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The main goal of Lerner and Loewe was not simply to do justice to the original text, but to create the right songs to emphasize character. It took many failed attempts, tossing out unneeded songs and long hours at the piano before coming across the style they both wished to utilize, the dramatization
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One element Lerner stated was instrumental to his partnership with Loewe was Loewe's patience. Lerner's creative process could take as little as a few hours, and as much as a few weeks, yet he never felt pressured nor shamed by his counterpart. While Loewe did not require as long periods of time to
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Growing up in
Austria, Frederick or "Fritz" Loewe was a child prodigy concert pianist and son to a Viennese Operetta star, Edmond Loewe. After moving to New York City, he worked as a pianist in German clubs and was accompanist for silent films but never had a partnership before working with Lerner.
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24 year old
American, Alan Jay Lerner and 41 year old Austrian, Frederick Loewe, officially met each other. As recounted by Lerner, the two met by chance when Loewe took a wrong turn on his way to the bathroom. Loewe asked Lerner if he wrote lyrics and upon affirmation, Loewe asked if he wanted to
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to mixed reviews. The story takes place in
California during the Gold Rush and focuses on the relationship between a father who works as a miner and his daughter. Two years after its New York opening, the musical made its West End debut in 1953 and ran for nearly 500 performances. Years later, in
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In terms of personality, the two could not be more opposite. Lerner, the younger of the two who was raised in New York, always had an eagerness about him and was quick speaking and moving. Loewe, the older of the two who was brought up in
Austria, was more experienced and cynical. However, each
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for the additional songs. The one rule Jay Lerner and
Frederick Loewe abided by for the entirety of their partnership was that if one wished to work with another lyricist or composer, he must tell the other; this also applied for any time someone requested to work with either one of them. While
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After reevaluating the state of the musical theater "rules"—or, rather, the new lack of them—and determining that it was no longer necessary to have a subplot or a larger-than-life ensemble, in 1954 both Lerner and Loewe resumed the project and continued their efforts on the adaptation.
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Lerner received permission and created new songs with Previn specifically for the film, the reception of the movie musical was predominantly negative. The most popular songs from this musical were written in its earliest stages with both Lerner and Loewe at the helm, including "
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of characters' inner turmoil. It was during work on this musical that Lerner and Loewe spent the most time perfecting songs. This came not just from playing music at the piano, but of talking out moments in the musical and what they both wanted to achieve from these moments.
499:"There will never be another Fritz... Writing will never again be as much fun. A collaboration as intense as ours inescapably had to be complex. But I loved him more than I understood or misunderstood him and I know he loved me more than he understood or misunderstood me."
137:, which received generally (if mildly) favorable reviews but was not a commercial success. Lerner later wrote that the musical ran for only one week before closing, but it in fact ran from November 11, 1943, to January 4, 1944, closing after 63 performances.
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While in Paris preparing to shoot, Lerner, being more likely to make impulsive decisions, bought a blue Rolls-Royce and convinced Loewe to buy a grey one in an exchange that lasted less than five minutes at the car dealership. The very first film preview of
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into a musical, early on in the process they struggled significantly with creating a musical that would fit the musical constructs in place at the time, i.e. a flashy chorus and large ballet sequences. After many frustrated work sessions and the input of
437:, hospitalized with a heart attack in the middle of previews, forcing Lerner to take over as director and causing tension between Lerner and Loewe. While it was at first difficult to gain the traction they were looking for, the cast's appearance on the
183:'s plot centers on two New York natives who are visiting the highlands of Scotland. While there, they happen upon a village that is enchanted by magic to appear only once every century. The material was said to be inspired by the stories of
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While the two were quick to work with each other, the initial two musicals Jay Lerner and
Frederick Loewe worked on were not a commercial success and would be heavily regarded today as "flops." The very first of their collaborations,
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It wasn't until the tail end of the process, with previews looming, that Lerner and Loewe finally decided on a name for the musical. Loewe's vote was for "Fanfaroon," but Lerner believed that bore too close a resemblance to
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Lerner has said of Loewe's style that, when they were at the piano, he would often enter dreamlike states where he would continuously play until a musical moment appeared that they were both overjoyed with.
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reviewer wrote: "Although Alan Jay Lerner and
Frederick Loewe crafted a hummable and entertaining score, it is not among their best work; worse, its tone and style are frequently at odds with the story."
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for
Outstanding New York City Stage Debut Performance. During the time it played it set the record for the longest running Broadway musical, and has had numerous revivals since the original production.
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1969, Lerner asked Loewe to return to the project to specifically write new songs for the film version. Loewe, who had since retired, declined, but gave Lerner permission to collaborate with
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was not well-received, and it was a combination of the reactions and Lerner and Loewe's own unhappiness with the film that led them to rewrite and re-shoot it, costing them $ 300,000.
