698:
hard experience". For
Patrick Humphries, on the other hand, writing in 1996, the album is less than 100% successful: "Come all Ye" sounds "rather forced", the band's reading of "The Deserter" is described as "pedestrian", and "Tam Lin" is described as "leaden" and the soloing on it as "timid"; he does, however, praise "Matty Groves" as "relish the interplay between Swarbrick and Thompson", "Reynardine" for the quality of Denny's singing, the instrumental medley as giving Swarbrick's fiddle a chance to shine (along with Thompson's and Hutchings' guitar and bass contributions), "Crazy Man Michael" as "a substantial conclusion to the album", and "Farewell, Farewell" as "a flawless example of what Fairport were capable of at their peak."
1306:, to introduce the members of the side, with their characteristics). "Farewell, Farewell" and "Crazy Man Michael", both with lyrics penned by Thompson, are more obscure in meaning but have been sometimes linked to events surrounding the fatal crash of some months before: the line "will you never cut the cloth" from "Farewell, Farewell" has been suggested to refer to Thompson's then girlfriend Jeannie Franklyn ("Jeannie the Tailor"), killed in the accident, while the crazed protagonist of "Crazy Man Michael", destined to wander the world with guilt for accidentally killing his true love, has been linked to the same event by Thompson himself. Thompson has reportedly never performed these songs himself in concert.
1320:, and she would have preferred the latter to be a one-off venture; there is also the suggestion she was in fact sacked from the band over her reluctance to travel to overseas dates. Also as recorded in Mick Houghton's biography of Denny, Hutchings later said: "I don't know why I left Fairport; it wasn't to form Steeleye Span, which I did do. After I left the band I had dizzy spells and there was a downward path into a minor breakdown that I had... If you had asked us both – and this is just my theory – two or three months later, "Would you like to rejoin , I bet we both would have said yes." Elsewhere, Hutchings goes on to say that his breakdown was "... a delayed reaction to the crash, no question about it."
397:
know, our ancestors did a lot of weird things"; while
Thompson said: "Nothing resonates like an old song... To sing something beautifully written, and then refined over hundreds of years, that still has meaning and urgency, that still creates vivid pictures in the mind, is a deeply rewarding thing. I think we hoped the band would achieve some mainstream popularity, so that we could bring the tradition a little closer to people's lives."
484:
542:
537:
532:
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42:
369:"), new compositions by band members but with a "traditional" feel ("Come All Ye", "Farewell, Farewell", "Crazy Man Michael"), and the first of a long line of instrumental medleys of folk dance tunes driven by Dave Swarbrick's violin playing. Much of the traditional material had been found by Hutchings in
697:
period and its resulting album, stating that the album "retains a coherence and integrity shared by very few
British folk-rock records" and that in its music, "... Fate is exacted; English balladry displays its full menace and mystery; and there's a tentative reflection upon pain and loss, tainted by
396:
Of the rehearsal sessions at Farley
Chamberlayne that led to the album, Hutchings later said: "It was a magical time ... and there’s a lot of magic on that album. There was a special feeling in the house, in the room, and also a lot of hidden magic and weirdness on that album. The past is weird, you
412:
meaning ready. The cover, a gatefold in grey and purple, featured cameo images of the band along with track listing and credits. On the inside of the original gatefold cover, a set of illustrated vignettes told the story of ten different aspects of
English traditional music and folklore, including
1593:
Swarbrick: " Most of the songs came from me. 'Matty Groves', 'Tam Lin', 'The
Deserter', all that stuff came from my background, and were songs I introduced to them... 'Matty Groves', Sandy and I put the words together from Child. We put it to an American tune, and I supplied the instrumental tune
1602:), Swarbrick states that he has been misquoted, and that did not play the latter song with Kelly, merely had heard Kelly perform the song in 3/4 time). However, in Hutchings, p. 14, Ashley states that "... we learned this next song from a faded Victorian broadside ...".
669:
standing in for Denny to perform "The
Deserter", "Tam Lin" and "Crazy Man Michael" at the 25th anniversary concert in 1992, and the same line-up performing "Come All Ye", "Reynardine" and "Matty Groves" at the 1997 30th anniversary concert.
243:
quit the band before the album's release, Fairport
Convention has continued to the present day to make music strongly based within the British folk rock idiom, and are still the band most prominently associated with it.
584:
recommended the album only to devotees of "quietly arty traditional folk" and felt that "Deserter" is the only "arresting" song, as "not even the originals match up to the group-composed material on previous albums."
