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A man of independent views, talented, direct, sometimes ruthless in assessments and judgments, astonishing those who knew him closely with his monstrous capacity for work, he eschewed the public life of the Union of
Artists, was intolerant of any manifestations of mediocrity and imitation of creativity. In fact, during the Brezhnev years of stagnation and developed socialism he remained a man of the Khrushchev's thaw. In 1970–1980 Russov rarely showed his work at art exhibitions. His life was divided between a city workshop, a house in Pavshino on Oredezh and communication with a narrow circle of old friends. In fairness, we must admit that the existing system did not reject such artists, allowing them to have almost free materials and a workshop for creative work in exchange for minimal loyalty.
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preference in his work to the latter aspect, separated, as it were, the subject's inner world from the outward predetermined features of the type that marked many works of portraiture. In his paintings one can trace a connection with the work of
Valentin Serov and the manner of Osip Braz and Andreas Zorn. Organically connecting the figure and the background, which he successfully used as a means of heightening the expressiveness of the image, Russov at the same time accords each of his subjects the right to “personal space”, as, for example, in the portraits of Ekaterina Balebina, Natalya Orlova or the young country girl Natasha Savelyeva.
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artistic taste. The color scheme is dominated by pearl and purple tones. The manner of the artist is distinguished by a powerful pictorial language, wide writing, sharp composition, interest in unexpected rakurs. Rusov possessed a rare ability to capture the fleeting states of model, to quickly embody a pictorial idea on canvas – immediately and unusually convincingly. The images he created combine the expressiveness of individual characteristics with a vivid embodiment of the typical features of contemporaries.
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Pavshino on the
Oredezh River near Leningrad, where in the late 1950s a group of young artists settled: G. Bagrov, E. Shram, K. Slavin and N. Slavina, L. Kuzov, A. Yakovlev, G. Antonov. Here on the Oredezh river, first in the village of Nakol, then in Pavshino Rusov finds the heroines of her new portraits: Aunt Polya, the sisters Zoya and Kira, the village girl Natasha Savelyeva. It was her portrait, painted by Rusov in 1958, for the first time that was truly noticed and appreciated by critics.
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192:, into a family of employees. His father Alexander Semionovich Russov came from peasants of the Nizhny Novgorod Governorate, his mother Iraida Semionovna Nemtsova was from Kostroma. In 1939, passion for drawing leads Russov to the art studio of the Vyborgsky district of Leningrad, where he is engaged up to the outbreak of war.
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293:), who will soon become his wife, the mother of his son Andrei and the main muse. Charming and lively, full of self-sacrifice, she will serve for Russov as a model for many paintings and portraits, create and protect the world in which the artist's creative gift will unfold and sparkle in full strong.
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The works of the 1950-1960s moved Lev Russov into the leading masters of portraiture. However, for the general public and even for many colleagues in the
Leningrad Union of Artists, he remained virtually unknown. The explanation for this must be sought primarily in the character traits of the artist.
