271:
in which he said he was going to take the poison. The women rush to Paul and find him near death. While
Elisabeth is out of the room, Paul and Agathe figure out that Elisabeth had lied to keep them apart. Elisabeth returns and, realizing she has been found out, says she could not lose Paul to Agathe. Paul dies blaming his sister for his woes, and Elisabeth shoots herself in the head.
1406:
258:
After
Elisabeth and Paul's mother dies, Elisabeth becomes a model for a couturier and meets Agathe, who she invites to live in her mother's old room. The shy girl bears a strong resemblance to Paul's former classmate Dargelos, the boy who injured Paul and with whom Paul is infatuated. Paul and Agathe
270:
One day, Agathe and GĂ©rard visit. GĂ©rard brings an exotic poison that
Dargelos, who GĂ©rard had run into, asked GĂ©rard to give Paul, as Paul and Dargelos were both interested in poisons when they went to school together. Some time later, Agathe awakens Elisabeth to say she just got a letter from Paul
262:
Elisabeth starts to date
Michael, a rich young American businessman, and they get married. When he dies in a car crash shortly after the wedding, Elisabeth inherits his fortune and mansion and brings Paul and Agathe to live with her. When his uncle is out of the country, GĂ©rard stays with them, as
254:
Elisabeth looks after her bedridden mother and is very protective of her teenage brother Paul, particularly after he is injured in a snowball fight and has to withdraw from school. The siblings rarely leave their house, and, other than a doctor and maid, their only visitor is Paul's friend GĂ©rard,
446:
Cocteau had originally wanted the score to be jazz music, but was convinced by
Melville to accept the use of the Vivaldi pieces instead. The successful dramatic use of the Vivaldi concertos in the film has been remarked upon, analyzed, and praised by numerous film critics and theorists, including
266:
In the course of her investigation of the breakdown of her social circle, Elisabeth learns that Agathe loves Paul, but thinks he hates her, and that Paul has written Agathe a letter to declare his love for her. Instead of bringing the two together, however, Elisabeth intercepts the letter and
29:
263:
well. At first, everyone sleeps in
Elisabeth's room, but, after a fight with Elisabeth, Paul sets up a living space in another wing of the building. Agathe and GĂ©rard also start to mostly sleep in their own rooms, and Elisabeth begins to feel lonely.
267:
destroys it, and then convinces GĂ©rard and Agathe to marry each other. They move out, and
Elisabeth has Paul to herself again, though they still are living in separate parts of the mansion and Paul is now despondent over the loss of Agathe.
466:
was also one of the first films exclusively using pre-existing classical music as underscore music, a practice that became increasingly common from the 1950s onward. It is the only
Cocteau film without a score by
387:
The shoplifting scene was directed by
Cocteau, as Melville was ill the day it was filmed. Melville said Cocteau followed his directing instructions "to the letter."
1471:
1466:
255:
who has a crush on
Elisabeth. GĂ©rard often sleeps over, spending much of his time watching Elisabeth and Paul fight and play secret games in their shared bedroom.
1263:
1461:
859:
408:
786:
1456:
1446:
1225:
1441:
1349:
1256:
659:
987:
577:
535:
1285:
1078:
971:
355:
749:
611:
1129:
711:
482:
was released in Paris on 29 March 1950. It took in 255,224 admissions in Paris and 719,844 admissions in France as a whole.
1249:
1046:
899:
1476:
1451:
1436:
843:
1396:
779:
377:
1431:
1301:
1145:
1038:
804:
883:
979:
759:
620:
851:
926:
293:
104:
1137:
1121:
1070:
942:
875:
703:
243:
concertos was unusual at the time and praised for its use in increasing the dramatic tension of the plot.
1003:
934:
867:
819:
772:
365:
233:
69:
1325:
373:
1317:
1273:
1204:
1011:
225:
39:
340:
1426:
1215:
1172:
1164:
1086:
963:
439:
372:
The film was shot on location in Paris, at the Société nationale des entreprises de presse and the
1230:
1210:
691:
281:
93:
1180:
1030:
733:
707:
655:
649:
573:
531:
525:
452:
561:
891:
259:
are immediately attracted to each other, but it takes both of them some time to realize it.