1315:
The exact reasons for the departures of first Denny, and then
Hutchings, are complex and still somewhat unclear. Denny was reportedly unhappy that the band wished to continue in a traditional direction subsequent to
1952:
As noted separately, Fairport (specifically, Denny and
Swarbrick) married the words of the old British ballad "Matty Groves" to an American tune, in this case that of the well-known Appalachian song "
677:'s Mark Deming said of the album that "while was the most purely folk-oriented Fairport Convention album to date, it also rocked hard in a thoroughly original and uncompromising way". In June 2007,
467:
In 2007 a double album "Liege and Lief Deluxe Edition" was released; the second CD consisted mainly of BBC radio live performances and two stylistically uncharacteristic outtakes, the standards "
2518:
2679:
251:
during a 15-week run. It is often credited, though the claim is sometimes disputed, as the first major "British folk rock" album (this term is not to be confused with American-style
393:
lyric he had set to a traditional Irish melody, the last two of which were to appear in different arrangements on later albums by Fairport Convention and Sandy Denny, respectively.
377:, although Swarbrick has elsewhere claimed credit as the source of the traditional material used. Also rehearsed and/or recorded, but omitted from the final album, were versions of
446:). However, in November 1969, even before the album was released on 2 December, both Hutchings and Denny quit the band: Hutchings to further pursue traditional music in a new band
1830:
2928:
1594:('Famous Flower of Serving Men') at the end. 'Tam Lin' I wrote the tune for, based on a slip jig... 'Reynardine', I'd done with Bert . 'The Deserter', I'd done with
239:"), or else are original compositions (such as "Come All Ye", "Crazy Man Michael") written and performed in a similar style. Although Denny and founding bass player
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was less enthusiastic, writing that because of his "anti-folk" tastes, he was disappointed with the album's more traditional material after
3191:
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live performance at 2007 Cropredy Festival, U.K. (BBC broadcast) – mp3 audio recording (set list, .wma, .asx versions also available via
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The tune that is grafted to the end of "Matty Groves" originates from an American song called "The Maid of Colchester" as sung by
1341:
658:
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1974:
318:
This incarnation of the band, comprising lead vocalist Denny and newcomers Swarbrick and Mattacks, together with founder members
454:, with more emphasis on her own original compositions. Subsequent to these departures, only Hutchings was replaced (by newcomer
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did a great deal to establish the new style commercially and artistically as a distinct genre. In an audience vote at the
41:
1956:". Suggestions that the two songs are otherwise related are erroneous and arise solely from this association by Fairport.
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1612:
267:
in 2006, the album was voted "Most Influential Folk Album of All Time". It was voted number 254 in the third edition of
1861:
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radio programme and the album spent fifteen weeks in the UK album chart, reaching number 17. In a contemporary review,
3006:
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Of the original songs, "Come All Ye" is in the character of a traditional "calling-on song" (as used, for example, by
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210:
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at number 58 in its list of "100 Records that changed the world". In his 2010 book on the UK folk-rock music scene
575:
227:). It is also the first Fairport album on which all songs are either adapted (freely) from traditional British and
661:, when the complete album was performed (see "External links"). Prior to that occasion, effective reunions of the
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657:, accepted the award on behalf of her late mother. This commemoration was repeated on 10 August 2007 at
442:
268:
3122:
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on 24 September that year. A bootleg/audience recording of that show exists, but in very poor quality.
221:
on violin/mandolin and drums, respectively, as full band members (Swarbrick had previously guested on
3181:
2819:
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458:) and thus it was a reduced, 5-man version of the band that went on to record their follow-up album,
382:
3062:
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Nevertheless, the album has come to be regarded as a major influence in the development of British
468:
422:
347:
205:. It is the third album the group released in the UK during 1969, all of which prominently feature
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54:
440:
material before recording it in the studio (also including a performance recorded for BBC radio's
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1953:
1779:
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1613:
Rob Young: Inside Fairport Convention's Liege And Lief: "We were on a crusade…" – Uncut Magazine
1542:
307:, a little older than the rest of the band, had already been in a successful duo with guitarist
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303:, he had to "learn a whole new style of drumming." The virtuoso fiddle and mandolin player
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122:
1563:
Hinton & Wall, p. 114 onwards; Houghton, p. 190 onwards; Humphries, 1982, p. 45-46
3170:
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1970:
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972:
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308:
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255:, which had first achieved mainstream popularity on both sides of the Atlantic with
2719:
2534:
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778:
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117:
1913:
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The band toured the UK for several months, also visiting Denmark, performing the
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and others, replaced by electrified versions of traditional English folksongs ("
339:
323:
206:
89:
1888:"Liege & Lief [Bonus Tracks] – Fairport Convention | AllMusic"
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show. They first aired on 27 September 1969. Track 10 is previously unissued.
