120: 87: 38: 987: 986: 863:Painted Grey Ware 776:biscuit porcelain 132:transfer printing 128:overglaze enamels 1022: 1010:Culture in Leeds 670:Egyptian faience 660:Asbestos-ceramic 551: 544: 537: 528: 477: 474: 468: 465: 459: 456: 450: 447: 441: 438: 432: 429: 423: 420: 414: 411: 405: 402: 396: 393: 387: 384: 378: 377:Godden, 192, 196 375: 369: 366: 360: 357: 351: 348: 342: 339: 317: 301: 289: 277: 265: 253: 238: 226: 210: 194: 164:Business history 51:, just south of 43:, also known as 35:overglaze enamel 33:blue, and green 1030: 1029: 1025: 1024: 1023: 1021: 1020: 1019: 1000:English pottery 990: 989: 988: 983: 972:list of potters 898: 882: 759: 716: 646: 570: 561: 555: 485: 480: 475: 471: 466: 462: 457: 453: 448: 444: 439: 435: 430: 426: 421: 417: 412: 408: 403: 399: 394: 390: 385: 381: 376: 372: 367: 363: 358: 354: 349: 345: 340: 336: 332: 325: 318: 309: 302: 293: 290: 281: 278: 269: 266: 257: 254: 245: 239: 230: 227: 218: 211: 202: 197:Plate with the 195: 166: 157: 109:Napoleonic Wars 92: 17: 12: 11: 5: 1028: 1026: 1018: 1017: 1012: 1007: 1002: 992: 991: 985: 984: 982: 981: 976: 975: 974: 967:Studio pottery 964: 959: 954: 949: 944: 939: 934: 929: 924: 919: 914: 912:Ancient Greece 908: 906: 900: 899: 897: 896: 890: 888: 884: 883: 881: 880: 875: 870: 865: 860: 855: 850: 845: 840: 835: 833:Blue and white 830: 825: 820: 815: 810: 805: 800: 795: 790: 785: 780: 779: 778: 771:Biscuit firing 767: 765: 761: 760: 758: 757: 755:Wheel throwing 752: 747: 742: 737: 732: 726: 724: 718: 717: 715: 714: 709: 704: 703: 702: 697: 687: 682: 677: 672: 667: 662: 656: 654: 648: 647: 645: 644: 639: 634: 629: 624: 619: 614: 609: 604: 599: 594: 589: 584: 578: 576: 572: 571: 566: 563: 562: 556: 554: 553: 546: 539: 531: 525: 524: 518: 513: 506: 500: 484: 481: 479: 478: 469: 460: 458:Hartley Greens 451: 449:Hartley Greens 442: 433: 424: 415: 406: 397: 388: 379: 370: 361: 352: 343: 341:Hartley Greens 333: 331: 328: 327: 326: 319: 312: 310: 303: 296: 294: 291: 284: 282: 279: 272: 270: 267: 260: 258: 255: 248: 246: 240: 233: 231: 228: 221: 219: 212: 205: 203: 196: 189: 179:Stoke-on-Trent 165: 162: 156: 153: 91: 88: 71:but with some 15: 13: 10: 9: 6: 4: 3: 2: 1027: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 997: 995: 980: 977: 973: 970: 969: 968: 965: 963: 960: 958: 955: 953: 950: 948: 945: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 918: 915: 913: 910: 909: 907: 905: 901: 895: 892: 891: 889: 885: 879: 876: 874: 871: 869: 866: 864: 861: 859: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 777: 774: 773: 772: 769: 768: 766: 762: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 727: 725: 723: 719: 713: 710: 708: 705: 701: 698: 696: 693: 692: 691: 688: 686: 683: 681: 678: 676: 673: 671: 668: 666: 663: 661: 658: 657: 655: 653: 649: 643: 640: 638: 635: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 583: 580: 579: 577: 573: 569: 564: 559: 552: 547: 545: 540: 538: 533: 532: 529: 522: 519: 517: 514: 511: 507: 505: 501: 499: 498:1 85422 333 X 495: 491: 487: 486: 482: 473: 470: 464: 461: 455: 452: 446: 443: 437: 434: 428: 425: 419: 416: 410: 407: 401: 398: 392: 389: 383: 380: 374: 371: 365: 362: 356: 353: 347: 344: 338: 335: 329: 323: 316: 311: 307: 300: 295: 288: 283: 276: 271: 264: 259: 252: 247: 243: 237: 232: 225: 220: 216: 213:Charger with 209: 204: 200: 193: 188: 186: 184: 183:Denby Pottery 180: 174: 172: 163: 161: 154: 152: 150: 146: 141: 137: 133: 129: 125: 116: 112: 110: 104: 102: 98: 89: 84: 80: 76: 74: 70: 66: 62: 58: 54: 50: 46: 42: 41:Leeds Pottery 36: 32: 28: 23: 19: 917:Ancient Rome 887:Conservation 823:Black-figure 750:Slip casting 745:RAM pressing 560:and claywork 520: 509: 489: 472: 463: 454: 445: 436: 427: 418: 409: 400: 391: 382: 373: 364: 355: 346: 337: 324:jug, c. 1810 199:Dutch Maiden 175: 167: 158: 121: 105: 93: 44: 40: 39: 18: 878:Sea pottery 665:Earthenware 637:Salt glazed 627:Lead-glazed 587:China stone 476:Hughes, 261 467:Hughes, 261 413:Godden, 197 404:Godden, 195 386:Hughes, 260 171:Thorpe Arch 103:in London. 69:earthenware 29:painted in 994:Categories 873:Red-figure 868:Rang Mahal 783:Burnishing 712:Terracotta 700:soft-paste 695:hard-paste 685:Jasperware 642:Tin-glazed 632:Lustreware 483:References 350:Hughes, 45 322:lustreware 149:Ralph Wood 140:lustreware 126:painting, 124:underglaze 31:underglaze 957:Delftware 808:Pit fired 707:Stoneware 690:Porcelain 680:Ironstone 622:Ash glaze 607:Kaolinite 306:Prattware 242:Creamware 73:stoneware 57:creamware 27:pearlware 979:Tilework 848:Kakiemon 818:Slipware 803:Painting 740:Pinching 735:Moulding 675:Fritware 612:Petuntse 597:Feldspar 582:Bone ash 99:and the 83:Openwork 65:openwork 61:Wedgwood 962:Faience 947:Islamic 838:Celadon 793:Glazing 730:Coiling 558:Pottery 320:Resist 49:Hunslet 952:Persia 813:Saggar 788:Firing 496:  136:resist 937:Korea 932:Japan 922:China 853:Malwa 843:Jorwe 330:Notes 155:Marks 90:Wares 53:Leeds 942:Maya 798:Kiln 617:Slip 602:Frit 592:Clay 494:ISBN 130:and 75:. 147:by 996:: 550:e 543:t 536:v

Index


pearlware
underglaze
overglaze enamel
Hunslet
Leeds
creamware
Wedgwood
openwork
earthenware
stoneware

Openwork
Leeds City Art Gallery
Victoria & Albert Museum
Napoleonic Wars

underglaze
overglaze enamels
transfer printing
resist
lustreware
Staffordshire figures
Ralph Wood
Thorpe Arch
Stoke-on-Trent
Denby Pottery
Plate with the Dutch Maiden in overglaze enamels, c. 1770; hand-painted wares such as this are relatively uncommon.
Dutch Maiden
Charger with Elizabeth I of England, c. 1775, earthenware. The plate shape is the same as the previous image.

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