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198:. A window on the back wall admits natural light. The workers are all shown with nude torsos and tilted heads, suggesting a conversation. Caillebotte's interest in the male nude, set in a modern context, has been linked to his presumed homosexuality, however it was part of a larger trend, not necessarily limited to homosexual artists, that was first introduced by
239:, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a "vulgar subject matter". He was hurt by this rejection, and instead showed it at the second exhibition of the Impressionists, with whom he had already associated himself, in 1876. He presented it alongside some of his other works, including a
210:. It reintroduces the subject of the male nude in the painting, but in a strikingly updated form. Instead of the heroes of antiquity, here are the heroes of modern life—sinewy and strong—in stooped poses that would appear demeaning if they did not convey a sense of masculine strength and honest labor. There is a
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was not troubled by the depiction ("The subject matter is certainly vulgar, but we can understand how it might tempt a painter") but did find fault with the image's fidelity to the scene: "I only regret that the artist did not choose his types better... The arms of the planers are too thin, and their
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of curls in the image, from the wood shavings on the floor, to the pattern of ironwork in the window grill to the arched backs and arms of the workers. The repetition in the image, with the three workers engaged in different aspects of the same activity but having similar poses, is similar to works
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Caillebotte's originality lays in his attempt to combine the careful drawing, modeling and exact tonal values encouraged by the Académie with vivid colors, bold perspectives, keen sense of natural light and modern subject matter of the
Impressionist movement. Painted in 1875, this work illustrates
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263:, a critic of Impressionism, damned Caillebotte with faint praise: "the least bad of the exhibition. One of the missions Impressionism seems to have set for itself is to torture perspective: you see here what results can be obtained."
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made comparisons to an even earlier generation of artists: "His pictures are original in their composition, but, more than that, so energetic as to drawing that they resemble the early
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praised the technical execution, but then called it "an anti-artistic painting, painting as neat as glass, bourgeois painting, because of the exactitude of the copying."
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256:) The images of the floor scrapers came to be associated with Degas's paintings of washerwomen, also presented at the same exhibition and similarly scorned as "vulgar".
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compared
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measures 102 by 146.5 centimetres (40.2 in Ă— 57.7 in). It was originally given by
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Despite the effort
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The painting received praise from many critics, though. Regarding the Salon rejection, poet and critic
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Marrinan, Michael (2002). "Caillebotte as
Professional Painter: From Studio to the Public Eye". In
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Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon
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Arab Chiefs
Challenging each other to Single Combat under the Ramparts of a City
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Gustave
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The painting divided opinion in Paris art circles. Among the detractors,
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called the decision " very bad mark for the official jurors".
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apartment—now believed to be
Caillebotte's own studio at 77,
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206:. This is one of the first paintings to feature the urban
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Summary
Execution under the Moorish Kings of Granada
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761:. Connecticut: Yale University Press. p. 55.
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1652:The Gallic Women: Episode from the Roman Invasion
690:Impressionism: Art, Leisure, and Parisian Society
1931:The Road in Front of Saint-Simeon Farm in Winter
463:"Caillebotte: The Floor Scrapers – Smarthistory"
226:1876 version of the same subject by Caillebotte
165:, and in 1986, it was transferred again to the
739:(Third ed.). Prentice Hall. p. 402.
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16:Impressionist painting by Gustave Caillebotte
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276:be handsome or don't get involved with it!"
2151:Resting by a Stream at the Edge of the Wood
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81:102 cm Ă— 146.5 cm (
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2455:The Return from Fishing: Hauling the Boat
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1723:Berthe Morisot with a Bouquet of Violets
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503:"Gustave Caillebotte: The Floor Planers"
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346:List of paintings by Gustave Caillebotte
2502:Nature Unveiling Herself Before Science
1678:The Excommunication of Robert the Pious
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2371:Imperial Fritillaries in a Copper Vase
2115:Avenue of Poplars near Moret-sur-Loing
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161:in 1929. In 1947, it was moved to the
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1795:Portrait of Monsieur and Madame Manet
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2051:Portrait of the Painter Claude Monet
1901:A Cart on the Snowy Road at Honfleur
1704:The Quai Saint-Michel and Notre-Dame
1589:Self-Portrait with the Yellow Christ
962:Art Institute of Chicago II, Chicago
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461:Giuntini, Parma and Robert Summers.
182:Caillebotte's continued interest in
173:, where it is currently displayed.