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17:
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1966:
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354:
256:
252:
2017:
483:
2582:
2187:
2018:"British album certifications – Fairport Convention – Liege & Lief"
1624:
1164:
674:
514:
139:
2166:" from a version of Fairport Convention's official website found on the
1887:
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366:
335:
236:
2193:
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lineup had performed at previous Cropredy festivals, for example with
1220:– electric, 6-string & 12-string acoustic guitars, backing vocals
1990:
with new lyrics, the melody of which was inadvertently also used by
389:" with Denny on lead vocals, and "The Quiet Joys of Brotherhood", a
482:
209:
as lead female vocalist (Denny did not appear on the group's 1968
49:
2000:
Penney, Stuart; Chris Savage (November 1996). "Strike Me Pink!".
247:
The album was moderately successful, peaking at number 17 on the
213:), as well as the first to feature future long-serving personnel
2815:
2197:
2811:
1404:
991:
606:. It was voted the 'most important folk album of all time' by
346:, launching its material with a sold-out concert in London's
289:, the band were left without a drummer. After the release of
1600:
Swarb's Corrections: Fairport by Fairport by Nigel Schofield
1573:
Fairport Convention, Royal Festival Hall, September 24, 1969
1186:
Sleeve concept & design – Fairport & Roberta Nicol
2075:
I've Always Kept a Unicorn – The Biography of Sandy Denny
1144:
Tracks 4, 5, 6, and 7 on disc two were recorded live for
1133:
II. "In Other Words (Fly Me to the Moon)"" (hidden track)
2061:
Ashley Hutchings – The Guv'nor and the Rise of Folk Rock
2047:
No More Sad Refrains – The Life and Times of Sandy Denny
1802:"Fairport Convention | full Official Chart History"
1719:"Fairport Convention – Liege & Lief | AllMusic"
971:
Traditional; arranged by Denny, Thompson, Swarbrick and
299:
took over the role. Having previously been a drummer at
1910:"MOJO – (June 2007) 100 Records That Changed the World"
1673:
1671:
1598:." (quoted in Heylin, p. 104-105; however elsewhere (
259:' early work several years prior). The popularity of
2125:
Electric Eden – Unearthing Britain's Visionary Music
2089:
Meet on the Ledge – A History of Fairport Convention
1665:
Houghton, p. 202-204; Hinton & Wall, p. 137-138.
3132:
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2994:
2966:
2913:
2895:
2849:
2776:
2757:
2730:
2647:
2601:
2350:
1432:"FAIRPORT CONVENTION – The Official Charts Company"
1006:
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145:
133:
116:
100:
88:
77:
69:
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48:
34:
1214:– electric & acoustic guitars, backing vocals
990:2007 deluxe edition disc two: studio outtakes and
487:Reunion line-up, August 2007, with guest vocalist
653:. Georgia Lucas, the daughter of Sandy Denny and
2103:Richard Thompson – Strange Affair: The Biography
1697:"Netrhythms : A to Z Album and Gig Reviews"
285:Following the motorway accident that had killed
2140:period and resulting album on pp. 253–265)
1281:Shipments figures based on certification alone.
