838:
898:). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus:
924:). The Inca priest Huascar is also in love with Phani but suspects he has a rival and decides to resort to subterfuge. Huascar leads the ceremony of the adoration of the Sun, which is interrupted by a sudden earthquake. Huascar declares this means the gods want Phani to choose him as her husband. Carlos enters and tells Phani the earthquake was a trick, artificially created by Huascar. Carlos and Phani sing of their love while Huascar swears revenge (Trio:
954:). Tacmas overhears her and is determined to find out the name of his rival. Fatime now enters, disguised as a Polish slave, and Tacmas believes he has found ZaĂŻre's secret lover. Enraged, he casts off his disguise and is about to stab Fatime when she too reveals her true identity. It turns out that ZaĂŻre has been in love with Tacmas all along just as Fatime has been in love with Ali. The two couples rejoice in this happy resolution (Quartet:
55:
2231:
330:, and again in 1749/1750, at the initiative of Rameau's brother-in-law, Jean-Philippe Mangot. Furthermore, the prologue and individual entrées were often revived separately and given within the composite operatic programs called 'fragments' or 'spectacles coupés' (cut up representations) that: "were almost constant fare at the Palais-Royal in the second half of the eighteenth century". The prologue,
285:. However, this caused further discontent because it showed the hero disguised as a woman, which was viewed either as an absurdity or as an indecency. As a result, it was revised for the first time and this version was staged on 11 September. Notwithstanding these initial problems, the first run went on for twenty-eight performances between 23 August and 25 October, when, however, only 281
949:
Prince Tacmas is in love with ZaĂŻre, a slave belonging to his favourite Ali, even though he has a slave girl of his own, Fatime. Tacmas appears at Ali's palace disguised as a merchant woman so he can slip into the harem unnoticed and test ZaĂŻre's feelings for him. ZaĂŻre enters and laments that she is
443:
was Valère and Hugo
Santana was Osman; the dancers were Mlle Bourgeois and M Legrand. In the 2nd Entrée, ("The Incas of Peru"), Marisa Ferrer was Phani, Georges Noré was don Carlos, and René Bianco was Huascar, while Serge Lifar danced alongside Vyroubova and Bozzoni. The 3rd Entrée, ("The Flowers")
966:
Sultana Fatime suspects her husband Tacmas of cheating on her with
Atalide; she therefore disguises herself as a slave, succeeding in gaining Atalide's confidence and eventually recognises her suspicions are groundless. The happy couple take part in the Festival of Flowers.
321:
Now in something approaching a definitive form, the opera enjoyed six performances in March and was then mounted again as of 27 December. Further revivals were held in 1743–1744, 1751 and 1761 for a combined total of 185 billings. The work was also performed in
272:
in
September 1734 concerning a Marseillais merchant, Vincent Arniaud, who saved a young Ottoman notable from slavery in Malta, and the unstinting gratitude and generosity returned by this young man, who later became Grand Vizier Topal Osman Pasha."
919:
Carlos, a
Spanish officer, is in love with the Inca princess Phani. He urges her to escape with him but she fears the anger of the Incas, who are preparing to celebrate the Festival of the Sun. Nevertheless, she is prepared to marry him (Air:
885:
Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air:
2203:
1554:« Capitations », galas, gratis ... Les représentations exceptionnelles de l'Opéra de Paris à la fin de l'Ancien Régime.. La sortie au spectacle (XIXe-XXe siècles) : le cas français
456:, the famous Pelléas, was Ali, with Mlle Bardin dancing as the Rose, Mlle Dayde as the Butterfly, Ritz as Zéphir and Renault as a Persian. The 4th Entrée, ("The Savages of America"), had Mme
856:). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is
354:
was dropped from the Opéra's repertoire, after having seen almost every artiste of the company in the previous forty years take part in its complete or partial performances.
