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published in the
November 1988 issue, and another published in 1992. Both dealt with the subject of growing marijuana in outer space. The choice of Mace's artwork for use on the cover of the magazine was a point of contention among the editorial staff at the time — a democratic process outlined in a 1992
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Lennie Mace has been noted for his attention to detail; "intricately rendered" drawings showing "precision linework." He explains his ballpoint technique as "layers of overlapping lines" dependent of "pressure on the pen and texture of the paper," working with several colors simultaneously to achieve
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Mace was among a circle of emerging artists of the late 1980s whose talents were encouraged by New York-based entities providing work and exposure. His earliest illustration credits appear in High Times magazine in 1987. Notable contributions to the magazine include two cover illustrations; the first
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Drawings on wood and denim figure largely in recent artwork. Mace's denim "scrolls" have been appearing in greater quantities since the beginning of the 2010s. The ballpoint-on-denim creations, a contemporary interpretation of traditional
Japanese sumi ink on washi paper scrolls, are fabricated from
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during prior years peaked with his 365DAZE project. Exhibitions in 1996 titled "Media
Graffiti" in both New York and Tokyo had been composed entirely of artwork from the series, but the series had its origins within the emergence of graffiti culture of the 1980s in New York City, of which Mace was a
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Portrait commissions continue to be a substantial component of Mace's output. His Media
Graffiti series also continues, with magazine page doodles evolving over time to now include larger printed media such as Japanese subway posters. Mace annually produces New Year Card designs which adhere to the
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project of 1998. For this project the artist spent the full year of 1998 driving around the United States, over 30,000 miles (48,280 km) by his own account, doing a drawing-per-day, embellishing whatever found-media he came across in whatever part of the country through which he happened to be
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neighborhood, at the time the city's predominant art district. In those early exhibitions many originals of his published illustrations were displayed alongside new artworks of his own. Exhibitions were publicized by publications in which the illustrations appeared, adding to the attraction of fans
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Years of work as an illustrator continued into other commercial outlets, including cartoon work. A fan of comic books in his youth, he'd even created his own. Later, cartooning courses were among those Mace chose in lieu of a major while attending School of Visual Arts in the mid-1980s. His artwork
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magazine alumni and sometime collaborator, also promoted Mace's early exhibitions in previews describing "giddy, sleek masterpieces of fantasy and sensuality." Mace has professed to a "something for everyone" approach to filling exhibitions with whatever artwork is available at the time, including
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exhibition (2015, Tokyo) to formally introduce his "dry pen" technique. He had been employing the technique in some manner for some time, using "empty" ballpoint pens to draw invisible patterns, images and text into paper. No colors are added to some of these artworks; the imagery can only be seen
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salon — a rare occasion of Mace creating figurative imagery using a medium other than ballpoint pen, at a scale he'd never before attempted. These commissions included signage, promotional artwork, and anything else per Mace's whim which would serve the client's fancy. These sometimes included the
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Lennie Mace's first professional art-related work began appearing in New York City during the mid-1980s, from which time he gained recognition as an illustrator. From the start of his career, his illustrations and artwork have been rendered solely using ballpoint pens, whether as simple black line
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perfume. The black and white ad showed a nude Kate Moss from her waist up with one hand raised to her mouth coyly and one bare breast visible. A pocket-sized figure added by Mace in pink ink clings to Kate's arm, fixated and reaching for her nipple — also subtly highlighted in pink — as a baby's
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Mace has described his own work as "non-political" and "self-indulgent," but content of a surreal nature — animal legs substituted by elaborately "carved" piano legs, for example — has led some reviewers to read symbolism into his work. Size varies greatly, from elaborate large-scale to simpler,
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cosmetics company, whose president is a principal patron in Japan. Work for Ales included most of that which Mace had become recognized — illustration, logo and font design, decorative fine art, et’al — and added architectural and interior design to his credits. Many of Mace's most substantial
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Mace spent 1999 touring with selections of completed 365DAZE artwork, beginning with New York City in
January. San Francisco followed, in April, and Los Angeles thereafter. Media Graffiti from Lennie Mace's 365DAZE project has also been exhibited in other cities as part of group exhibitions in
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collections. Three mannequin-like creations with elaborately fabricated hairstyles, all commissioned by Ales, were entered into a national design competition in 2004. One of them, a cyber-punk rendition very different from Mace's 2D artwork, went on to win the Grand Prize.
