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for a performance on the evening of 24 March 1996. The duo's website biography says that "hiring the hall to the amusement of the media and the cynicism of sceptics they had the last laugh, with a sold out show. It was a huge gamble but the night of March 24, 1996 proved that for this enigmatic, indy
421:
Knightley said in an interview two years later that "normally when people take acoustic instruments into a studio they get the mikes out. Like, 'sorry everyone - that may be what you heard live but now it's going to sound like a PROPER acoustic guitar.' Gerard was saying from his point of view the
501:
called it a "startlingly good" album and went one step further in voting it their "folk album of the year" in 1996. Oldies.com note that the album was "considered one of that year’s finest folk releases." Knightley himself, whilst writing about the album in 2007, acknowledged the album earned them
340:. Whilst the album did not attract much radio attention as the duo had wanted, it helped make the duo more popular and built upon their fan base. The duo left TWAH! Records and signed to Isis Records, the label which saw the original release of
460:, was originally released on TWAH! Records before it was re-released on Hands on Music in 1999. The album cover was designed by Rob O'Connor, who also designed the cover for their previous album,
297:
at The Old Court in 1991, and released it on cassette that year, sold at the band's live performances. The duo briefly entered a hiatus as Show of Hands to allow to form the Anglo-Chilean band
391:, in August 1995. There are two traditional tracks on the album and ten Knightley compositions, including a re-recording of "Exile", one of the duo's earlier songs which had featured on
535:
in 1996, described as a "unique insight into the arrangements, instruments and techniques" of the duo's music. "The Man in Green" was included on the various artist compilation album
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The album was produced by Gerard O'Farrell, and displays a simpler, stripped-down folk sound, as opposed to the full-band set up that the duo had used on their previous album,
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to treat their project Show of Hands as a full-time musical collaboration. Show of Hands' work prior to Beer's departure from The Albion Band consisted of two albums,
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402:, which the duo did not see as successful as wanted. On this album, the duo tried to capture their live sound by recording all the instruments using a
379:, a studio which belongs to Dave Pick and whose name is often initialised to FFG. This is the first time the duo recorded a studio album outside of
422:
D.I. is what makes us sound different and it can kick in effects at a massive rate. The thump you get from the pickup is what turns the music into
216:, the duo sought a simpler sound that featured just themselves, with the duo trying to capture their live sound, which included experimenting with
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The album was seen as a turning point, as it was given attention by major publications who gave it praiseful reviews. Bradley
Torreano of
259:, the latter naming it "folk album of the year". Oldies.com note that the album was "considered one of that year’s finest folk releases."
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in 1992, becoming
Knightley and Beer's first CD release. During the Alianza project, the duo recorded a performance from 8 June 1992 at
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482:(2007), which features four songs from the album, namely "The Preacher", "Captains", "The Keeper" and a re-recording of "Exile".
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426:." He also later summed up the recording by noting "overdubs were minimal" and that the duo "made maximum use of instrument
336:, he and the duo aimed for an "elusive "radio friendly" folk/roots album that retained the band's live sound whilst adding a
228:. The album was produced by Gerard O'Farrell, who by this point had become the band's manager, and recorded in July 1995 in
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said the album created "a powerful, fresh sounding music with both integrity and widespread appeal", while
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Having by now built up a considerable fanbase through their mailing list, largely due to the success of
317:'s Bull Hotel, working with engineer Mike Trim and released it on The Road Goes on Forever in 1992 as
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This article is about the studio album by
English duo Show of Hands. For the Doctor Who episode, see
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It was released in 1995 by Isis
Records, before being re-rereleased by the duo's own label
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duo anything was possible." The performance was released as the band's second live album,
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school, with a bird sat on his arm. The album cover was later included in the
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later noted that the album "finally got them noticed by the
British press".
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The duo recorded their first, and only, studio album for TWAH! Records,
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collage featured as the album cover of the duo's compilation album
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Isis
Records. Later, after releasing the duo's compilation album
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was recorded in July 1995 at Free for Good
Studios, Bredon, near
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Show of Hands – feature article in the Living
Tradition magazine
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re-released the album in 1996 after the original version went
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Show of Hands | Biography, Albums, Streaming Links | AllMusic
468:, who worked post-retirement teaching Latin at the nearby
291:(1990). The newly prioritised Show of Hands recorded
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903:Various - The Best Of British Folk (CD) at Discogs
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589:"M Ferguson" (Trad arr. Knightley/Beer) – 2:10
442:The album was released in October 1995 on the
387:. The album was then mixed at Sonica Studios,
1090:Centenary: Words & Music of the Great War
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356:The duo made maximum use of their instrument
8:
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573:"Ratcliffe Highway" (Trad arr. Knightley/
305:with three Chilean musicians, exploring
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25:1995 studio album by Show of Hands
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832:"STEVE KNIGHTLEY from SHOW OF HANDS"
742:Show Of Hands Biography | OLDIES.com
502:"some excellent critical feedback".