221:
1373:
1365:
1309:
1113:
1054:
835:
1241:
1357:
1341:
1198:
995:
907:
827:
314:
125:
28:
1420:
696:
468:
459:
448:
562:"Music as a Sonic Enabler: Jean-Pierre Melville's Film Adaptation of Jean Cocteau's
1105:
795:
755:
381:
360:
328:
302:
229:
52:
1410:
1220:
1333:
645:
403:
transcription of a Vivaldi work. The soundtrack consists of extracts from:
363:, who commissioned Melville to direct a film adaptation of his 1929 novel
744:
417:
738:
727:
1381:
396:
240:
430:
421:
395:
The soundtrack of the film is almost entirely classical music by
400:
1245:
768:
764:
236:
about the tangled relationship of a close brother and sister.
593:
591:
589:
507:
505:
503:
501:
499:
497:
495:
440:
Concerto for Two Violins and String Orchestra in A minor
568:. In Baumgartner, Michael; Boczkowska, Ewelina (eds.).
246:
Cocteau provided the voice-over narration of the film.
570:
Music, Authorship, Narration, and Art Cinema in Europe
1394:
319:
Adeline Aucoc as Mariette, Elisabeth and Paul's maid
1191:
1156:
1097:
1022:
953:
918:
811:
195:
187:
177:
153:
139:
131:
121:
113:
86:
78:
64:
45:
35:
21:
751:Les enfants terribles: Hazards of a Snowball Fight
695:
572:. Taylor & Francis/Routledge. pp. 33–50.
431:Concerto for Four Violins and Cello in B minor
1257:
780:
8:
698:Jean-Pierre Melville – An American in Paris
1264:
1250:
1242:
787:
773:
765:
674:
597:
555:
553:
551:
549:
547:
511:
380:for the seaside shoplifting scene; and in
27:
18:
418:Concerto for Four Harpsichords in A minor
420:(BWV 1065) – an adaptation of Vivaldi's
290:Renée Cosima as both Dargelos and Agathe
1401:
640:
638:
491:
1472:Films with screenplays by Jean Cocteau
1467:Films directed by Jean-Pierre Melville
334:Annabel Buffet as a model (uncredited)
7:
1462:Films based on works by Jean Cocteau
651:Setting the Tone: Essays and a Diary
422:Concerto for Four Violins in B minor
384:for Michael's car accident scene.
359:(1949), attracted the attention of
308:Jean-Marie Robain as the headmaster
322:Émile Mathys as the vice-principal
14:
530:. Biblo & Tannen Publishers.
57:Jean-Pierre Melville (uncredited)
1404:
860:Les Chevaliers de la Table ronde
325:Roger Gaillard as GĂ©rard's uncle
1226:Notre-Dame-de-Jérusalem, Fréjus
353:Melville's first feature film,
228:, with a screenplay adapted by
616:: Hazards of a Snowball Fight"
409:Concerto for Violin in D minor
305:as Elisabeth and Paul's mother
210:(literal English translation:
1:
1047:Les Dames du Bois de Boulogne
610:Indiana, Gary (8 July 2007).
1457:Films based on French novels
1447:French black-and-white films
1130:Les mariés de la tour Eiffel
1442:1950s French-language films
337:Étienne Aubray (uncredited)
311:Maurice Revel as the doctor
1493:
462:incidental music in film;
458:This was the first use of
1302:When You Read This Letter
1280:
1146:Le jeune homme et la mort
802:
239:The film's soundtrack of
26:
980:The Eagle with Two Heads
760:The Criterion Collection
621:The Criterion Collection
560:Anderson, Laura (2022).
527:Screen World Vol. 4 1953
299:Melvyn Martin as Michael
287:Edouard Dermithe as Paul
162:March 29, 1950
424:, Op. 3 No. 10 (RV 580)
1079:La Princesse de Clèves
943:Opium: Diary of a Cure
704:British Film Institute
442:, Op. 3 No. 8 (RV 522)
234:novel of the same name
1294:Les Enfants terribles
1063:Les Enfants terribles
1004:La Villa Santo-Sospir
988:Les Parents terribles
935:Les Enfants terribles
868:Les Parents terribles
820:Le Gendarme incompris
740:Les Enfants terribles
729:Les Enfants terribles
614:Les enfants terribles
564:Les enfants terribles
524:Blum, Daniel (1969).
