96:
187:
163:, assisted by a loan from Leopold; in 1782, Wolfgang, who had moved there before, wrote to Leopold about the loan, which was still unpaid: "Please have a little patience with poor Leutgeb. If you knew his circumstances and saw how he has to muddle through, you would certainly feel sorry for him. I shall have a word with him and I feel sure that he will pay you, at any rate by installments."
651:
639:
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Leutgeb continued to work as a horn player in Vienna (see following section), but did not retire from playing in 1792. Based on
Leutgeb's letter to Leopold older reference sources sometimes assert that Leutgeb ran a cheese shop; this in fact had been a sausage shop run by his father-in-law, who until
148:
Like
Leopold and Wolfgang, Leutgeb took frequent leaves from his job to perform in other cities, including Paris, Vienna, Frankfurt, and cities in Italy; the three of them actually toured together in Italy in February 1773. In Milan, Wolfgang and Leopold wrote home to Salzburg about Leutgeb's
218:
Mozart takes pity on
Leutgeb, ass, ox, and simpleton, at Vienna, 27 March 1783". In one place he marks the orchestra part "Allegro" and the solo part "Adagio", perhaps mocking the tendency of horn notes to come in late, dragging the tempo. For another possible instance, see
198:
K. 417, K. 495 and K. 412/386b (514) and "probably" the Horn
Quintet K. 407/386c. These date from Mozart's years in Vienna after his move there in 1781. The concertos are at the core of the solo horn literature and are widely performed today. These works were written for
234:
was away, he stayed for several nights at
Leutgeb's, "because I had discharged Leonore and I would have been all alone at home, which would not have been pleasant." Later the same year, after the highly successful premiere of his opera
80:, he "was the most prominent horn soloist in Vienna, and evidently one of the best received players on any solo instrument.". It is recorded that during the period 21 November 1761 to 28 January 1763 he performed horn concertos by
145:(20 August 1763), includes a list of people that Wolfgang told Leopold he missed; Leutgeb was one of them. Wolfgang was ultimately employed by the court music establishment and thus became Leutgeb's colleague.
706:
230:
Letters from the end of Mozart's life suggests that
Leutgeb did not mind the teasing and that the two had a good friendship. A letter by Mozart of 6 June 1791 indicates that, while his wife
178:) indicates he was a fine performer: the reviewer said Leutgeb was a "superior talent", with the ability to "sing an adagio as perfectly as the most mellow, interesting and accurate voice".
214:
Mozart had a curious joking relationship with
Leutgeb, seen for instance in the mocking comments he placed in Leutgeb's horn parts. K. 417 bears the mock dedication: "Wolfgang
119:
showed that
Leutgeb's signature can be found on the autograph score of Haydn's Horn concerto. In February 1763 Leutgeb was briefly a part of the musical establishment of the
527:
681:
241:, Mozart repeatedly took friends and relatives to performances, and wrote in a letter (8–9 October) "Leutgeb begged me to take him a second time and I did so."
686:
126:
In the same year
Leutgeb moved to Salzburg and joined the musical establishment of the ruling Prince-Archbishop, and thus became a colleague of
115:
VIId/3D, for
Leutgeb. The two were likely friends, as on 3 July 1763 Haydn's wife served as godmother for Leutgeb's child Maria Anna Apollonia.
691:
548:
194:
Leutgeb was most likely Mozart's favorite horn player, as a number of the composer's works were written for him. These include the
123:
family, directed at the time by Haydn. He was paid a "high yearly salary" but departed, for reasons unknown, after only one month.
583:
701:
696:
171:", producing Italian sausages. The sausage shop was sold in 1764. Leutgeb never owned a cheese shop. Leutgeb died in Vienna.
509:
465:
116:
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220:
69:
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invented the valve, patented in 1818. Leutgeb thus needed to exercise great lip control, as well as using the
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138:
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46:
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has claimed they had a purpose, specifically "to make some musical suggestions to the interpreters."
153:
58:
204:
223:. The multicolored inks in K. 495 are often taken to be a kind of joke, though Mozart biographer
544:
540:
112:
643:
536:
497:
231:
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186:
571:
237:
81:
621:
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Joseph Haydn, Hornkonzert D-Dur, Hob. VIId:3. Faksimile der autographen Partitur (1762)
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127:
73:
375:
The story is reported, for instance, in the influential mid-19th century biography by
665:
613:
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Pisarowitz, Karl Maria (1970). "Mozarts Schnorrer Leutgeb; Dessen Primärbiographie".
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208:
158:
134:
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77:
63:
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104:
38:
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68:, today a suburb of Vienna, but little is known of his early years. The composer
595:
89:
600:
The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart
485:
376:
616:"Leutgeb and the 1762 horn concertos of Joseph and Johann Michael Haydn",
137:. He also made friends with a seven-year-old child prodigy, Leopold's son
168:
492:. Vol. 2. Translated by Pauline D. Townsend. London: Novello, Ewer.