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According to the researchers of the artist's creativity, with the full strength Russov's pictorial talent was revealed in a series of portraits of his contemporaries painted in the 1950s and the first half of the 1960s, which brought fame and recognition to the author. For ten years, Russov created a
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Most of his still lifes convey not only the interior of the artist's workshop and the object world surrounding him, but also the atmosphere, the flour of creativity in which the creator's ideas are born and implemented. Moreover, their art form, despite the apparent ease of execution, is thought out
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In
Leningrad portrait-painting at the turn of the 1960s a certain conflict still persisted between the task of producing a typified image and the simultaneous desire on the part of the artist to touch upon “the hidden movements of the soul”. It is no coincidence that Lev Russov, who gave unambiguous
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Lev Russov had another desirable dream-topic: Mravinsky and
Shostakovich, but the disease, lack of life time and energy did not allow to realize it in its final form. Leva and Yevgeny Alexsandrovich talked for a long time and more than once about the method of implementing this idea, but this topic
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Lev
Alexsandrovich Russov died on 20 February 1987 in Leningrad in the sixty-second year of his life from heart disease. His works reside in museums and private collections in Russia, US, Norway, Great Britain, Sweden, France and other countries. The widow of the artist Ekaterina Vasilievna Russov
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Along with the expressiveness of the form, the portraits of Russov are distinguished by the depth and psychologism of the images, careful selection and study of model. Its another important reason for the success of his works. Some of his best works of this period Russov painted in the village of
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In the work on the portrait, Rusov manages to grab the fleeting state of model, which, with prolonged posing, eludes most artists. He knows how to keep this first impression to the end and convey to the viewer. Therefore, in his works, nature is alive, and this feeling of a lively look of living
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Portrait "Natasha" by Lev Russov pleases of the sincere interest of the artist in the inner world of man. The background of the portrait and the dress of the girl are done with sweeping, strong strokes. But they do not catch the eye, do not lead away from the shaded face, which was also written
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At meetings, both, as a rule, rushed to talk about nature, about fishing (fishing rods, lures, tackle, etc.), since life outside the city was for both as the basis of creative charge, a source of spiritual reserves. lively by nature, temperamental and talkative, Lyovushka Russov had a grateful
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The portrait was painted by Rusov for two years and was completed in 1957. In the same year it was first shown at the anniversary exhibition in the State
Russian Museum. Unlike most famous portraits, Mravinsky is depicted in a home environment, when a person belongs only to himself and reveals
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The portraits of this period fall at the time of the highest creative upsurge of Russov as the painter, and constitute the most valuable part of his diverse artistic heritage. They are distinguished by an extraordinary expressiveness of images, courage of compositional decisions, unmistakable
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His coming always brought light, a smile, joy and unselfish communication into life. Yevgeny
Alexsandrovich's acquaintance and friendship with Leva Russov was measured for decades, and therefore the atmosphere of the conversations was sincere and simple. Lyovushka was aware of all of Yevgeny
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Among the only few friends of
Yevgeny Aleksandrovich Mravinsky, who had the right to ring the door of the apartment without prior arrangement by phone, was Lyovushka Russov — that was what he was called in our house. Is appeared – as if he just dropped out the sky! At any time of the day – a
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Still-life in the works of Russov is closely connected with the colorful and compositional tasks that the artist set for himself in the work on the portrait. Hence the sharpness and freshness of compositional solutions, the internal dramatic and tension in his works of this genre. It is no
559:(1980). Russov worked for a long time on the concept and composition of the picture, rejecting one option after another. It is difficult to judge the extent to which its final version satisfied the artist. It can be assumed that, if he had the strength and time, this work could continue.
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In mid-1960s Lev Russov enjoys wooden sculpture and Russian folk epic. From now until the end of life it becomes the main theme of his work, surpassing the painting. From his hands came out a lot of superb sculptures, from small figurines to large forms, such as
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In 1960–1980 Russov creative life was divided between the Leningrad art studio, the home in Fonarny Lane and the village of Pavshino on the Oredezh River, where on the high bank of the river he built a cottage with a workshop and worked many months each year.
240:. However, having studied for two years for health reasons had to leave class. In 1951–1955 Russov taught drawing in the secondary schools of Leningrad, while continuing to work on his painting skills using the experience gained while studying at the Academy.
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coincidence that, in terms of expressiveness and depth of images, the best works by Russov in the still life genre are not inferior to his well-known portraits. This sets them apart from others paintings created in this genre in 1950–1970.
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Russov's acquaintance with Yevgeny Mravinsky in 1955 quickly grew into a friendship that lasted until the end of the artist's life. For thirty years, Rusov painted several portraits of the outstanding conductor, the most famous of which is
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gallery of portraits that enriched the various types of modern portraiture. The beginning of it was laid on female images, among which portraits of the wife and young women from the circle of common friends stand out. Among them were
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The year 1955 was marked for Russov by meetings with people who changed his personal and creative destiny. He meets Ekaterina Vasilievna Balebina (born 29 December 1933, the daughter of Vasily Balebin, the famous torpedo bomber,
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377:(all 1962), is distinguished by great decorativeness, generalization of the drawing and the sharpness of the composition, which Russov used in searching for means of enhancing the expressiveness of the image.
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The creative life of Lev Russov, unusual and contradictory, contained two periods of unequal length and significance, one of which was devoted to painting, and the other mainly to wooden sculpture.
