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Leo Lewin

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Wallraf-Richartz Museum in Cologne), HonorĂ© Daumier. He owned a work by Édouard Manet, which shows a young bull in a meadow and was created in Versailles in 1881, as well as portraits by Renoir, a landscape painting by Camille Pissarro, a painting by Paul CĂ©zanne and a painting by Claude Monet, the snow-covered vineyards at Moulin d'Orgemont shows. Before Max Silberberg purchased it, Lewin was the owner of the Courbet now at Yale University Art Gallery entitled, "Le Grand Pont".
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Courbet, Manet, Monet and at least two paintings by van Gogh. Lewin also collected works on paper, including prominently among them original drawings by Rembrandt, Delacroix, Menzel and CĂ©zanne. His villa was adorned with numerous sculptures, many by his favourite sculptor August Gaul. In just over a dozen years, Lewin managed to assemble a unique collection of artworks that could well match those of museums.
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After the First World War, Leo Lewin leased the Römerhof stud established by Georg von Bleichröder in Erftstadt and had the war damage repaired. Under Lewin, the mare population comprised up to 80 animals, at that time the largest population in Germany. From 1925 Lewin successfully organized yearling
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Among Lewin's favourite artists were the German impressionists Max Slevogt and Max Liebermann – he owned several dozen of their works and over the years developed close friendship with both of them. Leo Lewin's collection also contained paintings by TrĂŒbner, Corinth, Munch, Picasso, Corot, Daumier,
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When Hitler came to power, the Lewins were persecuted because of their Jewish heritage. Forced pay the special taxes that Nazis imposed on Jews, he had to auction his print collection at Max Perls. Lewin was able to take the remaining works of art, especially the holdings of the extensive library,
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The confirmed history of "Le Grand Pont" is that it belonged to the Marczell de Nemes collection until 1913, but by the 1920s was held in Breslau, first in the collection of Leo Lewin and then Max Silberberg. It remained in the Silberberg collection until 1935, from which it was sold at auction by
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The lifetime members were Guidotto FĂŒrst Henckel von Donnersmark, Jakob Molinari, Otto Nicolaier, Carl Sachs, Ernst Schlesinger, and Otto Schweitzer. Von Donnersmark was a local aristocrat and avowed conservative who was quite active in the Breslau cultural scene, Molinari was a prominent Breslau
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In 1921 Lewin also leased Otto von Goßler's run-down stud in the old fishing village of Bindow near Königs Wusterhausen. Here he planned to set up a stud specializing in trotters. Success soon set in, Homer, Zora and LebenskĂŒnstler won the Blue Ribbon from 1924 to 1926. In 1927 Lewin relocated
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Lewin was the eldest of six children of the Breslau textile manufacturer Carl Lewin (1855-1926). The business C. Lewin was located at 7 Gartenstrasse (today's PiƂsudskiego Street). During the First World War, the company delivered to the German army and equipped soldiers and horses, making the
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In 1921 he acquired two landscape paintings at Edvard Munch's exhibition in the Cassirer gallery in Berlin. He also acquired still lifes by Pablo Picasso, which are now in the Tate Gallery in London, as well as works by French realists such as Camille Corot (for example poetry, now in the
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businessman, and Carl Sachs was a successful entrepreneur and well-known collector. The membership included other distinguished art patrons known for their contemporary collections, like Emil Kaim, Leo Lewin, Ismar Littmann, Max Silberberg, and Leo Schmoshewer, to name just a few.
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Sammlung Leo Lewin, Breslau : [Voranzeige]; deutsche und französische Meister des XIX. Jahrhunderts; GemĂ€lde, Plastik, Zeichnungen; Barlach, Cezanne, Daumier, Delacroix, Feuerbach, Gaul ... ; Versteigerung: Dienstag, den 12. April
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Markus Winter, the gallery's owner, said that only a few of the show's pieces have a clear provenance trail. The Klein windows and the Kaufmann chairs belonged to Leo Lewin, a Silesian textiles magnate, who saved some of his possessions from the
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with him when he emigrated to the north of England, where they appeared in second-hand bookshops in the following years, recognizable by a conspicuous bookplate by Max Slevogt. Lewin's horse breeding estate was leased to Rudolf von Skrbensky.
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created the Kleiner Tierpark for Lewin, consisting of fifteen tiny bronze and silver figures, and also a fountain with goose statues, which stood in the villa garden on Akazienallee. In the villa there were paintings by
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The series of 15 sculptures "Kleiner Tierpark" was exhibited in its entirety for the first time at the Galerie Paul Cassirer in Berlin in 1919, where the art collector Leo Lewin from Wroclaw acquired it.
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Lewin's name appears in lists of Jewish art collectors targeted by Nazi persecution. However, it is not known what became of many of the paintings in his collection or his activities after the war.
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After the Nazis took over the government Lewin was subject to anti-Jewish persecutions. In 1941 the collector left the city with his family, taking with him a part of the collection.
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breeding to the Stauffenburg domain. Lewin also produced some of the winning horses that racing stable owner Emil Perk from Berlin started on all German racetracks.
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In 1910 Lewin took over the leadership of the football club SC 1904 Breslau, later renamed United Breslauer Sportfreunde, which he also supported financially.
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VDM Verlag Dr. MĂŒller, SaarbrĂŒcken 2008, ISBN 978-3-8364-5958-7, S. 81 (3.4.2 Die großen jĂŒdischen Kunstsammlungen in Schlesien – Kunstraub.)
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Lewin married Helene Kosewski in 1917. The couple moved into a villa at Akazienallee 12 in Breslau; this was extensively rebuilt by
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Sammlung Leo Lewin Breslau. Deutsche und Französische Meister des XIX. Jahrhunderts. GemÀlde, Plastik, Zeichnungen.
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auctions. After the National Socialists came to power in Germany, the estate was leased to Rudolf von Skrbensky.
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Four Breslau Jews assembled particularly important, nationally recognized collections: Carl Sachs, Leo Lewin,
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Biography of Leo Lewin in Sammlung Leo Lewin Veröffentlichungsdatum: 13 / 12 / 2009 by Magdalena Palica
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The collection consisted of from many paintings and drawings by Max Slevogt and Max Liebermann (
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JĂŒdische Sammler und MĂ€zene in Breslau – von der Donation zur „Verwertung“ ihres Kunstbesitzes.
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Hampel Auction catalog with biographical information about Leo Lewin and his father Carl
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Please expand the article to include this information. Further details may exist on the
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Dissemination of Taste: Breslau Collectors, Arts Associations, and Museums
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Sammeln. Stiften. Fördern. JĂŒdische MĂ€zene in der deutschen Gesellschaft.
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In April 1927, Lewin auctioned some of his collection at Paul Cassirer.
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He was a member of the KĂŒnstlerbund, which promoted Silesian artists.
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Leo.html?nn=5144&cms_lv2=95490&cms_lv3=8930 the original
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Barnstone, Deborah Ascher (2016). "Dissemination of Taste".
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Lewin, Leo, Kunstsalon Paul Cassirer, Hugo Helbing (1927).
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Jewish emigrants from Nazi Germany to the United Kingdom
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Index


