Knowledge (XXG)

Lekythos

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455: 84: 418: 546: 522: 369: 498: 486: 403: 440: 534: 510: 143: 38: 236: 284:, but were not used until 530 BC in Athens. Many artists of these vessels attempted to add more color to the figures, but later abandoned the idea, which provides more of a contrast. These vessels were very popular during the 5th century BC, however, many have been found dating back to 700 BC. 211:
is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and
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of vase painting, which was too fragile for most items in regular use. Because of their handle they were normally only decorated with one image, on the other side from the handle; they are often photographed with the handle hidden, to show the painted image.
545: 368: 280:. These are usually outline drawings that are quite expressionless and somber. The decoration of these ceramic vessels consists of dull red and black paint. These colors may have been derived from the 276:
were often depictions of daily activities or rituals. Because they are so often used in funerary situations, they may also depict funerary rites, a scene of loss, or a sense of departure as a form of
340:, a variation on the standard type produced from the mid 5th century on. These have a fuller, swelling body; most are decorated with the white ground technique and measure around 20 cm; 333:; this form, with an oval profile and a round shoulder and generally small in size (20 cm), was produced from the beginning of the black-figure period until the end of the 6th century; 212:
flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in
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was used to smear perfumed oil on a woman's skin prior to getting married and were often placed in tombs of unmarried women to allow them to prepare for a wedding in the
417: 83: 521: 485: 741: 318:, which measures between 30 and 50 cm, though there are much larger "huge lekythoi", up to 1 m, which may have been used to replace funerary 556: 497: 684: 402: 509: 439: 1098: 703: 354:, a rarer form, which has an oval profile and at the bottom of the body a raised cup with protrusions, like the cup of an acorn. 734: 533: 750: 589: 727: 713: 51: 610: 594: 287:
They contained a perfumed oil which was offered either to the dead person or to the gods of the underworld. Some
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were fitted with a small, inner chamber, limiting the amount of oil required to fill them. The
235: 1021: 699: 472: 1026: 887: 850: 386: 464: 602:– literally "small lekythos", a metric pattern in poetry named after this type of vessel 964: 378: 1092: 939: 153: 126: 708: 1067: 995: 949: 615: 605: 277: 114: 63: 969: 98: 347:, usually less than 20 cm in height, with a rounded belly and a flat base; 924: 908: 779: 281: 94: 1072: 929: 774: 599: 296: 200: 161: 122: 1077: 845: 804: 374: 254: 208: 47: 17: 1051: 1016: 824: 814: 794: 784: 764: 330: 1046: 1041: 1036: 1000: 985: 959: 954: 871: 840: 819: 809: 799: 769: 687:, Classical Art Research Centre, University of Oxford. Archived from 560: 258: 199:) is a type of ancient Greek vessel used for storing oil, especially 43: 719: 362:, with bodies formed in the shape of a head, animal, or other form. 1031: 892: 866: 789: 568: 319: 234: 110: 106: 55: 157: 118: 59: 723: 268:
was used for anointing unmarried women's dead bodies, and many
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were especially associated with funerary rites, and with the
