3737:
3641:
3816:
643:. He liked the story, though he was reluctant to pay her the $ 5,000 salary she requested. The next day, Coffee was called into Mayer's studio office. There, he harshly scolded her to accept a $ 2,500 salary or "get the hell out of the studio." Coffee declined to take a lower salary, to which Mayer called her a "cold, selfish, mercenary, unscrupulous woman." Offended, Coffee packed her belongings and left the studio lot.
320:. Her father arranged a deal, in which she was to finish her last year studying at college and then she could travel to New York. When the time arrived, her parents had divorced, and her father felt she should pursue writing. When she was not interested, Coffee took her writings, tore the pages into pieces, and gave them to her father in a cardboard box.
457:"This was very fortunate of me, because later on I became something of an expert on editing and titling what were called 'sick' pictures that were lying on the shelf, not fit to be released. I called these my 'rescue' jobs, for with ingenious rearranging of the order of scenes or whole episodes, and new subtitles, they could very often be salvaged."
528:. By winter 1921, Coffee handed her first completed script to Veiller, with Bert Lydell intended to star. She and Veiller made further revisions, which included polishing the dialogue. However, Metro Pictures foreclosed and Veiller moved back to New York. With one year left on her contract, Coffee relocated to New York with Veiller and Lydell.
443:. An English director had been fired due to creative differences, and Garson assumed directorial duties. During filming, Garson feuded with an assistant director who did not understand his instructions. The assistant director was also fired, and Coffee was promptly hired to take his place. Her responsibility involved
412:(1919), in which she contributed editorial suggestions. She wrote: "I became so interested in production details that I began, on my own, to make cutting notes. For example, when the director called to the cameraman for a close-up, I would make a note of where he intended it to be used in the picture."
332:
department store. There, she was asked to write a copy advertisement for the Sunday newspaper. Coffee stated, "I built the ad on the premise of how to dress well on a medium salary. I started out by saying, 'How would you like to buy a full wardrobe at the
Emporium for $ 300? You'd think: Hopeless!
542:
With her contract now void, Coffee signed a six-week contract with Ince, and worked on a story acquired by Parker Reid. In
Pasadena, she ran into conflict with Clark Thomas, the studio production manager, whom Coffee claimed, resented her hiring. Her contract expired with her job left unfinished.
323:
Disappointed at the lost opportunity, Coffee became interested in motion pictures. She wrote: "They took my mind off the theatre in one way, for the form was new, yet they satisfied the dramatic and emotional demands of my nature." She resumed her writing career, working in advertising for a
871:
had written a draft but DeMille found it lacking in structure. Coffee returned to MGM, to which DeMille raised her salary to $ 1,000 a week (equivalent to $ 18,239 in 2023). Sometime later, DeMille was hospitalized for an appendix operation; he left MGM and joined
316:, who was performing in a nearby play. Coffee performed a monologue before Miller, who was seated on the front row of an empty theatre. Impressed, Miller asked her to accompany him to New York next April. By this time, Coffee was studying at the Dominican College in
850:. She noted: "I liked the assignment and found that I loved writing dialogue, and from that day on no ever wrote one word of dialogue for me." Coffee took another maternity leave, and gave birth to a son. When she returned to MGM, she wrote the
399:. After eight weeks, Coffee received a call from Garson requesting her availability. Because Mayer was unavailable, she explained the situation to his assistant Benny Zeidman. She left and reported back to Garson, and was given her back pay.
477:
hired Coffee based on the recommendation of a friend to write title cards and re-edit two films. She was hired at her proposed salary of $ 1,000 on each film. Within ten days, she had reassembled a rough cut and screened it to Anger and
33:
535:, the former financial head of Metro Pictures, and was given a three-picture deal to return back to Hollywood. Karger left on a train to Hollywood, but Coffee decided to stay behind. She went to the Ambassador Hotel and met
748:. She was handed a story outline written by Bercovici, who left the production due to personal issues. As was typical, DeMille shot his films in continuity with the script written on the day of filming after screening the
1127:. Decades later, she reflected negatively on the film, stating, "It stunk. It was just dreadful." In 1959, at the behalf of her husband, Coffee and her family relocated to England where she enrolled her children at the
1158:
In 1922, Coffee met
William J. Cowen (1886–1964), a writer and director, at a beach while she was working for William Ince. She married Cowen on June 8, 1924. The two had a daughter, Sabina, and a son, Garry.
879:
By New Year's Day 1931, Coffee had to decline an offer from Samuel
Goldwyn as she decided to remain with MGM, though Thalberg slashed her weekly salary to $ 500. Thalberg assigned her to adapt the 1920 play
716:
which was to begin shooting. By this point, Coffee had been discontented with "rescue jobs," but nevertheless arrived at the studio. She was escorted to a conference room, with several individuals including
627:
for the lead female role but
Thalberg disagreed stating: "Impossible. No one would believe that she would allow herself to be raped, in any circumstances. She looks too well able to take care of herself."
836:. DeMille closed down his production studio and signed a co-production deal with MGM. Coffee returned to the MGM studio lot, and was greeted by Louis B. Mayer who exclaimed: "So you had to come home!"
406:(also called the "continuity girl") where she read the fan mail for Clara Kimball Young, submitted original stories, made editing notes, and wrote screen title cards. There, her first work was for
617:, Thalberg employed as many as 108 screenwriters so he would not have to borrow them from a rival studio. After the merger, Thalberg requested Coffee's opinion on the script for the 1925 film
3841:
1030:. However, Harlow died on June 7, 1937 and the project was shelved. Coffee's extended contract expired and she signed with Warner Bros, though she returned to MGM after several intervals.
861:
Shortly after, Coffee accepted an offer from
Universal Pictures to write a script for John Stahl. Unhappy with her assignment to Stahl, she was tapped by DeMille to rewrite the script for
333:
And so it would be if it weren't for the
Emporium'..." The next day, the ad caused an influx of customers. The store owner praised Coffee's ad, and gave her a three-week vacation.
389:
dropped her weekly salary to $ 30 a week. She was hired to review the studio's optioned properties and selected the appropriate films to be adapted. She selected a novel titled
352:(1919) and was later paid $ 100 (equivalent to $ 2,026 in 2023). She also requested through telegraph to be given screen credit. In March 1918, she introduced herself to
3856:
708:
for $ 1,500 (equivalent to $ 26,668 in 2023). During filming, Coffee was contacted by DeMille
Pictures Corp. asking her to attend a story conference, which concerned
539:. He wanted her to write a script for him, but she informed her that she had recently signed with Karger. However, Karger was found dead from a heart attack on a train.
926:
had written an original story for a proposed silent film. Four years later, Thalberg revived the project as a sound film, and assigned Coffee to write the script, with
2781:
844:
With DeMille having joined MGM, Coffee's contract was renegotiated with a new 30-day mutual closing notice. Her first screenplay with dialogue was the 1929 film
948:, on Thalberg's office. She then phoned DeMille noting her salary cuts at MGM. DeMille recommended she hire a talent agent, in which Coffee hired Phil Berg.