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photorealistically in ballpoint pen. The trip to Japan to draw it on-site was considered partial payment. During his earliest time in Japan, he gained notoriety in Tokyo nightclubs applying ballpoint drawings onto customers’ clothing and flesh for free drinks
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publications helped introduce Mace to the international community in Tokyo. Portraiture soon became a standard element of the artist's output in Japan, rendering people and pets in ballpoint pen by commission. Exhibitions in Japan include regular showings at
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pacifier falls from his mouth, agape. The image, as presupposed by the media, implies that Mace's figure prefers the real nipple over its plastic imitation, and the title implying the artist's gratitude for being provided such ripe source material.
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spread. Onto a black and white underwear ad showing a woman being handled by a man from behind, Mace adds a few extra hands, including one cutting through her blouse with scissors, and the annotation "Her Wish? His? Mine? Yours?"
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projects in Japan were commissioned by Ales, involving full interior designs and occasionally exterior architectural design as well. The first began as simple interior modifications to the company's Ales
International salon in
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was displayed in the lobby of Pilots’ offices for a time, and may have been used for corporate publicity, but the artwork's current location and usage are unconfirmed. Lennie Mace is still known to wear mis-colored footwear.
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Chicago, Detroit, Tampa and Miami. As recognition of his Media
Graffiti broadened, corporate interests began offering finer printings of their own products for Mace to embellish, to then be used for promotional purposes.
601:," to which he has compared his creative process — improvisational, stream of conscious creation — a process with unpredictable results in which the art effectively "draws itself," from an instinctive visual library.
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art magazine reported Mace's sudden 1997 deportation from Japan, although specific reasons were not provided. Unexpectedly back in
America the artist set out on the road, which became the basis for his
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aesthetics, even during the late 1980s when there was a greater divide between both art worlds. His artwork would go on to decorate the pages of a diverse range of publications, from
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Mace had participated in group exhibitions in the 1980s, but his first solo exhibition came at the start of the 1990s. His earliest exhibitions were held annually at the
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random sketch work, which has spurred criticism. The same critics, however, favored him as "a draftsman of almost infinite talent." He has also been called a master of
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Mace began officially publicizing these works as Media
Graffiti as output grew to dominate his exhibitions throughout the 1990s. He also refers to the series as
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store in Tokyo, but have also been held at other branches around Japan. The artist continues to maintain a presence in Tokyo via exhibitions and collaborations.
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New York Press supported Lennie Mace's early exhibitions by promoting his "superfine, surrealistic, and elegant" ballpoint artwork. Writer and performer
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by providing artwork for the station's promotion, publications and fund-raising drives. During the same period, Mace became a prominent contributor to
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184:. His imagination has also served commercial purposes, appearing in print as illustrations and comic art. Art reviewers have referred to Mace as the
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drawings or as shaded halftones using a range of available ballpoint pen colors. Imagery depicted in his artwork touches upon aspects of so-called
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design of furnishings such as chairs and tables, and often the actual hand-manufacturing of details such as clocks, to match the overall designs.
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the artist's own used jeans. Woven tapestries from Japan bearing Lennie Mace's imagery started making appearances in
American galleries in 2012.
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have all been utilized. This, he has explained, is in line with the "doodle"-like aspects commonly associated with these materials.
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garnered media attention at the time of its exhibition for Mace's playful "manipulation." The title refers to fashion designer
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exhibition. The reporter also made an on-air point of joking about Mace's predilection for wearing shoes of mismatched color.
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Mace has often incorporated materials reflecting the same "proletarian" origins of his ballpoint pens; office supplies and
482:, coined by the artist in reference to the sometime painterly quality of his more ambitious artwork in ballpoint pen, i.e.