414:, nonetheless, he was now the duo's
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1315:Trowbridge Village Pump Festival
1161:Roots: The Best of Show of Hands
857:Roots: The Best of Show of Hands
800:Roots: The Best of Show of Hands
783:Roots: The Best of Show of Hands
770:Roots: The Best of Show of Hands
706:"Full Biog | Show of Hands"
479:Roots: The Best of Show of Hands
362:acoustic guitar pre-amp pictured
275:in late 1990, it allowed he and
77:Free for Good Studios, Bradon,
220:and making the maximum use of
206:by English acoustic roots duo
1:
1122:Live at the Royal Albert Hall
1062:Arrogance Ignorance and Greed
521:Live at the Royal Albert Hall
183:Live at the Royal Albert Hall
1274:Beer and Sandland Live 2003
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634:, cello-mandolin, cuatro,
410:. By the time he produced
15:
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583:"The Man In Green" – 3:38
158:
35:
1267:"Ridgeriders" In Concert
537:The Best of British Folk
444:independent record label
580:"Safe As Houses" – 3:19
1143:Live at Exeter Phoenix
551:, except where noted.
365:
1253:The Fiddle Collection
586:"The Preacher" – 4:29
547:All songs written by
438:Release and reception
355:
1346:Show of Hands albums
267:After folk musician
1288:Mandorock 2000 Live
1214:Once in a Blue Moon
999:Beat about the Bush
564:"The Keeper" – 5:03
555:"The Hunter" – 5:03
462:Beat about the Bush
457:Beat about the Bush
408:Beat About the Bush
400:Beat about the Bush
329:Beat about the Bush
213:Beat about the Bush
165:Beat about the Bush
18:The Lie of the Land
1281:Western Approaches
1115:Show of Hands Live
712:on 28 January 2015
667:Nick Scott - pipes
558:"Unlock Me" – 3:43
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334:Show of Hands Live
320:Show of Hands Live
309:. They released a
1328:
1327:
1097:The Long Way Home
992:Out for the Count
891:Acoustic Workshop
753:Backlog 1987–1991
567:"Captains" – 4:04
561:"The Well" – 3:50
529:Acoustic Workshop
515:Royal Albert Hall
448:Backlog 1987–1991
393:their first album
311:self-titled album
294:Out for the Count
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1221:Rhythm Methodist
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838:on 21 March 2012
834:. Archived from
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708:. Archived from
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657:Matt Clifford -
526:documentary film
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146:Gerard O’Farrell
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507:Lie of the Land
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412:Lie of the Land
377:Gloucestershire
369:Lie of the Land
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342:Lie of the Land
277:Steve Knightley
273:The Albion Band
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234:Gloucestershire
199:Lie of the Land
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592:"Exile" – 5:22
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570:"Weary" – 2:01
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474:window display
466:John Carpenter
464:. It features
452:Hands on Music
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358:pre-amplifiers
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338:rhythm section
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241:Hands on Music
226:pre-amplifiers
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543:Track listing
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424:acoustic rock
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303:Dave Townsend
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282:Show of Hands
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208:Show of Hands
205:
202:is the fifth
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152:Show of Hands
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131:Isis CD IS09
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102:acoustic rock
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51:Show of Hands
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1153:Compilations
1141:
1134:
1127:
1120:
1113:
1095:
1088:
1081:
1074:
1067:
1060:
1053:
1048:Country Life
1046:
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1032:
1025:
1018:
1011:
1005:
1004:
997:
990:
983:
976:
958:
951:
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893:liner notes.
890:
886:
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870:liner notes.
867:
863:
856:
852:
840:. Retrieved
836:the original
826:
821:Liner notes.
817:
808:
798:
786:liner notes.
781:
777:
769:
752:
748:
714:. Retrieved
710:the original
546:
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368:
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245:out of print
238:
211:
204:studio album
198:
197:
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181:
173:
172:
163:
61:October 1995
46:Studio album
22:
1341:1995 albums
1305:Paul Downes
1260:Ridgeriders
1228:Cruel River
1171:Solo albums
1136:As You Were
1107:Live albums
1013:Dark Fields
812:Liner notes
803:liner notes
772:liner notes
755:liner notes
649:Sarah Allen
632:bass guitar
307:world music
285:(1987) and
1335:Categories
1020:Folk Music
985:Tall Ships
842:24 January
716:24 January
672:References
638:, guitar,
630:- vocals,
615:concertina
498:Q magazine
470:Beaminster
373:Tewkesbury
288:Tall Ships
263:Background
154:chronology
1207:Mandorock
1193:The Works
1186:Hard Hats
1179:Mandoline
1129:Cold Cuts
1076:Backlog 2
960:Phil Beer
659:keyboards
628:Phil Beer
597:Personnel
575:Phil Beer
348:Recording
269:Phil Beer
69:July 1995
1298:See also
1069:Covers 2
1041:The Path
640:mandolin
577:) – 4:52
539:(2000).
487:Allmusic
432:pre-amps
315:Bridport
222:pick-ups
218:DI units
142:Producer
66:Recorded
58:Released
48: by
1320:Alianza
1246:Alianza
1055:Witness
653:whistle
428:pickups
416:manager
404:DI unit
299:Alianza
187:(1996)
178:(1995)
169:(1994)
83:England
1027:Covers
636:fiddle
623:guitar
619:cuatro
607:vocals
511:London
389:London
385:Dorset
230:Bredon
136:HMCD02
110:Length
74:Studio
868:Roots
663:piano
644:viola
381:Devon
301:with
271:left
127:Label
90:Genre
844:2015
718:2015
492:Mojo
430:and
253:and
250:Mojo
224:and
97:Folk
533:VHS
531:on
513:’s
434:."
383:or
375:in
1337::
791:^
760:^
726:^
695:^
679:^
661:,
651:-
642:,
621:,
617:,
613:,
609:,
605:-
418:.
395:.
364:).
344:.
236:.
232:,
119:40
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