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opened, Lerner sought to collaborate with Loewe on a film. Due to it being outside of stage work, Loewe at first passed on the opportunity, but relented after reading the script.
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obituary for Loewe, it was written: "Near the creative peak of their collaboration, Mr. Lerner characterized his working relationship with Mr. Loewe as pleasant and respectful."
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was the pair's first significant hit. Loewe and Lerner reportedly auditioned their music fifty times before successfully finding investors to help mount their production.
131:, was worked on in 1942 at a stock company in Detroit, ran for 9 weeks and never made it to a Broadway stage. The first of their productions to make it to Broadway was
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compose his music as Lerner required to write lyrics, he could often be very uncertain in his choices and Lerner was able to provide him with reassurance.
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Conversely, Alan Lerner was born in New York City and attended
Harvard where his first musical theater contributions came from working on collegiate
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The two were also partial to working in the early morning, particularly Lerner, who believed all his best writing was done as soon as he awakened.
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During their break from what would be regarded by many as their most successful musical, Lerner concentrated his efforts on a musical based on the
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from 1942 to 1960 and again from 1970 to 1972, the pair are known for being behind the creation of critical on stage successes such as
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Kenny, Ellen, and James M. Salem. "A Guide to
Critical Reviews, Part II: The Musical from Rodgers-and-Hart to Lerner-and-Loewe."
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and also a direct quote from Frederick Loewe: "faith can move mountains." The original Broadway production opened in 1947 at the
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was an immensely difficult production for the duo, with the opening preview running four and a half hours and the director,
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Masso, Giverny, and Tim Bano. "Lerner and Loewe's The Day Before Spring Revived for First Time since 1950s."
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would be his final show before his retirement and, true to his word, he parted ways with Lerner.
427:. Loewe had to be more strongly convinced of its commercial appeal, but ultimately was won over.
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in late November and closed approximately one year later in April 1946. Despite the short run, a
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397:, at that time holding the record for the most Oscars won by a single film production.
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Moore, James Ross. "Lerner, Alan Jay (1918-1986), Lyricist, Librettist, and Author."
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but also did not have any official partnerships until he crossed paths with Loewe.
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magazine critic gave the musical a favorable review from its opening at the
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write with him. The two began working together immediately afterward.
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Pearson, Barbara. "Out-of-Town Openings: 'The Day Before Spring'",
20:
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Mordden, Ethan. "Rodgers and Hammerstein and Lerner and Loewe."
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understood the other and they developed a very deep friendship.
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brought the production great success and ended up resulting in
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musicals. Early in his career at Harvard he collaborated with
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Green, Benny. "Frederick Loewe, a prince of musical comedy",
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in London. It has been revived successfully several times. A
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in Boston and deemed Lerner and Loewe "potential supermen."
1386:
The Great Songs from "My Fair Lady" and Other Broadway Hits
873:, Oct. 2000, doi:10.1093/anb/9780198606697.article.1802284.
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Oates, Jennifer. "Brigadoon: Lerner and Loewe's Scotland."
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vol. 3, no. 1, 2009, pp. 91–99., doi:10.1386/smt.3.1.91_1.
282:. While both Lerner and Loewe were interested in adapting
930:"Frederick Loewe Dies at 86; Wrote 'My Fair Lady' Score"
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Inventing Champagne: the Worlds of Lerner and Loewe.
656:, vol. 25, no. 2, 1968, p. 245., doi:10.2307/894002.
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and failed, Lerner and Loewe abandoned the project.
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421:came to Lerner from a book, this time, T.H White's
353:Awards for which it was nominated and also won the
231:Regarded by the duo as a "success, but not a hit",
953:. University of Nebraska Press (bisonbooks.com),
140:The pair achieved some small success in 1945 with
949:Lees, Gene (2005, originally published 1991).
389:However, these changes were well-received and
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965:A Hymn to Him: The Lyrics of Alan Jay Lerner
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577:(1973) – stage version adapted from the film
447:total profits grossing over seven figures.
297:, who had also tried to adapt the play with
860:Oxford University Press, 2017, pp. 126–183.
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450:Loewe had previously stated to Lerner that
314:when he came across news of the passing of
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478:Their final collaboration was on the 1974
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951:The Musical Worlds of Lerner and Loewe
840:McLamore, Alyson. "Lerner and Loewe."
768:The musical worlds of Lerner and Loewe
458:Working relationship and personalities
195:for Best Musical of the Year. In 1949
18:20th-century American songwriting team
903:, imdb.com. Retrieved August 5, 2021.
888:, imdb.com. Retrieved August 5, 2021.
7:
310:comic, but was one day reminded of
1519:American musical theatre composers
871:American National Biography Online
718:The Street Where I Live: a Memoir.
54:. Spanning three decades and nine
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1447:I've Grown Accustomed to Her Face
720:W. W. Norton & Company, 2018.
716:Lerner, Alan Jay, and John Lahr.