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participant. The series’ title refers to the artist's practice of embellishing existing printed matter with his ballpoint
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since 2013 as a contributor to the japanglish.org website. The cartoons offer "twisted takes on Japanese culture".
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who’d appreciated the artwork in print. As his own original artwork flourished, illustrations were exhibited less.
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745:(pictured), Mace applies ballpoint ink using his fingertips, exposing content previously drawn with a dry pen.
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published a set of the series' "dirty pictures" featuring another Calvin Klein ad "liberated" as the issue's
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series. He supplied artwork for many of the Big Books, but earned special recognition for his input to the
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412:(1993); conspicuous wordplay relating to his preferred medium of ballpoint pen. Exhibition titles such as
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full-gatefold illustrations (March–October 1993). ""Sex Addiction" & "Lap Dancing" illustrations".
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illustration was chosen over High Times' characteristic marijuana photography, a nude photograph of
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1827:|"Macedonia" exhibition preview (F.D.R. gallery, NYC), Lennie Mace interview |segment producer
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Cavanaugh, Tim (May 1994). "Art Pick, exhibition: Old New Borrowed Blue; "Urban Legends" art".
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Strausbaugh, John (November 1994). "Weekly Calendar page: "INKorporated" exhibition preview".
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Media in Japan and America in late-2015 began reporting about Mace building a "castle" in the
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Carlo McCormick (compiled by Christine Muhlke) (1996). "Quick Draw; Davinci of Doodlers".
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Another mammoth Ales commission was a full interior mural done in paint for the company's
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since 1994. A hair salon in central Tokyo, belonging to a Japanese patron, doubles as the
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Powell, Sterling (May 25, 2000). "Scenes; Lennie Mace at Flux Gallery, St. Petersberg".
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David Aaron, Clark (November 1991). "Art Picks page: "Penmanship" Exhibition preview".
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Mace was also among artists supporting the listener-sponsored, free-form radio station
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was among those published in comic books showcasing the students of courses taught by
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2513:"Play Boy, PICKS SPECIAL, CosPlayStation:2011, ballpoint pen on Japan Railway poster"
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486:. Video showing Mace drawing was also broadcast; a drawing of a dog later titled
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staff writer (1999). "Media Overdrive 2000; the subversive art of Lennie Mace".
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exhibition in November 1993, and Mace was the subject of a feature interview by
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268:(2014) dry ballpoint pen and ballpoint pen ink on paper. "Invisible Ink" series.
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Benza, A.J. (October 22, 1993). "Hard Copy: "High five-figure commission"".
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because Japanese people spend far more time in hair salons than in museums.
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1122:. April 10, 1994. p. Letters page; Book Review (A.D. Steve Heller).
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347:), respectively. In the mid-1990s Mace was among regular contributors to
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staff writer (1998). "Lennie Mace… on a cross-country art road trip".
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Mace's flair for imbuing his Media Graffiti with "sexual and cultural
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Comic of the Week; New York Press, week of Dec.28,’94-Jan.3,’95, p.35
1233:. New York, NY, USA: St. Martin's Press New York. pp. 119, 149.
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High Times (magazine's) Greatest Hits, From The Editors Of High Times
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which was furthered via inclusion in erotic art anthologies such as
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magazine nationally in the early 1990s gave Mace a reputation as an
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occurred on February 2, 2002. Promotional materials describe it as
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president Ron Shaw, who then commissioned him to draw a replica of
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Cowan, Floyd (April 26, 1996). "Doodles, Illustrations or Art?".
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1458:(Lennie Mace; “Conspiracy Quotes” ed.). New York, NY, USA:
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A Spanish magazine in 1998 featured Mace in an interview titled
840:. The target of the artist's embellishment, in this case, was a
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photos of exterior/architecture/signage designed by Lennie Mace
1395:(10, Vol. 20 No. 4). Los Angeles, CA (USA): Flynt Publications.
280:— and incited hate-mail from the magazine's readership. Mace's
1879:"ON THE PRO'S DESK 165, レニー・メイス 机とは私の遊び場、ラボ、戦場です。pages 20-21"
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A corporate commission in 1993 began Mace's connection with
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From the start, Mace chose clever exhibition titles such as
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Clark, David Aaron (November 6–12, 1991). "LISTINGS page".