3851:
3846:
1119:, Coffee stated she wrote the novel to "try and show that a woman can be a career woman with lots of brains and have no sense." The novel was adapted into a
3561:
951:
At
Paramount Pictures, Berg brokered a three-picture deal for Coffee with her salary at $ 1,000 a week; her first project was rewriting the script for
3876:
2155:
1057:
425:
in the leading roles. Two days were spent filming on location in San
Francisco, with the remainder shot in studio. Coffee next co-wrote the story for
231:
940:, MGM's head of screenwriting department. According to Coffee's account, she sent a letter listing potential film adaptations, including a remake of
2683:
295:
Lenore Jackson Coffee was born in San Francisco in 1896 to Andrew Jackson Coffee Jr. and Ella Muffley. Her parents were frequent attendees for the
3562:"The Play In Review; Judith Anderson Appearing in 'Family Portrait,' the Story of a Religious Prophet Without Honor Among His Own Kin and at Home"
2522:
1120:
276:
531:
In New York, she stayed there for three years. She worked as a playwright, later earning six times her starting salary. Coffee was approached by
189:
By 1920, Garson closed his studio, and Coffee found subsequent work in writing title cards and editing several films. In 1923, she was hired by
3866:
3861:
3528:
2623:
777:
By 1926, Coffee became pregnant with her first child and notified DeMille, who allowed her to work from home. There, Coffee was called by
801:
into the script to strengthen the characters' motivations. With DeMille's extended permission, Coffee rewrote the scenario with director
3881:
2427:
1163:
284:
2645:
2485:
936:(1932). Sometime later, Coffee left MGM after several loan-out requests from competing studios had been turned down by Thalberg and
178:. He paid Coffee one hundred dollars and gave her screen credit. Garson soon hired her on a yearly contract, where she served as a
2203:
299:. She relates one story when her grandmother's maid (called 'Old' Annie) became lost on their way to the Orpheum, and arrived at
201:(MGM) was formed, and Coffee continued her screenwriting career there. However, she left MGM after she had a salary dispute with
283:. She then relocated her family to England. After her husband's death in 1964, Coffee returned to California and retired to the
2667:
2662:
1220:
795:. Goldwyn arrived at her residence, and explained the film's opening act. Coffee suggested incorporating the medieval practice
417:
361:
296:
808:
After she had given birth to her first child, Coffee and her husband William J. Cowen attended a performance of the 1926 play
2674:
2317:
1128:
1094:
praised Anderson's performance but felt "the inadequacy of the writing is something to mourn." The play was performed at the
1038:
At Warner Bros, Coffee held a studio office, though she frequently wrote from home. She subsequently co-wrote the script for
2223:
2049:
1780:
1620:
1150:: "They pick your brains, break your heart, ruin your digestion—and what do you get for it? Nothing but a lousy fortune!"
846:
762:
740:
489:
Following this job, Coffee was approached by Sam Roark to write title cards and edit six films, starring Australian actor
211:
2773:
473:(1920) was released, Garson decided to close his studio, and moved to the East Coast for more financing. Sometime later,
3871:
3717:
2332:
1818:
1637:
1572:
1072:
with her husband William J. Cowen. The play detailed the life of Jesus through the eyes of his family. It opened at the
603:
572:
482:. Both men were pleased and made further suggestions. Coffee restructured the second film and had the actors return for
329:
752:
that were filmed on the previous day. For DeMille's subsequent film, he initially considered a biographical film about
3802:
2688:
2387:
570:
and was again involved in the editing process.. She also wrote the first script draft for the 1926 film adaptation of
72:
1875:
915:
3811:
2462:
2141:
1040:
991:. He objected to the sexual immorality by the characters, which had to rewritten for approval. Coffee then adapted
984:
236:
691:(1925). She wrote: "It was a terribly old-fashioned story but I was so glad to be at work again that I took it."
2468:
1857:
863:
305:
53:
961:. When her three-picture deal expired, Coffee returned to Fox Film Corporation to write a script adaptation for
2393:
2000:
1926:
1824:
1731:
1345:
1249:
674:
549:
391:
325:
1762:
360:. There, he was hired on a one-year contract at $ 50 a week. The film was released in 1919, premiering at the
2448:
2370:
2037:
1881:
972:
705:
382:
194:
3736:
3640:
2528:
2376:
2260:
2166:
1985:
1526:
1459:
1451:
1396:
1237:
1138:. The book focused on her career during the last ten years of silent era (1919–1929), and as an in-demand
687:
673:
as Alexandra, but she was deemed too mature for the role after a few days of filming. She was replaced by
317:
300:
155:
3520:
513:, with a proposed salary of $ 250 a week. She informed Thalberg she was accepting Metro Pictures' offer.
2715:
2579:
1838:
1657:
1643:
1555:
1319:
1142:
on several women's films for MGM. While she praised the era as a golden time in her life, Coffee quotes
1081:
910:
896:
700:
695:
338:
160:
1016:
was leaving MGM and wanted to buy out Coffee's contract, which MGM refused. In 1937, Coffee approached
3621:
732:, and later became a godmother to her child. She wrote two original scripts for Joy, one of them was
3836:
3831:
2502:
1586:
923:
682:
665:
223:
543:
She was soon contacted by Irving Thalberg, now working for Mayer Pictures, who requested titles for
312:
When Coffee was sixteen, she felt determined to become an actress. Her mother took her to see actor
3515:
50 Golden Years of Oscar: The Official History of the Academy of Motion Picture Arts & Sciences
2693:
2637:
2350:
2066:
1970:
1674:
1561:
1485:
1445:
1204:
1053:
963:
819:
660:
607:
343:
198:
165:
1892:
1714:
1143:
1090:
905:
873:
802:
509:. By then, Coffee had only written original stories. Meanwhile, she received a counteroffer from
440:
357:
183:
651:
During her honeymoon, Coffee learned that Paramount Pictures had acquired the screen rights to
3793:
3524:
2641:
2619:
2407:
2266:
2023:
1909:
1725:
1708:
1511:
1479:
1428:
1402:
1269:
1115:
1045:
1022:
1013:
968:
958:
932:
882:
797:
783:
722:
606:), Goldwyn Studios, and Louis B. Mayer Pictures merged to form a conglomerate studio known as
598:
502:
403:
241:
179:
971:. Berg signed Coffee to another tenureship at MGM on a year's contract. There, she wrote the
2297:
1601:
1304:
1286:
1099:
1009:
1008:
By 1935, her contract had expired, but MGM extended it for another two years. Coffee took a
745:
734:
718:
652:
619:
444:
427:
381:. By the time she arrived, Garson and Young had left for New York. She was instead taken to
260:
206:
766:(1927), and asked Coffee to write the scenario. However, she declined due to concerns that
2303:
2277:
2186:
2128:
2017:
1697:
1691:
1607:
1578:
1500:
1413:
1198:
1166:
in Woodland Hills, California. On July 2, 1984, she died at a nearby hospital, at age 84.
1095:
1085:
1077:
1073:
993:
828:
521:
498:
348:
190:
170:
3815:
249:
3798:
3513:
3508:
2567:
2491:
2172:
2147:
2104:
1950:
1898:
1844:
1368:
1330:
1275:
1255:
998:
891:
810:
792:
778:
753:
678:
577:
558:
532:
517:
510:
386:
202:
3825:
3588:
2548:
2356:
2283:
2242:
2192:
2122:
2072:
1954:
1805:
1745:
1626:
1547:
1434:
1379:
1362:
1351:
1147:
1139:
887:
788:
624:
566:
544:
494:
422:
408:
396:
254:
2508:
2055:
1944:
1751:
1532:
1226:
1060:. Despite their joint screenplay credit, Coffee stated she had never met Epstein.
1049:
1017:
988:
980:
953:
919:(1932). Despite her objections, Wilson's writing credit was retained in the film.
823:
767:
729:
713:
629:
353:
313:
175:
140:
2684:"Shaping the Craft of Screenwriting: Women Screen Writers in Silent Era Hollywood"
2608:
2596:
3807:
2542:
2442:
2229:
2086:
2006:
1799:
1786:
1680:
1124:
1027:
945:
937:
868:
851:
670:
614:
554:
536:
490:
474:
469:
378:
280:
227:
219:
emerged, DeMille joined MGM, and Coffee returned to writing numerous MGM films.
216:
520:, considering it her apprenticeship as a scenarist. During her time there, the
2413:
2209:
1915:
1663:
1465:
927:
833:
640:
593:
506:
505:. Thalberg offered to hire her on a yearly contract for $ 200 a week to write
432:
144:
588:
In the spring of 1924, Coffee was collaborating with Thalberg, his assistant
2615:
1002:
589:
525:
483:
154:
Born in San Francisco, in 1896, Lenore Coffee attended Dominican College in
1162:
In 1981, Coffee returned to the United States to live in retirement at the
32:
447:
for the various departments during the production, including the actors.