1060: 1009: 978: 917: 901: 880: 859: 833: 757: 735: 8: 216:, but there are also carved stone examples. 742: 728: 720: 129:of victory to the nymph and to a youth, 627: 491:Squat (left) and plastic (right) shapes 364: 557:National Archaeological Museum, Athens 381:playing a board game (Attic shoulder 168:, third quarter of the 4th century BC 7: 190: 272:are found in tombs. The images on 25: 544: 532: 520: 508: 496: 484: 453: 438: 416: 401: 367: 310:can be divided into five types: 141: 82: 36: 551:Relief from a carved funerary 1: 572: 428: 390: 247: 130: 71: 696:An Introduction To Greek Art 314:the standard or cylindrical 590:Ancient Greek vase painting 207:, with no pouring lip; the 1115: 477:Group of the Huge Lekythoi 336:the shoulder or secondary 186: 121:figures (standing between 918:Perfume, oil, and wedding 611:Pottery of ancient Greece 595:Corpus vasorum antiquorum 358:There are also "plastic" 27:Type of ancient Greek jug 1099:Ancient Greek pot shapes 714:Encyclopædia Britannica 563:conducts the deceased, 385:by the workshop of the 62:; detail from an Attic 979:Funerary and religious 479:, late 5th century BC) 329:which originates from 261: 224:white ground technique 257:dragging the body of 238: 166:Apulian vase painting 50:carrying the body of 515:"Acorn" type, Louvre 698:, 1986, Duckworth, 467:) (attic plychrome 162:playing with a ball 262: 113:playing a game of 91:red-figure pottery 1086: 1085: 751:Greek vase shapes 694:Woodford, Susan, 691:, 1 December 2016 527:A view from above 16:(Redirected from 1106: 744: 737: 730: 721: 671: 668: 662: 659: 653: 650: 644: 641: 635: 632: 577: 574: 548: 536: 524: 512: 500: 488: 457: 442: 433: 430: 420: 405: 395: 392: 387:Diosphos Painter 371: 252: 249: 192: 188: 145: 135: 132: 86: 76: 73: 40: 21: 1114: 1113: 1109: 1108: 1107: 1105: 1104: 1103: 1089: 1088: 1087: 1082: 1056: 1005: 974: 913: 897: 876: 855: 829: 753: 748: 680: 675: 674: 669: 665: 660: 656: 651: 647: 643:Woodford, 12-13 642: 638: 633: 629: 624: 586: 579: 575: 549: 540: 539:Group in Athens 537: 528: 525: 516: 513: 504: 501: 492: 489: 480: 471:(type V), from 465:lying in repose 458: 449: 443: 434: 431: 421: 412: 406: 397: 393: 372: 305: 250: 233: 173: 172: 171: 170: 169: 146: 138: 137: 133: 87: 79: 78: 74: 56:the battlefield 41: 28: 23: 22: 15: 12: 11: 5: 1112: 1110: 1102: 1101: 1091: 1090: 1084: 1083: 1081: 1080: 1075: 1070: 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two 925:Alabastron 780:Karkhesion 685:"Lekythos" 678:References 503:Squat type 445:Deianeria 432: 510 394: 500 350:the acorn 343:the squat 282:Bronze Age 251: 490 134: 350 95:terracotta 75: 440 1073:Epinetron 930:Aryballos 902:Tableware 775:Kantharos 600:Lekythion 461:Prothesis 423:Shoulder 408:Shoulder 297:afterlife 201:olive oil 160:depicted 123:Aphrodite 1093:Category 1022:Calathus 991:Lekythos 945:Lekythos 909:Pinakion 881:Cookware 846:Hydriske 805:Oenochoe 709:Lekythos 584:See also 565:Myrrhine 553:lekythos 469:lekythos 447:lekythos 425:lekythos 410:lekythos 383:lekythos 375:Achilles 360:lekythoi 352:lekythos 345:lekythos 338:lekythos 327:lekythos 316:lekythos 308:Lekythoi 293:lekythos 289:lekythoi 274:lekythoi 270:lekythoi 266:lekythos 255:Achilles 244:lekythos 231:Function 220:Lekythoi 209:oinochoe 196:lekythoi 178:lekythos 150:lekythos 103:lekythos 101:" style 68:lekythos 52:Sarpedon 48:Thanatos 18:Lekythoi 1078:Luchnos 1052:Stamnos 1017:Amphora 1010:Storage 825:Skyphos 815:Psykter 795:Lakaina 785:Kyathos 765:Amphora 711:at the 670:Beazley 661:Beazley 652:Beazley 634:Beazley 473:Alopeke 331:Corinth 214:pottery 187:λήκυθος 1047:Situla 1042:Pithos 1037:Pelike 1001:Phiale 986:Kernos 960:Pelike 955:Lydion 872:Krater 851:Kalpis 841:Hydria 820:Rhyton 810:Pelike 800:Mastos 770:Kotyle 702:  561:Hermes 259:Hector 239:Attic 44:Hypnos 1061:Other 1032:Lebes 1027:Chuta 965:Pyxis 935:Askos 893:Lebes 888:Chuta 867:Dinos 790:Kylix 622:Notes 569:Hades 567:, to 320:stele 303:Types 156:with 111:satyr 107:nymph 99:kerch 54:from 700:ISBN 578:BCE. 379:Ajax 377:and 264:The 253:BC, 158:Eros 119:Eros 109:and 60:Troy 46:and 559:): 396:BC) 205:jug 191:pl. 152:in 97:) " 58:of 1095:: 573:c. 571:, 475:, 429:c. 427:, 391:c. 389:, 299:. 248:c. 246:, 193:: 189:; 185:: 175:A 164:, 148:A 136:BC 131:c. 89:A 77:BC 72:c. 70:, 66:] 743:e 736:t 729:v 555:( 463:( 322:; 181:( 93:( 20:)

Index

Lekythoi

Hypnos
Thanatos
Sarpedon
the battlefield
Troy
white-ground

red-figure pottery
terracotta
kerch
nymph
satyr
knucklebones
Eros
Aphrodite
laurel wreaths

Gnathia style
Eros
playing with a ball
Apulian vase painting
Ancient Greek
olive oil
jug
oinochoe
pottery
white ground technique

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