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and Veniamin Kremer. In addition to portraits, Russov during these years painted genre compositions, still lifes, landscapes, worked in the technique of oil painting, watercolors and woodcuts.
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869:Аnatoli F. Dmitrenko, Ruslan A. Bakhtiyarov. The Leningrad School and the Realistic Tradition of Russian Painting // The Leningrad School of Painting. Essays on the History. St Petersburg:
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and he is invited to participate in art exhibitions together with leading masters of the fine arts of Leningrad. At the Spring Art Exhibitions of 1954 and 1955, he presented works
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Trips in the mid-1950s to Oredezh, first to Nakol village, and then to Pavshino, marked the beginning of a remarkable series of portraits of children and young people. Among them
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In the future, Russov's interest in historical topics was expressed in numerous works of wooden sculpture, as well as in a some paintings, in particular in the painting
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listener and narrator in the face of Yevgeny Alexandrovich. These parties, of course, were slightly accompanied by vodka and Prishvin-style stories until late at night.
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In the 1970s, Russov turned to the theme of two great contemporaries – Dmitry Shostakovich and Yevgeny Mravinsky, she found its embodiment in the picture
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167:; 31 January 1926 – 20 February 1987) was a Soviet Russian painter, graphic artist, and sculptor, living and working in Leningrad, a member of the
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500:(1972), and others. In a male portrait, regardless of the social status of the model, the artist is attracted by strong independent persons.
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In critical reviews of the Fall Art Exhibition of 1958, Leningrad newspapers gave this portrait a prominent place. E. Kovtun, in his article
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1383:Данилова А. Становление ленинградской школы живописи и ее художественные традиции // Петербургские искусствоведческие тетради. Вып. 21.
912:Русов Л. А. Портрет Е. А. Мравинского // 80 лет Санкт-Петербургскому Союзу художников. Юбилейная выставка. СПб, Цветпринт, 2012. С.208.
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and personal freedom-loving aspirations of the author. Shown at the end of 1956 at the Autumn exhibition of Leningrad artists works
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fluently, but at the same time carefully, subtly, thoughtfully. The girl's inquisitive eyes, her inspired face attract attention.
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1413:Портрет Е. А. Мравинского // 80 лет Санкт-Петербургскому Союзу художников. Юбилейная выставка. СПб., Цветпринт, 2012. С.208.
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In the years 1954–1956 Lev Russov was drawn to the historical genre, creating a series of eight paintings on the novel by
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Aleksandrovich's creative and everyday experiences, he loved music, knew it, had an excellent memory and refined taste.
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outlived her husband by 15 years and died on June 20, 2002, in St. Petersburg at the sixty-ninth year of life.
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In the same years, Russov painted of known art workers, as well as workers and collective farmers. Among them
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1917–1957. Выставка произведений ленинградских художников. Каталог. Л., Ленинградский художник, 1958. С.28.
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Artist Lev Russov (1926–1987). Masterpieces of Portrait Painting. The Leningrad School. Part 1 (VIDEO)
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1391:- Saint Petersburg: NP-Print Edition, 2007. – pp. 12, 15, 24, 28, 368, 414-416, 420, 422-423.
930:Выставка произведений ленинградских художников 1961 года. Каталог. Л., Художник РСФСР, 1964. С.34.
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Directory of Members of the Union of Artists of USSR. Vol. 2. Moscow, Soviet artist, 1979. P.290.
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and brought to perfection by the author. Among Russov's works in this genre, sources distinguish
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Characterizing the work of Russov, art historians Anatoli Dmitrenko and Ruslan Bakhtiyarov note:
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626:(all 1956), first brought the author fame and claimed him as a master of historical painting.
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From the Memoirs of Alexander Mikhailovna Vavilina-Mravinsky, the widow of Yevgeny Mravinsky:
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From the Memoirs of Alexander Mikhailovna Vavilina-Mravinsky, the widow of Yevgeny Mravinsky:
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In December 1941, along with his mother he was evacuated from the siege of Leningrad in the
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1323:// Афиша. Еженедельное приложение к газете Санкт-Петербургские ведомости. 1996, 2 марта.