248:
with her husband, William J. Cowen. At Warner Bros., Coffee wrote several
1385:
479:
148:
635:
Following her honeymoon with Cowen, Coffee wrote a story outline titled
3789:
749:
3592:, February 27, 1948: "Family Portrait" by Lenore Coffee and W. Joyce
197:, to write title cards and adapt novels into scripts. A year later,
524:
scandal had occurred, which indirectly caused the formation of the
2669:
Backstory: Interviews with Screenwriters of Hollywood's Golden Age
771:
516:
At Metro Pictures, Coffee spent two years working with playwright
814:. Deeply admiring the play, she alerted DeMille, who was editing
781:, who had received DeMille's permission, requesting her input on
402:
At Garson's studio, she was hired in a position known today as a
3600:
3598:
222:
In 1937, Coffee left MGM again, and worked numerous scripts for
728:
At DeMille Pictures Corp, Coffee became friends with actress
209:
later hired Coffee to write several films for him, including
3652:
3650:
3542:
3540:
2813:
2811:
2774:"From Silents to Talkies to TV Lenore J. Coffee Did It All"
903:
Coffee reunited with Bayard Veiller on the 1932 crime film
738:(1926). DeMille approached Coffee to write the script for
435:. In 1920, Garson purchased the screen rights to the play
2828:
2826:
2665:, ed. (1986). "Lenore Coffee: Easy Smiler, Easy Weeper".
602:. In April of the same year, Metro Studios (now owned by
3179:
3177:
3152:
3150:
287:
in Woodland Hills. In 1984, she died at the age of 87.
3053:
3051:
2894:
2892:
1012:
and toured Europe. When she returned, she learned that
3622:"Lenore Coffee Emerges from Film Anonymity With Novel"
2843:
2841:
2755:
2753:
832:
and within two years, Hollywood had transitioned into
139:(July 13, 1896 – July 2, 1984) was an American
2634:
Storyline: Recollections of a Hollywood Screenwriter
694:
By December 1924, Coffee had heard discussions of a
346:. She submitted her original story treatment titled
126:
100:
80:
61:
39:
23:
3615:
3613:
3560:
3512:
2666:
2607:
2595:
2578:
2566:
894:was hired to direct, and the project was retitled
681:. Months after she left MGM, Coffee was asked by
3842:20th-century American dramatists and playwrights
2720:Motion Picture Studio Directory and Trade Annual
983:. The script was submitted for approval by the
677:, who later became the second wife of producer
455:
267:By the 1950s, Coffee published her first novel
3718:"Lenore Coffee, Writer of Film Romances, Dies"
1048:, adapted from the 1937 story "Sister Act" by
818:, about it. Within a year, DeMille produced a
669:(1925) went into production at Paramount with
336:One day, she answered an advertisement in the
704:(1915). She wrote a treatment and sold it to
8:
1134:In 1973, Coffee published her memoir titled
230:. In 1939, she was jointly nominated for an
16:American screenwriter and author (1896–1984)
1056:, Coffee and Epstein were nominated for an
1020:about her assignments, and Mannix gave her
770:(at the time, 50 years old) was miscast as
244:. Meanwhile, Coffee co-wrote a play titled
3814:
3773:
3761:
3749:
3656:
3604:
3546:
3495:
2817:
1109:. It was retitled in the United States as
774:; Jeanie Macpherson was selected instead.
497:. There, Coffee received a message to see
328:. She next worked as an assistant for the
271:. It was retitled in the United States as
20:
3857:American women dramatists and playwrights
2156:Academy Award for Best Adapted Screenplay
1058:Academy Award for Best Adapted Screenplay
580:received the film's sole writing credit.
232:Academy Award for Best Adapted Screenplay
1173:
342:, requesting a screen story for actress
168:. Coffee wrote a story treatment titled
164:, requesting a screen story for actress
2707:
647:1924–1928: Working for Cecil B. DeMille
564:By 1923, Coffee wrote the scenario for
119: 1924; died 1964)
73:Woodland Hills, Los Angeles, California
3704:
3692:
3680:
3668:
3519:. El Segundo: ESE California. p.
3483:
3471:
3459:
3447:
3435:
3423:
3411:
3399:
3387:
3375:
3363:
3351:
3339:
3327:
3315:
3303:
3291:
3279:
3267:
3255:
3243:
3231:
3219:
3207:
3195:
3183:
3168:
3156:
3141:
3129:
3117:
3105:
3093:
3081:
3069:
3057:
3042:
3030:
3018:
3006:
2994:
2982:
2970:
2958:
2946:
2934:
2922:
2910:
2898:
2883:
2871:
2859:
2847:
2832:
2802:
2784:from the original on November 28, 2023
2759:
2744:
2732:
744:(1926), an adaptation of the novel by
2772:Welch, Roseanne (November 22, 2023).
2722:: 285. 1921 – via Ancestry.com.
2569:Family Portrait: A Play in Three Acts
1070:Family Portrait: A Play in Three Acts
246:Family Portrait: A Play in Three Acts
158:. In 1918, she answered an ad in the
7:
1105:In 1955, Coffee published the novel
3852:20th-century American women writers
3847:20th-century American screenwriters
721:and his screenwriting collaborator
451:1920–1923: Titling and editing jobs
373:1919–1920: Writing for Harry Garson
3559:Atkinson, Brooks (March 9, 1939).
2587:(later adapted into the 1958 film
1164:Motion Picture And Television Home
1146:on their reflection the Hollywood
1068:In 1939, Coffee co-wrote the play
415:Coffee wrote her second story for
285:Motion Picture And Television Home
14:
3620:Smith, Cecil (October 28, 1956).
1121:1958 film with the American title
339:Motion Pictures Herald Exhibitors
186:, and made editing suggestions.
161:Motion Pictures Herald Exhibitors
3877:Writers from Greater Los Angeles
3735:
3639:
1064:1939–1973: Playwright and author
31:
930:to direct. The film was titled
116:
2716:"Scenario Writers and Editors"
2675:University of California Press
1129:Bristol Old Vic Theatre School
1026:script, which was set to star
985:Production Code Administration
909:. After this, the two rewrote
787:(1927), which was set to star
592:, Bess Meredyth, and director
493:. The editing job was done at
174:(1919), which was acquired by
1:
3867:Screenwriters from California
2224:They Died with Their Boots On
967:(1934) based on the novel by
760:. He decided instead to film
3862:American women screenwriters
3724:. July 5, 1984. Part IV, p 7
2333:Marriage Is a Private Affair
1638:The Winning of Barbara Worth
573:The Winning of Barbara Worth
3803:Women Film Pioneers Project
3732:– via Newspapers.com.
3636:– via Newspapers.com.
2689:Women Film Pioneers Project
2589:Another Time, Another Place
2523:Another Time, Another Place
1113:. In an interview with the
1111:Another Time, Another Place
820:film adaptation of the play
805:in less than three weeks.
303:. There, they saw the play
273:Another Time, Another Place
3898:
3882:Writers from San Francisco
3812:Internet Broadway Database
2135:
1614:
1324:
596:on a script adaptation of
2480:
2412:
2365:
2312:
2255:
2218:
2181:
2117:
2032:
2022:
1965:
1870:
1833:
1775:
1740:
1652:
1596:
1565:
1536:
1521:
1499:
1474:
1438:
1340:
1312:
1309:
1299:
1264:
1225:
1215:
1211:
1084:. In his theatre review,
54:San Francisco, California
30:
2341:Story and screenplay by
2001:Such Women Are Dangerous
1927:Rasputin and the Empress
1250:The Fighting Shepherdess
840:1929–1937: Return to MGM
685:to write the script for
392:The Fighting Shepherdess
2682:Casella, Donna (2017).
2428:Lightning Strikes Twice
2371:The Guilt of Janet Ames
2038:Vanessa: Her Love Story
1034:1938–1943: Warner Bros.
758:Thirty Pieces of Silver
706:First National Pictures
421:(1920), with Young and
383:Louis B. Mayer Pictures
195:Louis B. Mayer Pictures
2618:: Milton House Books.