480:Les Enfants terribles
464:Les Enfants terribles
366:Les Enfants terribles
212:The Terrible Children
207:Les Enfants terribles
70:Les Enfants terribles
22:Les Enfants terribles
1318:Two Men in Manhattan
1286:Le Silence de la mer
1274:Jean-Pierre Melville
1205:Jean Cocteau: A Life
1012:Testament of Orpheus
972:Beauty and the Beast
900:L'Aigle Ă deux tĂŞtes
844:The Infernal Machine
356:Le Silence de la mer
226:Jean-Pierre Melville
82:Jean-Pierre Melville
40:Jean-Pierre Melville
1350:Le deuxième souffle
1216:Jean Cocteau Museum
1122:Le BĹ“uf sur le toit
1087:Thomas the Impostor
964:The Blood of a Poet
884:La Machine Ă Ă©crire
876:Les Monstres sacrés
692:Vincendeau, Ginette
1477:1950s French films
1452:Films about incest
1437:French drama films
1326:LĂ©on Morin, Priest
1272:Films directed by
1231:The Orphic Trilogy
1211:Jean Cocteau House
852:L'École des veuves
1392:
1391:
1239:
1238:
1181:Le pauvre matelot
1031:The Phantom Baron
453:Edward Baron Turk
214:; English title:
203:
202:
1484:
1432:1950 drama films
1409:
1408:
1407:
1400:
1266:
1259:
1252:
1243:
1039:L'Éternel retour
892:Renaud et Armide
789:
782:
775:
766:
717:
701:
678:
672:
666:
665:
642:
633:
632:
630:
628:
607:
601:
595:
584:
583:
557:
542:
541:
521:
515:
509:
399:, including one
217:The Strange Ones
169:
167:
98:Edouard Dermithe
31:
19:
16:1950 French film
1492:
1491:
1487:
1486:
1485:
1483:
1482:
1481:
1417:
1416:
1415:
1405:
1403:
1395:
1393:
1388:
1374:Le Cercle Rouge
1366:Army of Shadows
1310:Bob le flambeur
1276:
1270:
1240:
1235:
1187:
1152:
1098:Ballet libretti
1093:
1071:The Black Crown
1018:
955:
949:
927:The White Paper
914:
836:The Human Voice
807:
798:
793:
724:
714:
690:
687:
682:
681:
675:Vincendeau 2003
673:
669:
662:
644:
643:
636:
626:
624:
609:
608:
604:
598:Vincendeau 2003
596:
587:
580:
559:
558:
545:
538:
523:
522:
518:
512:Vincendeau 2003
510:
493:
488:
477:
393:
374:Théâtre Pigalle
351:
346:
331:as the narrator
294:Jacques Bernard
282:Nicole Stéphane
277:
252:
180:
173:
165:
163:
156:
149:
144:
142:
109:
105:Jacques Bernard
94:Nicole Stéphane
74:by Jean Cocteau
73:
60:
17:
12:
11:
5:
1490:
1488:
1480:
1479:
1474:
1469:
1464:
1459:
1454:
1449:
1444:
1439:
1434:
1429:
1419:
1418:
1414:
1413:
1390:
1389:
1387:
1386:
1378:
1370:
1362:
1354:
1346:
1342:Magnet of Doom
1338:
1330:
1322:
1314:
1306:
1298:
1290:
1281:
1278:
1277:
1271:
1269:
1268:
1261:
1254:
1246:
1237:
1236:
1234:
1233:
1228:
1223:
1218:
1213:
1208:
1201:
1199:Bastion Museum
1195:
1193:
1189:
1188:
1186:
1185:
1177:
1169:
1160:
1158:
1157:Opera libretti
1154:
1153:
1151:
1150:
1142:
1134:
1126:
1118:
1110:
1101:
1099:
1095:
1094:
1092:
1091:
1083:
1075:
1067:
1059:
1051:
1043:
1035:
1026:
1024:
1020:
1019:
1017:
1016:
1008:
1000:
992:
984:
976:
968:
959:
957:
951:
950:
948:
947:
939:
931:
922:
920:
916:
915:
913:
912:
904:
896:
888:
880:
872:
864:
856:
848:
840:
832:
824:
815:
813:
809:
808:
803:
800:
799:
794:
792:
791:
784:
777:
769:
763:
762:
747:
736:
723:
722:External links
720:
719:
718:
712:
686:
683:
680:
679:
677:, p. 260.