191:
100:
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1817:
980:
Scene: The stage shows a grove in a forest in
America, on the borders of the French and Spanish colonies, where the ceremony of the Peace Pipe is about to be celebrated
1857:
1291:
2234:
1889:
1113:
2013, live in Vienna – Valérie Gabail, Stéphanie Révidat, Reinoud Van
Mechelen, François-Nicolas Geslot, Aimery Lefèvre, Sydney Fierro, Chorus and Orchestra of
984:
Adario, a Native
American, is in love with Zima, daughter of a native chief, but he fears the rivalry of the Spaniard Don Alvar and the Frenchman Damon (Air:
837:
2313:
988:). The Europeans plead with Zima for her love, but she says Damon is too fickle and Alvar is too jealous; she prefers the natural love shown by Adario (Air:
258:
In a preface to the printed libretto, Louis
Fuzelier explains that the first entrée, "Le Turc généreux," "is based on an illustrious character—Grand Vizier
2303:
1986:
860:, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus:
1771:
1766:
1548:). The performances "pour la Capitation des acteurs" were extraordinary benefit representations whose takings were intended to help artistes pay the
2258:
890:) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air:
2293:
1348:
1877:
484:
1797:
1688:
1762:
1882:
1743:), "Mercure de France, Dédié au Roy", Paris, Cavelier/Pissot/de Nully, September 1735, pp. 2035 ff (accessible for free online at
138:, or acts, each set in an exotic place, the whole being unified around the theme of love. The work dates from 1735 except for the last
2268:
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1850:
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281:
The premiere met with a lukewarm reception from the audience and, at the third performance, a new entrée was added under the title
404:, was notable for the lavishness of its staging and enjoyed as many as 236 performances by 29 September 1961. The sets were by
2323:
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2185:
1103:
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472:
as don Alvar. The dancing for this act was executed by Mlles
Darsonval, Lafon and Guillot and Messieurs Kalioujny and Efimoff.
1708:
1125:
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descends on a cloud with his followers. He decides to abandon Europe in favour of the "Indies", where love is more welcome.
1843:
1220:
187:
1744:
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501:
142:, which was added the following year. In 1761, however, Rameau dropped the relatively short and mildly contrasted third
1930:
2318:
1107:
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296:
Nevertheless, when it was mounted again on 10 (or 11) March 1736, a 'prodigious' audience flocked to the theatre. The
2002:
1725:
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1128:– Amel Brahim Djelloul, Benoît Arnould, Olivera Topalovic, Judith van Wanroij, Les Talens Lyriques, conducted by
1041:
1018:
343:
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1662:
The Paris Opéra – An
Encyclopedia of Operas, Ballets, Composers, and Performers – Rococo and Romantic 1715–1815
1029:
2066:
1962:
1064:
242:. Chicagou had a letter read pledging allegiance to the crown. They later danced three kinds of dances in the
1946:
1161:
199:
1569:"In the course of many revivals, however, the number and order of entrées was frequently altered" (Sadler).
1978:
1970:
1392:"Anecdotes curieuses de la Vie de Topal Osman, Basha & General de l'Armée Ottomane contre les Persans"
1177:
1114:
417:
2099:
1545:
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1224:
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1037:
562:
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314:
312:
he had composed in 1725 on the occasion of the American Indian chiefs' visit and later included in the
243:
1352:
268:
from January 1734." The story of Osman's generosity "was apparently based on a story published in the
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des acteurs et avec un concours prodigieux" ("Mercure de France", as quoted by Thédore de Lajarte,
1212:
1193:
436:
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1493:
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1285:
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1033:
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as ZaĂŻre, Antoinette Reville as Fatima, Miguel Villabella as Tacmas and Emile Rousseau as Ali.
2140:
2010:
1938:
1822:(original libretto of the 1761 revival, Paris, de Lormel, 1761: only includes the first three
1684:
1665:
1173:
1095:
857:
661:
569:
339:
264:
259:
1810:(original libretto of the 1736 edition, Paris, Ballard, 1736: includes the second version of
1542:
Bibliothèque Musicale du Théatre de l'Opéra. Catalogue Historique, Chronologique, Anecdotique
427:(fourth entrée); the choreography was provided by Albert Aveline (1883–1968) (first entrée),
1922:
1758:
1557:
1430:
1244:
1087:
849:
534:
461:
401:
358:
1396:
Mercure Suisse, ou Recueil de Nouvelles Historiques, Politiques, Literaires & Curieuses
457:
2283:
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1240:
1143:
397:
374:
370:
231:
2091:
1805:
1419:"Rousseau's Turban: Entangled Encounters of Europe and Islam in the Age of Enlightenment"
996:). The act ends with the Europeans joining the natives in the ceremony of peace (Chorus:
54:
2308:
2124:
1099:
1056:
1014:
476:
453:
445:
440:
416:(second entrée), Henri Raymond Fost (1905–1970) and Maurice Moulène (third entrée) and
405:
385:
195:
131:
71:
2247:
2132:
2058:
1789:
1147:
1071:(baritone), Isabelle Poulenard (soprano), Claron McFadden (soprano). The Ensemble of
1060:
1040:(baritone). Ensemble Vocal Ă Coeur-Joie de Valence, Orchestre Paillard, conducted by
469:
432:
350:, in the role of Hebé), 1772 and 1773 (also starring Levasseur as Zima). Thenceforth
215:
1544:, Paris, Librairie des bibliophiles, 1878, I, p. 176, accessible for free online at
928:). Huascar provokes an eruption of the volcano and is crushed by its burning rocks.