2533:Adapted from novel by
2167:Good Girls Go to Paris
1986:Four Frightened People
1851:Dialogue contribution
1781:The Bishop Murder Case
1460:Strangers of the Night
1238:For the Soul of Rafael
987:(PCA), then headed by
957:(1933), which starred
913:'s earlier script for
847:The Bishop Murder Case
486:, which she directed.
459:
318:San Rafael, California
156:San Rafael, California
2486:The End of the Affair
1763:Ned McCobb's Daughter
1658:The Angel of Broadway
1320:The Right That Failed
1102:, in February 1948.
1082:Mary, mother of Jesus
997:(1934) which starred
696:potential film remake
324:newspaper company in
275:, and adapted into a
137:Lenore Jackson Coffee
2503:Footsteps in the Fog
2204:The Way of All Flesh
2011:Additional dialogue
1932:Richard Boleslawski
1812:Additional dialogue
1793:Dialogue continuity
1592:Dimitri Buchowetzki
683:Fox Film Corporation
639:and submitted it to
377:Coffee relocated to
224:Fox Film Corporation
3872:Women film pioneers
3607:, pp. 148–149.
3498:, pp. 146–147.
3486:, pp. 200–201.
3474:, pp. 198–199.
3450:, pp. 197–198.
3426:, pp. 195–196.
3414:, pp. 193–194.
3402:, pp. 191–192.
3354:, pp. 181–183.
3318:, pp. 177–178.
3306:, pp. 174–175.
3270:, pp. 166–167.
3258:, pp. 152–154.
3222:, pp. 138–139.
2694:Columbia University
2677:. pp. 133–150.
2663:McGilligan, Patrick
2351:Tomorrow Is Forever
2234:Additional dialogue
2092:George Fitzmaurice
2067:Age of Indiscretion
1976:George Fitzmaurice
1971:All Men Are Enemies
1612:Story contribution
1562:Dimitri Buchowetzki
1486:Victor Schertzinger
1446:Wandering Daughters
1221:The Forbidden Woman
1205:William P. S. Earle
1054:1939 Academy Awards
964:All Men Are Enemies
886:into a vehicle for
661:Dimitri Buchowetzki
608:Metro-Goldwyn-Mayer
584:1924: Career at MGM
495:Colonel Selig's Zoo
418:The Forbidden Woman
344:Clara Kimball Young
199:Metro-Goldwyn-Mayer
193:, then working for
166:Clara Kimball Young
3567:The New York Times
2636:(Memoir). London:
2338:Robert Z. Leonard
2318:Till We Meet Again
1715:George Fitzmaurice
1668:Story / Scenarist
1144:Samuel Hoffenstein
1091:The New York Times
975:of the 1933 novel
874:Paramount Pictures
854:of the 1930 novel
803:George Fitzmaurice
632:was cast instead.
623:. She recommended
441:Arthur Wing Pinero
240:(1938), alongside
184:assistant director
3722:Los Angeles Times
3695:, pp. 85–86.
3626:Los Angeles Times
3530:978-0-912-07630-0
3045:, pp. 76–77.
3021:, pp. 74–76.
3009:, pp. 65–67.
2997:, pp. 64–65.
2985:, pp. 63–64.
2961:, pp. 61–62.
2937:, pp. 54–55.
2925:, pp. 53–54.
2913:, pp. 39–41.
2874:, pp. 17–18.
2862:, pp. 16–17.
2835:, pp. 12–13.
2805:, pp. 10–11.
2625:978-0-859-40011-4
2610:The Eye of Memory
2557:
2556:
2408:Beyond the Forest
2267:Robert Z. Leonard
2050:David Copperfield
2024:William K. Howard
1991:Cecil B. DeMille
1863:Cecil B. DeMille
1768:William J. Cowen
1726:The Love of Sunya
1709:The Night of Love
1621:The Volga Boatman
1512:The Rose of Paris
1429:The Age of Desire
1403:Edward J. LeSaint
1346:The Dangerous Age
1270:Alias Ladyfingers
1116:Los Angeles Times
1046:Julius J. Epstein
1023:The Rage of Paris
1014:David O. Selznick
973:script adaptation
969:Richard Aldington
959:Claudette Colbert
852:script adaptation
816:The King of Kings
798:droit du seigneur
784:The Night of Love
763:The King of Kings
741:The Volga Boatman
723:Jeanie MacPherson
599:Captain Applejack
550:The Dangerous Age
503:Universal Studios
501:in his office at
404:script supervisor
362:Criterion Theatre
358:St. Francis Hotel
242:Julius J. Epstein
212:The Volga Boatman
134:
133:
3889:
3818:
3790:Lenore J. Coffee
3777:
3771:
3765:
3759:
3753:
3747:
3741:
3740:
3739:
3733:
3731:
3729:
3714:
3708:
3702:
3696:
3690:
3684:
3678:
3672:
3666:
3660:
3654:
3645:
3644:
3643:
3637:
3635:
3633:
3617:
3608:
3602:
3593:
3585:
3579:
3578:
3576:
3574:
3564:
3556:
3550:
3544:
3535:
3534:
3518:
3505:
3499:
3493:
3487:
3481:
3475:
3469:
3463:
3457:
3451:
3445:
3439:
3433:
3427:
3421:
3415:
3409:
3403:
3397:
3391:
3385:
3379:
3373:
3367:
3361:
3355:
3349:
3343:
3337:
3331:
3325:
3319:
3313:
3307:
3301:
3295:
3289:
3283:
3277:
3271:
3265:
3259:
3253:
3247:
3241:
3235:
3229:
3223:
3217:
3211:
3205:
3199:
3193:
3187:
3181:
3172:
3166:
3160:
3154:
3145:
3139:
3133:
3127:
3121:
3115:
3109:
3103:
3097:
3091:
3085:
3079:
3073:
3067:
3061:
3055:
3046:
3040:
3034:
3028:
3022:
3016:
3010:
3004:
2998:
2992:
2986:
2980:
2974:
2968:
2962:
2956:
2950:
2944:
2938:
2932:
2926:
2920:
2914:
2908:
2902:
2896:
2887:
2881:
2875:
2869:
2863:
2857:
2851:
2845:
2836:
2830:
2821:
2815:
2806:
2800:
2794:
2793:
2791:
2789:
2769:
2763:
2757:
2748:
2742:
2736:
2730:
2724:
2723:
2712:
2697:
2678:
2672:
2651:
2629:
2613:
2603:
2601:
2598:The Face of Love
2586:
2584:
2574:
2572:
2381:Screen story by
2298:Old Acquaintance
2248:Edmund Goulding
1819:Street of Chance
1602:For Alimony Only
1573:The Great Divide
1305:The Face Between
1174:
1010:leave of absence
746:Konrad Bercovici
735:For Alimony Only
719:Cecil B. DeMille
712:(1925) starring
620:The Great Divide
463:
445:script breakdown
387:namesake founder
261:Old Acquaintance
207:Cecil B. DeMille
120:
118:
106:William J. Cowen
68:
49:
47:
35:
21:
3897:
3896:
3892:
3891:
3890:
3888:
3887:
3886:
3822:
3821:
3786:
3781:
3780:
3774:McGilligan 1986
3772:
3768:
3762:McGilligan 1986
3760:
3756:
3750:McGilligan 1986
3748:
3744:
3734:
3727:
3725:
3716:
3715:
3711:
3703:
3699:
3691:
3687:
3679:
3675:
3667:
3663:
3657:McGilligan 1986
3655:
3648:
3638:
3631:
3629:
3628:. Part IV, p. 3
3619:
3618:
3611:
3605:McGilligan 1986
3603:
3596:
3586:
3582:
3572:
3570:
3558:
3557:
3553:
3547:McGilligan 1986
3545:
3538:
3531:
3509:Osborne, Robert
3507:
3506:
3502:
3496:McGilligan 1986
3494:
3490:
3482:
3478:
3470:
3466:
3458:
3454:
3446:
3442:
3434:
3430:
3422:
3418:
3410:
3406:
3398:
3394:
3386:
3382:
3374:
3370:
3362:
3358:
3350:
3346:
3338:
3334:
3326:
3322:
3314:
3310:
3302:
3298:
3290:
3286:
3278:
3274:
3266:
3262:
3254:
3250:
3242:
3238:
3230:
3226:
3218:
3214:
3206:
3202:
3194:
3190:
3182:
3175:
3167:
3163:
3155:
3148:
3140:
3136:
3128:
3124:
3116:
3112:
3104:
3100:
3092:
3088:
3080:
3076:
3068:
3064:
3056:
3049:
3041:
3037:
3029:
3025:
3017:
3013:
3005:
3001:
2993:
2989:
2981:
2977:
2969:
2965:
2957:
2953:
2945:
2941:
2933:
2929:
2921:
2917:
2909:
2905:
2897:
2890:
2882:
2878:
2870:
2866:
2858:
2854:
2846:
2839:
2831:
2824:
2818:McGilligan 1986
2816:
2809:
2801:
2797:
2787:
2785:
2778:Script Magazine
2771:
2770:
2766:
2758:
2751:
2743:
2739:
2731:
2727:
2714:
2713:
2709:
2704:
2681:
2661:
2658:
2656:Further reading
2648:
2632:
2626:
2606:
2594:
2577:
2565:
2562:
2388:Escape Me Never
2304:Vincent Sherman
2278:The Gay Sisters
2261:We Were Dancing
2235:
2187:My Son, My Son!