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1210:. New York, NY, USA: Trans High Publications. February 1992
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Mace (1985). "Modern Love or: Static In The Air, page 20".
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an ongoing, full-interior, mixed-media, enviro-installation
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staff writer (Summer 2001). "(tezukuri interior salons)".
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Strausbaugh, John (October 20–26, 1993). "CALENDAR page".
1764:(May, 1996). New York, NY, USA: Paper Publishing Company.
928:"The hair-raising art of Lennie Mace; Lennie Mace Museum"
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Lennie Mace ballpoint pen temporary tattoo, Tokyo (2006).
129:, USA; SPC Graphic Design International Grand Prix, Japan
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612:(2005) ballpoint pen and hardware on paper, 130 x 92cm.
1556:. Vol. 4, no. 45. Manhattan, New York, USA.
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Mace was able to return to Japan, and soon became the
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that month. Mr. Alter gave special notice to the term
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photos of full-interior painted murals by Lennie Mace
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Strausbaugh, John (May 4–10, 1994). "CALENDAR page".
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It's very appropriate having a museum in a hair salon
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Department Store. Most have occurred in the flagship
424:(USA, 2012) continue the tradition. Noted art writer
2347:(241). Tokyo, Japan: Nexxus Communications: 36–37.
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photos of full-interior installation by Lennie Mace
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223:but did not attend. He briefly attended New York's
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2093:. San Francisco, CA, USA: High Speed Productions.
2002:. San Francisco, CA, USA: High Speed Productions.
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2612:. San Francisco, CA, USA: High Speed Productions.
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2570:Cavanaugh, Tom (November 4, 1993). "Macedonia".
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2072:Brenneman, Christine (May 10, 1999). "365DAZE".
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1730:. gallery-st.net, Gallery Yoyogi. Archived from
666:The official re-christening of the salon as the
506:. He was hired to draw the five-story pagoda of
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444:In 1993, Lennie Mace attracted the interest of
236:1987-1992: Illustration & early exhibitions
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2661:; Vol.18 No.7, 1999; Cover art & pgs. 352~
2627:. No. 35 (May 22–29, 1996). New York, NY, USA.
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2451:photos of full-interior designs by Lennie Mace
2200:photos of full-interior designs by Lennie Mace
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804:work-in-progress (ballpoint pen on newspaper,
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2698:online journal covering ballpoint pen artwork
2143:Media Graffiti/365DAZE artwork in group exhib
1631:. Tokyo, Japan: Gallery Station Co., Ltd.: 27
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367:magazine also employed Mace as a cartoonist.
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1278:The Best of LCD: the art and writing of WFMU
456:using only Pilot ballpoint pens. New York's
172:is an American contemporary artist, born in
2659:http://www.icps.org/Default.aspx?tabid=2510
2226:"Section Ex hair salon Motomachi(Yokohama)"
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1073:(12). New York, USA: School of Visual Arts.
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460:reported the "high five-figure" price tag.
2682:, "Pen Pal" exhibition 2012, San Francisco
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2307:. Tokyo, Japan. April 2002. Archived from
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1504:"Mad Examines the High Costs of Education"
1154:Judy McGuire (November 1991). "High Art".
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219:. He passed the entry exam for New York's
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2126:. Vol. 13, no. 9. New York, NY.
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739:when lit from an angle. To others, as in
464:was subsequently the highlight of Mace's
2453:. Febbraio Di Ales. 2007. Archived from
2423:. Febbraio Di Ales. 2007. Archived from
2277:. Febbraio Di Ales. 2002. Archived from
2202:. Febbraio Di Ales. 2006. Archived from
1956:Isetan exhibition card, front/back shown
1659:Voynovskaya, Nastia (October 24, 2012).
1455:Big Book of Conspiracies ("Big Book" #4)
1335:. Manhattan, New York, USA. p. 28.
1198:"Growing Pot On The Moon, cover artwork"
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16:American contemporary artist (born 1965)
2623:staff writer (1996). "Media Graffiti".