2083:
2034:
1776:
1549:
1169:
1052:
1010:
640:
606:
449:
393:
286:
203:
123:
1593:
902:). The act ends with celebratory dances as Valère and Émilie prepare to set sail.
17:
1391:
262:, who was so well known for his extreme generosity. His story can be read in the
1151:
1083:
556:
488:
465:
428:
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235:
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1483:
1118:
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366:
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792:
483:
premiere on 27 August 1987, with selections from the opera performed by the
480:
300:
was "replaced with a version in which the plot and all the music except the
146:
so as to leave what is now considered the work's definitive form: Prologue;
1954:
852:, goddess of youth, summons her followers to take part in a festival (Air:
1460:
958:) and the act ends with the Persians celebrating the Festival of Flowers.
1683:, Grove (Oxford University Press), New York, 1997, II, pp. 795–796.
574:
227:
194:
on 23 August 1735. The leading artists of the company performed: dancers
60:
1442:
1418:
845:
Scene: The palace of Hebe in the background and her gardens in the wings
396:, on 18 June 1952: the production, managed by the Opéra's own director,
2018:
1994:
1835:
1781:
539:
347:
864:). Hebe prays to Cupid (L'Amour) to use his power to hold them back.
499:
The work's first minuet was used in the soundtrack of the 2006 film
289:
were grossed, the lowest amount ever collected at the box office by
1025:, on three LPs, CBS 77365; note: nobody sings Amour in the Prologue
238:
and five other chiefs to Paris. On 25 November 1725, they met with
1150:, Quintans; Auvity, Moore, Vidal; Jurić, Lis, Nazmi; conducted by
865:
836:
549:
247:
134:. In its final form it comprised an allegorical prologue and four
42:
1231:, the Compagnie Rualité, the La Maîtrise des Hauts-de-Seine and
323:
170:
include the Dance of the Peace Pipe and the Chaconne, both from
1839:
1552:
that applied to (almost) all French subjects (Solveig Serre,
1132:, released on 2 DVDs by Alpha; note: uses the 1736 score for
182:
The premiere, including only the prologue and the first two
251:
1619:"All 51 songs from the Marie Antoinette (2006) Soundtrack"
388:, with the Dukas orchestration supplemented for the other
1633:"Les Indes galantes - Opéra - Programmation Saison 19/20"
1398:. Neuchâtel (Neufchatel): Galandre: 75–89. September 1734
435:(third entrée). In the 1st Entrée ("The Gracious Turk"),
915:
Scene: a desert in Peru with a volcano in the background
1278:
Rameau: Les Indes galantes. L'Avant-Scène Opéra, no. 46
210:, Mlle Errémans, Mlle Petitpas, Denis-François Tribou,
408:
and Jacques Dupont (1909–1978) (prologue and finale),
2204:
Traité de l'harmonie réduite à ses principes naturels
894:). A chorus of shipwrecked sailors is heard (Chorus:
1757:
Les Indes Galantes, article from Grove Music Online.
2195:
2177:
2151:
1898:
1772:
Short Synopsis of Les Indes galantes from NAXOS.COM
1208:) on 2 CDs. Record label: Glossa, duration 123'41".
881:
Scene: The gardens of Osman Pasha bordering the sea
85:
77:
67:
32:
952:Amour, Amour, quand du destin j'Ă©prouve la rigueur
799:Louis-Antoine Cuvillier (or Cuvilier or Cuvelier)
671:Entrée III (first version: August/September 1735)
1664:, Westport (Connecticut), Greenwood Press, 1985 (
1079:, duration 3 hours 13 mins, Harmonia Mundi 901367
1423:Historical Reflections / RĂ©flexions Historiques
1110:, released on 2 DVDs, BBC Opus Arte Catalog 923
369:, on 30 May 1925, in a production conducted by
338:were last given respectively in 1771 (starring
308:, was added, in which Rameau reused the famous
986:Rivaux des mes exploits, rivaux des mes amours
214:and Claude-Louis-Dominique Chassé de Chinais.