422:(обе 1960). In the 1960s, this series of works was supplemented by portraits of the son
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the amazing immediacy and freshness of feelings that bribes in this work of L. Russov
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903:Шумова М. Не уступать завоёванных рубежей! // Ленинградская правда, 1958, 2 декабря.
894:Ковтун Е. Заметки о художественной выставке // Вечерний Ленинград, 1958, 29 ноября.
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Matthew C. Bown. Dictionary of 20th Century Russian and Soviet Painters 1900-1980s
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is so monumental, just as unrealizable, depending on the God-given times for both.
1306:Лирика в произведениях художников военного поколения. Живопись. Графика. Каталог.
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The Spring Exhibition of works by Leningrad artists of 1954. Exhibition Catalogue
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The Fall Exhibition of works by Leningrad artists of 1956. Exhibition Catalogue.
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In 1945, in connection with the return to Leningrad Russov was transferred to
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Artist Lev Russov (1926–1987). Painting. The Leningrad School. Part 2 (VIDEO)
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1276:Зональная выставка произведений ленинградских художников 1980 года. Каталог.
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The known art works that continued them in the late 1950s and early 1960s –
259:(both 1955) to attract attention to himself as a talented portrait painter.
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1419:// Петербургские искусствоведческие тетради. Выпуск 23. СПб., 2012. С.7-15.
1340:Натюрморт в живописи 1940–1990 годов. Ленинградская школа. Каталог выставки
1218:Осенняя выставка произведений ленинградских художников. 1956 года. Каталог.
1210:Весенняя выставка произведений ленинградских художников 1955 года. Каталог.
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After graduation Russov entered the first course of Painting Department of
1292:Этюд в творчестве ленинградских художников. Выставка произведений. Каталог
1246:Осенняя выставка произведений ленинградских художников 1958 года. Каталог.
1425:// Петербургские искусствоведческие тетради. Вып. 31. СПб, 2014. С.17-26.
966:// Петербургские искусствоведческие тетради. Выпуск 23. СПб., 2012. С.12.
954:// Петербургские искусствоведческие тетради. Выпуск 23. СПб., 2012. С.11.
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588:. Choosing a theme and its figurative embodiment echoed the mood of the
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Institute of Painting, Sculpture and Architecture named after Ilya Repin
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The Spring Exhibition of works by Leningrad artists of 1955. Catalogue
1423:Логвинова Е. Круглый стол по ленинградскому искусству в галерее АРКА
1314:Живопись 1940–1990 годов. Ленинградская школа. Выставка произведений
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Etudes from the life in creativity of the Leningrad School's artists
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1917–1957. Выставка произведений ленинградских художников. Каталог.
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1917–1957. Выставка произведений ленинградских художников. Каталог.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
1262:Выставка произведений ленинградских художников 1961 года. Каталог.
1254:Выставка произведений ленинградских художников 1960 года. Каталог.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
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1202:Весенняя выставка произведений ленинградских художников. Каталог.
319:, it consisted of the only lifetime exhibition of Russov's works
1054:. St Petersburg, ARKA Gallery Publishing, 2019. С.209, 327, 332.
1042:. St Petersburg, ARKA Gallery Publishing, 2019. С.251, 327, 333.
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people is almost the most exciting in the artist's portraits.
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Circle of Artists of the House of creativity «Staraya Ladoga»
1195:Центральный Государственный Архив литературы и искусства. СПб
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Lyrical motives in the works of artists of the war generation
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Leningrad Physical-Technical Institute named after A.F. Ioffe
1183:"Still life in Painting of 1950-1990s. The Leningrad School"
1284:Ленинградские художники. Живопись 1950–1980 годов. Каталог.
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The Spring Exhibition of works by Leningrad artists of 1955
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The Spring Exhibition of works by Leningrad artists of 1954
992:. St Petersburg, ARKA Gallery Publishing, 2019. P.240-241.
1011:. St Petersburg, ARKA Gallery Publishing, 2019. Plate 195.
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Regional Exhibition of works by Leningrad artists of 1980
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The Fall Exhibition of works by Leningrad artists of 1958
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The Fall Exhibition of works by Leningrad artists of 1956
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Sergei V. Ivanov. Riddles early portraits by Lev Russov.