667:
661:978-1480427747
660:
634:
602:
600:, p. 226.
585:
578:
543:
536:
516:
514:, p. 225.
490:
489:
487:
484:
476:
473:
444:
443:
435:
434:
426:
425:
413:
412:
392:
389:
350:
347:
345:
344:
338:
335:
332:
326:
323:
320:
317:
315:Rachel Devirys
312:
309:
306:
303:Maria Cyliakus
300:
297:
291:
288:
285:
278:
276:
273:
251:
248:
232:from his 1929
201:
200:
197:
193:
192:
189:
185:
184:
181:
178:
175:
174:
172:
171:
159:
157:
154:
151:
150:
147:
145:
140:
137:
136:
135:Monique Bonnot
133:
129:
128:
123:
122:Cinematography
119:
118:
115:
111:
110:
108:
107:
102:
99:
96:
90:
88:
84:
83:
80:
76:
75:
66:
62:
61:
59:
58:
55:
49:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1489:
1478:
1475:
1473:
1470:
1468:
1465:
1463:
1460:
1458:
1455:
1453:
1450:
1448:
1445:
1443:
1440:
1438:
1435:
1433:
1430:
1428:
1425:
1424:
1422:
1412:
1402:
1398:
1384:
1383:
1379:
1376:
1375:
1371:
1368:
1367:
1363:
1360:
1359:
1355:
1352:
1351:
1347:
1344:
1343:
1339:
1336:
1335:
1331:
1328:
1327:
1323:
1320:
1319:
1315:
1312:
1311:
1307:
1304:
1303:
1299:
1296:
1295:
1291:
1288:
1287:
1283:
1282:
1279:
1275:
1267:
1262:
1260:
1255:
1253:
1248:
1247:
1244:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1206:
1202:
1200:
1197:
1196:
1194:
1190:
1183:
1182:
1178:
1175:
1174:
1170:
1167:
1166:
1162:
1161:
1159:
1155:
1148:
1147:
1143:
1140:
1139:
1138:Le Train Bleu
1135:
1132:
1131:
1127:
1124:
1123:
1119:
1116:
1115:
1111:
1108:
1107:
1103:
1102:
1100:
1096:
1089:
1088:
1084:
1081:
1080:
1076:
1073:
1072:
1068:
1065:
1064:
1060:
1057:
1056:
1052:
1049:
1048:
1044:
1041:
1040:
1036:
1033:
1032:
1028:
1027:
1025:
1023:Films written
1021:
1014:
1013:
1009:
1006:
1005:
1001:
998:
997:
993:
990:
989:
985:
982:
981:
977:
974:
973:
969:
966:
965:
961:
960:
958:
954:Films written
952:
945:
944:
940:
937:
936:
932:
929:
928:
924:
923:
921:
917:
910:
909:
905:
902:
901:
897:
894:
893:
889:
886:
885:
881:
878:
877:
873:
870:
869:
865:
862:
861:
857:
854:
853:
849:
846:
845:
841:
838:
837:
833:
830:
829:
825:
822:
821:
817:
816:
814:
810:
806:
801:
797:
790:
785:
783:
778:
776:
771:
770:
767:
761:
757:
753:
752:
748:
746:
742:
741:
737:
735:
731:
730:
726:
725:
721:
715:
709:
705:
700:
699:
693:
689:
688:
684:
676:
671:
668:
663:
657:
653:
652:
647:
641:
639:
635:
623:
622:
617:
615:
606:
603:
599:
594:
592:
590:
586:
581:
579:9781315298337
575:
571:
567:
565:
556:
554:
552:
550:
548:
544:
539:
537:9780819602596
533:
529:
528:
520:
517:
513:
508:
506:
504:
502:
500:
498:
496:
492:
485:
483:
481:
474:
472:
470:
469:Georges Auric
465:
461:
456:
454:
450:
441:
437:
436:
432:
428:
427:
423:
419:
415:
414:
410:
406:
405:
404:
402:
398:
390:
388:
385:
383:
379:
375:
370:
368:
367:
362:
358:
357:
348:
342:
339:
336:
333:
330:
327:
324:
321:
318:
316:
313:
310:
307:
304:
301:
298:
295:
292:
289:
286:
283:
280:
279:
274:
272:
268:
264:
260:
256:
249:
247:
244:
242:
237:
235:
