361:
867:
375:
402:
177:
carnage and horror of devastation and dismay, it may afford the mind a temporary relief to wander to the magic haunts of the Muses, to bowers and fountains which the despoiling powers of war have never visited, and where the lover pours forth his complaint, or receives the recompense of his constancy. The whole of the subsequent Love Chant is in a warm and impassioned strain. The fifth and last stanzas are, we think, the best.
101:
661:
176:
It is not amongst the least pleasing of our recollections, that we have been the means of gratifying the public taste with some exquisite pieces of
Original Poetry. For many of them we have been indebted to the author of the Circassian's Love Chant. Amidst images of war and woe, amidst scenes of
168:, with the new Table of Contents and "The Nightingale" bound up with the text as at first printed, is in the British Library. Another copy is extant which contains the first Table of Contents only, and Lewti without the addition of "The Nightingale". In the
779:
360:
1223:
797:
374:
811:
772:
409:
714:
1218:
161:
104:
905:
765:
738:
401:
1286:
933:
836:
1228:
884:
1085:
1009:
841:
1002:
919:
1376:
1336:
1030:
1023:
697:
1382:
1300:
1342:
1293:
1016:
964:
856:
788:
381:
120:
1400:
995:
1233:
851:
1329:
1307:
821:
866:
1422:
1272:
926:
816:
1187:
1065:
912:
1388:
1370:
1364:
1258:
1213:
1208:
1198:
1044:
423:
38:
1175:
1037:
940:
652:
428:
143:
133:
1394:
1247:
1203:
898:
156:
1358:
1265:
1147:
1051:
974:
165:
33:
1416:
969:
665:
1126:
1112:
846:
831:
137:(under the signature Nicias Erythraeus), on 18 April 1798: and was included in the
45:
1168:
433:
1279:
1161:
1119:
1098:
1058:
891:
826:
108:
160:
of 1798, but at the last moment the sheets containing it were cancelled and "
1154:
1140:
151:
the poem was originally entitled "Lewti; or the
Circassian's Love Chant".
757:
698:"The Intersection of Rhythmic and Cultural Meaning in Coleridge's 'Lewti'"
1105:
508: That ever scorn'd my Lewti so.I cannot chuse but fix my sight
1133:
680:
311:
To sleep by day and wake all night.I know the place where Lewti lies,
664:
This article incorporates text from this source, which is in the
761:
266:
And yet, thou didst not look unkind.I saw a vapour in the sky,
506:
Between lines 52–3:This hand should make his life-blood flow,
186:
331:
On the gently-swelling wave.Oh! that she saw me in a dream,
240:
If Lewti never will be kind.The little cloud—it floats away
216:
Depart; for Lewti is not kind.I saw a cloud of palest hue,
452:
Between lines 14–15:I saw the white waves, o'er and o'er,
654:
The
Complete Poetical Works of Samuel Taylor Coleridge
657:. Oxford: Clarendon Press. pp. 253–56, 1049–62.
1351:
1317:
1242:
1185:
1082:
983:
955:
874:
804:
91:
83:
54:
44:
32:
18:
514: Bedims the star that shines behind it!
303: Your movements to some heavenly tune!
1224:Reflections on Having Left a Place of Retirement
556:Lines 69–71: Had I the enviable power
333: And dreamt that I had died for care;
236: Drinks in as deep a flush of beauty!
319: Voice of the Night! had I the power
174:
739:"'Lewti, or the Circassian Love-Chant' (1798)"
681:"Coleridge's "Lewti": The Biography of a Poem"
295: They plunge into the gentle river.
291: Slip the crumbling banks for ever:
232: And with such joy I find my Lewti;
773:
307: To see you move beneath the moon,
224: Till it reached the moon at last:
8:
522: To see my Lewti's eyes to-morrow
367:Poster advertising Circassian hair dye, 1843
337: Yet fair withal, as spirits are!
278: Of Lady fair—that died for love.
272: Perhaps the breezes that can fly
256: And now 'tis whiter than before!
204: But the rock shone brighter far,
518: Alas! if I knew how to find it.