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Painters of the Leningrad Union of Artists of 1932-1991
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Paintings of 1950-1980s by the Leningrad School artists
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The Leningrad School of Painting. Essays on the History
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The Leningrad School of Painting. Essays on the History
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The Leningrad School of Painting. Essays on the History
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The Leningrad School of Painting. Essays on the History
769:. St Petersburg, ARKA Gallery Publishing, 2019. P.354.
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The Leningrad School of Painting. Essays on the History
1064:Иванов С. Неизвестный соцреализм. Ленинградская школа.
1021:Иванов С. Неизвестный соцреализм. Ленинградская школа.
1299:Русов Л. А. Зоя // Иванов С. В. Этюд в багровых тонах
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1917–1957. Leningrad Artist's works of Art Exhibition
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Mysteries of early portraits of Lev Russov (Rus, En)
829:. Leningrad, Leningrad Union of Artists, 1956. P.16.
815:. Leningrad, Leningrad Union of Artists, 1954. P.17.
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The Leningrad Symphony. Conductor Yevgeny Mravinsky
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1301:// Санкт-Петербургские ведомости. 1994, 9 декабря.
629:These works, and above all the double portrait of
1444:Exhibition of Lev Russov in ARKA Fine Art Gallery
1136:Exhibition of works by Leningrad artists of 1961
1128:Exhibition of works by Leningrad artists of 1960
706:Wife Ekaterina Vasilievna Balebiba (1933–2002);
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1437:Solo Exhibition of Lev Russov in Museum of Art
277:on the recommendations of the famous painters
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1176:Paintings of 1940-1990s. The Leningrad School
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1233:Е. Ковтун. Заметки о художественной выставке
980:Leningrad, The Leningrad Artist, 1958. P.21.
964:Иванов С. В. О ранних портретах Льва Русова.
952:Иванов С. В. О ранних портретах Льва Русова.
1239:М. Шумова. Не уступать завоёванных рубежей!
465:of 2 December 1958, wrote about this work:
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1333:Саблин В. Ленинградская школа в Петербурге
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2001:Members of the Leningrad Union of Artists
1241:// Ленинградская правда. 1958, 2 декабря.
219:(now known as an Art College named after
1417:Иванов С. О ранних портретах Льва Русова
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177:, most known for his portrait painting.
1235:// Вечерний Ленинград. 1958, 29 ноября.
1229:Л., Ленинградский художник, 1958. С.28.
1221:Л., Ленинградский художник, 1958. С.21.
942:Л., Ленинградский художник, 1958. С.28.
871:ARKA Gallery Pudlishing, 2019. P.61-64.
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486:Portrait of Actor Vladislav Strzhelchik
1335:// Вечерний Петербург. 1996, 21 марта.
296:In the same year, Lev Russov met with
884:Загадки ранних портретов Льва Русова.
859:St Petersburg, NP-Print, 2007. P.151.
453:dated 29 November 1958, wrote about
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1805:House of creativity «Staraya Ladoga»
1347:Славин К., Славина Н. Были мы молоды
1327:Визирякина Т. Эпоха. Время. Художник
841:St Petersburg, NP-Print, 2007. P.65.
788:St Petersburg, NP-Print, 2007. P.368
709:Son Andrei Lvovich Russov (b. 1960).
689:and the relief on the epic theme of
273:In 1955, Russov was admitted to the
269:Building on Bolshaya Morskaya st, 38
223:), from which he graduated in 1947.
1639:Exhibition in Russian Museum (1960)
478:Portrait of Young Collective Farmer
1754:Lyrical Themes in Postwar Painting
537:phenomenon ordinary to the owners.
257:Portrait of artist Veniamin Kremer
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740:Saint Petersburg Union of Artists
459:Do not surrender the won borders!
406:(1957), twin portrait of sisters
275:Leningrad Union of Soviet artists
1759:Painting of the Leningrad School
1744:Leningrad painting of 1950-1980s
1589:Exhibitions of Leningrad Artists
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1329:// Невское зеркало. 1996, No. 7.
1271:. Нева. 1972. No. 1. С. 202—205.
209:Building on Tavricheskaya st, 35
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2011:Tavricheskaya Art School alumni
1749:Etude in Painting of 1940-1980s
1719:Portrait of Contemporary (1976)
1624:All-Union Art Exhibition (1957)
1279:Л., Художник РСФСР, 1983. С.22.