2153:
2129:Edmund Goulding
2018:Evelyn Prentice
1960:
1953:
1850:
1811:
1792:
1698:Joseph Henabery
1692:Lonesome Ladies
1608:William DeMille
1579:Reginald Barker
1543:Hell's Highroad
1501:Irving Cummings
1414:Thundering Dawn
1310:Bayard Veiller
1199:The Better Wife
1172:
1156:
1086:Brooks Atkinson
1078:Judith Anderson
1074:Morosco Theatre
1066:
1036:
994:Evelyn Prentice
922:In 1928, actor
842:
829:The Jazz Singer
710:Hell's Highroad
649:
586:
522:Roscoe Arbuckle
499:Irving Thalberg
465:
461:
453:
395:, intended for
375:
370:
349:The Better Wife
297:Orpheum Theatre
293:
191:Irving Thalberg
180:continuity girl
171:The Better Wife
122:
114:
110:
107:
96:
76:
70:
66:
57:
51:
45:
43:
26:
17:
12:
11:
5:
3895:
3893:
3885:
3884:
3879:
3874:
3869:
3864:
3859:
3854:
3849:
3844:
3839:
3834:
3824:
3823:
3820:
3819:
3805:
3796:
3785:
3784:External links
3782:
3779:
3778:
3776:, p. 137.
3766:
3764:, p. 136.
3754:
3752:, p. 134.
3742:
3709:
3697:
3685:
3683:, p. 126.
3673:
3671:, p. 203.
3661:
3659:, p. 133.
3646:
3609:
3594:
3580:
3551:
3549:, p. 147.
3536:
3529:
3500:
3488:
3476:
3464:
3462:, p. 198.
3452:
3440:
3438:, p. 196.
3428:
3416:
3404:
3392:
3390:, p. 187.
3380:
3378:, p. 186.
3368:
3366:, p. 185.
3356:
3344:
3342:, p. 182.
3332:
3330:, p. 180.
3320:
3308:
3296:
3294:, p. 174.
3284:
3282:, p. 169.
3272:
3260:
3248:
3246:, p. 149.
3236:
3234:, p. 140.
3224:
3212:
3210:, p. 137.
3200:
3198:, p. 136.
3188:
3186:, p. 135.
3173:
3171:, p. 102.
3161:
3159:, p. 101.
3146:
3134:
3122:
3110:
3098:
3086:
3074:
3062:
3047:
3035:
3023:
3011:
2999:
2987:
2975:
2963:
2951:
2939:
2927:
2915:
2903:
2888:
2876:
2864:
2852:
2837:
2822:
2820:, p. 138.
2807:
2795:
2764:
2749:
2737:
2725:
2706:
2705:
2703:
2700:
2699:
2698:
2679:
2657:
2654:
2653:
2652:
2646:
2630:
2624:
2604:
2602:(Novel). 1959.
2592:
2585:(Novel). 1955.
2575:
2561:
2558:
2555:
2554:
2553:Screenplay by
2551:
2546:
2539:
2535:
2534:
2531:
2526:
2519:
2515:
2514:
2513:Screenplay by
2511:
2506:
2498:
2497:
2496:Screenplay by
2494:
2492:Edward Dmytryk
2489:
2482:
2478:
2477:
2475:Four Daughters
2471:
2469:Gordon Douglas
2466:
2463:Young at Heart
2459:
2455:
2454:
2453:Screenplay by
2451:
2446:
2439:
2435:
2434:
2433:Screenplay by
2431:
2424:
2420:
2419:
2418:Screenplay by
2416:
2411:
2404:
2400:
2399:
2396:
2391:
2383:
2382:
2379:
2374:
2367:
2363:
2362:
2361:Screenplay by
2359:
2354:
2347:
2343:
2342:
2339:
2336:
2328:
2327:
2326:Screenplay by
2324:
2323:Frank Borzage
2321:
2314:
2310:
2309:
2308:Screenplay by
2306:
2301:
2294:
2290:
2289:
2288:Screenplay by
2286:
2281:
2273:
2272:
2269:
2264:
2257:
2253:
2252:
2251:Screenplay by
2249:
2246:
2238:
2237:
2232:
2227:
2220:
2216:
2215:
2214:Screenplay by
2212:
2207:
2199:
2198:
2197:Screenplay by
2195:
2190:
2183:
2179:
2178:
2175:
2173:Alexander Hall
2170:
2163:
2159:
2158:
2154:Nominated for
2150:
2148:Michael Curtiz
2145:
2142:Four Daughters
2137:
2136:
2134:
2131:
2126:
2119:
2115:
2114:
2111:
2110:John M. Stahl
2108:
2101:
2097:
2096:
2093:
2090:
2083:
2079:
2078:
2075:
2070:
2062:
2061:
2058:
2053:
2045:
2044:
2041:
2034:
2030:
2029:
2026:
2021:
2013:
2012:
2009:
2004:
1996:
1995:
1992:
1989:
1981:
1980:
1977:
1974:
1967:
1963:
1962:
1957:
1951:Alexander Hall
1948:
1941:
1937:
1936:
1933:
1930:
1922:
1921:
1918:
1913:
1905:
1904:
1901:
1899:W. S. Van Dyke
1896:
1888:
1887:
1884:
1879:
1872:
1868:
1867:
1864:
1861:
1853:
1852:
1847:
1845:Clarence Brown
1842:
1835:
1831:
1830:
1827:
1822:
1814:
1813:
1808:
1803:
1795:
1794:
1789:
1784:
1777:
1773:
1772:
1769:
1766:
1758:
1757:
1754:
1749:
1742:
1738:
1737:
1734:
1729:
1721:
1720:
1717:
1712:
1704:
1703:
1700:
1695:
1687:
1686:
1683:
1678:
1670:
1669:
1666:
1661:
1654:
1650:
1649:
1646:
1641:
1633:
1632:
1629:
1624:
1616:
1615:
1613:
1610:
1605:
1598:
1594:
1593:
1590:
1582:
1581:
1576:
1568:
1567:
1564:
1559:
1551:
1550:
1545:
1539:
1538:
1537:Co-adaptation
1535:
1530:
1523:
1519:
1518:
1515:
1507:
1506:
1503:
1498:
1496:Fool's Highway
1492:
1491:
1488:
1483:
1476:
1472:
1471:
1468:
1463:
1455:
1454:
1449:
1441:
1440:
1437:
1432:
1424:
1423:
1420:
1417:
1409:
1408:
1405:
1400:
1392:
1391:
1388:
1383:
1375:
1374:
1371:
1369:Emile Chautard
1366:
1358:
1357:
1354:
1349:
1342:
1338:
1337:
1334:
1331:Sherlock Brown
1326:
1325:
1323:
1315:
1314:
1311:
1308:
1301:
1297:
1296:
1293:
1290:
1282:
1281:
1278:
1276:Bayard Veiller
1273:
1266:
1262:
1261:
1258:
1253:
1245:
1244:
1241:
1233:
1232:
1229:
1224:
1217:
1213:
1212:
1210:
1207:
1202:
1195:
1191:
1190:
1187:
1184:
1181:
1178:
1171:
1168:
1155:
1152:
1096:Strand Theatre
1076:, and starred
1065:
1062:
1041:Four Daughters
1035:
1032:
999:William Powell
892:Clarence Brown
841:
838:
779:Samuel Goldwyn
754:Judas Iscariot
679:Samuel Goldwyn
675:Frances Howard
648:
645:
604:Loews Theatres
585:
582:
578:Frances Marion
559:Florence Vidor
518:Bayard Veiller
511:Metro Pictures
507:film scenarios
454:
452:
449:
374:
371:
369:
366:
292:
289:
237:Four Daughters
203:Louis B. Mayer
132:
131:
128:
124:
123:
112:
108:
105:
104:
102:
98:
97:
95:
94:
91:
88:
84:
82:
78:
77:
71:
69:(aged 87)
63:
59:
58:
52:
41:
37:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
3894:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3865:
3863:
3860:
3858:
3855:
3853:
3850:
3848:
3845:
3843:
3840:
3838:
3835:
3833:
3830:
3829:
3827:
3817:
3813:
3809:
3808:Lenore Coffee
3806:
3804:
3800:
3799:Lenore Coffee
3797:
3795:
3791:
3788:
3787:
3783:
3775:
3770:
3767:
3763:
3758:
3755:
3751:
3746:
3743:
3738:
3728:September 18,
3723:
3719:
3713:
3710:
3707:, p. 99.
