Knowledge (XXG)

Les p'tites Michu

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Bagnolet to find his daughter, whose hand he has promised to lieutenant Gaston Rigaud, an officer who saved his life. It turns out that Gaston is Mlle. Herpin's nephew, and while visiting his aunt, the girls meet the handsome lieutenant, and both are enchanted. Bagnolet finds the Michus. They are embarrassed at being unable to say which of the girls is the general's daughter.
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loves Gaston, and she herself would prefer the common life of the shop and marriage to Aristide. The day of the double wedding, Marie-Blanche looks for a portrait of the Marquis' wife. Her idea is to dress Blanche-Marie as the late Marchionesse. The resemblance is astonishing. The Marquis believes that he sees his wife: Blanche-Marie must be his daughter.
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The general and his guests await the arrival of his daughter. When the Michus arrive, the general is impatient with their explanation: he wants to know which girl is his daughter and will marry the lieutenant. Knowing that her sister is enamoured of Gaston, Blanche-Marie decides to make a sacrifice
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With a sad heart, Blanche-Marie resigns herself to marry Aristide, whom she finds exceedingly uninteresting. On the other hand, and to the astonishment of her fiancé and the Marquis, Marie-Blanche goes to help at the shop at every opportunity. She realizes that she has made a mistake: her sister
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By 1810, the girls, Blanche-Marie and Marie-Blanche, have grown up together, believing themselves to be twins, and have gone to school under the military Mlle. Herpin. Aristide, the Michus' clerk, is in love with one of the girls but is not sure which. The Marquis des Ifs, now a general, sends
318:, entrusts the infant girl to the Michus, paying the family a sum of money that allows them to open a prosperous shop. The Michus have a daughter of their own. While bathing the two babies, M. Michu mixes them up and cannot tell which is which. 58:, Paris, on 16 November 1897 and ran for more than 150 performances. It became an international success, with productions in four continents, including an unusually long run of 400 performances in London, and had subsequent revivals in Paris. 120:. In 1897 he received an unsolicited libretto. He did not know at the time that three other composers had already turned it down, and it appealed to him greatly. He began composing and completed the score in three months. 528:. The opera was given in the original French in Brussels in January 1899. An Italian production opened at the Teatro Constanzi in Rome in January 1900. The work played in Lisbon in 1901 and Algiers in 1904. 354:
The two couples are sorted out and all ends happily. Madame Michu forbids her husband to hand the two young women to their respective bridgrooms: "Don't you touch them, or you'll mix them up again!"
116:(1897), closed after 35 performances. Discouraged by these failures, Messager resolved to compose no more, and retreated to a cottage in the English countryside with his wife, the Irish songwriter 869: 487:
Chorus "Bonjour, mesdam's les mariées" et ronde des Halles "On peux chercher en tous pays" ("Hello, ladies, brides" and Rondo of Les Halles "We can search in all lands") – Marie-Blanche
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and then Gordon Cleather; Wright (Bagnolet) by James Blakeley and then Jack Cannot, Adrienne Augarde (Blanche-Marie) by Alice Hatton, and Green (Marie-Blanche) by Denise Orme.
626:, conducted by Pierre Dumoussaud. A DVD was issued in 2005 of a complete performance of the opera given at the Théâtre municipal de Clermont-Ferrand, in April of that year. 428:
Trio "Nous v'là! Nous v'là!" et couplets "A l'ouvrage le matin" ("We're here! We're here!" and couplets "At work in the morning") – Mme Michu, Michu, Aristide
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Finale: "Capitaine, approchez" et Couplets "Mesdames, grand merci" ("Captain, approach … Thank you very much, ladies") – Marie-Blanche
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The work was given in German in Berlin in December 1898. The same adaptation was presented in Vienna in September 1899 at the
