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works using material remnants, newspaper articles and personal memories she has of her father. The works were presented across five separate rooms, each exploring a different perspective on the persona of her father. The starting point is a short film entitled "The Day Rises“which follows the process of Berg memorising the scene of the crime before her father’s arrest, despite the fact that she had not been present. The questions about the veracity of memory raised by the film continue throughout the rest of the exhibition. Berg does not try to recreate the exact events of her childhood or to draw a coherent image of her father. Instead, her works investigate the inseparability of fact and fiction within memories. The different medial representations and viewpoints through which
Arnljot Berg appears, show the difficulty of enduring the incongruence of a person who is at once a loving father and a convicted murderer.
221:
113:. Her artistic praxis includes film, installation, collage and text-based work. She has produced a number of projects in public spaces and directed four independently produced feature-length films. She represented Norway in the 55th Venice Biennale with the film Dirty Young Loose (2013). In 2022 she was invited to the prestigious Norwegian Festival Exhibition at the Bergen Kunsthall for which she produced the large-scale exhibition Fra Far. In 2023 her novel with the same title was published by Kolon Forlag. She is a member of the Norwegian Visual Artist Guilds NBK & UKS, the Directors Guild of Norway and The Writers Guild of Norway. She co-founded the distribution agency FilmbyrĂĄet Jack and the production company VIDEONOVA.
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is unclear which characters have perpetrated what actions, and eventually also the reason for the interrogation. The identity of the interrogators are never revealed nor explained. The film poses questions around issues of authority, surveillance and truth. Based around an idea of so-called objective or neutral video recordings, the film scrutinizes the usage of images in media and judicial cases as proof of guilt, innocence, lies and truth. In 2013 Berg was part of the official
Norwegian representation at the 55th International Art Exhibition,
287:, and one working as an actress. The women are gathered around a table, dressed as different female clichés of sexual fantasies. They all face the camera, which slowly moves from person to personas the women share their stories and experiences and discuss the work they do or have done. Intimate details and descriptions of taboos highlight questions of forbidden sexual fantasies and the limits between sexual pleasure and violation. Ultimately the film asks what constitutes reality in a universe governed by fictional roles and games, as in BDSM.
361:
photographs, court material and her partner's accounts to reconstruct the events that began when the couple first noticed signs of gentrification in their neighbourhood in Harlem. The evidence that is unveiled points towards a larger system of corruption and racist practice within the legal system, that tries to push black people out of certain districts as a part of systematic gentrification.
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The exhibition deals with Berg's own memory as well as the public representation of her father
Arnljot Berg. In 1975, when Lene Berg was nine years old, Arnljot Berg was convicted of the murder of his second wife, Evelyne Zammit. For the Festival Exhibition Berg produced video, audio and installation
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The film Dirty Young Loose shows three persons being interrogated, one after another, late one evening after they have acted together in a hotel room scene. The tree characters enact three gendered stereotypes, as encapsulated in the title; dirty man, young boy and loose (i.e. promiscuous) woman. It
154:
Educated as a film director Berg integrates not only film, but also text and collage and installations in her work. In the late 1990s her work began to be shown in contemporary art venues. Berg's work is often characterized by a hybrid format, mixing genres, using different forms of media, narrative
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structures and artistic techniques, to investigate historical and political topics. A common theme in many of her projects is how a particular notion of truth is contingent, and how reality might be considered differently through the inclusion of additional stories, or an alternative perspective.
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Fra Far/From Father is an extensive project with multiple parts in which Berg explores the life, work and death of her father, the late film-director and writer
Arnljot Berg who committed suicide in 1982. Part one was the Festival Exhibition at Bergen Kunsthall in 2022. The second part was Bergs
209:
revealed that the
Congress for Cultural Freedom had received funding from the CIA, and thus it was exposed that the Josselsons had lied to everyone around them for nearly two decades. The revelation changed the life of the Josselsons radically and painfully. Furthermore, the film poses questions
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from 1953, inserting her own notes and images between the pages of the magazine's original content. The additional materials were collected from books, newspapers, private albums and conversations, and were not available to the public at the time of the original publication. The inserts shed new
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False Belief is an autobiographical film that documents the prosecution of Lene Berg's partner through the New York legal system. The story tells in retrospect how charges of harassment by their neighbour develop a momentum of their own in court, without any solid base of evidence. Berg uses
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350:, uses documentary and fictional elements to frame a piece of Norwegian and Cold War history seen through the eyes of the individuals involved on both sides. GOMP and Dirty Young Loose, were both produced by Studio Fjordholm, the film production company of producer Helga Fjordholm.