1015:"Sir Patrick Spens" (Sandy Denny vocal version)
1862:Fairport Convention – 25th Anniversary Concert
1539:"Simon Nicol writes about Fairport Convention"
2827:
2209:
926:CD reissue previously unreleased bonus tracks
904:words: Richard Thompson; tune: Dave Swarbrick
330:on electric bass, rehearsed and put together
8:
2680:Moat on the Ledge - Live at Broughton Castle
1738:
1736:
1483:"The seventh BBC Radio 2 Folk Awards (2006)"
1189:Design co-ordination – Diogenic Attempts Ltd
957:Traditional; arranged by Fairport Convention
841:Traditional; arranged by Fairport Convention
784:Traditional; arranged by Fairport Convention
519:
29:1969 studio album by Fairport Convention
693:, author Rob Young devoted 13 pages to the
2834:
2820:
2812:
2216:
2202:
2194:
2177:for Classic Album Sundays at Bestival 2014
1450:
1448:
1240:
494:
73:16, 19, 22, 29 October and 1 November 1969
40:
31:
1106:"The Quiet Joys of Brotherhood" (take 1)
1026:"The Quiet Joys of Brotherhood" (take 4)
988:
924:
812:
706:
621:. At the event, the original line-up of
1994:for his (& subsequent) readings of
1839:. No. 60. New York. Archived from
1831:"Fairport Convention: Liege & Lief"
1400:"20 Best Folk Music Albums of All Time"
1333:
1295:
1277:
910:
890:Traditional; arranged by Dave Swarbrick
619:Most influential Folk Album of all time
2858:The North Star Grassman and the Ravens
2188:http://tela.sugarmegs.org/alpha/f.html
2182:Fairport Convention with Chris While:
2136:(includes an extensive account of the
1874:Fairport Convention – The Cropredy Box
1776:"Features: The Liege & Lief Story"
1457:"There was a manic feeling in the air"
334:over the summer of 1969 at a house in
1986:This is the music to Child Ballad 89
911:
500:
7:
1071:IV. Toss the Feathers" (BBC version)
968:"Quiet Joys of Brotherhood" (take 1)
450:, and Denny to form her new venture
315:, he too joined Fairport full-time.
1372:"The 10 Essential Folk Rock Albums"
1370:Fielder, Hugh (19 September 2016).
1117:"The Lady Is a Tramp" (BBC version)
610:listeners in 2002, and at the 2006
400:The album title is composed of two
375:English Folk Dance and Song Society
2739:The History of Fairport Convention
1575:(information at rateyourmusic.com)
25:
1167:for Witchseason Productions, Ltd.
1084:"Sir Patrick Spens" (BBC version)
521:
373:'s collection, maintained by the
353:Gone were the covers of songs by
1975:The Famous Flower of Serving-Men
540:
535:
530:
525:
520:
421:, as well as collectors such as
322:on lead guitar and some vocals,
2059:Hinton, Brian and Wall, Geoff.
3141:Who Knows Where the Time Goes?
2929:Who Knows Where the Time Goes?
2784:Fairport's Cropredy Convention
2519:Who Knows Where the Time Goes?
2119:. Island Music, 1976 (no ISBN)
1455:Harris, John (3 August 2007).
1183:Cover photography – Eric Hayes
999:
931:
819:
713:
1:
3109:Alex Campbell and His Friends
2022:British Phonographic Industry
1351:. 20 December 1969. p. 8
1226:– bass guitar, backing vocals
954:" (Sandy Denny vocal version)
855:I. "The Lark in the Morning"
231:folk material (for example "
3192:Albums produced by Joe Boyd
3007:What We Did on Our Holidays
2985:Sandy Denny and the Strawbs
2872:Like an Old Fashioned Waltz
2664:Live at the L.A. Troubadour
2367:What We Did on Our Holidays
2128:. Faber & Faber, 2010;
2077:. Faber & Faber, 2015;
673:In a retrospective review,
385:", the traditional ballad "
197:is the fourth album by the
3213:
3177:Fairport Convention albums
2936:The BBC Sessions 1971–1973
2184:Liege and Lief (revisited)
2164:The Liege & Lief story
1095:"Reynardine" (BBC version)
1062:I. The Lark in the Morning
1037:"The Ballad of Easy Rider"
311:. After his appearance on
2231:
1943:Humphries, 1996, p. 89-91
1278:
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1255:
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869:Traditional; arranged by
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823:
791:
773:
748:
728:
720:
717:
508:
505:
413:notes on customs such as
153:
39:
3028:Fairport Live Convention
2656:Fairport Live Convention
2447:The Bonny Bunch of Roses
2063:. Helter Skelter, 2002;
2049:. Helter Skelter, 2000;
1510:All Time Top 1000 Albums
1130:I. "The Lady Is a Tramp"
274:All Time Top 1000 Albums
1806:Official Charts Company
1048:"Tam Lin" (BBC version)
864:IV. "Toss the Feathers"
612:BBC Radio 2 Folk Awards
479:Reception and influence
265:BBC Radio 2 Folk Awards
3197:A&M Records albums
3148:The Battle of Evermore
2624:I'll Keep It with Mine
2479:In Real Time: Live '87
2105:. Virgin Books, 1996;
1969:, a tune also used by
1584:Humphries, 1996, p. 91
861:III. "Foxhunter's Jig"
766:by Fairport Convention
492:
3187:Island Records albums
2943:A Boxful of Treasures
2801:Matty Grooves Records
2610:If I Had a Ribbon Bow
2527:The Wood and the Wire
2511:Old New Borrowed Blue
1748:"Consumer Guide (12)"
486:
326:on rhythm guitar and
2471:Expletive Delighted!