1851:
1121:, label: Musiques Ă la Charbotterie, on 3 CDs
994:Hymen, viens nous unir d'une chaîne éternelle
8:
1786:French libretto of "Les Indes galantes" at:
112:
33:
720:Entrée III (second version: 10 March 1736)
326:on 23 November 1741, at the theatre of the
156:Les sauvages (The Savages of North America)
1858:
1844:
1836:
1807:Gallica (Bibliothèque nationale de France)
1290:: CS1 maint: location missing publisher (
53:
29:
1767:International Music Score Library Project
666:Claude-Louis-Dominique Chassé de Chinais
2279:Opera world premieres at the Paris Opera
1519:
1517:
1515:
1513:
1511:
1509:
1331:
1329:
1327:
1325:
1323:
1321:
1319:
1309:
1307:
1305:
1303:
1301:
512:
384:was revived by the Opéra itself, at the
1269:
1283:
315:Nouvelles Suites de pièces de clavecin
152:Les incas du PĂ©rou (The Incas of Peru)
1801:(with the 2nd version of "Les fleurs)
1793:(with the 1st version of "Les fleurs)
1695:L' Opéra au Palais Garnier, 1875–1962
1086:, Valérie Gabail, Nicolas Cavallier,
992:) and the couple vow to marry (Duet:
544:Mlle Eremans (also spelled Erremans)
7:
1021:, chorus and orchestra conducted by
1017:, Sonia Nigoghossian, Bruce Brewer,
148:Le turc généreux (The Generous Turk)
27:Opera-ballet by Jean-Philippe Rameau
2314:Operas based on classical mythology
1715:. L'Almanacco di Gherardo Casaglia
452:as ZaĂŻre. Giraudeau was Tacmas and
361:presented the first version of the
2304:Greek and Roman deities in fiction
1987:Les fĂŞtes de l'Hymen et de l'Amour
1059:(baritone), Noémi Rime (soprano),
946:Scene: The gardens of Ali's palace
328:Jeu de Paume de la Raquette Royale
246:, inspiring Rameau to compose his
164:Les fleurs (The Flowers of Persia)
25:
1782:Description of Les Indes galantes
1681:The New Grove Dictionary of Opera
1536:"Le samedi 10 mars 1736, pour la
1204:. 1761 version (does not include
1047:1991 – Miriam Ruggeri (soprano),
2230:
2229:
1124:2014, filmed in February at the
854:Vous, qui d'Hébé suivez les lois
431:(second and fourth entrées) and
2259:Ballets by Jean-Philippe Rameau
1496:from the original on 2021-12-14
1004:Recordings of the complete work
304:was new", and a fourth entrée,
2294:Operas by Jean-Philippe Rameau
2167:Pièces de clavecin en concerts
1727:Le magazine de l'opéra baroque
1462:Le magazine de l'opéra baroque
1336:Le magazine de l'opéra baroque
1247:(on Decca) recorded Huascar's
365:, with a new orchestration by
1:
1826:, with the second version of
1349:"Indiana University Archives"
522:Premiere cast, 23 August 1735
448:as Fatima, side by side with
357:In the twentieth century the
190:(today's Paris Opera) at its
2211:New System of Musical Theory
1777:Review of Les Indes galantes
1138:2016, filmed in July at the
888:Il faut que l'amour s'envole
226:In 1725, French settlers in
218:provided the choreography.
172:The Savages of North America
1417:Coller, Ian (Summer 2014).
485:Amsterdam Baroque Orchestra
192:theatre in the Palais-Royal
122:, a type of French Baroque
101:Theatre in the Palais-Royal
2340:
2119:(unfinished, date unknown)
1707:Casaglia, Gherardo (2005).
1380:. UK: OpusArte. p. 7.
990:Sur nos bords l'amour vole
771:Entrée IV (10 March 1736)
188:Académie Royale de Musique
2264:Ballets by Louis Fuzelier
2227:
1873:
1679:, in Stanley Sadie (ed),
1229:Chœur de chambre de Namur
1126:Grand Théâtre de Bordeaux
1098:, Anna Maria Panzarella,
1032:(sopranos); Louis Devos,
770:
719:
670:
628:
586:
528:
52:
41:
2003:Les surprises de l'Amour
1729:accessed 1 February 2010
1435:10.3167/hrrh.2014.400204
1373:Fuzelier, Louis (2004).