1265:Л., Художник РСФСР, 1964. С.34.
1257:Л., Художник РСФСР, 1961. С.35.
1249:Л., Художник РСФСР, 1959. С.23.
612:A Boarding (Insurgent Flandria)
608:On the Fields of the Motherland
317:Academy of Sciences of the USSR
188:was born on 31 January 1926 in
1854:Portrait of Catherine Balebina
720:Portrait of Catherine Balebina
585:The Legend of Thyl Ulenspiegel
396:Portrait of Catherine Balebina
348:Portrait of Young Woman in Red
339:Portrait of Catherine Balebina
243:Soon Russov shows his work in
136:Portrait of Catherine Balebina
1:
1934:Still life with Pussy-Willows
1902:Portrait of Yevgeny Mravinsky
1724:Fine Arts of Leningrad (1976)
1659:"Leningrad" Exhibition (1964)
1619:Anniversary Exhibition (1957)
725:Portrait of Yevgeny Mravinsky
521:Portrait of Yevgeny Mravinsky
511:A Portrait of E. A. Mravinsky
482:Portrait of Yevgeny Mravinsky
1521:Leningrad School of Painting
1066:СПб, НП-Принт, 2007. С.171.
735:Leningrad School of Painting
652:Still-Life with Seneca. 1963
457:. M. Shumova in the article
174:Leningrad school of painting
1704:Exhibition of Eleven (1972)
1023:СПб, НП-Принт, 2007. С.22.
528:himself in his true guise.
375:Portrait of Maria Korsukova
2027:
1896:(by Alexander Samokhvalov)
1832:(by Alexander Samokhvalov)
1739:Regional Exhibition (1980)
1558:Leningrad Union of Artists
1363:. - London: Izomar, 1998.
447:Notes on an Art Exhibition
267:Leningrad Union of Artists
245:Leningrad Union of Artists
171:and representative of the
169:Leningrad Union of Artists
165:Ле́в Алекса́ндрович Ру́сов
2006:Socialist realist artists
1910:Russian Winter. Hoarfrost
1872:(by Vladimir Ovchinnikov)
1729:Art belongs People (1977)
1532:
1269:В. Бойков. И тема и образ
1181:1997 (Saint Petersburg):
1173:1996 (Saint Petersburg):
1165:1995 (Saint Petersburg):
1157:1994 (Saint Petersburg):
1149:1994 (Saint Petersburg):
344:Portrait of Natali Orlova
164:
28:
1996:Leningrad School artists
1790:Tavricheskaya Art School
1764:Still life of 1950-1990s
1734:Autumn Exhibition (1978)
1709:By native country (1972)
1684:Spring Exhibition (1969)
1679:Autumn Exhibition (1968)
1664:Spring Exhibition (1965)
1654:Autumn Exhibition (1962)
1629:Autumn Exhibition (1958)
1614:Autumn Exhibition (1956)
1609:Spring Exhibition (1955)
1604:Spring Exhibition (1954)
490:Portrait of Young Caster
291:Hero of the Soviet Union
216:Tavricheskaya Art School
207:Tavricheskaya Art School
186:Lev Alexandrovich Russov
157:Lev Alexandrovich Russov
98:Tavricheskaya Art School
23:Lev Alexandrovich Russov
1920:(by Alexander Semionov)
1785:Repin Institute of Arts
1714:Our Contemporary (1975)
1699:Our Contemporary (1972)
1694:Our Contemporary (1971)
1205:Л., Изогиз, 1954. С.17.
667:Still-Life with Bouquet
352:Portrait of Young Woman
104:Repin Institute of Arts
1960:(by Yevsey Moiseyenko)
1918:Malaya Sadovaya street
1888:(by Yevsey Moiseyenko)
1795:Vera Mukhina Institute
675:Art Studio. Still-Life
663:Still-Life with Seneca
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1952:(by Evgenia Antipova)
1880:(by Nikolai Pozdneev)
1824:(by Nikolai Baskakov)
1516:Fine Art of Leningrad
1213:Л., ЛССХ, 1956. С.16.