3706:
3701:
3698:
3694:
3689:
3686:
3682:
3677:
3674:
3670:
3665:
3662:
3658:
3653:
3651:
3647:
3642:
3627:
3623:
3616:
3614:
3610:
3606:
3601:
3599:
3595:
3591:
3590:
3589:The Spectator
3584:
3581:
3573:September 18,
3568:
3563:
3555:
3552:
3548:
3543:
3541:
3537:
3532:
3526:
3522:
3517:
3516:
3510:
3504:
3501:
3497:
3492:
3489:
3485:
3480:
3477:
3473:
3468:
3465:
3461:
3456:
3453:
3449:
3444:
3441:
3437:
3432:
3429:
3425:
3420:
3417:
3413:
3408:
3405:
3401:
3396:
3393:
3389:
3384:
3381:
3377:
3372:
3369:
3365:
3360:
3357:
3353:
3348:
3345:
3341:
3336:
3333:
3329:
3324:
3321:
3317:
3312:
3309:
3305:
3300:
3297:
3293:
3288:
3285:
3281:
3276:
3273:
3269:
3264:
3261:
3257:
3252:
3249:
3245:
3240:
3237:
3233:
3228:
3225:
3221:
3216:
3213:
3209:
3204:
3201:
3197:
3192:
3189:
3185:
3180:
3178:
3174:
3170:
3165:
3162:
3158:
3153:
3151:
3147:
3144:, p. 98.
3143:
3138:
3135:
3132:, p. 97.
3131:
3126:
3123:
3120:, p. 95.
3119:
3114:
3111:
3108:, p. 87.
3107:
3102:
3099:
3096:, p. 86.
3095:
3090:
3087:
3084:, p. 82.
3083:
3078:
3075:
3072:, p. 81.
3071:
3066:
3063:
3060:, p. 78.
3059:
3054:
3052:
3048:
3044:
3039:
3036:
3033:, p. 76.
3032:
3027:
3024:
3020:
3015:
3012:
3008:
3003:
3000:
2996:
2991:
2988:
2984:
2979:
2976:
2973:, p. 63.
2972:
2967:
2964:
2960:
2955:
2952:
2949:, p. 56.
2948:
2943:
2940:
2936:
2931:
2928:
2924:
2919:
2916:
2912:
2907:
2904:
2901:, p. 36.
2900:
2895:
2893:
2889:
2886:, p. 18.
2885:
2880:
2877:
2873:
2868:
2865:
2861:
2856:
2853:
2850:, p. 47.
2849:
2844:
2842:
2838:
2834:
2829:
2827:
2823:
2819:
2814:
2812:
2808:
2804:
2799:
2796:
2788:September 15,
2783:
2779:
2775:
2768:
2765:
2762:, p. 10.
2761:
2756:
2754:
2750:
2746:
2741:
2738:
2734:
2729:
2726:
2721:
2717:
2711:
2708:
2701:
2695:
2691:
2690:
2685:
2680:
2676:
2671:
2670:
2664:
2660:
2659:
2655:
2649:
2647:0-304-29245-1
2643:
2639:
2635:
2631:
2627:
2621:
2617:
2612:
2611:
2605:
2600:
2599:
2593:
2590:
2583:
2582:
2576:
2571:
2570:
2564:
2563:
2559:
2552:
2550:
2549:Joseph Pevney
2547:
2545:
2544:
2540:
2537:
2536:
2532:
2530:
2527:
2525:
2524:
2520:
2517:
2516:
2512:
2510:
2507:
2505:
2504:
2500:
2499:
2495:
2493:
2490:
2488:
2487:
2483:
2479:
2476:
2472:
2470:
2467:
2465:
2464:
2460:
2457:
2456:
2452:
2450:
2447:
2445:
2444:
2440:
2437:
2436:
2432:
2430:
2429:
2425:
2422:
2421:
2417:
2415:
2410:
2409:
2405:
2402:
2401:
2397:
2395:
2394:Peter Godfrey
2392:
2390:
2389:
2385:
2384:
2380:
2378:
2375:
2373:
2372:
2368:
2364:
2360:
2358:
2357:Irving Pichel
2355:
2353:
2352:
2348:
2345:
2344:
2340:
2337:
2335:
2334:
2330:
2329:
2325:
2322:
2320:
2319:
2315:
2311:
2307:
2305:
2302:
2300:
2299:
2295:
2292:
2291:
2287:
2285:
2284:Irving Rapper
2282:
2280:
2279:
2275:
2274:
2270:
2268:
2265:
2263:
2262:
2258:
2254:
2250:
2247:
2245:
2244:
2243:The Great Lie
2240:
2239:
2233:
2231:
2228:
2226:
2225:
2221:
2217:
2213:
2211:
2208:
2206:
2205:
2201:
2200:
2196:
2194:
2193:Charles Vidor
2191:
2189:
2188:
2184:
2180:
2176:
2174:
2171:
2169:
2168:
2164:
2161:
2160:
2157:
2152:Screenplay by
2151:
2149:
2146:
2144:
2143:
2139:
2138:
2132:
2130:
2127:
2125:
2124:
2123:White Banners
2120:
2116:
2112:
2109:
2107:
2106:
2102:
2099:
2098:
2094:
2091:
2089:
2088:
2084:
2081:
2080:
2076:
2074:
2073:Edward Ludwig
2071:
2069:
2068:
2064:
2063:
2059:
2057:
2054:
2052:
2051:
2047:
2046:
2042:
2040:
2039:
2035:
2031:
2027:
2025:
2020:
2019:
2015:
2014:
2010:
2008:
2005:
2003:
2002:
1998:
1997:
1993:
1990:
1988:
1987:
1983:
1982:
1978:
1975:
1973:
1972:
1968:
1964:
1958:
1956:
1955:George Somnes
1952:
1949:
1947:
1946:
1942:
1939:
1938:
1934:
1931:
1929:
1928:
1924:
1923:
1919:
1917:
1914:
1912:
1911:
1907:
1906:
1902:
1900:
1897:
1895:
1894:
1890:
1889:
1885:
1883:
1880:
1878:
1877:
1873:
1869:
1865:
1862:
1860:
1859:
1858:The Squaw Man
1855:
1854:
1848:
1846:
1843:
1841:
1840:
1836:
1832:
1828:
1826:
1825:John Cromwell
1823:
1821:
1820:
1816:
1815:
1809:
1807:
1806:Hobart Henley
1804:
1802:
1801:
1797:
1796:
1790:
1788:
1785:
1783:
1782:
1778:
1774:
1770:
1767:
1765:
1764:
1760:
1759:
1755:
1753:
1750:
1748:
1747:
1746:Desert Nights
1743:
1739:
1735:
1733:
1732:Albert Parker
1730:
1728:
1727:
1723:
1722:
1718:
1716:
1713:
1711:
1710:
1706:
1705:
1701:
1699:
1696:
1694:
1693:
1689:
1688:
1684:
1682:
1679:
1677:
1676:
1672:
1671:
1667:
1665:
1662:
1660:
1659:
1655:
1651:
1647:
1645:
1642:
1640:
1639:
1635:
1634:
1630:
1628:
1627:Cecil DeMille
1625:
1623:
1622:
1618:
1617:
1611:
1609:
1606:
1604:
1603:
1599:
1595:
1591:
1589:
1588:
1584:
1583:
1580:
1577:
1575:
1574:
1570:
1569:
1563:
1560:
1558:
1557:
1553:
1552:
1549:
1548:Rupert Julian
1546:
1544:
1541:
1540:
1534:
1531:
1529:
1528:
1524:
1520:
1516:
1514:
1513:
1509:
1508:
1504:
1502:
1497:
1494:
1493:
1489:
1487:
1484:
1482:
1481:
1477:
1473:
1469:
1467:
1464:
1462:
1461:
1457:
1456:
1453:
1450:
1448:
1447:
1443:
1442:
1436:
1435:Frank Borzage
1433:
1431:
1430:
1426:
1425:
1421:
1419:Harry Garson
1418:
1416:
1415:
1411:
1410:
1406:
1404:
1401:
1399:
1398:
1394:
1393:
1389:
1387:
1384:
1382:
1381:
1380:The Six-Fifty
1377:
1376:
1372:
1370:
1367:
1365:
1364:
1363:Daytime Wives
1360:
1359:
1355:
1353:
1352:John M. Stahl
1350:
1348:
1347:
1343:
1339:
1335:
1333:
1332:
1328:
1327:
1322:
1321:
1317:
1316:
1307:
1306:
1302:
1298:
1294:
1292:Harry Garson
1291:
1289:
1288:
1284:
1283:
1279:
1277:
1274:
1272:
1271:
1267:
1263:
1259:
1257:
1254:
1252:
1251:
1247:
1246:
1242:
1240:
1239:
1235:
1234:
1230:
1228:
1223:
1222:
1218:
1214:
1208:
1206:
1203:
1201:
1200:
1196:
1193:
1192:
1188:
1185:
1182:
1179:
1176:
1175:
1169:
1167:
1165:
1160:
1154:Personal life
1153:
1151:
1149:
1148:studio system
1145:
1141:
1140:script doctor
1137:
1132:
1130:
1126:
1122:
1118:
1117:
1112:
1108:
1103:
1101:
1097:
1093:
1092:
1087:
1083:
1079:
1075:
1071:
1063:
1061:
1059:
1055:
1051:
1047:
1043:
1042:
1033:
1031:
1029:
1025:
1024:
1019:
1015:
1011:
1006:
1004:
1000:
996:
995:
990:
986:
982:
978:
974:
970:
966:
965:
960:
956:
955:
949:
947:
943:
939:
935:
934:
929:
925:
920:
918:
917:
912:
908:
907:
901:
899:
898:
893:
889:
888:Joan Crawford
885:
884:
877:
875:
870:
866:
865:
864:The Squaw Man
859:
857:
853:
849:
848:
839:
837:
835:
831:
830:
825:
821:
817:
813:
812:
806:
804:
800:
799:
794:
790:
789:Ronald Colman
786:
785:
780:
775:
773:
769:
765:
764:
759:
755:
751:
747:
743:
742:
737:
736:
731:
726:
724:
720:
715:
711:
707:
703:
702:
697:
692:
690:
689:
684:
680:
676:
672:
668:
667:
662:
658:
655:'s 1920 play
654:
653:Ferenc Molnár
646:
644:
642:
638:
633:
631:
626:
625:Norma Shearer
622:
621:
616:
613:Relocated in
611:
609:
605:
601:
600:
595:
591:
583:
581:
579:
575:
574:
569:
568:
567:Daytime Wives
562:
560:
556:
552:
551:
546:
540:
538:
534:
529:
527:
523:
519:
514:
512:
508:
504:
500:
496:
492:
487:
485:
481:
476:
472:
471:
464:
458:
450:
448:
446:
442:
438:
434:
430:
429:
424:
423:Conway Tearle
420:
419:
413:
411:
410:
409:Eyes of Youth
405:
400:
398:
397:Anita Stewart
394:
393:
388:
384:
380:
372:
367:
365:
363:
359:
355:
351:
350:
345:
341:
340:
334:
331:
327:
321:
319:
315:
310:
308:
307:
302:
298:
290:
288:
286:
282:
278:
274:
270:
265:
263:
262:
257:
256:
255:The Great Lie
251:
250:women's films
247:
243:
239:
238:
233:
229:
225:
220:
218:
215:(1926). When
214:
213:
208:
204:
200:
196:
192:
187:
185:
181:
177:
173:
172:
167:
163:
162:
157:
152:
150:
146:
142:
138:
129:
125:
103:
99:
92:
89:
86:
85:
83:
79:
74:
64:
60:
55:
50:July 13, 1896
42:
38:
34:
29:
25:Lenore Coffee
22:
19:
3769:
3757:
3745:
3726:. Retrieved
3721:
3712:
3700:
3688:
3676:
3664:
3630:. Retrieved
3625:
3587:
3583:
3571:. Retrieved
3569:. p. 18
3566:
3554:
3514:
3503:
3491:
3479:
3467:
3455:
3443:
3431:
3419:
3407:
3395:
3383:
3371:
3359:
3347:
3335:
3323:
3311:
3299:
3287:
3275:
3263:
3251:
3239:
3227:
3215:
3203:
3191:
3164:
3137:
3125:
3113:
3101:
3089:
3077:
3065:
3038:
3026:
3014:
3002:
2990:
2978:
2966:
2954:
2942:
2930:
2918:
2906:
2879:
2867:
2855:
2798:
2786:. Retrieved
2777:
2767:
2747:, p. 3.
2740:
2735:, p. 2.
2728:
2719:
2710:
2687:
2673:. Berkeley:
2668:
2633:
2609:
2597:
2588:
2581:Weep No More
2580:
2568:
2560:Publications
2541:
2521:
2509:Arthur Lubin
2501:
2484:
2474:
2461:
2449:David Miller
2441:
2426:
2406:
2386:
2369:
2349:
2331:
2316:
2296:
2276:
2259:
2241:
2222:
2202:
2185:
2165:
2140:
2121:
2103:
2085:
2065:
2056:George Cukor
2048:
2036:
2016:
1999:
1984:
1969:
1961:Dialogue by
1945:Torch Singer
1943:
1925:
1908:
1891:
1886:Dialogue by
1876:Arsène Lupin
1874:
1856:
1837:
1817:
1798:
1779:
1761:
1752:William Nigh
1744:
1724:
1707:
1690:
1673:
1656:
1636:
1619:
1600:
1585:
1571:
1554:
1542:
1533:Emmett Flynn
1525:
1510:
1495:
1478:
1458:
1444:
1427:
1412:
1395:
1378:
1361:
1344:
1329:
1318:
1303:
1285:
1268:
1248:
1236:
1227:Harry Garson
1219:
1197:
1161:
1157:
1135:
1133:
1114:
1110:
1107:Weep No More
1106:
1104:
1089:
1069:
1067:
1050:Fannie Hurst
1044:(1938) with
1039:
1037:
1021:
1018:Eddie Mannix
1007:
992:
989:Joseph Breen
981:Hugh Walpole
976:
962:
954:Torch Singer
952:
950:
941:
931:
924:John Gilbert
921:
916:Arsène Lupin
914:
911:Carey Wilson
904:
902:
895:
881:
878:
862:
860:
855:
845:
843:
827:
824:Warner Bros.