249:I Was Born Under a Wand'rin' Star
1370:Nat King Cole Sings My Fair Lady
1365:(1958 Oscar Peterson Trio album)
858:When Broadway Went to Hollywood,
770:. University of Nebraska Press.
146:. This production opened at the
1349:(1956 Broadway cast recording)
1311:The Opening of Misty Beethoven
1:
1472:One If by Clam, Two If by Sea
1426:I Could Have Danced All Night
963:Green, Benny, Editor (1987).
26:
1440:Get Me to the Church on Time
1433:On the Street Where You Live
86:Background and previous work
76:along with the musical film
967:. Hal Leonard Corporation.
820:Studies in Musical Theatre,
495:Lerner said this of Loewe:
39:is the partnership between
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1524:American songwriting teams
1389:(1964 Andy Williams album)
995:, February 16, 1988, p. 33
582:Films and film adaptations
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278:opened on Broadway at the
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227:Paint Your Wagon (musical)
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169:
1412:With a Little Bit of Luck
1381:(1964 Billy Taylor album)
1357:(1956 Shelly Manne album)
977:Lerner, Alan Jay (1985).
740:St. Martin's Press, 1990.
919:, retrieved May 28, 2018
802:November 10, 1945, p. 38
424:The Once and Future King
253:They Call the Wind Maria
1497:The Street Where I Live
1378:My Fair Lady Loves Jazz
979:The Street Where I Live
1405:Wouldn't It Be Loverly
501:
280:Mark Hellinger Theatre
237:opened in 1951 at the
107:In August 1942 at the
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1529:American musical duos
1060:The Day Before Spring
534:The Day Before Spring
511:List of theatre works
497:
143:The Day Before Spring
24:
1278:George Bernard Shaw
1267:George Bernard Shaw
936:, February 15, 1988
800:Billboard Magazine,
766:Lees, Gene (2005).
474:Final collaboration
355:Theatre World Award
345:The year it opened
284:George Bernard Shaw
257:I Talk To The Trees
193:Drama Critics Award
934:The New York Times
505:The New York Times
417:, inspiration for
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25:Lerner and Loewe,
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1419:The Rain in Spain
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1181:
1153:The Little Prince
1046:Life of the Party
981:. Da Capo Press.
928:Holden, Stephen.
629:The Little Prince
518:Life of the Party
484:The Little Prince
409:Camelot (musical)
374:Four years after
295:Oscar Hammerstein
128:Life of the Party
97:Leonard Bernstein
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440:Ed Sullivan Show
370:Gigi (1958 film)
349:won 6 of the 10
234:Paint Your Wagon
220:Paint Your Wagon
201:West End Theatre
189:Ziegfeld Theatre
148:National Theatre
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1286:Cecil Lewis
1280:adapted by
342:the least.
1513:Categories
1457:Television
1327:Man Pasand
1238:Characters
1164:Television
1053:What's Up?
944:References
777:0803280408
526:What's Up?
413:Much like
307:Li'l Abner
209:Gene Kelly
134:What's Up?
120:Early work
109:Lambs Club
45:librettist
1273:Pygmalion
1262:Pygmalion
1172:Brigadoon
1113:Brigadoon
1067:Brigadoon
917:All Movie
754:The Stage
589:Brigadoon
542:Brigadoon
489:All Movie
445:Camelot's
435:Moss Hart
415:Pygmalion
393:won nine
336:Brigadoon
312:Pygmalion
289:Pygmalion
207:starring
197:Brigadoon
181:Brigadoon
177:Brigadoon
172:Brigadoon
165:Brigadoon
153:Billboard
67:Brigadoon
914:"Review"
901:- Trivia
886:- Awards
786:57168821
286:'s play
56:musicals
41:lyricist
1489:Related
1319:Galatea
1137:Camelot
1074:Camelot
1038:Theatre
613:Camelot
566:Camelot
452:Camelot
431:Camelot
419:Camelot
402:Camelot
255:" and "
103:Meeting
73:Camelot
1479:Selfie
1338:Albums
1330:(1980)
1322:(1977)
1314:(1976)
1254:Source
1175:(1966)
1156:(1974)
1148:(1969)
1140:(1967)
1132:(1964)
1124:(1958)
1116:(1954)
985:
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632:(1974)
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608:(1964)
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592:(1954)
569:(1960)
561:(1956)
553:(1951)
545:(1947)
537:(1945)
529:(1943)
521:(1942)
487:. The
70:, and
30:
1295:Films
654:Notes
637:Notes
1284:and
1224:and
1121:Gigi
1105:Film
1081:Gigi
983:ISBN
969:ISBN
955:ISBN
899:Gigi
884:Gigi
782:OCLC
772:ISBN
597:Gigi
574:Gigi
391:Gigi
384:Gigi
363:Gigi
351:Tony
251:", "
211:and
205:film
79:Gigi
43:and
32:1962
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1220:by
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