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Lewti

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carnage and horror of devastation and dismay, it may afford the mind a temporary relief to wander to the magic haunts of the Muses, to bowers and fountains which the despoiling powers of war have never visited, and where the lover pours forth his complaint, or receives the recompense of his constancy. The whole of the subsequent Love Chant is in a warm and impassioned strain. The fifth and last stanzas are, we think, the best.
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It is not amongst the least pleasing of our recollections, that we have been the means of gratifying the public taste with some exquisite pieces of Original Poetry. For many of them we have been indebted to the author of the Circassian's Love Chant. Amidst images of war and woe, amidst scenes of
168:, with the new Table of Contents and "The Nightingale" bound up with the text as at first printed, is in the British Library. Another copy is extant which contains the first Table of Contents only, and Lewti without the addition of "The Nightingale". In the 779: 360: 1223: 797: 374: 811: 772: 409: 714: 1218: 161: 104: 905: 765: 738: 401: 1286: 933: 836: 1228: 884: 1085: 1009: 841: 1002: 919: 1376: 1336: 1030: 1023: 697: 1382: 1300: 1342: 1293: 1016: 964: 856: 788: 381: 120: 1400: 995: 1233: 851: 1329: 1307: 821: 866: 1422: 1272: 926: 816: 1187: 1065: 912: 1388: 1370: 1364: 1258: 1213: 1208: 1198: 1044: 423: 38: 1175: 1037: 940: 652: 428: 143: 133: 1394: 1247: 1203: 898: 156: 1358: 1265: 1147: 1051: 974: 165: 33: 1416: 969: 665: 1126: 1112: 846: 831: 137:(under the signature Nicias Erythraeus), on 18 April 1798: and was included in the 45: 1168: 433: 1279: 1161: 1119: 1098: 1058: 891: 826: 108: 160:
of 1798, but at the last moment the sheets containing it were cancelled and "
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the poem was originally entitled "Lewti; or the Circassian's Love Chant".
757: 698:"The Intersection of Rhythmic and Cultural Meaning in Coleridge's 'Lewti'" 1105: 508:  That ever scorn'd my Lewti so.I cannot chuse but fix my sight 1133: 680: 311:
To sleep by day and wake all night.I know the place where Lewti lies,
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This article incorporates text from this source, which is in the
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And yet, thou didst not look unkind.I saw a vapour in the sky,
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Between lines 52–3:This hand should make his life-blood flow,
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On the gently-swelling wave.Oh! that she saw me in a dream,
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If Lewti never will be kind.The little cloud—it floats away
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Depart; for Lewti is not kind.I saw a cloud of palest hue,
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Between lines 14–15:I saw the white waves, o'er and o'er,
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The Complete Poetical Works of Samuel Taylor Coleridge