1952:"exhibition at Isetan department store"
1409:Ars Erotica; The Best Modern Erotic Art
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317:Ars Erotica: The Best Modern Erotic Art
2676:, "tickertape" presentation of artwork
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2335:"getting the ball rolling in harajuku"
1851:ON THE PRO'S DESK, backnumber, 2015年6月
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1621:"New York's Playful Ballpoint Picasso"
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597:eration" adapted by Mace as a pun of "
176:. Mace is predominantly known for his
2385:. No.548 (April, 2005). Tokyo, Japan.
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432:in a preview of an early exhibition.
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2610:(Juxtapoz Presents) Erotica Magazine
1885:(NEW.19). Tokyo, Japan: Talens Japan
1696:Vobis, Anneliese (October 5, 2012).
1661:"Lennie Mace's Pen Pal at 111 Minna"
1274:Dave The Spazz, Disc Jockey (2008).
711:Mace has been creating single-panel
2137:Marthell, Vivian (April 18, 2002).
1116:"California Zephyr, illustration".
725:cycle of animals celebrated in the
2333:Liddell, C.B. (Winter 2001–2002).
1516:. New York, NY, USA: Time Warner.
1071:Will Eisner's Gallery of Comic Art
868:art magazine's sister publication
858:" was again publicized during his
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2544:The Ballpointer, Pen Name feature
2381:staff writer (2005). "page 56".
1724:"Gallery Yoyogi, Archives, 2011"
1095:The Ballpointer, Ballpoint Brief
1047:(15). Tokyo, Japan: BC Media: 16
830:Thank You Calvin, Thank You Kate
608:Lennie Mace ballpoint "PENting"
567:Everyone’s drawn a mustache on a
217:Scholastic Art Achievement Award
127:Scholastic Art Achievement Award
2170:promotional artwork commissions
1988:Lebron, Orlando (Winter 1998).
1908:Mace drawing on model for event
1625:「月刊ギャラリー」(Gekkan Gallery Guide)
926:Liddell, C.B. (April 3, 2002).
844:magazine ad for Calvin Klein's
828:One 1996 Media Graffiti titled
436:1993-1999: Japan, deportation,
2447:"Febbraio Di Ales salon index"
2417:"Febbraio Di Ales salon index"
2271:"Febbraio Di Ales salon index"
2196:"Febbraio Di Ales salon index"
1931:dice-k (2005). "pages 60-61".
1037:"Ai Candy; exhibition preview"
307:magazine in New York City and
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2727:Artists from New York (state)
2722:American contemporary artists
2481:Mace, Lennie (October 2012).
1728:PLAY PEN 2 exhibition listing
1722:Satou, Nobuo (October 2011).
1619:Takahiko Honda (April 2011).
1284:Princeton Architectural Press
396:(1993) ballpoint pen on paper
221:High School of Art and Design
2674:Lennie Mace official website
1939:(April, 2005). Tokyo, Japan.
1592:. Vol. 7, no. 47.
1412:(1st ed.). London, UK:
1011:. Kayjam Co. Ltd. March 2013
979:artist bio & art samples
621:2000-2010: Return to Japan,
571:model… I just never stopped.
211:As a teenager, Mace was the
2489:. 111 Minna gallery, SF/USA
1950:Matsui, Tsunematsu (2006).
1847:"レニー・メイス 机とは私の遊び場、ラボ、戦場です。"
936:. Tokyo, Japan: Times Ltd.
796:Lennie Mace, pictured with
195:Lennie Mace has resided in
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58:1965 (age 58–59)
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2540:"Invisible Ink exhibition"
2301:"Tezukuri interior salons"
2166:"Lennie Mace gallery page"
1877:uncredited (Autumn 2015).
657:Lennie Mace, on his Tokyo
2732:American graffiti artists
2076:. San Francisco, CA, USA.
1502:Snider, Mike (May 1998).
178:drawings in ballpoint pen
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38:
29:
2164:Toschi, Michael (2001).
1794:. Tokyo, Japan: page B9.
1416:Ltd. pp. 222, 223.
1406:Olley, Michelle (2005).