2101:Humphries, Patrick.
2087:Humphries, Patrick.
1677:Houghton, p. 205-206
1068:III. Foxhunter's Jig
795:"Farewell, Farewell"
496:Professional ratings
383:Ballad of Easy Rider
365:", "The Deserter", "
3035:Rising for the Moon
2998:Fairport Convention
2747:Fairport Chronicles
2431:Rising for the Moon
2359:Fairport Convention
2225:Fairport Convention
2173:Joe Boyd discusses
2115:Hutchings, Ashley.
1973:in his version of "
1934:Young, p. 261, 262.
1916:on 30 December 2008
1886:Deming, M. (2011).
1545:on 11 February 2009
1246:
1242:Certifications for
1232:– drums, percussion
995:
927:
901:"Crazy Man Michael"
815:
802:; tune: Traditional
709:
497:
469:The Lady Is a Tramp
423:Francis James Child
419:Padstow hobby-horse
348:Royal Festival Hall
336:Farley Chamberlayne
203:Fairport Convention
147:Fairport Convention
55:Fairport Convention
3123:Don't Stop Singing
2704:From Past Archives
2672:Farewell, Farewell
2567:By Popular Request
2543:Over the Next Hill
2503:Jewel in the Crown
2179:(video on YouTube)
2159:(list of releases)
1843:on 12 January 2008
1241:
989:
925:
858:II. "Rakish Paddy"
813:
707:
617:won the award for
495:
493:
473:Fly Me to the Moon
408:meaning loyal and
3164:
3163:
2809:
2808:
2631:Si Tu Dois Partir
2617:Meet on the Ledge
2551:Sense of Occasion
2091:. Eel Pie, 1982;
2045:Heylin, Clinton.
1996:Willie o Winsbury
1876:(www.discogs.com)
1864:(www.discogs.com)
1753:The Village Voice
1744:Christgau, Robert
1287:
1286:
1282:
1141:
1140:
985:
984:
952:Sir Patrick Spens
921:
920:
809:
808:
592:The Village Voice
561:
560:
552:The Village Voice
464:, the next year.
387:Sir Patrick Spens
199:British folk rock
190:
189:
186:
185:
95:British folk rock
16:(Redirected from
3204:
3155:The 3:10 to Yuma
3116:Sandy and Johnny
3021:Liege & Lief
2978:All Our Own Work
2967:Albums with the
2922:It's Sandy Denny
2836:
2829:
2822:
2813:
2796:Woodworm Records
2777:Related articles
2766:The Cropredy Box
2575:Myths and Heroes
2495:The Five Seasons
2407:"Babbacombe" Lee
2383:Liege & Lief
2278:Ashley Hutchings
2273:Richard Thompson
2218:
2211:
2204:
2195:
2152:Liege & Lief
2073:Houghton, Mick.
2033:
2032:
2030:
2028:
2014:
2008:
2007:
2003:Record Collector
1984:
1978:
1963:
1957:
1950:
1944:
1941:
1935:
1932:
1926:
1925:
1923:
1921:
1912:. Archived from
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1897:
1895:
1883:
1877:
1871:
1865:
1859:
1853:
1852:
1850:
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1829:(11 June 1970).
1827:Mendelsohn, John
1823:
1817:
1816:
1814:
1812:
1798:
1792:
1791:
1789:
1787:
1778:. Archived from
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1746:(30 July 1970).
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1684:
1678:
1675:
1666:
1663:
1657:
1656:
1654:
1652:
1642:
1636:
1635:
1633:
1631:
1621:
1615:
1609:
1603:
1591:
1585:
1582:
1576:
1570:
1564:
1561:
1555:
1554:
1552:
1550:
1541:. Archived from
1535:
1529:
1528:
1513:(3rd ed.).