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Oxford: Clarendon Press. pp. 253–56, 1049–62. 1351: 1317: 1242: 1185: 1082: 983: 955: 874: 804: 91: 83: 54: 44: 32: 18: 514:  Bedims the star that shines behind it! 303:  Your movements to some heavenly tune! 1224:Reflections on Having Left a Place of Retirement 556:Lines 69–71:  Had I the enviable power 333:  And dreamt that I had died for care; 236:  Drinks in as deep a flush of beauty! 319:  Voice of the Night! had I the power 174: 739:"'Lewti, or the Circassian Love-Chant' (1798)" 681:"Coleridge's "Lewti": The Biography of a Poem" 295:  They plunge into the gentle river. 291:  Slip the crumbling banks for ever: 232:  And with such joy I find my Lewti; 773: 307:  To see you move beneath the moon, 224:  Till it reached the moon at last: 8: 522:  To see my Lewti's eyes to-morrow 367:Poster advertising Circassian hair dye, 1843 337:  Yet fair withal, as spirits are! 278:  Of Lady fair—that died for love. 272:  Perhaps the breezes that can fly 256:  And now 'tis whiter than before! 204:  But the rock shone brighter far, 518:  Alas! if I knew how to find it. 323:And creep, like thee, with soundless tread, 280:For maids, as well as youths, have perished 260:  When, Lewti! on my couch I lie, 946:Introduction to the Tale of the Dark Ladie 780: 766: 758: 15: 526:  Of pity and repentant sorrow! 315:  It is a breezy jasmine-bower, 282:From fruitless love too fondly cherished. 248:  Away it passes from the moon! 218:  Onward to the moon it passed; 172:the following note accompanies the poem: 154:"Lewti" was to have been included in the 164:" substituted. A copy which belonged to 651:Coleridge, Ernest Hartley, ed. (1912). 606: 547:, S. L., p. , for 'Slush' read 'Hush'). 445: 356: 305:O beauteous birds! 'tis such a pleasure 242:  Away it goes; away so soon! 220:Still brighter and more bright it grew, 313:When silent night has closed her eyes: 301:O beauteous birds! methinks ye measure 284:Nay, treacherous image! leave my mind— 264:Nay, treacherous image! leave my mind— 252:  Ever fading more and more, 238:Nay, treacherous image! leave my mind, 198:The Moon was high, the moonlight gleam 117:"Lewti, or the Circassian Love-chaunt" 528:Nay treach'rous image! leave my mind— 510:On that small vapour, thin and white! 343:Soothe, gentle image! soothe my mind! 147:, 1817, 1828, 1829, and 1834. In the 131:This poem was first published in the 7: 1219:The Nightingale: A Conversation Poem 620: 618: 616: 614: 612: 610: 558:To creep unseen with noiseless tread 317:The nightingale sings o'er her head: 297:The river-swans have heard my tread. 276:Have snatched aloft the lawny shroud 274:  Now below and now above, 246:Its hues are dim, its hues are grey— 206:The rock half sheltered from my view 200:  And the shadow of a star 20:Lewti, or the Circassian Love-chaunt 524:Shine brightly thro' as thin a mist 478:Nay, treach'rous image from my mind 210:So shines my Lewti's forehead fair, 568:)O beating heart had I the power.( 474:And Lewti's smiling mouth can shew 345:To-morrow Lewti may be kind. 341:Her bosom heave, and heave for me! 258:As white as my poor cheek will be, 190:At midnight by the stream I roved, 105:Sibylline Leaves (Coleridge)/Lewti 14: 906:Monody on the Death of Chatterton 520:And O! how sweet it were, I wist, 516:And pity dwells in Lewti's breast 335:All pale and wasted I would seem, 329:As these two swans together heave 325:I then might view her bosom white 309:I would it were your true delight 299:And startle from their reedy bed. 293:Like echoes to a distant thunder, 289:Hush! my heedless feet from under 226:Then the cloud was wholly bright, 208:By pendent boughs of tressy yew.