2133:Chemin de la Machine, Louveciennes
1989:The Luxembourg Station in Brussels
1789:Portrait of Marguerite de Conflans
735:ten-Doesschate Chu, Petra (2011).
693:. Yale University Press. pp.
666:Chaumelin, Marius (8 April 1876).
635:"Caillebotte's The Floor Scrapers"
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2431:Portrait of Robert de Montesquiou
1771:The Port of Boulogne by Moonlight
668:"L'Exposition des Intransigeants"
163:Galerie nationale du Jeu de Paume
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2365:Doctor Gachet's Garden in Auvers
2157:Rue de la Chaussée in Argenteuil
1476:Arab Horses Fighting in a Stable
1423:Café-Concert at Les Ambassadeurs
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246:from 1876, and his earlier work
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1444:Portraits at the Stock Exchange
737:Nineteenth-century European Art
505:. musee-orsay.fr. 25 March 2009
215:by Caillebotte's contemporary,
2631:Paintings in the Musée d'Orsay
2401:Pasteur's portrait by Edelfelt
2163:View of the Canal Saint-Martin
1895:The Artist's Garden at Giverny
1729:Blonde Woman with Bare Breasts
1639:A Session of the Painting Jury
783:. Encyclopædia Britannica, Inc
609:, p. 2, as translated in
430:. Encyclopædia Britannica, Inc
272:chests too narrow... may your
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2039:Frédéric Bazille at his Easel
1801:Portrait of Stéphane Mallarmé
1463:Boabdil's Farewell to Granada
1366:The Romans in their Decadence
1259:Vue de toits (Effet de neige)
1120:The Improvised Field Hospital
945:Martial Caillebotte (brother)
241:second, different version of
720:. Rutgers University Press.
2350:Starry Night Over the RhĂ´ne
2225:The Resurrection of Lazarus
2015:Bal du moulin de la Galette
1595:Tahitian Women on the Beach
1546:A Studio at Les Batignolles
1284:Portrait of Gustave Geffroy
687:Herbert, Robert L. (1991).
196:8th arrondissement of Paris
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1925:Resting Under a Lilac Bush
1876:Shepherdess with her Flock
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847:Les raboteurs de parquet
672:La Gazette des Ă©trangers
248:Jeune homme Ă sa fenĂŞtre
231:Exhibition and reception
131:Les raboteurs de parquet
24:Les raboteurs de parquet
2281:What is Called Vagrancy
1907:Le DĂ©jeuner sur l'herbe
1741:Le DĂ©jeuner sur l'herbe
1534:The Corner of the Table
1145:Pilgrims going to Mecca
879:Paris Street; Rainy Day
855:Young Man at His Window
781:Encyclopædia Britannica
487:ten-Doesschate Chu 2011
428:Encyclopædia Britannica
253:Young Man at His Window
2356:Portrait of Dr. Gachet
2169:The Village of Voisins
2127:The Canal Saint-Martin
1832:Luxe, Calme et Volupté
1783:Portrait of Emile Zola
1777:Portrait of Clemenceau
1583:Self-Portrait in a Hat
1272:The Hanged Man's House
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2262:Sailboats and Estuary
1919:Regatta at Argenteuil
1845:French Campaign, 1814
1189:Equality Before Death
871:Boating on the Yerres
777:"Gustave Caillebotte"
424:"Gustave Caillebotte"
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2344:The Church at Auvers
2305:The Wheel of Fortune
2033:Dance in the Country
1976:The Fiancée of Belus
1813:A Sprig of Asparagus
1571:Breton Peasant Women
1341:The Painter's Studio
402:"Notice of the work"
335:, Opus 10-19; 1988).
327:(co-production with
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2596:Musée des Augustins
1937:Women in the Garden
1565:The Beautiful Angel
1540:Homage to Delacroix
1417:The Bellelli Family
1088:In the Conservatory
863:Le Pont de l'Europe
827:Gustave Caillebotte
759:Gustave Caillebotte
307:Cultural depictions
155:Musée du Luxembourg
147:Gustave Caillebotte
50:Gustave Caillebotte
2594:On display at the
2541:Virgin with a Lily
2425:Madame Charles Max
2121:The Canal du Loing
2045:Girls at the Piano
1851:The Siege of Paris
1335:L'Origine du monde
1329:A Burial at Ornans
1310:The Poor Fisherman
1240:The Birth of Venus
1171:The Birth of Venus
1114:The Family Reunion
903:A Balcony in Paris
674:(in French). Paris
381:The Floor Scrapers
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1221:The Lady in White
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2377:Self-portrait
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1522:Fantin-Latour
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1434:
1433:
1432:Les Choristes
1425:
1424:
1419:
1418:
1413:
1412:
1406:
1402:
1400:
1399:
1394:
1393:
1392:The Laundress
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1011:Musée d'Orsay
1005:
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969:Impressionism
967:
964:
963:
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927:Homme au bain
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768:9780300082791
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746:9780205707997
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714:Broude, Norma
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619:
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613:, p. 185
612:
611:Varnedoe 2000
608:
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595:Varnedoe 2000
591:
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583:
579:
578:Varnedoe 2000
574:
571:
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566:Varnedoe 2000
562:
559:
556:, p. 19.