323:And creep, like thee, with soundless tread,
280:For maids, as well as youths, have perished
260: When, Lewti! on my couch I lie,
946:Introduction to the Tale of the Dark Ladie
780:
766:
758:
15:
526: Of pity and repentant sorrow!
315: It is a breezy jasmine-bower,
282:From fruitless love too fondly cherished.
248: Away it passes from the moon!
218: Onward to the moon it passed;
172:the following note accompanies the poem:
154:"Lewti" was to have been included in the
164:" substituted. A copy which belonged to
651:Coleridge, Ernest Hartley, ed. (1912).
606:
547:, S. L., p. , for 'Slush' read 'Hush').
445:
356:
305:O beauteous birds! 'tis such a pleasure
242: Away it goes; away so soon!
220:Still brighter and more bright it grew,
313:When silent night has closed her eyes:
301:O beauteous birds! methinks ye measure
284:Nay, treacherous image! leave my mind—
264:Nay, treacherous image! leave my mind—
252: Ever fading more and more,
238:Nay, treacherous image! leave my mind,
198:The Moon was high, the moonlight gleam
117:"Lewti, or the Circassian Love-chaunt"
528:Nay treach'rous image! leave my mind—
510:On that small vapour, thin and white!
343:Soothe, gentle image! soothe my mind!
147:, 1817, 1828, 1829, and 1834. In the
131:This poem was first published in the
7:
1219:The Nightingale: A Conversation Poem
620:
618:
616:
614:
612:
610:
558:To creep unseen with noiseless tread
317:The nightingale sings o'er her head:
297:The river-swans have heard my tread.
276:Have snatched aloft the lawny shroud
274: Now below and now above,
246:Its hues are dim, its hues are grey—
206:The rock half sheltered from my view
200: And the shadow of a star
20:Lewti, or the Circassian Love-chaunt
524:Shine brightly thro' as thin a mist
478:Nay, treach'rous image from my mind
210:So shines my Lewti's forehead fair,
568:)O beating heart had I the power.(
474:And Lewti's smiling mouth can shew
345:To-morrow Lewti may be kind.
341:Her bosom heave, and heave for me!
258:As white as my poor cheek will be,
190:At midnight by the stream I roved,
105:Sibylline Leaves (Coleridge)/Lewti
14:
906:Monody on the Death of Chatterton
520:And O! how sweet it were, I wist,
516:And pity dwells in Lewti's breast
335:All pale and wasted I would seem,
329:As these two swans together heave
325:I then might view her bosom white
309:I would it were your true delight
299:And startle from their reedy bed.
293:Like echoes to a distant thunder,
289:Hush! my heedless feet from under
226:Then the cloud was wholly bright,
208:By pendent boughs of tressy yew.—
865:
659:
637:(1898), edited by T. Hutchinson.
472:Now twinkling regular and white,
470:Now disappearing from the sight,
466:But only saw them o'er and o'er,
460:I heard no murmur of their roar,
458:All at once they broke in light;
454:Break against the distant shore.
400:
373:
359:
222:With floating colours not a few,
212:Gleaming through her sable hair.
99:
1287:The Rime of the Ancient Mariner
837:Person on business from Porlock
530:Ah, Lewti! why art thou unkind?
512:So thin it scarcely, I protest,
480:Depart; for Lewti is not kind.(
468:Break against the curved shore:
462:Nor ever I beheld them flowing,
321:That leafy labyrinth to thread,
270:I ne'er beheld so thin a cloud:
268:Thin, and white, and very high;
250:How mournfully it seems to fly,
230:And so with many a hope I seek,
1229:This Lime-Tree Bower My Prison
885:The Destruction of the Bastile
737:Roberts, Adam (14 June 2016).
715:"Notes on Coleridge's "Lewti""
464:Neither coming, neither going;
339:I'd die indeed, if I might see
286:For Lewti never will be kind.
254:To joyless regions of the sky—
244:Alas! it has no power to stay:
196:Depart; for Lewti is not kind.
1:
1010:Lines Written at Shurton Bars
389:
262:A dying man for love of thee.
234:And even so my pale wan cheek
1003:Lines on an Autumnal Evening
934:The Ballad of the Dark Ladié
624:Coleridge, ed. 1912, p. 253.