— 865: 659: 637:(1898), edited by T. Hutchinson. 472:Now twinkling regular and white, 470:Now disappearing from the sight, 466:But only saw them o'er and o'er, 460:I heard no murmur of their roar, 458:All at once they broke in light; 454:Break against the distant shore. 400: 373: 359: 222:With floating colours not a few, 212:Gleaming through her sable hair. 99: 1287:The Rime of the Ancient Mariner 837:Person on business from Porlock 530:Ah, Lewti! why art thou unkind? 512:So thin it scarcely, I protest, 480:Depart; for Lewti is not kind.( 468:Break against the curved shore: 462:Nor ever I beheld them flowing, 321:That leafy labyrinth to thread, 270:I ne'er beheld so thin a cloud: 268:Thin, and white, and very high; 250:How mournfully it seems to fly, 230:And so with many a hope I seek, 1229:This Lime-Tree Bower My Prison 885:The Destruction of the Bastile 737:Roberts, Adam (14 June 2016). 715:"Notes on Coleridge's "Lewti"" 464:Neither coming, neither going; 339:I'd die indeed, if I might see 286:For Lewti never will be kind. 254:To joyless regions of the sky— 244:Alas! it has no power to stay: 196:Depart; for Lewti is not kind. 1: 1010:Lines Written at Shurton Bars 389: 262:A dying man for love of thee. 234:And even so my pale wan cheek 1003:Lines on an Autumnal Evening 934:The Ballad of the Dark Ladié 624:Coleridge, ed. 1912, p. 253. 228:With a rich and amber light! 214:Image of Lewti! from my mind 202:Heaved upon Tamaha's stream; 194:Image of Lewti! from my mind 476:As white and regular a row. 456:All at once upon the sight, 327:Heaving lovely to my sight, 192:To forget the form I loved. 123:, first published in 1798. 1439: 920:Pain: Composed in Sickness 842:Coleridge's theory of life 713:Raysor, Thomas M. (1953). 679:Joughin, G. Louis (1943). 408:Circassian lady, possibly 27:by Samuel Taylor Coleridge 1377:Christabel Rose Coleridge 1031:Poems on Various Subjects 1024:Ode on the Departing Year 863: 795: 743:Samuel Taylor Bloggeridge 98: 25: 1383:Ernest Hartley Coleridge 1301:Time, Real And Imaginary 539:Line 53: Hush!] Slush! ( 1403:(nephew and son-in-law) 1017:On Receiving an Account 965:The Fall of Robespierre 857:Suspension of disbelief 789:Samuel Taylor Coleridge 696:Mays, J. C. C. (1996). 121:Samuel Taylor Coleridge 1401:Henry Nelson Coleridge 996:The Destiny of Nations 719:Philological Quarterly 382:Henry Hall Pickersgill 179: 1234:To William Wordsworth 852:Romantic epistemology 1330:Biographia Literaria 1294:The Devil's Thoughts 1273:Hymn Before Sunrise 927:Songs of the Pixies 633:Note to reprint of 560:Then should I view( 493:Line 52: For] Tho'( 386:A Circassian Beauty 1066:To the River Otter 913:On Quitting School 822:Albatross metaphor 685:Studies in English 1410: 1409: 1389:Herbert Coleridge 1371:Hartley Coleridge 1365:Derwent Coleridge 1308:The Knight's Tomb 1214:Frost at Midnight 1209:Fears in Solitude 1199:Dejection: An Ode 1045:Religious Musings 585:Line 73: my] the( 424:Circassian beauty 412: 395: 368: 349: 348: 114: 113: 39:Iambic tetrameter 1430: 1319:Biographical and 1176:To Lord Stanhope 1038:Sibylline Leaves 970:Remorse (Osorio) 869: 782: 775: 768: 759: 754: 752: 750: 726: 709: 692: 663: 662: 658: 638: 631: 625: 622: 594: 