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In 1793, the wife of the Marquis des Ifs dies in childbirth. The Marquis, before disappearing to evade arrest by
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and depicts the complications ensuing after the identities of two girls become confused in their infancy.
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Couplets "Comme une girouette mon coeur tourmait" ("My heart was turning like a weather-vane") – Aristide
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Trio "C'est la fille du général" ("It's the General's daughter") – Blanche-Marie, Marie-Blanche, Gaston
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Ensemble "Voici papa, maman Gâteau" ("Look, father and mother: cake!") – Blanche-Marie et Marie-Blanche
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Sextet " Assieds-toi là" ("Sit here") – Blanche-Marie, Marie-Blanche, the Michus, Aristide, Gaston
1131: 896: 610:, Ruth Julian and Alice Judson in the leading roles. and was first given in New Zealand in 1908. 580: 419:
Madrigal "Quoi, vous tremblez ma belle enfant" ("What, you tremble my beautiful child") – Gaston
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Duet "Rassurez-vous Monsieur Gaston" ("Do not worry, Monsieur Gaston") – Blanche-Marie, Gaston
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Couplets "Me prenez-vous pour un conscrit" ("Do you take me for a conscript?") – The General
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Duet "Ah! Quel malheur, quel malheur" ("Ah what a disaster") – Blanche-Marie, Marie-Blanche"
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Duet "Blanche-Marie et Marie-Blanche" ("Blanche-Marie and Marie-Blanche") – The two sisters
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A recording of the complete opera was made in May 2018 by the Compagnie Les Brigands, the
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Couplets "Sapristi! le beau militaire" ("Sapristi! The handsome soldier") – Marie-Blanche
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Victor Regnard (Michu), Mme Vigouroux (Mme Michu) and Maurice Lamy (Aristide), 1897
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in one of the title roles, with the production running for over 150 performances.
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The London Stage, 1900–1909: A calendar of productions, performers, and personnel
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Finale "Je viens d'entendre un roulement" ("I have just heard a drumroll") – All
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Quartet "Entre là" ("Between them") – Blanche-Marie, Marie-Blanche, the Michus
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Chorus and couplets "Le tambour résonne" ("The drum resounds") – Pensionnaires
158: 82: 1051: 1034: 1014: 995: 971: 771:, Association l'Art Lyrique Français (in French). Retrieved 26 December 2018 447:
Introduction and chorus "A la santé du général" ("To the General's health!")
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Couplets "Blanche Marie, si douce" ("Blanche Marie, so sweet") – Aristide
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Rondo "Non, je n'ai jamais vu ça" ("No, I never saw that") – The General
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Romance "Vois-tu, je m'en veux" ("See: I blame myself") – Blanche-Marie
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Messager had a series of failures later in the decade. Among these,
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Trio "Michu! Michu! Michu!" – Blanche-Marie, Marie-Blanche, Gaston
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Opérette – théâtre musical, Académie nationale de l'opérette
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During the run Edouin (General des Ifs) was succeeded by
98:(1894), written for London, had a disappointing run, and 112:(1896), managed 71 showings, and a "pièce fantastique", 531:
The piece enjoyed a long run in London under the title
73:(Blanche-Marie) and Alice Bonheur (Marie-Blanche), 1897 47:. The piece is set in Paris in the years following the 750:, August 2016 (in French). Retrieved 26 December 2018. 1507: 342:
and identifies her sister as the general's daughter.