228:With a rich and amber light!
214:Image of Lewti! from my mind
202:Heaved upon Tamaha's stream;
194:Image of Lewti! from my mind
476:As white and regular a row.
456:All at once upon the sight,
327:Heaving lovely to my sight,
192:To forget the form I loved.
123:, first published in 1798.
1439:
920:Pain: Composed in Sickness
842:Coleridge's theory of life
713:Raysor, Thomas M. (1953).
679:Joughin, G. Louis (1943).
408:Circassian lady, possibly
27:by Samuel Taylor Coleridge
1377:Christabel Rose Coleridge
1031:Poems on Various Subjects
1024:Ode on the Departing Year
863:
795:
743:Samuel Taylor Bloggeridge
98:
25:
1383:Ernest Hartley Coleridge
1301:Time, Real And Imaginary
539:Line 53: Hush!] Slush! (
1403:(nephew and son-in-law)
1017:On Receiving an Account
965:The Fall of Robespierre
857:Suspension of disbelief
789:Samuel Taylor Coleridge
696:Mays, J. C. C. (1996).
121:Samuel Taylor Coleridge
1401:Henry Nelson Coleridge
996:The Destiny of Nations
719:Philological Quarterly
382:Henry Hall Pickersgill
179:
1234:To William Wordsworth
852:Romantic epistemology
1330:Biographia Literaria
1294:The Devil's Thoughts
1273:Hymn Before Sunrise
927:Songs of the Pixies
633:Note to reprint of
560:Then should I view(
493:Line 52: For] Tho'(
386:A Circassian Beauty
1066:To the River Otter
913:On Quitting School
822:Albatross metaphor
685:Studies in English
1410:
1409:
1389:Herbert Coleridge
1371:Hartley Coleridge
1365:Derwent Coleridge
1308:The Knight's Tomb
1214:Frost at Midnight
1209:Fears in Solitude
1199:Dejection: An Ode
1045:Religious Musings
585:Line 73: my] the(
424:Circassian beauty
412:
395:
368:
349:
348:
114:
113:
39:Iambic tetrameter
1430:
1319:Biographical and
1176:To Lord Stanhope
1038:Sibylline Leaves
970:Remorse (Osorio)
869:
782:
775:
768:
759:
754:
752:
750:
726:
709:
692:
663:
662:
658:
638:
631:
625:
622:
594:
591:Annual Anthology
583:
577:
574:Annual Anthology
566:Annual Anthology
554:
548:
541:Sibylline Leaves
537:
531:
504:
498:
491:
485:
450:
429:Circassian music
407:
404:
394:
391:
380:
377:
366:
363:
187:
144:Sibylline Leaves
139:Annual Anthology
103:
102:
55:Publication date
28:
21:
16:
1438:
1437:
1433:
1432:
1431:
1429:
1428:
1427:
1413:
1412:
1411:
1406:
1395:James Coleridge
1379:(granddaughter)
1347:
1322:
1320:
1313:
1251:
1248:Lyrical Ballads
1245:
1244:Late poetry and
1238:
1204:The Eolian Harp
1192:
1189:
1181:
1091:
1087:
1078:
988:
986:
979:
958:
951:
899:Easter Holidays
877:
870:
861:
800:
791:
786:
748:
746:
736:
733:
712:
695:
678:
675:
673:Further reading
660:
650:
647:
642:
641:
635:Lyrical Ballads
632:
628:
623:
608:
603:
598:
597:
584:
580:
559:
557:
555:
551:
538:
534:
529:
527:
525:
523:
521:
519:
517:
515:
513:
511:
509:
507:
505:
501:
492:
488:
479:
477:
475:
473:
471:
469:
467:
465:
463:
461:
459:
457:
455:
453:
451:
447:
442:
420:
413:
405:
396:
392:
378:
369:
364:
355:
350:
344:
342:
340:
338:
336:
334:
332:
330:
328:
326:
324:
322:
320:
318:
316:
314:
312:
310:
308:
306:
304:
302:
300:
298:
296:
294:
292:
290:
285:
283:
281:
279:
277:
275:
273:
271:
269:
267:
265:
263:
261:
259:
257:
255:
253:
251:
249:
247:
245:
243:
241:
239:
237:
235:
233:
231:
229:
227:
225:
223:
221:
219:
217:
215:
213:
211:
209:
207:
205:
203:
201:
199:
197:
195:
193:
191:
184:
162:The Nightingale
157:Lyrical Ballads
129:
100:
79:
26:
19:
12:
11:
5:
1436:
1434:
1426:
1425:
1415:
1414:
1408:
1407:
1405:
1404:
1398:
1392:
1386:
1380:
1374:
1368:
1362:
1359:Sara Coleridge
1355:
1353:
1349:
1348:
1346:
1345:
1340:
1333:
1325:
1323:
1318:
1315:
1314:
1312:
1311:
1304:
1297:
1290:
1283:
1276:
1269:
1266:France: An Ode
1262:
1254:
1252:
1243:
1240:
1239:
1237:
1236:
1231:
1226:
1221:
1216:
1211:
1206:
1201:
1195:
1193:
1186:
1183:
1182:
1180:
1179:
1172:
1165:
1158:
1151:
1148:To Mrs Siddons
1144:
1137:
1130:
1123:
1116:
1109:
1102:
1094:
1092:
1083:
1080:
1079:
1077:
1076:
1069:
1062:
1055:
1052:To a Young Ass
1048:
1041:
1034:
1027:
1020:
1013:
1006:
999:
991:
989:
987:Bristol poetry
984:
981:
980:
978:
977:
972:
967:
961:
959:
956:
953:
952:
950:
949:
937:
930:
923:
916:
909:
902:
895:
888:
880:
878:
875:
872:
871:
864:
862:
860:
859:
854:
849:
844:
839:
834:
829:
824:
819:
814:
808:
806:
802:
801:
796:
793:
792:
787:
785:
784:
777:
770:
762:
756:
755:
732:
731:External links
729:
728:
727:
710:
693:
674:
671:
670:
669:
646:
643:
640:
639:
626:
605:
604:
602:
599:
596:
595:
578:
576:, by S. T. C.)
549:
532:
499:
486:
444:
443:
441:
438:
437:
436:
431:
426:
419:
416:
415:
414:
410:Nazikeda Kadın
406:
399:
397:
393: 1843–50
379:
372:
370:
365:
358:
354:
351:
347:
346:
287:
185:
183:
180:
128:
125:
112:
111:
96:
95:
89:
88:
85:
81:
80:
78:
77:
74:
71:
68:
65:
62:
58:
56:
52:
51:
48:
42:
41:
36:
30:
29:
23:
22:
13:
10:
9:
6:
4:
3:
2:
1435:
1424:
1421:
1420:
1418:
1402:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1378:
1375:
1372:
1369:
1366:
1363:
1360:
1357:
1356:
1354:
1350:
1344:
1341:
1339:
1338:
1334:
1332:
1331:
1327:
1326:
1324:
1316:
1309:
1305:
1302:
1298:
1295:
1291:
1289:
1288:
1284:
1282:
1281:
1277:
1274:
1270:
1267:
1263:
1261:
1260:
1256:
1255:
1253:
1250:
1249:
1241:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1200:
1197:
1196:
1194:
1191:
1184:
1177:
1173:
1170:
1166:
1163:
1159:
1156:
1152:
1149:
1145:
1142:
1138:
1135:
1131:
1128:
1124:
1121:
1117:
1114:
1110:
1107:
1103:
1100:
1096:
1095:
1093:
1090:
1089:
1081:
1074:
1070:
1068:
1067:
1063:
1061:
1060:
1056:
1054:
1053:
1049:
1047:
1046:
1042:
1040:
1039:
1035:
1033:
1032:
1028:
1026:
1025:
1021:
1019:
1018:
1014:
1012:
1011:
1007:
1005:
1004:
1000:
998:
997:
993:
992:
990:
985:Cambridge and
982:
976:
973:
971:
968:
966:
963:
962:
960:
954:
947:
943:
942:
938:
935:
931:
928:
924:
921:
917:
914:
910:
907:
903:
900:
896:
893:
889:
886:
882:
881:
879:
873:
868:
858:
855:
853:
850:
848:
845:
843:
840:
838:
835:
833:
830:
828:
825:
823:
820:
818:
815:
813:
810:
809:
807:
803:
799:
798:List of poems
794:
790:
783:
778:
776:
771:
769:
764:
763:
760:
744:
740:
735:
734:
730:
724:
720:
716:
711:
708:(2): 164–187.