17:
72:
stated that Leutgeb performed in Vienna in the early 1750s for Prince
525:
Morley-Pegge, Reginald; Hiebert, Thomas (2001). "Leutgeb , Joseph ".
76:. During the early 1760s, Leutgeb's career flourished; according to
185:
152:
In 1777, Leutgeb moved back to Vienna and bought a small house in
94:
309:
307:
203:, the valved instrument not being invented until after 1814 when
504:. Translated by Mary Whittall. Oxford: Oxford University Press.
174:
A press review of one of Leutgeb's performances in Paris (
37:; 6 October 1732 – 27 February 1811) was an outstanding
297:, Haydn did not stand godparent of Leutgeb's daughter (
627:
258:
256:
254:
560:
Mitteilungen der Internationalen Stiftung Mozarteum
313:
211:technique (hand in bell) to play chromatic notes.
707:18th-century musicians from the Holy Roman Empire
325:Haydn's appointment took effect 14 August 1763;
149:reception and predicted great success for him.
363:
8:
27:Horn player of the classical era (1732–1811)
289:, p. 22 Contrary to the assumption of
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286:
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103:Heartz suggests that at this time (1762)
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541:10.1093/gmo/9781561592630.article.16499
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404:
250:
45:, a friend and musical inspiration for
478:Haydn, Mozart, and the Viennese School
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262:
294:
7:
682:18th-century Austrian male musicians
392:
380:
141:. A letter to friends from Leopold,
167:his death in 1763 had worked as a "
25:
143:traveling with his family on tour
687:18th-century classical musicians
649:
637:
588:The Concerto: A Listener's Guide
576:Mozart: A Documentary Biography
314:Morley-Pegge & Hiebert 2001
130:and (later the same year), the
1:
466:Gesellschaft der Musikfreunde
692:Austrian classical musicians
70:Carl Ditters von Dittersdorf
598:; Cowdery, William (1990).
518:michaelorenz.blogspot.co.at
514:"A Little Leitgeb Research"
502:Mozart: A Musical Biography
723:
590:. Oxford University Press.
364:Zaslaw & Cowdery 1990
182:Relationship with Mozart
618:Mozart-Jahrbuch 1987/88
533:Oxford University Press
329:article "Michael Haydn"
190:Wolfgang Amadeus Mozart
88:and Dittersdorf at the
47:Wolfgang Amadeus Mozart
191:
100:
702:People from Ottakring
697:Austrian horn players
189:
98:
57:Leutgeb was born in
602:. New York: Norton.
419:, pp. 231–232.
293:, p. 277) and
584:Steinberg, Michael
528:Grove Music Online
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101:
550:978-1-56159-263-0
362:Translation from
176:Mercure de France
16:(Redirected from
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578:. HarperCollins.
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531:(8th ed.).
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498:KĂĽster, Konrad
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490:Life of Mozart
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474:Heartz, Daniel
470:
452:
449:
446:
445:
443:, p. 487.
433:
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397:
395:, p. 338.
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355:
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351:Steinberg 1998
343:
341:, p. 227.
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279:
277:, p. 277.
267:
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196:Horn Concertos
183:
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169:Cerveladmacher
154:Altlerchenfeld
132:Konzertmeister
128:Leopold Mozart
117:Michael Lorenz
74:Hildburghausen
59:Neulerchenfeld
54:
51:
41:player of the
31:Joseph Leutgeb
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109:Concerto in D
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86:Michael Haydn
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78:Daniel Heartz
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43:classical era
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441:Solomon 1995
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295:Fuchs (2009)
291:Heartz (1995
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201:natural horn
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105:Joseph Haydn
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99:Joseph Haydn
56:
34:
30:
29:
677:1811 deaths
672:1732 births
622:Bärenreiter
417:KĂĽster 1996
407:, p. .
339:KĂĽster 1996
299:Lorenz 2013
275:Heartz 1995
263:Lorenz 2013
157: [
90:Burgtheater
62: [
666:Categories
620:, Kassel:
486:Jahn, Otto
464:. Vienna:
451:References
107:wrote his
644:Biography
520:. Vienna.
480:. Norton.
393:Jahn 1891
381:Jahn 1891
377:Otto Jahn
327:New Grove
232:Constanze
121:Esterházy
586:(1998).
574:(1995).
512:(2013).
500:(1996).
488:(1891).
476:(1995).
460:(2009).
139:Wolfgang
630:Portals
35:Leitgeb
18:Leutgeb
547:
221:K. 412
245:Notes
216:Amadé
161:]
66:]
564:VIII
545:ISBN
113:Hob.
53:Life
39:horn
33:(or
537:doi
668::
562:.
543:.
535:.
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306:^
301:).
253:^
159:de
111:,
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64:de
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20:)
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