815:
809:
807:
796:
782:
776:
768:H. B. Warner
761:
757:
739:
733:
730:Leatrice Joy
727:
714:Leatrice Joy
709:
699:
693:
686:
664:
656:
650:
636:
634:
630:Alice Tweedy
618:
612:
597:
587:
571:
565:
563:
548:
541:
530:
515:
488:
468:
466:
460:
456:
436:
431:(1921) with
426:
416:
414:
407:
401:
390:
385:, where its
376:
354:Harry Garson
347:
337:
335:
322:
314:Henry Miller
311:
304:
294:
272:
269:Weep No More
268:
266:
259:
253:
252:, including
245:
235:
221:
210:
188:
176:Harry Garson
169:
159:
153:
141:screenwriter
136:
135:
87:Screenwriter
67:(1984-07-02)
65:July 2, 1984
18:
3837:1984 deaths
3832:1896 births
3705:Coffee 1973
3693:Coffee 1973
3681:Coffee 1973
3669:Coffee 1973
3632:January 31,
3484:Coffee 1973
3472:Coffee 1973
3460:Coffee 1973
3448:Coffee 1973
3436:Coffee 1973
3424:Coffee 1973
3412:Coffee 1973
3400:Coffee 1973
3388:Coffee 1973
3376:Coffee 1973
3364:Coffee 1973
3352:Coffee 1973
3340:Coffee 1973
3328:Coffee 1973
3316:Coffee 1973
3304:Coffee 1973
3292:Coffee 1973
3280:Coffee 1973
3268:Coffee 1973
3256:Coffee 1973
3244:Coffee 1973
3232:Coffee 1973
3220:Coffee 1973
3208:Coffee 1973
3196:Coffee 1973
3184:Coffee 1973
3169:Coffee 1973
3157:Coffee 1973
3142:Coffee 1973
3130:Coffee 1973
3118:Coffee 1973
3106:Coffee 1973
3094:Coffee 1973
3082:Coffee 1973
3070:Coffee 1973
3058:Coffee 1973
3043:Coffee 1973
3031:Coffee 1973
3019:Coffee 1973
3007:Coffee 1973
2995:Coffee 1973
2983:Coffee 1973
2971:Coffee 1973
2959:Coffee 1973
2947:Coffee 1973
2935:Coffee 1973
2923:Coffee 1973
2911:Coffee 1973
2899:Coffee 1973
2884:Coffee 1973
2872:Coffee 1973
2860:Coffee 1973
2848:Coffee 1973
2833:Coffee 1973
2803:Coffee 1973
2760:Coffee 1973
2745:Coffee 1973
2733:Coffee 1973
2543:Cash McCall
2529:Lewis Allen
2443:Sudden Fear
2398:Uncredited
2377:Henry Levin
2271:Uncredited
2236:Uncredited
2230:Raoul Walsh
2133:Screenplay
2113:Uncredited
2060:Uncredited
2043:Adaptation
2007:James Flood
1935:Uncredited
1893:Night Court
1882:Jack Conway
1800:Mothers Cry
1787:Nick Grinde
1771:Uncredited
1736:Uncredited
1719:Adaptation
1685:Adaptation
1681:Frank Urson
1648:Uncredited
1631:Adaptation
1566:Uncredited
1517:Adaptation
1490:Adaptation
1470:Uncredited
1452:James Young
1356:Uncredited
1313:Adaptation
1295:Uncredited
1280:Adaptation
1260:Uncredited
1256:Edward José
1243:Uncredited
1170:Filmography
1125:Lana Turner
1123:, starring
1028:Jean Harlow
946:Greta Garbo
938:Samuel Marx
906:Night Court
869:Elsie Janis
856:Mothers Cry
834:sound films
822:. In 1927,
793:Vilma Bánky
671:Clare Eames
663:to direct.
615:Culver City
555:Lewis Stone
553:, starring
537:Thomas Ince
491:Snowy Baker
475:Louis Anger
470:Mid-Channel
437:Mid-channel
379:Los Angeles
301:the Alcazar
281:Lana Turner
258:(1941) and
228:Warner Bros
217:sound films
81:Occupations
3826:Categories
2702:References
2473:Remake of
2414:King Vidor
2210:Louis King
2095:Script by
2028:Script by
1994:Script by
1979:Script by
1916:Monta Bell
1910:Downstairs
1903:Script by
1866:Co-script
1849:Adaptation
1810:Adaptation
1791:Adaptation
1756:Co-script
1664:Lois Weber
1644:Henry King
1527:East Lynne
1505:Co-script
1466:Fred Niblo
1422:Co-script
1397:Temptation
1390:Co-script
933:Downstairs
928:Monta Bell
883:The Mirage
688:East Lynne
641:Harry Rapf
637:Stepmother
594:Fred Niblo
545:John Stahl
533:Max Karger
484:iris shots
433:Sada Cowan
291:Early life
145:playwright
90:playwright
46:1896-07-13
2616:Aylesbury
2614:(Novel).
1959:Script by
1839:Possessed
1829:Dialogue
1556:Graustark
1373:Co-story
1336:Scenario
1183:Director
1136:Storyline
1052:. At the
1003:Myrna Loy
900:(1931).
897:Possessed
826:released
701:Graustark
590:Paul Bern
576:, though
526:Hays Code
326:Chinatown
279:starring
277:1958 film
264:(1943).
3511:(1977).
2782:Archived
2640:. 1973.
1587:The Swan
1386:Nat Ross
1186:Credits
1100:West End
867:(1931).
666:The Swan
657:The Swan
610:(MGM).
480:Lew Cody
330:Emporium
149:novelist
127:Children
93:novelist
3810:at the
2638:Cassell
2573:. 1939.
2105:Parnell
1920:Script
1675:Chicago
1439:Titles
1098:in the
977:Vanessa
942:Camille
811:Chicago
756:titled
750:dailies
659:, with
462:—Coffee
356:at the
306:Camille
121:
113:
109:
3527:
2644:
2622:
2177:Story
2077:Story
1702:Story
1407:Story
1231:Story
1209:Story
1180:Title
467:After
368:Career
147:, and
101:Spouse
75:, U.S.
56:, U.S.
2538:1960
2518:1958
2481:1955
2458:1954
2438:1952
2423:1951
2403:1949
2366:1947
2346:1946
2313:1944
2293:1943
2256:1942
2219:1941
2182:1940
2162:1939
2118:1938
2100:1937
2082:1936
2033:1935
1966:1934
1940:1933
1871:1932
1834:1931
1776:1930
1741:1928
1653:1927
1597:1926
1522:1925
1480:Bread
1475:1924
1341:1923
1300:1922
1265:1921
1216:1920
1194:1919
1189:Refs
1177:Year
944:with
772:Jesus
115:(
111:
3794:IMDb
3730:2024
3634:2019
3575:2024
3525:ISBN
2790:2024
2642:ISBN
2620:ISBN
2087:Suzy
1287:Hush
1001:and
791:and
557:and
428:Hush
234:for
226:and
62:Died
40:Born
3801:at
3792:at
1088:of
1080:as
979:by
698:of
561:.
547:'s
439:by
3828::
3720:.
3649:^
3624:.
3612:^
3597:^
3565:.
3539:^
3523:.
3521:71
3176:^
3149:^
3050:^
2891:^
2840:^
2825:^
2810:^
2780:.
2776:.
2752:^
2718:.
2692:.
2686:.
1131:.
1005:.
890:.
876:.
858:.
725:.
364:.
309:.
205:.
182:,
151:.
143:,
117:m.
3577:.
3533:.
2792:.
2696:.
2650:.
2628:.
2591:)
130:2
48:)
44:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