1082:2003, filmed in Paris –
950:unhappily in love (Air:
896:Ciel! de plus d'une mort
495:Music used in 2006 movie
90:23 August 1735
1947:La princesse de Navarre
1697:Paris, Entr'acte, 1962.
1637:Opéra national de Paris
1233:Opéra National de Paris
1221:Leonardo GarcĂa AlarcĂłn
1044:, on Erato 4509-95310-2
59:Title page of the 1736
2324:Works about princesses
2274:French-language operas
2269:Ballets by Louis Dupré
2186:In convertendo Dominus
1971:Le temple de la Gloire
1482:precija (2010-02-12),
1223:(conductor), with the
1162:Chantal Santon-Jeffery
1115:La Simphonie du Marais
1042:Jean-François Paillard
1028:1974 – Gerda Hartman,
1019:Jean-Christophe Benoît
862:La Gloire vous appelle
841:
755:Denis-François Tribou
704:Denis-François Tribou
113:
34:
2218:Querelle des Bouffons
2067:La naissance d'Osiris
1963:Les fĂŞtes de Polymnie
1556:, HAL, 2010, France,
1225:Cappella Mediterranea
1065:Jean-Paul Fouchécourt
1038:Philippe Huttenlocher
892:Vaste empire des mers
840:
166:. Famous pieces from
1890:List of compositions
1867:Jean-Philippe Rameau
1594:"BBC Proms Calendar"
1249:Invocation au Soleil
1219:(choreographer) and
1178:Reinoud van Mechelen
1156:Bavarian State Opera
1142:in Munich – Benoit,
1140:Prinzregententheater
1104:Les Arts Florissants
1073:Les Arts Florissants
1023:Jean-Claude Malgoire
418:Roger Chapelain-Midy
346:'s future favourite
186:, was staged by the
128:Jean-Philippe Rameau
47:Jean-Philippe Rameau
1979:Les fĂŞtes de Ramire
1907:Hippolyte et Aricie
1677:Indes galantes, Les
1154:, live-streamed by
910:(The Incas of Peru)
876:(The Generous Turk)
437:Jacqueline Brumaire
277:Performance history
130:with a libretto by
2319:Operas set in Peru
2160:Pièces de Clavecin
1915:Les Indes galantes
1799:livretsbaroques.fr
1791:opera.stanford.edu
1763:Les Indes galantes
1741:Les Indes galantes
1739:(period review of
1711:Les Indes galantes
1525:Les Indes galantes
1487:Les Indes galantes
1468:2014-03-01 at the
1457:Les Indes galantes
1377:Les Indes galantes
1251:from the Peruvian
1182:Jean-SĂ©bastien Bou
1130:Christophe Rousset
1102:. The Ensemble of
1094:, Jaël Azzaretti,
908:Les incas du PĂ©rou
842:
479:, it received its
410:Georges Wakhevitch
382:Les Indes galantes
352:Les Indes galantes
291:Les Indes galantes
168:Les Indes galantes
114:Les Indes galantes
35:Les Indes galantes
18:Les Indes Galantes
2299:Bellona (goddess)
2241:
2240:
2043:Acante et CĂ©phise
1689:978-0-19-522186-2
1243:(on Philips) and
1235:children's choir.
1096:Danielle de Niese
825:
824:
766:Mlle Bourbonnais
400:and conducted by
363:Entrée des Fleurs
340:Rosalie Levasseur
298:entrée des Fleurs
270:Mercure de Suisse
265:Mercure de France
260:Topal Osman Pasha
109:
108:
16:(Redirected from
2331:
2233:
2232:
2196:Related articles
2100:Nélée et Myrthis
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1860:
1853:
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1765:: Scores at the
1745:Gallica – B.N.F.