1080:Principal exhibitions
730:Fine Art of Leningrad
651:
519:
424:Andrei with the Horse
394:
265:
205:
1870:Spring is on the way
1800:Secondary Art School
1769:In Memory of Teacher
1674:Soviet Russia (1967)
1669:Soviet Russia (1965)
1644:Soviet Russia (1960)
1385:СПб, 2011. С.94—105.
1197:. Ф.78. Оп.8. Д.141.
677:(1979), and others.
354:(1957), and others.
1936:(by Taisia Afonina)
1912:(by Nikolai Timkov)
1840:(by Victor Teterin)
1349:. СПб., РИД, 2000.
1321:Ленинградская школа
581:Charles de Coster's
430:(1965) and others.
428:Portrait of the Son
1928:(by Sergei Osipov)
1864:(by Rudolf Frentz)
1848:(by Sergei Osipov)
1689:Exhibition of 1970
1649:Exhibition of 1961
1634:Exhibition of 1960
1599:Exhibition of 1951
1594:Exhibition of 1950
1343:. СПб., 1997. С.4.
1317:. СПб., 1996. С.4.
1295:. СПб., 1994. С.6.
1141:1980 (Leningrad):
1133:1961 (Leningrad):
1125:1960 (Leningrad):
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1093:1955 (Leningrad):
1085:1954 (Leningrad):
654:
638:Strolling Buffoons
525:
494:Aunt Pola with hen
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271:
211:
1968:
1967:
1944:(by Gleb Savinov)
1838:Quince and Teapot
1405:978-5-901724-21-7
1377:978-0-9532061-0-0
1355:978-5-89132-016-1
1072:978-5-901724-21-7
1029:978-5-901724-21-7
998:978-5-6042574-2-5
775:978-5-6042574-2-5
620:Death to traitors
604:A Death of father
451:Leningrad Evening
449:in the newspaper
298:Yevgeny Mravinsky
249:A Girl with a Bow
238:Genrikh Pavlovsky
154:
153:
2018:
1886:Mothers, Sisters
1822:Lenin in Kremlin
1538:
1509:Related articles
1502:Art of Leningrad
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1287:СПб., 1994. С.6.
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64:(1987-02-20)
52:Soviet Union
49:Russian SFSR
1986:1987 deaths
1981:1926 births
1926:Cornflowers
1830:Cafe Gurzuf
1582:Exhibitions
1411:Русов Л. А.
600:On Tortures
498:Stell-Maker
420:Little Bows
363:Fresh Model
81:Nationality
1975:Categories
1894:In the Sun
1878:Spring Day
1862:Horsewoman
1545:Art groups
1526:Chronology
746:References
644:Still-Life
323:Creativity
1568:Nevsky-25
513:of 1957.
504:Mravinsky
251:(1954),
190:Leningrad
181:Biography
123:Sculpture
93:Education
70:Leningrad
45:Leningrad
1950:A Midday
714:See also
673:(1964),
669:(1959),
665:(1963),
640:(1976).
496:(1961),
492:(1961),
488:(1957),
484:(1957),
480:(1956),
426:(1963),
414:(1958),
410:(1958),
365:(1961),
361:(1959),
350:(1956),
346:(1956),
342:(1956),
331:Portrait
143:Movement
119:Graphics
115:Painting
691:Zastava
596:A Birth
416:Natasha
412:Natasha
161:Russian
148:Realism
86:Russian
1958:Cherry
1403:
1395:
1375:
1367:
1353:
1070:
1027:
996:
773:
701:Family
523:. 1957
398:. 1956
371:Narine
1563:Mitki
1401:ISBN
1393:ISBN
1373:ISBN
1365:ISBN
1351:ISBN
1068:ISBN
1025:ISBN
994:ISBN
771:ISBN
404:Zoya
367:Kira
255:and
236:and
59:Died
38:Born
461:in
1977::
1399:,
1371:,
697:.
693:,
622:,
618:,
614:,
610:,
606:,
602:,
598:,
418:,
373:,
369:,
315:,
281:,
163::
121:,
117:,
101:,
72:,
47:,
1494:e
1487:t
1480:v
1407:.
1379:.
1357:.
570:.
551:.
159:(
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