591:Annual Anthology 583: 577: 574:Annual Anthology 566:Annual Anthology 554: 548: 541:Sibylline Leaves 537: 531: 504: 498: 491: 485: 450: 429:Circassian music 407: 404: 394: 391: 380: 377: 366: 363: 187: 144:Sibylline Leaves 139:Annual Anthology 103: 102: 55:Publication date 28: 21: 16: 1438: 1437: 1433: 1432: 1431: 1429: 1428: 1427: 1413: 1412: 1411: 1406: 1395:James Coleridge 1379:(granddaughter) 1347: 1322: 1320: 1313: 1251: 1248:Lyrical Ballads 1245: 1244:Late poetry and 1238: 1204:The Eolian Harp 1192: 1189: 1181: 1091: 1087: 1078: 988: 986: 979: 958: 951: 899:Easter Holidays 877: 870: 861: 800: 791: 786: 748: 746: 736: 733: 712: 695: 678: 675: 673:Further reading 660: 650: 647: 642: 641: 635:Lyrical Ballads 632: 628: 623: 608: 603: 598: 597: 584: 580: 559: 557: 555: 551: 538: 534: 529: 527: 525: 523: 521: 519: 517: 515: 513: 511: 509: 507: 505: 501: 492: 488: 479: 477: 475: 473: 471: 469: 467: 465: 463: 461: 459: 457: 455: 453: 451: 447: 442: 420: 413: 405: 396: 392: 378: 369: 364: 355: 350: 344: 342: 340: 338: 336: 334: 332: 330: 328: 326: 324: 322: 320: 318: 316: 314: 312: 310: 308: 306: 304: 302: 300: 298: 296: 294: 292: 290: 285: 283: 281: 279: 277: 275: 273: 271: 269: 267: 265: 263: 261: 259: 257: 255: 253: 251: 249: 247: 245: 243: 241: 239: 237: 235: 233: 231: 229: 227: 225: 223: 221: 219: 217: 215: 213: 211: 209: 207: 205: 203: 201: 199: 197: 195: 193: 191: 184: 162:The Nightingale 157:Lyrical Ballads 129: 100: 79: 26: 19: 12: 11: 5: 1436: 1434: 1426: 1425: 1415: 1414: 1408: 1407: 1405: 1404: 1398: 1392: 1386: 1380: 1374: 1368: 1362: 1359:Sara Coleridge 1355: 1353: 1349: 1348: 1346: 1345: 1340: 1333: 1325: 1323: 1318: 1315: 1314: 1312: 1311: 1304: 1297: 1290: 1283: 1276: 1269: 1266:France: An Ode 1262: 1254: 1252: 1243: 1240: 1239: 1237: 1236: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1195: 1193: 1186: 1183: 1182: 1180: 1179: 1172: 1165: 1158: 1151: 1148:To Mrs Siddons 1144: 1137: 1130: 1123: 1116: 1109: 1102: 1094: 1092: 1083: 1080: 1079: 1077: 1076: 1069: 1062: 1055: 1052:To a Young Ass 1048: 1041: 1034: 1027: 1020: 1013: 1006: 999: 991: 989: 987:Bristol poetry 984: 981: 980: 978: 977: 972: 967: 961: 959: 956: 953: 952: 950: 949: 937: 930: 923: 916: 909: 902: 895: 888: 880: 878: 875: 872: 871: 864: 862: 860: 859: 854: 849: 844: 839: 834: 829: 824: 819: 814: 808: 806: 802: 801: 796: 793: 792: 787: 785: 784: 777: 770: 762: 756: 755: 732: 731:External links 729: 728: 727: 710: 693: 674: 671: 670: 669: 646: 643: 640: 639: 626: 605: 604: 602: 599: 596: 595: 578: 576:, by S. 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C.) 549: 532: 499: 486: 444: 443: 441: 438: 437: 436: 431: 426: 419: 416: 415: 414: 410:Nazikeda Kadın 406: 399: 397: 393: 1843–50 379: 372: 370: 365: 358: 354: 351: 347: 346: 287: 185: 183: 180: 128: 125: 112: 111: 96: 95: 89: 88: 85: 81: 80: 78: 77: 74: 71: 68: 65: 62: 58: 56: 52: 51: 48: 42: 41: 36: 30: 29: 23: 22: 13: 10: 9: 6: 4: 3: 2: 1435: 1424: 1421: 1420: 1418: 1402: 1399: 1396: 1393: 1390: 1387: 1384: 1381: 1378: 1375: 1372: 1369: 1366: 1363: 1360: 1357: 1356: 1354: 1350: 1344: 1341: 1339: 1338: 1334: 1332: 1331: 1327: 1326: 1324: 1316: 1309: 1305: 1302: 1298: 1295: 1291: 1289: 1288: 1284: 1282: 1281: 1277: 1274: 1270: 1267: 1263: 1261: 1260: 1256: 1255: 1253: 1250: 1249: 1241: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1196: 1194: 