1735:
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1693:Stéphane Wolff,
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1523:Pitou, article:
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1351:. Archived from
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1213:Clément Cogitore
1166:Katherine Watson
1108:William Christie
1088:Patricia Petibon
1077:William Christie
998:ForĂŞts paisibles
874:Le turc généreux
821:Jean Dun "fils"
810:Pierre JĂ©lyotte
782:Marie PĂ©lissier
653:Pierre JĂ©lyotte
624:Jean Dun "fils"
598:Marie PĂ©lissier
524:(Conductor: – )
513:
502:Marie Antoinette
460:, as Zima, with
426:
412:(first entrée),
402:Louis Fourestier
310:air des Sauvages
202:and the singers
116:
97:
95:
57:
37:
30:
21:
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2147:
2120:
2079:
2051:Daphnis et Eglé
1894:
1869:
1864:
1754:
1733:
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1716:
1675:Graham Sadler,
1652:
1651:
1642:
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1631:
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1616:
1612:
1602:
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1591:
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1580:Spectacle coupé
1577:
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1558:halshs-00586863
1535:
1531:
1522:
1507:
1499:
1497:
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1470:Wayback Machine
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1261:
1241:Camille Maurane
1239:
1202:Györgi Vashegyi
1200:, conducted by
1198:Orfeo Orchestra
1144:Lisette Oropesa
1117:, conducted by
1049:Bernard Deletré
1006:
977:
962:Second Version.
948:
938:
912:
878:
835:
830:
612:Pierre JĂ©lyotte
523:
511:
497:
420:
398:Maurice Lehmann
375:Yvonne Brothier
371:Maurice Frigara
279:
244:Théâtre-Italien
232:Agapit Chicagou
224:
212:Pierre JĂ©lyotte
208:Marie PĂ©lissier
180:
120:ballet héroïque
105:
104:
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91:
63:
28:
23:
22:
15:
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11:
5:
2337:
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2327:
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2289:Opéras-ballets
2286:
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2256:
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2239:
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2199:
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2141:Lisis et DĂ©lie
2137:
2129:
2121:
2112:
2111:(date unknown)
2104:
2103:(date unknown)
2096:
2088:
2080:
2071:
2063:
2055:
2047:
2039:
2031:
2023:
2015:
2007:
1999:
1991:
1983:
1975:
1967:
1959:
1951:
1943:
1935:
1927:
1919:
1911:
1902:
1900:
1896:
1895:
1893:
1892:
1887:
1886:
1885:
1878:List of operas
1874:
1871:
1870:
1865:
1863:
1862:
1855:
1848:
1840:
1834:
1833:
1832:
1831:
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1779:
1774:
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1753:
1752:External links
1750:
1749:
1748:
1731:
1720:
1702:Online sources
1699:
1698:
1691:
1673:
1650:
1649:
1624:
1610:
1584:
1571:
1562:
1550:capitation tax
1529:
1527:, pp. 285–287.
1505:
1474:
1448:
1409:
1383:
1365:
1340:
1315:
1297:
1280:. Paris. 1982.
1268:
1267:
1260:
1257:
1237:
1236:
1217:Bintou Dembélé
1209:
1190:JĂ©rĂ´me Correas
1174:VĂ©ronique Gens
1158:
1136:
1122:
1111:
1100:Nicolas Rivenq
1080:
1069:JĂ©rĂ´me Correas
1057:Nicolas Rivenq
1045:
1030:Jennifer Smith
1026:
1015:Janine Micheau
1005:
1002:
976:
969:
964:
963:
943:
942:
941:First version.
937:
930:
911:
904:
900:Volez, ZĂ©phyrs
877:
870:
834:
831:
829:
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764:
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743:
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737:
733:
732:
731:Mlle Petitpas
729:
726:
722:
721:
717:
716:
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710:
706:
705:
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699:
695:
694:
691:
688:
684:
683:
682:Mlle Petitpas
680:
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673:
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619:
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588:
584:
583:
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572:
566:
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560:
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546:
545:
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537:
531:
530:
526:
525:
520:
517:
510:
507:
496:
493:
477:United Kingdom
454:Jacques Jansen
446:Janine Micheau
441:Jean Giraudeau
386:Palais Garnier
302:divertissement
278:
275:
223:
220:
179:
176:
158:. The dropped
132:Louis Fuzelier
107:
106:
99:
89:
87:
83:
82:
79:
75:
74:
72:Louis Fuzelier
69:
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39:
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26:
24:
14:
13:
10:
9:
6:
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3:
2:
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2126:
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2118:
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2110:
2109:
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2101:
2097:
2095:(unperformed)
2094:
2093:
2089:
2086:
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2081:
2077:
2076:
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2069:
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2064:
2061:
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2059:Les sibarites
2056:
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2045:
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2032:
2029:
2028:
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2020:
2016:
2013:
2012:
2008:
2005:
2004:
2000:
1997:
1996:
1992:
1989:
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1984:
1981:
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1976:
1973:
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1968:
1965:
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1957:
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1671:
1670:0-313-24394-8
1667:
1663:
1660:Spire Pitou,
1659:
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1429:(2): 56–77 .