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The exhibition is accompanied by an artist’s book based on
Arnljot Berg’s book Fengsel (1979).In addition to the original text, the book consists of inserted letters, pictures, drawings and texts that both add to and contradict Arnljot Berg’s original publication.
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first novel, also entitled Fra far, published by the renown
Norwegian publisher Kolon in 2023. The third part of the project will be a feature-length film with the working-title "The Horsemen of the Apocalypse" to be produced by Twentyone Pictures.
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Lene Berg has received several awards for her work including The
Elephant Prize, Momentum/The Nordic Art Biennial 2000; Lorck Schive Art Grant 2013 and The Royal Caribbean Art Grant 2013. In 2019 her film False Belief has been nominated for the
339:. Witnesses and actors testified about their personal experience of the political surveillance they had either been subject to or had carried out. The event was conducted as a live television broadcast, an event Berg thought the
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684:, exhibition catalogue, 100 pages, illustrated, ed: Caroline Ugelstad with texts by Sabeth Buchmann, Dieter Roelstraete and Katarina Gregos, Sternberg Press & Henie Onstad Kunstsenter 2012
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era. The video material consists of
Josselson's private super-8 footage from a vacation in 1958 and interviews with his widow Diana, shot nearly 50 years later. In 1966, the
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In 2013, Kopfkino won the Best
Documentary at the 8th Porn Film Festival in Berlin and the Art Critic's Award in Norway. It was also nominated for Best Documentary at the
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183:, as expressed through the original magazine. The story of individuals engaged in the magazine is further expanded upon in the film The Man in the Background.
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Stalin by Picasso consists of a book and a film, as well as an outdoor banner, depicting the eponymous portrait, that Berg intended to hang on the facade of
220:
672:, 40 pages, illustrated, ed: Bo Krister Wahlström and Line Ulekleiv with texts by Nils Petter Gleditsch, Tormod Bakke and Wencke Mühleisen KORO/URO 2014
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137:(University College of Film, Radio, Television and Theatre in Stockholm). Her debut full-length feature En Kvinnas Huvud (1997) was produced by
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In 2019 False Belief was nominated for both the Teddy Award and the Amnesty Award during Berlin International Film Festival.
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259:. However, after much criticism from fellow party members and colleagues Aragon chose to distance himself from the portrait.
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In the project Encounter: Gentlemen & Arseholes Berg reproduced the first edition of the literary magazine
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in 2008, but again was met strong reactions and was taken down without Berg's consent after only two days.
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about the other contributors to the magazine, their complicity and the scapegoating of the Josselsons.
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The film Kopfkino consists of a series of stories told by eight women, seven of whom are
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and Forsøksgymnaset in Oslo. She graduated in 1992 with a degree in film directing from
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The original portrait was also met with harsh critique. The drawing was commissioned by
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666:, exhibition calatogue, 237 pages, inserts, ed: Axel Wieder, Bergen Kunsthall 2022
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Lene Berg was born in Oslo 1965, to sociologist Mie Berg Simonsen and film director
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in Oslo. The project received wide media attention when it was revealed that the
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In the film The Man in the Background Berg investigates the fate and role of
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1453:"Lene Berg The Festival Exhibition 2022: Fra Far 26 May — 21 August 2022"
1152:"Norway at the 55th International Art Exhibition, la Biennale di Venezia"
814:"Lene Berg The Festival Exhibition 2022: Fra Far 26 May — 21 August 2022"
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1093:"Triple Canopy – The Stalin by Picasso Case by Sam Frank with Lene Berg"
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Production still. Stalin by Picasso, Lene Berg. Youngstorget, Oslo, 2008
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produced by Andersö & Berg for Dramatiska Institutet, Stockholm
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105:(born 1965) is a Norwegian film director and artist, who works in
1232:"Berlinale 2019 - Highlights unserer Kritikerinnen und Kritiker"
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690:, booklet, 34 pages, illustrated, Henie Onstad Kunstsenter 2012
1177:"Gompen og andre beretninger om overvåkning i Norge 1948–1989"
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Gompen og andre beretninger om overvĂĄking i Norge 1948 - 1989
255:, the editor of the French communist party's weekly magazine
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The Festival Exhibition (first part of Fra Far/From Father)
1315:"18 Berlinale Filme fĂĽr Amnesty-Filmpreis 2019 nominiert"
1060:"Stalin by Picasso: Or Portrait of Woman with Moustache"
678:, booklet, 16 pages, illustrated, Studio Fjordholm 2013
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The project addresses the relationship between art and
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and the Amnesty Award. Her work has been acquired by
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Stalin by Picasso or Portrait of Woman with Moustache
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Stalin by Picasso or Portrait of Woman with Moustache
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In 2014, Lene Berg staged an event about the illegal
1041:"VERNISSAGE: The Man in the Background — Lene Berg"
623:produced by Hinden/Länna- ateljéerna AB, Stockholm
609:produced by Hinden /Länna-ateljéerna AB, Stockholm
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Cooper Union for the Advancement of Science and Art
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1265:. TAZ.de. pp. 22 ePaper, Berlin 16 Alle, Nord
734:National Museum of Art, Architecture and Design
442:Gomp: Tales of Surveillance in Norway 1948-1989
348:GOMP: Tales of Surveillance in Norway 1948-1989
326:GOMP: Tales of Surveillance in Norway 1948-1989
1108:"Stalin Banner's Removal Draws More Questions"
788:"55th Venice Biennale. The Norwegian Pavilion"
8:
1428:"An Artist Chases the Ghost of Her Father"
18:
702:, 160 pages with inlays, Berlin/Oslo 2006
1257:Werneburg, Brigitte (15 February 2019).