231:
227:
223:
219:
218:
213:
209:
208:
198:
194:
190:
186:
182:
176:
161:
160:
158:
152:
146:
138:
134:
130:
127:
124:
120:
116:
112:
106:
103:
100:
97:
95:
92:
91:
89:
85:
81:
77:
72:
71:
67:
63:
56:
54:
51:
50:
48:
46:Screenplay by
44:
41:
38:
34:
30:
25:
20:
1380:
1372:
1364:
1356:
1348:
1340:
1332:
1324:
1316:
1308:
1300:
1293:
1292:
1284:
1203:
1179:
1171:
1163:
1144:
1136:
1128:
1120:
1112:
1106:Le Dieu bleu
1104:
1085:
1077:
1069:
1062:
1061:
1053:
1045:
1037:
1029:
1010:
1002:
994:
986:
978:
970:
962:
956:and directed
941:
933:
925:
906:
898:
890:
882:
874:
866:
858:
850:
842:
834:
826:
818:
805:Bibliography
796:Jean Cocteau
756:Gary Indiana
754:an essay by
750:
739:
728:
697:
670:
650:
625:. Retrieved
619:
613:
605:
569:
563:
526:
519:
479:
478:
463:
457:
445:
394:
386:
382:Ermenonville
371:
364:
361:Jean Cocteau
354:
352:
343:(uncredited)
329:Jean Cocteau
284:as Elisabeth
269:
265:
261:
257:
253:
245:
238:
230:Jean Cocteau
224:directed by
220:) is a 1950
216:
215:
211:
206:
205:
204:
179:Running time
170: (Paris)
155:Release date
117:Jean Cocteau
101:Renée Cosima
68:
53:Jean Cocteau
1358:Le SamouraĂŻ
1221:Jean Marais
1173:Oedipus rex
654:. Penguin.
378:Montmorency
341:Hélène Rémy
222:French film
183:107 minutes
126:Henri Decaë
114:Narrated by
79:Produced by
36:Directed by
1427:1950 films
1421:Categories
713:0851709494
646:Rorem, Ned
486:References
449:Noël Burch
438:Vivaldi's
429:Vivaldi's
407:Vivaldi's
391:Soundtrack
349:Production
166:1950-03-29
141:Production
1334:Le Doulos
296:as GĂ©rard
132:Edited by
1165:Antigone
1055:Ruy Blas
745:AllMovie
694:(2003).
648:(2013).
627:31 March
433:(RV 580)
411:(RV 813)
196:Language
87:Starring
65:Based on
1382:Un flic
1192:Related
996:Orpheus
908:Bacchus
828:Orpheus
685:Sources
475:Release
460:baroque
416:Bach's
397:Vivaldi
241:Vivaldi
188:Country
164: (
143:company
1397:Portal
1385:(1972)
1377:(1970)
1369:(1969)
1361:(1967)
1353:(1966)
1345:(1963)
1337:(1962)
1329:(1961)
1321:(1959)
1313:(1956)
1305:(1953)
1297:(1950)
1289:(1949)
1184:(1927)
1176:(1927)
1168:(1927)
1149:(1946)
1141:(1924)
1133:(1921)
1125:(1920)
1117:(1917)
1114:Parade
1109:(1912)
1090:(1965)
1082:(1961)
1074:(1951)
1066:(1950)
1058:(1948)
1050:(1945)
1042:(1943)
1034:(1943)
1015:(1960)
1007:(1952)
999:(1950)
991:(1948)
983:(1948)
975:(1946)
967:(1932)
946:(1930)
938:(1929)
930:(1928)
911:(1951)
903:(1946)
895:(1943)
887:(1941)
879:(1940)
871:(1938)
863:(1937)
855:(1936)
847:(1934)
839:(1930)
831:(1926)
823:(1921)
710:
658:
576:
534:
199:French
191:France
148:O.G.C.
919:Prose
812:Drama
376:; in
1411:Film
734:IMDb
708:ISBN
656:ISBN
629:2023
574:ISBN
532:ISBN
451:and
401:Bach
275:Cast
250:Plot
758:at
743:at
732:at
369:.
1423::
706:.
702:.
637:^
618:.
588:^
546:^
494:^
471:.
455:.
1399::
1265:e
1258:t
1251:v
788:e
781:t
774:v
716:.
664:.
631:.
612:"
582:.
566:"
540:.
168:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.