1428:
1424:
1420:
1413:
1410:
1397:
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1376:
1369:
1366:
1355:on 2012-04-15
1354:
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1246:
1245:GĂ©rard Souzay
1242:
1234:
1230:
1226:
1222:
1218:
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1210:
1207:
1203:
1199:
1195:
1194:Purcell Choir
1191:
1187:
1183:
1179:
1175:
1171:
1167:
1163:
1159:
1157:
1153:
1149:
1148:Anna Prohaska
1145:
1141:
1137:
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1131:
1127:
1123:
1120:
1116:
1112:
1109:
1106:conducted by
1105:
1101:
1097:
1093:
1089:
1085:
1081:
1078:
1075:conducted by
1074:
1070:
1066:
1062:
1061:Sandrine Piau
1058:
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1016:
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1003:
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987:
982:
981:
975:(The Savages)
974:
970:
968:
961:
960:
959:
957:
953:
947:
940:
939:
936:(The Flowers)
935:
932:Entrée III –
931:
929:
927:
923:
917:
916:
909:
905:
903:
901:
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827:
820:
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814:
813:
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807:haute-contre
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803:
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775:
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769:
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749:
746:
745:
742:Mlle Eremans
741:
738:
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734:
730:
727:
724:
723:
718:
714:
711:
708:
707:
703:
701:haute-contre
700:
697:
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693:Mlle Eremans
692:
689:
686:
685:
681:
678:
675:
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669:
665:
663:
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652:
650:haute-contre
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623:
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613:
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601:
597:
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581:
579:
576:
573:
571:
568:
567:
564:
563:Mlle Petitpas
561:
559:
558:
553:
551:
548:
547:
543:
541:
538:
536:
533:
532:
527:
521:
518:
515:
514:
508:
506:
504:
503:
494:
492:
490:
487:conducted by
486:
482:
478:
473:
471:
470:Roger Bourdin
468:as Damon and
467:
463:
462:José Luccioni
459:
455:
451:
447:
442:
439:sang Emilie,
438:
434:
433:Harald Lander
430:
424:
419:
415:
411:
407:
403:
399:
395:
391:
387:
383:
378:
376:
372:
368:
364:
360:
359:Opéra-Comique
355:
353:
349:
345:
341:
337:
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329:
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317:
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307:
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267:
266:
261:
256:
254:
253:
249:
245:
241:
240:King Louis XV
237:
233:
229:
221:
219:
217:
216:Michel Blondy
213:
209:
205:
201:
197:
193:
189:
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177:
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169:
165:
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157:
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125:
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73:
70:
66:
62:
56:
51:
48:
44:
40:
36:
31:
19:
2216:
2209:
2202:
2184:
2165:
2158:
2152:Instrumental
2144:(music lost)
2139:
2136:(music lost)
2131:
2128:(music lost)
2123:
2114:
2106:
2098:
2092:Les Boréades
2090:
2084:Les Paladins
2082:
2073:
2065:
2057:
2049:
2041:
2035:La guirlande
2033:
2025:
2017:
2009:
2001:
1993:
1985:
1977:
1969:
1961:
1953:
1945:
1937:
1929:
1921:
1914:
1913:
1905:
1827:
1823:
1819:books.google
1818:
1811:
1806:
1798:
1790:
1740:
1736:
1726:
1717:(in Italian)
1710:
1701:
1700:
1694:
1680:
1676:
1661:
1654:
1653:
1641:. Retrieved
1636:
1627:
1613:
1601:. Retrieved
1597:
1587:
1579:
1574:
1565:
1553:
1541:
1537:
1532:
1524:
1498:, retrieved
1489:– Les Fleurs
1488:
1484:
1477:
1461:
1456:
1451:
1426:
1422:
1412:
1400:. Retrieved
1395:
1386:
1378:
1374:
1368:
1357:. Retrieved
1353:the original
1343:
1335:
1277:
1272:
1263:
1262:
1252:
1248:
1238:
1215:(director),
1205:
1186:Thomas Dolié
1170:Howard Crook
1133:
1053:Howard Crook
1011:Rachel Yakar
997:
993:
989:
985:
983:
979:
978:
973:Les sauvages
972:
971:Entrée IV –
965:
956:Tendre amour
955:
951:
945:
944:
933:
925:
922:Viens, Hymen
921:
918:
914:
913:
907:
906:Entrée II –
899:
895:
891:
887:
884:
880:
879:
873:
861:
853:
848:
844:
843:
791:
751:haute-contre
750:
641:Marie Antier
607:haute-contre
577:
555:
500:
498:
474:
450:Denise Duval
394:Henri Busser
389:
381:
379:
362:
356:
351:
336:Les Sauvages
335:
331:
327:
320:
313:
309:
306:Les Sauvages
305:
301:
297:
295:
290:
282:
280:
269:
263:
257:
252:Les Sauvages
250:
225:
204:Marie Antier
183:
181:
171:
167:
163:
159:
155:
151:
147:
143:
139:
135:
124:opera-ballet
119:
111:
110:
2254:1735 operas
1883:Lost operas
1734:(in French)
1723:(in French)
1639:(in French)
1598:BBC Website
1375:Preface to
1152:Ivor Bolton
1084:Nathan Berg
1063:(soprano),
926:Pour jamais
872:Entrée I –
647:Don Carlos
578:en travesti
557:en travesti
519:Voice type
489:Ton Koopman
466:Raoul Jobin
464:as Adario,
429:Serge Lifar
421: [
414:Jean Carzou
406:André Arbus
236:Mitchigamea
230:sent Chief
200:Louis Dupré
196:Marie Sallé
2248:Categories
1828:Les fleurs
1812:Les fleurs
1737:Spectacles
1643:2019-07-02
1538:Capitation
1500:2018-09-13
1459:, p. 285;
1359:2011-12-26
1259:References
1206:Les fleurs
1134:Les fleurs
1119:Hugo Reyne
1092:Paul Agnew
1036:(tenors);
1034:John Elwes
934:Les fleurs
815:Don Alvar
629:Entrée II
458:Géori Boué
367:Paul Dukas
283:Les Fleurs
222:Background
94:1735-08-23
68:Librettist
2027:Zoroastre
2011:Pigmalion
1582:, p. 502.
1485:Rameau –
1286:cite book
1067:(tenor),
1055:(tenor),
712:baritone
621:baritone
587:Entrée I
582:Cuignier
529:Prologue
380:Finally,
332:Les Incas
2235:Category
2078:(1754)
2075:Anacréon
1939:Dardanus
1494:archived
1466:Archived
1443:24720585
1051:(bass),
833:Prologue
828:Synopsis
779:soprano
763:soprano
739:soprano
736:Atalide
728:soprano
690:soprano
679:soprano
658:Huascar
637:soprano
595:soprano
575:baritone
554:soprano
550:L' Amour
318:(1728).
228:Illinois
178:Premiere
86:Premiere
78:Language
61:libretto
2108:ZĂ©phire
1824:entrées
1655:Sources
1603:1 April
1402:18 July
1211:2019 –
1160:2019 –
1009:1973 –
858:Bellona
790:tenor (
787:Adario
760:Roxane
747:Tacmas
725:Fatime
715:Person
698:Tacmas
676:Fatime
603:Valère
592:Emilie
570:Bellone
540:soprano
475:In the
390:entrées
373:, with
348:soprano
248:rondeau
234:of the
184:entrées
136:entrées
103:, Paris
92: (
2284:Operas
2178:Choral
2170:(1741)
2125:Samson
2087:(1760)
2070:(1754)
2062:(1753)
2054:(1753)
2046:(1751)
2038:(1751)
2030:(1749)
2022:(1749)
2014:(1748)
2006:(1748)
1998:(1748)
1990:(1747)
1982:(1745)
1974:(1745)
1966:(1745)
1958:(1745)
1955:Platée
1950:(1745)
1942:(1739)
1934:(1739)
1926:(1737)
1918:(1735)
1910:(1733)
1899:Operas
1687:
1668:
1441:
1313:Sadler
1253:Entrée
804:Damon
793:taille
687:ZaĂŻre
634:Phani
618:Osman
287:livres
160:entrée
154:; and
144:entrée
140:entrée
81:French
2309:Cupid
2133:Linus
1592:BBC.
1439:JSTOR
1264:Notes
866:Cupid
818:bass
776:Zima
516:Role
509:Roles
481:Proms
425:]
344:Gluck
126:, by
118:is a
43:Opera
2019:NaĂŻs
1995:ZaĂŻs
1685:ISBN
1666:ISBN
1605:2024
1404:2024
1292:link
1196:and
850:Hebe
709:Ali
662:bass
535:Hébé
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