707:
703:
699:
694:
690:
686:
682:
677:
676:
672:
667:
666:public domain
656:
655:
649:
648:
644:
636:
630:
627:
621:
619:
617:
615:
613:
611:
607:
600:
592:
588:
582:
579:
575:
571:
567:
563:
553:
550:
546:
542:
536:
533:
503:
500:
496:
490:
487:
483:
449:
446:
439:
435:
432:
430:
427:
425:
422:
421:
417:
411:
403:
398:
387:
383:
376:
371:
362:
357:
352:
288:
189:
188:
181:
178:
173:
171:
167:
163:
159:
158:
152:
150:
146:
145:
140:
136:
135:
126:
124:
122:
119:is a poem by
118:
110:
106:
97:
94:
90:
86:
82:
75:
72:
69:
66:
63:
60:
59:
57:
53:
49:
47:
43:
40:
37:
35:
31:
24:
17:
1337:The Watchman
1335:
1328:
1285:
1278:
1257:
1246:
1188:Conversation
1127:To Kosciusko
1113:To Priestley
1084:
1072:
1064:
1057:
1050:
1043:
1036:
1029:
1022:
1015:
1008:
1001:
994:
945:
939:
876:Early poetry
847:Organic form
832:Pantisocracy
747:. Retrieved
742:
722:
718:
705:
701:
688:
684:
653:
634:
629:
590:
587:Morning Post
586:
581:
573:
572:Correction,
569:
565:
562:Morning Post
561:
552:
544:
540:
535:
502:
495:Morning Post
494:
489:
482:Morning Post
481:
448:
385:
175:
170:Morning Post
169:
155:
153:
149:Morning Post
148:
142:
141:, 1800; and
138:
134:Morning Post
132:
130:
116:
115:
92:
46:Rhyme scheme
1321:other works
1169:To Sheridan
702:Romanticism
434:Orientalism
127:Publication
1423:1798 poems
1391:(grandson)
1385:(grandson)
1361:(daughter)
1280:Kubla Khan
1259:Christabel
1162:To Southey
1120:To Fayette
1099:To Erskine
1088:Characters
1059:To Fortune
892:Dura Navis
827:Lake Poets
812:Early life
601:References
109:Wikisource
1397:(brother)
1343:Notebooks
1155:To Godwin
1141:To Bowles
817:Opium use
745:. Blogger
93:Full text
50:Irregular
1417:Category
1106:To Burke
691:: 66–93.
418:See also
1134:To Pitt
1086:Eminent
975:Zapolya
749:23 June
645:Sources
353:Gallery
166:Southey
1352:Family
805:Topics
725:: 207.
545:Errata
1373:(son)
1367:(son)
1190:poems
1073:Lewti
957:Plays
440:Notes
84:Lines
34:Meter
941:Love
751:2023
182:Text
76:1834
73:1829
70:1828
67:1817
64:1800
61:1798
570:MS.
107:at
1419::
741:.
723:32
721:.
717:.
704:.
700:.
689:23
687:.
683:.
609:^
589:,
564:,
543:;
390:c.
388:,
384::
87:83
1310:"
1306:"
1303:"
1299:"
1296:"
1292:"
1275:"
1271:"
1268:"
1264:"
1178:"
1174:"
1171:"
1167:"
1164:"
1160:"
1157:"
1153:"
1150:"
1146:"
1143:"
1139:"
1136:"
1132:"
1129:"
1125:"
1122:"
1118:"
1115:"
1111:"
1108:"
1104:"
1101:"
1097:"
1075:"
1071:"
948:)
944:(
936:"
932:"
929:"
925:"
922:"
918:"
915:"
911:"
908:"
904:"
901:"
897:"
894:"
890:"
887:"
883:"
781:e
774:t
767:v
753:.
706:2
668:.
593:)
497:)
484:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.