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Chorus and ensemble "A la boutique" ("At the shop")
462:Prayer "St-Nicolas" – Blanche-Marie, Marie-Blanche 583:. A role was added during the run for the dancer 77:After a considerable success in 1890 with his 1177: 816:Messager (1908), unnumbered introductory page 496:Finale "Blanche-Marie et Marie-Blanche" – All 8: 1044:Les Annales du théâtre et de la musique 1898 1027:Les Annales du théâtre et de la musique 1897 104:(1896) ran for only six performances at the 92:(1893) played for 16 performances in Paris, 940: : une opĂ©rette d'AndrĂ© Messager, DVD 1483: 1184: 1170: 1162: 1157:and other shows opening in London in 1905 790: 788: 786: 647:N'y touche plus! Tu les mĂŞlerais encore! 146: 1514: 1498:Category:Compositions by AndrĂ© Messager 680: 640: 620:Orchestre National des Pays de la Loire 843: 841: 839: 837: 769:EncyclopĂ©die de l'art lyrique français 524:. The German version was also seen in 760: 758: 756: 7: 928:, Olyrix. Retrieved 26 December 2018 988:Gänzl's Book of the Musical Theatre 963:AndrĂ© Messager: mon maĂ®tre, mon ami 926:" DrĂ´les de P’tites Michu Ă  Nantes" 1083:AndrĂ© Messager: A Bio-Bibliography 14: 1470:Messe des pĂŞcheurs de Villerville 334:Act 3 in original 1897 production 149:Roles, voice types, premiere cast 123:The first performance was at the 22:Poster for first production, 1897 1517: 1493: 1492: 1482: 535:. The English adaptation was by 1488:List of works by AndrĂ© Messager 1143:​The Little Michus​ 400:as General des Ifs, London 1905 163:Premiere cast, 16 November 1897 62:Background and first production 1064:Operetta: A Theatrical History 507:Théâtre des Folies-Dramatiques 374:as Marie-Blanche, 1899 revival 127:on 16 November 1897, starring 1: 1085:. New York: Greenwood Press. 630:Notes, references and sources 600:Her Majesty's Theatre, Sydney 591:, which became a London fad. 125:Théâtre des Bouffes-Parisiens 56:Théâtre des Bouffes-Parisiens 35:in three acts, with music by 990:. London: The Bodley Head. 858:The Penny Illustrated Paper 828:The Penny Illustrated Paper 780:Gänzl and Lamb, pp. 426–430 602:. In the US the work had a 594:The Australian premiere of 1576: 1148:Internet Broadway Database 860:, 25 November 1905, p. 235 805:The Monthly Musical Record 664:; Bradfield (Aristide) by 31:(The Little Michus) is an 1479: 1042:Stoullig, Edmond (1899). 1540:Operas by AndrĂ© Messager 1387:Le chevalier d'Harmental 1137:Description online here. 1003:Messager, AndrĂ© (1908). 501:Revivals and adaptations 385:in the London production 101:Le chevalier d'Harmental 54:The opera opened at the 1253:La petite fonctionnaire 1081:Wagstaff, John (1991). 966:. Paris: Amiot-Dumont. 960:FĂ©vrier, Henry (1948). 916:, 3 February 1908, p. 6 910:"His Majesty's Theatre" 900:, 1 February 1907, p. 9 1550:French-language operas 1371:Le bourgeois de Calais 1347:François les bas-bleus 794:Gänzl and Lamb, p. 427 714:Stoullig, 1899, p. 348 705:Stoullig, 1898, p. 344 696:Stoullig, 1898, p. 119 543:, and was produced by 401: 386: 375: 358:Source: Gänzl and Lamb 335: 144: 74: 23: 1355:La fauvette du temple 1066:. London: Routledge. 1046:. Paris: Ollendorff. 1029:. Paris: Ollendorff. 807:, 1 March 1901, p. 65 732:Wagstaff, pp. 163–164 660:; Manning (Michu) by 392: 381: 370: 333: 142: 114:La montagne enchantĂ©e 110:La fiancĂ©e en loterie 69: 21: 831:, 6 May 1905, p. 283 723:Fevrier, Chapter XIV 598:was in June 1906 at 316:revolutionary forces 1424:Le mari de la reine 1226:Madame Chrysanthème 1009:. Milan: Giornali. 878:, 3 June 1906, p. 2 856:"P.I.P. Playgoer", 825:"P.I.P. Playgoer", 765:"Les p'tites Michu" 624:Angers-Nantes OpĂ©ra 622:, and the Choeur d' 579:, Ambrose Manning, 151: 89:Madame Chrysanthème 1451:Monsieur Beaucaire 1153:Information about 1132:The Play Pictorial 897:The New York Times 606:run in 1907, with 402: 387: 376: 336: 297:Madame Saint-Phar 147: 145: 75: 24: 1505: 1504: 1395:Les p'tites Michu 1155:The Little Michus 1116:978-0-8108-9294-1 1092:978-0-313-25736-0 1073:978-0-415-96641-2 1060:Traubner, Richard 938:Les p'tites Michu 890:The Little Michus 803:"Musical Notes", 743:Les p'tites Michu 596:The Little Michus 539:, with lyrics by 533:The Little Michus 505:A revival at the 307: 306: 286:Madame Rousselin 49:French Revolution 28:Les p'tites Michu 1567: 1522: 1521: 1513: 1496: 1495: 1486: 1485: 1208:Les Deux Pigeons 1186: 1179: 