1191: 1184: 1177: 1173: 1170: 1166: 1163: 1159: 1156: 1152: 1149: 1145: 1142: 1138: 1135: 1131: 1128: 1124: 1121: 1117: 1114: 1110: 1107: 1103: 1100: 1096: 1095: 1093: 1090: 1089: 1081: 1074: 1070: 1068: 1067: 1063: 1061: 1060: 1056: 1054: 1053: 1049: 1047: 1046: 1042: 1040: 1039: 1035: 1033: 1032: 1028: 1026: 1025: 1021: 1019: 1018: 1014: 1012: 1011: 1007: 1005: 1004: 1000: 998: 997: 993: 992: 990: 985:Cambridge and 982: 976: 973: 971: 968: 966: 963: 962: 960: 954: 947: 943: 942: 938: 935: 931: 928: 924: 921: 917: 914: 910: 907: 903: 900: 896: 893: 889: 886: 882: 881: 879: 873: 868: 858: 855: 853: 850: 848: 845: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 818: 815: 813: 810: 809: 807: 803: 799: 798:List of poems 794: 790: 783: 778: 776: 771: 769: 764: 763: 760: 744: 740: 735: 734: 730: 724: 720: 716: 711: 708:(2): 164–187. 707: 703: 699: 694: 690: 686: 682: 677: 676: 672: 667: 666:public domain 656: 655: 649: 648: 644: 636: 630: 627: 621: 619: 617: 615: 613: 611: 607: 600: 592: 588: 582: 579: 575: 571: 567: 563: 553: 550: 546: 542: 536: 533: 503: 500: 496: 490: 487: 483: 449: 446: 439: 435: 432: 430: 427: 425: 422: 421: 417: 411: 403: 398: 387: 383: 376: 371: 362: 357: 352: 288: 189: 188: 181: 178: 173: 171: 167: 163: 159: 158: 152: 150: 146: 145: 140: 136: 135: 126: 124: 122: 119:is a poem by 118: 110: 106: 97: 94: 90: 86: 82: 75: 72: 69: 66: 63: 60: 59: 57: 53: 49: 47: 43: 40: 37: 35: 31: 24: 17: 1337:The Watchman 1335: 1328: 1285: 1278: 1257: 1246: 1188:Conversation 1127:To Kosciusko 1113:To Priestley 1084: 1072: 1064: 1057: 1050: 1043: 1036: 1029: 1022: 1015: 1008: 1001: 994: 945: 939: 876:Early poetry 847:Organic form 832:Pantisocracy 747:. 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Blogger 93:Full text 50:Irregular 1417:Category 1106:To Burke 691:: 66–93. 418:See also 1134:To Pitt 1086:Eminent 975:Zapolya 749:23 June 645:Sources 353:Gallery 166:Southey 1352:Family 805:Topics 725:: 207. 545:Errata 1373:(son) 1367:(son) 1190:poems 1073:Lewti 957:Plays 440:Notes 84:Lines 34:Meter 941:Love 751:2023 182:Text 76:1834 73:1829 70:1828 67:1817 64:1800 61:1798 570:MS. 107:at 1419:: 741:. 723:32 721:. 717:. 704:. 700:. 689:23 687:. 683:. 609:^ 589:, 564:, 543:; 390:c. 388:, 384:: 87:83 1310:" 1306:" 1303:" 1299:" 1296:" 1292:" 1275:" 1271:" 1268:" 1264:" 1178:" 1174:" 1171:" 1167:" 1164:" 1160:" 1157:" 1153:" 1150:" 1146:" 1143:" 1139:" 1136:" 1132:" 1129:" 1125:" 1122:" 1118:" 1115:" 1111:" 1108:" 1104:" 1101:" 1097:" 1075:" 1071:" 948:) 944:( 936:" 932:" 929:" 925:" 922:" 918:" 915:" 911:" 908:" 904:" 901:" 897:" 894:" 890:" 887:" 883:" 781:e 774:t 767:v 753:. 706:2 668:. 593:) 497:) 484:)

Index

Meter
Iambic tetrameter
Rhyme scheme
Sibylline Leaves (Coleridge)/Lewti
Wikisource
Samuel Taylor Coleridge
Morning Post
Sibylline Leaves
Lyrical Ballads
The Nightingale
Southey
Poster advertising Circassian hair dye, 1843
Henry Hall Pickersgill: A Circassian Beauty, c. 1843–50
Henry Hall Pickersgill
Circassian lady, possibly Nazikeda Kadın
Nazikeda Kadın
Circassian beauty
Circassian music
Orientalism






The Complete Poetical Works of Samuel Taylor Coleridge
public domain
"Coleridge's "Lewti": The Biography of a Poem"
"The Intersection of Rhythmic and Cultural Meaning in Coleridge's 'Lewti'"
"Notes on Coleridge's "Lewti""

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