555:
550:
548:
544:
541:, p. 28.
540:
539:Marrinan 2002
535:
532:
529:, p. 55.
528:
527:Varnedoe 2000
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449:Marrinan 2002
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334:
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329:Musée d'Orsay
326:
325:Cyril Collard
322:
318:
314:
313:Les Raboteurs
311:
310:
306:
304:
302:
298:
294:
290:
286:
282:
281:Émile Blémont
277:
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208:working class
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167:Musée d'Orsay
164:
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144:Impressionist
141:
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118:Musée d'Orsay
116:
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69:
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40:
35:
32:
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2329:L'Arlésienne
2327:
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2255:
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2161:
2155:
2149:
2143:
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2131:
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2113:
2108:
2100:
2095:
2089:The Talisman
2087:
2082:
2074:
2069:
2061:
2055:
2049:
2043:
2037:
2031:
2025:
2019:
2013:
2008:
2000:
1995:
1987:
1982:
1974:
1969:
1961:
1956:
1948:
1943:
1935:
1929:
1923:
1917:
1911:
1905:
1899:
1893:
1888:
1882:The Winnower
1880:
1874:
1870:The Gleaners
1868:
1862:
1857:
1849:
1843:
1838:
1830:
1825:
1819:The Waitress
1817:
1811:
1805:
1799:
1793:
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1769:
1763:
1757:
1751:
1745:
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1474:
1469:
1461:
1456:
1448:
1442:
1436:
1430:
1421:
1415:
1409:
1404:
1398:The Republic
1396:
1390:
1385:
1377:
1372:
1364:
1359:
1351:
1345:
1339:
1333:
1327:
1322:
1314:
1308:
1304:de Chavannes
1303:
1295:
1290:
1282:
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1270:
1265:
1257:
1252:
1251:
1246:
1238:
1233:
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1201:
1193:
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1124:
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1112:
1107:
1099:
1094:
1086:
1081:
1073:
1068:
1033:Gare d'Orsay
960:
925:
917:
909:
901:
895:Vue de toits
893:
887:Les Orangers
885:
877:
869:
861:
853:
846:
845:
785:. Retrieved
780:
758:
736:
717:
689:
676:. Retrieved
671:
646:. Retrieved
643:Khan Academy
639:Smarthistory
629:
618:
602:
573:
561:
554:Herbert 1991
534:
507:. Retrieved
467:. Retrieved
456:
444:
432:. Retrieved
427:
418:
406:. Retrieved
396:
386:Smarthistory
380:
312:
278:
269:Louis Énault
258:
251:
247:
242:
234:
180:
140:oil painting
135:
130:
129:
128:
30:
18:
2535:Delaplanche
2299:Burne-Jones
2188:La Toilette
2021:The Bathers
1864:The Angelus
1807:The Reading
1717:The Balcony
1379:The Harvest
1247:Caillebotte
1215:Bracquemond
1195:Les Oréades
787:11 December
678:30 December
648:21 February
434:11 December
319:, music by
301:Florentines
217:Edgar Degas
184:perspective
177:Composition
2615:Categories
2554:Rhinocéros
2548:Jacquemart
2478:Sculptures
2102:The Circus
1963:The Cradle
1913:The Magpie
1839:Meissonier
1665:The Source
1515:The Enigma
1411:L'Absinthe
1291:Chassériau
1165:Bouguereau
1082:Bartholomé
727:0813530180
704:0300050836
660:References
323:, film by
265:Émile Zola
142:by French
78:Dimensions
2509:Clésinger
2063:The Swing
1753:The Fifer
1735:Bullfight
1691:The Truth
1620:Jerusalem
1601:Vairumati
1502:The Dream
1470:Delacroix
1457:Dehodencq
1202:Boulanger
1101:Haymaking
1051:Paintings
906:(1880–81)
898:(1878–79)
834:Paintings
243:Raboteurs
237:the Salon
194:, in the
188:bourgeois
109: in)
29:English:
2600:Toulouse
2395:Edelfelt
2323:van Gogh
2275:The Bath
2232:Whistler
2212:Solitude
2206:Harrison
2198:American
2083:SĂ©rusier
2070:Rousseau
1996:Regnault
1685:Lefebvre
1496:Detaille
1373:Daubigny
1177:La Danse
1023:Building
757:(2000).