1172: 1163: 1120: 1096: 1077: 1055: 1038: 1023:Stoullig, Edmond 1018: 1006:Le piccole michu 999: 975: 948: 935: 929: 923: 917: 907: 901: 885: 879: 875:The Sunday Times 867: 861: 854: 848: 845: 832: 823: 817: 814: 808: 801: 795: 792: 781: 778: 772: 762: 751: 739: 733: 730: 724: 721: 715: 712: 706: 703: 697: 694: 688: 687:Traubner, p. 213 685: 669: 654: 648: 645: 553:Adrienne Augarde 509:in 1899 starred 173:GĂ©nĂ©ral des Ifs 152: 150: 1575: 1574: 1570: 1569: 1568: 1566: 1565: 1564: 1530: 1529: 1528: 1516: 1508: 1506: 1501: 1475: 1457: 1438: 1432:Coups de roulis 1409: 1332: 1318:LĂ©gende lyrique 1313: 1294: 1275: 1245:ComĂ©die musical 1240: 1218:ComĂ©die lyrique 1213: 1195: 1190: 1127: 1117: 1099: 1093: 1080: 1074: 1058: 1041: 1021: 1002: 978: 959: 956: 951: 936: 932: 924: 920: 908: 904: 886: 882: 868: 864: 855: 851: 847:Wearing, p. 230 846: 835: 824: 820: 815: 811: 802: 798: 793: 784: 779: 775: 763: 754: 740: 736: 731: 727: 722: 718: 713: 709: 704: 700: 695: 691: 686: 682: 678: 673: 672: 655: 651: 646: 642: 637: 632: 616: 581:Louis Bradfield 545:George Edwardes 541:Percy Greenbank 503: 365: 363:Musical numbers 312: 270:LĂ©onie Laporte 231:Henri Marchand 194:Victor Regnard 164: 148: 137: 108:. An opĂ©rette, 64: 12: 11: 5: 1573: 1571: 1563: 1562: 1557: 1552: 1547: 1542: 1532: 1531: 1527: 1526: 1503: 1502: 1480: 1477: 1476: 1474: 1473: 1465: 1463: 1459: 1458: 1456: 1455: 1446: 1444: 1443:Romantic opera 1440: 1439: 1437: 1436: 1428: 1419: 1417: 1411: 1410: 1408: 1407: 1399: 1391: 1383: 1375: 1367: 1359: 1351: 1342: 1340: 1334: 1333: 1331: 1330: 1321: 1319: 1315: 1314: 1312: 1311: 1302: 1300: 1299:Conte des fĂ©es 1296: 1295: 1293: 1292: 1283: 1281: 1277: 1276: 1274: 1273: 1265: 1261:L'amour masquĂ© 1257: 1248: 1246: 1242: 1241: 1239: 1238: 1230: 1221: 1219: 1215: 1214: 1212: 1211: 1203: 1201: 1197: 1196: 1193:AndrĂ© Messager 1191: 1189: 1188: 1181: 1174: 1166: 1160: 1159: 1150: 1139: 1126: 1125:External links 1123: 1122: 1121: 1115: 1101:Wearing, J. P. 1097: 1091: 1078: 1072: 1056: 1039: 1019: 1000: 976: 955: 952: 950: 949: 930: 918: 902: 880: 870:"The Theatres" 862: 849: 833: 818: 809: 796: 782: 773: 752: 734: 725: 716: 707: 698: 689: 679: 677: 674: 671: 670: 649: 639: 638: 636: 633: 631: 628: 615: 612: 569:Huntley Wright 549:Daly's Theatre 537:Henry Hamilton 511:Mariette Sully 502: 499: 498: 497: 494: 491: 488: 485: 482: 479: 470: 469: 466: 463: 460: 457: 454: 451: 448: 439: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 396:as Gaston and 372:Mariette Sully 364: 361: 360: 359: 311: 308: 305: 304: 301: 298: 294: 293: 290: 287: 283: 282: 279: 276: 272: 271: 268: 263: 259: 258: 253: 250: 249:Blanche-Marie 246: 245: 244:Alice Bonheur 242: 237: 236:Marie-Blanche 233: 232: 229: 226: 225:Gaston Rigaud 222: 221: 218: 215: 211: 210: 205: 200: 196: 195: 192: 187: 183: 182: 179: 174: 170: 169: 167:AndrĂ© Messager 161: 156: 136: 133: 63: 60: 37:AndrĂ© Messager 13: 10: 9: 6: 4: 3: 2: 1572: 1561: 1558: 1556: 1553: 1551: 1548: 1546: 1543: 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1288:Mirette 1146:at the 954:Sources 559:, with 526:Cologne 240:soprano 181:Barral 95:Mirette 1560:Operas 1510:Portal 1454:(1919) 1435:(1928) 1427:(1889) 1406:(1898) 1398:(1897) 1390:(1896) 1382:(1890) 1374:(1887) 1366:(1885) 1358:(1885) 1350:(1883) 1329:(1914) 1310:(1888) 1291:(1894) 1272:(1926) 1264:(1923) 1256:(1921) 1237:(1907) 1229:(1893) 1200:Ballet 1113:  1089:  1070:  1050:  1033:  1013:  994:  970:  944:  589:Gazeka 303:Yrven 292:LĂ©rys 217:tenor 186:Michu 1524:Opera 635:Notes 473:Act 3 442:Act 2 405:Act 1 346:Act 3 339:Act 2 322:Act 1 203:tenor 155:Role 135:Roles 1111:ISBN 1087:ISBN 1068:ISBN 1048:OCLC 1031:OCLC 1011:OCLC 992:OCLC 968:OCLC 942:OCLC 555:and 513:and 177:bass 43:and 547:at 1536:: 982:; 912:, 894:, 872:, 836:^ 785:^ 767:, 755:^ 746:, 575:, 571:, 567:, 563:, 517:. 1512:: 1185:e 1178:t 1171:v 1119:. 1095:. 1076:. 1054:. 1037:. 1017:. 998:. 974:. 892:"

Index


opérette
André Messager
Albert Vanloo
Georges Duval
French Revolution
Théâtre des Bouffes-Parisiens

Odette Dulac
opéra comique
La Basoche
Madame Chrysanthème
Mirette
Le chevalier d'Harmental
Opéra-Comique
Hope Temple
Théâtre des Bouffes-Parisiens
Odette Dulac

Voice type
André Messager
bass
baritone
tenor
Maurice Lamy
soprano
Odette Dulac
mezzo-soprano
revolutionary forces

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