1089:Lee, E. (June 6, 2015).
885:El Picasso Del Boligrafo
551:The profusion of Mace's
275:High Times Greatest Hits
2657:Medico Interamericano;
2511:Neufeld, Bruce (2015).
1229:staff, editors (1994).
2546:. Mahozawari Unlimited
2519:. Mahozawari Unlimited
2139:"Lust for Erotic Life"
1933:Tattoo Tribal Magazine
1097:. Mahozawari Unlimited
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699:
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2737:American illustrators
2281:on September 26, 2011
2253:Boy's Popolo Magazine
2044:Mace, Lennie (1999).
1904:Arai, Kumiko (2005).
1452:Moench, Doug (1994).
1282:. New York, NY, USA:
973:Mace, Lennie (2011).
889:The Ballpoint Picasso
823:ballpoint pen artwork
806:Media Graffiti Series
795:
697:
632:house-artist for the
607:
391:
263:
225:School of Visual Arts
109:Ballpoint pen artwork
80:School of Visual Arts
2483:"Pen Pal exhibition"
2305:Choki Choki magazine
2046:"365DAZE press page"
1853:. Talens Japan. 2015
1160:. New York, USA: 50.
1035:Small, Suzy (2005).
1009:Portrait commissions
669:Lennie Mace VIEWseum
623:Lennie Mace VIEWseum
574:Lennie Mace, on his
430:da Vinci of doodlers
373:I AM THE BEST ARTIST
359:book as well as the
227:in the early 1980s.
201:Lennie Mace VIEWseum
186:da Vinci of doodlers
2232:. Sprasia Inc. 2006
2145:. miaminewtimes.com
1831:, November 10, 1993
1791:Mainichi Daily News
1734:on October 16, 2013
288:and other designs.
2687:Lennie Mace Market
2680:Artist's statement
2487:artist's statement
2176:on January 5, 2011
1288:8, 36, 37, 51, 124
1259:has generic name (
1119:The New York Times
862:project in 1998.
810:
780:or memo pads, and
700:
614:
418:(Tokyo, 2011) and
398:
337:Little Annie Fanny
301:alternative weekly
270:
255:The New York Times
2742:Ballpoint pen art
2625:Time Out New York
2383:New Hair Magazine
2206:on April 12, 2009
2074:S.F. Metropolitan
1962:on April 24, 2013
1702:exhibition review
1665:exhibition review
1297:978-1-56898-715-6
1091:"Mace Gone Gaga?"
814:David Aaron Clark
808:) New York, 1998.
776:paper, corporate
761:desired effects.
662:
610:Uchuu Neko Parade
589:, an acronym of "
579:
490:displayed at his
450:Leonardo da Vinci
446:Pilot pen company
190:ballpoint Picasso
149:
148:
2749:
2690:products website
2662:
2655:
2649:
2648:
2643:has extra text (
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2585:
2576:
2575:
2572:Manhattan Spirit
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2457:on April 6, 2009
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2427:on March 9, 2011
2413:
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2401:has extra text (
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2311:on July 31, 2013
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2018:. Archived from
1990:"Media Graffiti"
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1958:. Archived from
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856:double entendres
727:Chinese calendar
715:under the title
656:
634:Febbraio Di Ales
573:
474:CBS Evening News
428:dubbed Mace the
351:’ award-winning
171:
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49:exhibition, 2012
45:Arriving at his
43:
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21:
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2695:The Ballpointer
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2607:
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2599:
2594:. New York, NY.
2587:
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2574:. New York, NY.
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2538:Lee, E (2015).
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2517:The Ballpointer
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2022:on May 23, 2013
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1041:Tokyo Weekender
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975:"artist quotes"
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925:
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788:Media reception
765:smaller works.
758:
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426:Carlo McCormick
325:Harvey Kurtzman
282:Pot on the Moon
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576:Media Graffiti
554:Media Graffiti
496:Mona a’la Mace
484:Mona a’la Mace
462:Mona a’la Mace
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394:Mona a'la Mace
380:in New York's
297:New York Press
286:Allen Ginsberg
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