340:See also
138:) is an
114:Location
2564::
2561:Gauguin
2551::
2538::
2525::
2522:Claudel
2512::
2499::
2496:Barrias
2452::
2449:Sorolla
2441:Spanish
2422::
2419:Boldini
2411:Italian
2398::
2387:Finnish
2326::
2302::
2291:British
2272::
2269:Stevens
2259::
2248:Belgian
2235::
2222::
2209::
2179::
2112::
2099::
2086::
2073::
2012::
1999::
1986::
1983:Ottmann
1973::
1960::
1957:Morisot
1947::
1892::
1861::
1842::
1829::
1826:Matisse
1765:Olympia
1714::
1701::
1688::
1675::
1672:Laurens
1662::
1649::
1636::
1611::
1559:Arearea
1556::
1553:Gauguin
1525::
1512::
1499::
1486::
1473::
1460::
1450:The Tub
1408::
1389::
1386:Daumier
1376::
1363::
1360:Couture
1326::
1323:Courbet
1307::
1294::
1269::
1266:CĂ©zanne
1250::
1237::
1234:Cabanel
1218::
1205::
1168::
1155::
1152:Bonheur
1142::
1111::
1108:Bazille
1098::
1085::
1075:Remorse
1072::
954:Related
922:(1880s)
716:(ed.).
509:24 July
469:24 July
408:24 July
333:La Sept
289:Courbet
200:Courbet
104:⁄
90:⁄
2488:French
2219:Tanner
2182:Le Lit
2109:Sisley
2096:Seurat
2009:Renoir
1944:Moreau
1858:Millet
1659:Ingres
1646:Glaize
1633:Gervex
1608:GĂ©rĂ´me
1427:(1885)
1069:Baader
1061:French
938:Family
930:(1884)
914:(1880)
890:(1878)
882:(1877)
874:(1877)
866:(1876)
858:(1876)
850:(1875)
765:
743:
724:
701:
151:canvas
149:. The
72:canvas
64:Medium
46:Artist
2573:Oviri
2315:Dutch
1970:Motte
1889:Monet
1711:Manet
1483:Denis
1405:Degas
1139:Belly
352:Notes
293:Manet
212:motif
202:in a
171:Paris
122:Paris
1698:Luce
1509:Doré
789:2014
763:ISBN
741:ISBN
722:ISBN
699:ISBN
680:2021
650:2013
511:2012
471:2012
436:2014
410:2012
274:nude
59:1875
56:Year
2598:in
695:312
641:at
303:."
295:."
169:in
70:on
68:Oil
2617::
2570:–
2428:–
2374:–
2368:–
2362:–
2353:–
2347:–
2341:–
2332:–
2278:–
2185:–
2166:–
2160:–
2154:–
2148:–
2142:–
2136:–
2130:–
2124:–
2118:–
2060:–
2054:–
2048:–
2042:–
2036:–
2030:–
2024:–
2018:–
1934:–
1928:–
1922:–
1916:–
1910:–
1904:–
1898:–
1879:–
1873:–
1867:–
1848:–
1816:–
1810:–
1804:–
1798:–
1792:–
1786:–
1780:–
1774:–
1768:–
1762:–
1756:–
1750:–
1744:–
1738:–
1732:–
1726:–
1720:–
1623:–
1617:–
1598:–
1592:–
1586:–
1580:–
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1568:–
1562:–
1543:–
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1531:–
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1224:–
1192:–
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1123:–
1117:–
779:.
697:.
670:.
637:.
585:^
546:^
519:^
494:^
479:^
426:.
384:,
331:,
219:.
120:,
97:57
83:40
1003:e
996:t
989:v
819:e
812:t
805:v
791:.
771:.
749:.
730:.
707:.
682:.
652:.
513:.
473:.
438:.
412:.
250:(
106:8
102:5
99:+
92:8
88:1
85:+
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