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294:, Norway and Best Nordic Documentary at
125:. Growing up in Oslo, Berg attended the
920:"Lene Berg pĂĄ Henie Onstad Kunstsenter"
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465:produced by Studio Fjordholm A/S, Oslo
451:produced by Studio Fjordholm A/S, Oslo
1402:"Lene Berg "Fra Far" Bergen Kunsthall"
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1062:. the author – via Google Books.
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651:Dramatiska Institutet, Stockholm 1991
343:should have organized, but never did.
700:Encounter – Gentlemen & Arseholes
7:
708:, 96 pages, illustrated, Warsaw 2005
165:Encounter: Gentlemen & Arseholes
1288:"Pressemappe 33.Teddy Award Berlin"
696:, 180 pages, illustrated, Oslo 2008
335:of dissidents in Norway during the
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1426:Burlington, Gwen (8 August 2022).
1238:. Spiegel Kultur. 16 February 2019
628:Scent of Happiness (Doft av Lycka)
341:Norwegian Broadcasting Corporation
16:Norwegian film director and artist
14:
1319:Amnesty International Deutschland
1106:Chan, Sewell (14 November 2008).
1073:Erichsen, Chris (17 March 2008).
740:, as well as private collectors.
614:A Woman's Head (En Kvinnas Huvud)
676:Dirty Young Loose (Ung Løs Gris)
540:Sketches for Nietzsches Laughter
346:The project's subsequent film,
1482:Norwegian women film directors
1058:Berg, Lene (9 November 2017).
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893:"About the Artist: Lene Berg"
199:Congress for Cultural Freedom
1502:Dramatiska Institutet alumni
1002:"Gentlemen & Aresholes"
766:. Berlin: Sternberg Press.
760:Ugelstad, Caroline (2012).
714:, Leporello, Stuttgart 2005
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926:. Henie Onstad Kunstsenter
409:Production location/notes
139:Hinden/Länna-Ateljéerna AB
1365:"Lene Berg Fra far Roman"
868:"En kvinnas huvud (1997)"
554:The Man in the Background
188:The Man in the Background
1477:Norwegian film directors
738:Henie Onstad Kunstsenter
117:Early life and education
57:Director, author, artist
437:produced by FABB001 AS
1183:. KORO. Archived from
1075:"Dette er ikke Stalin"
719:Awards and collections
577:in collaboration with
315:la Biennale di Venezia
257:Les Lettres Françaises
238:Norwegian Labour Party
225:
1263:Die Tageszeitung: Taz
1027:"Konst utanför ramen"
981:Store norske leksikon
664:Fra Far / From Father
526:The Weimar Conspiracy
223:
179:’s engagement in the
131:Dramatiska Institutet
92:Fra Far (From Father)
1340:"Lene Berg: Fra Far"
730:Museum of Modern Art
484:Shaving the Baroness
172:Encounter (magazine)
918:Rønsen, Benedikte.
521:Oslo/New York 2008
369:Fra Far/From Father
127:Oslo Waldorf School
1400:Hindahl, Philipp.
1387:Twentyone Pictures
1259:"Wahre Geschichte"
1187:on 26 January 2018
1132:on 26 January 2018
872:Svensk Filmdatabas
840:"Jack Film Agency"
732:(MoMa), New York;
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197:, director of the
1487:Norwegian artists
1207:"Helga Fjordholm"
1181:Public Art Norway
773:978-3-943365-51-1
655:
654:
579:Nicoleta Esinencu
456:Dirty Young Loose
307:Dirty Young Loose
240:, represented by
215:Stalin by Picasso
195:Michael Josselson
181:Cultural Cold War
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83:Stalin by Picasso
62:Years active
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1459:. 26 May 2022.
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899:. 24 May 2013
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393:Filmography
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