Jewish

Oskar Kaufmann
CĂ©sar Klein
PortrÀt Helen Lewin (Max Slevogt)
PortrÀt Helen Lewin (Max Slevogt)

talk page
BĂŒgelnde Dame
August Gaul
Hans von Marées
Wilhelm TrĂŒbner
Lovis Corinth
Walchensee im Herbst
Lovis Corinth, Walchensee im Herbst (Sammlung Leo Lewin und Ismar Littmann).
Edouard Manet, Junger Stier auf der Wiese.
Max Liebermann, BĂŒgelnde Dame (Sammlung Leo Lewin).
Hans von Marees, PortrÀt Konrad Fiedlers (Sammlung Leo Lewin).
Auguste Renoir, Lachendes kleines MÀdchen, PortrÀt der Schauspielerin Jeanne Samary (Sammlung Leo Lewin u. Max Silberberg).
Adolph von Menzel, Prozession in Hofgastein.
Paul Cassirer
Sammlung: Leo Lewin (1881-1965)
Biography of Leo Lewin in Sammlung Leo Lewin Veröffentlichungsdatum: 13 / 12 / 2009 by Magdalena Palica
Hampel Auction catalog with biographical information about Leo Lewin and his father Carl
Beschreibung des GestĂŒts Römerhof in Erftstadt
Artikel aus der Traber-Welt
Webseite des GestĂŒts Römerhof
Leo Lewin bei Galopp-Sieger
"Hampel Auctions: Max Liebermann Portrait de Textilfabrikanten und Kunstsammlers Carl Lewin"

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