1501:
1495:
1494:
1492:
1490:
1479:
1473:
1472:
1470:
1468:
1452:
1443:
1442:
1440:
1438:
1428:
1422:
1421:
1419:
1417:
1396:
1390:
1389:
1387:
1385:
1367:
1361:
1360:
1358:
1356:
1346:
1338:
1321:
1313:
1307:
1300:
1280:
1264:United Kingdom (
1247:
1244:Liege & Lief
1224:Ashley Hutchings
1212:Richard Thompson
1172:Sound Techniques
1065:II. Rakish Paddy
1001:
996:
933:
928:
914:
821:
816:
800:Richard Thompson
740:Ashley Hutchings
715:
710:
685:Liege & Lief
683:magazine listed
631:Ashley Hutchings
627:Richard Thompson
587:Robert Christgau
566:was promoted by
564:Liege & Lief
545:
544:
543:
539:
538:
534:
533:
529:
528:
524:
523:
498:
438:Liege & Lief
332:Liege & Lief
328:Ashley Hutchings
320:Richard Thompson
261:Liege & Lief
241:Ashley Hutchings
194:Liege & Lief
169:Liege & Lief
155:
154:
112:
111:
107:
82:Sound Techniques
44:
35:Liege & Lief
32:
21:
3212:
3211:
3207:
3206:
3205:
3203:
3202:
3201:
3167:
3166:
3165:
3160:
3128:
3096:
3075:
3047:
2996:
2990:
2962:
2950:Live at the BBC
2909:
2891:
2845:
2840:
2810:
2805:
2772:
2753:
2726:
2712:Live at the BBC
2643:
2638:Now Be Thankful
2597:
2346:
2328:Maartin Allcock
2227:
2222:
2168:Wayback Machine
2147:
2042:
2037:
2036:
2026:
2024:
2016:
2015:
2011:
1999:
1985:
1981:
1964:
1960:
1951:
1947:
1942:
1938:
1933:
1929:
1919:
1917:
1908:
1907:
1903:
1893:
1891:
1885:
1884:
1880:
1872:
1868:
1860:
1856:
1846:
1844:
1825:
1824:
1820:
1810:
1808:
1800:
1799:
1795:
1785:
1783:
1774:
1773:
1769:
1759:
1757:
1742:
1741:
1734:
1724:
1722:
1716:
1715:
1711:
1701:
1699:
1695:
1694:
1690:
1685:
1681:
1676:
1669:
1664:
1660:
1650:
1648:
1644:
1643:
1639:
1629:
1627:
1623:
1622:
1618:
1610:
1606:
1592:
1588:
1583:
1579:
1571:
1567:
1562:
1558:
1548:
1546:
1537:
1536:
1532:
1525:
1517:. p. 114.
1503:
1502:
1498:
1488:
1486:
1481:
1480:
1476:
1466:
1464:
1454:
1453:
1446:
1436:
1434:
1430:
1429:
1425:
1415:
1413:
1398:
1397:
1393:
1383:
1381:
1369:
1368:
1364:
1354:
1352:
1344:
1342:"Album Reviews"
1340:
1339:
1335:
1330:
1325:
1324:
1314:
1310:
1301:
1297:
1292:
1257:Certified units
1239:
1208:– fiddle, viola
1196:
1160:
1142:
986:
922:
912:
810:
704:
576:John Mendelsohn
541:
536:
531:
526:
491:replacing Denny
481:
301:Mecca Ballrooms
283:
249:UK Albums Chart
181:
172:
163:
109:
105:
104:
57:
30:
23:
22:
15:
12:
11:
5:
3210:
3208:
3200:
3199:
3194:
3189:
3184:
3179:
3169:
3168:
3162:
3161:
3159:
3158:
3151:
3144:
3136:
3134:
3130:
3129:
3127:
3126:
3119:
3112:
3104:
3102:
3101:Collaborations
3098:
3097:
3095:
3094:
3086:
3084:
3077:
3076:
3074:
3073:
3066:
3058:
3056:
3049:
3048:
3046:
3045:
3038:
3031:
3024:
3017:
3014:Unhalfbricking
3010:
3002:
3000:
2992:
2991:
2989:
2988:
2981:
2973:
2971:
2964:
2963:
2961:
2960:
2953:
2946:
2939:
2932:
2925:
2917:
2915:
2911:
2910:
2908:
2907:
2899:
2897:
2893:
2892:
2890:
2889:
2882:
2875:
2868:
2861:
2853:
2851:
2847:
2846:
2841:
2839:
2838:
2831:
2824:
2816:
2807:
2806:
2804:
2803:
2798:
2793:
2792:
2791:
2780:
2778:
2774:
2773:
2771:
2770:
2761:
2759:
2755:
2754:
2752:
2751:
2743:
2734:
2732:
2728:
2727:
2725:
2724:
2716:
2708:
2700:
2692:
2684:
2676:
2668:
2660:
2651:
2649:
2645:
2644:
2642:
2641:
2634:
2627:
2620:
2613:
2605:
2603:
2599:
2598:
2596:
2595:
2591:Shuffle and Go
2587:
2579:
2571:
2563:
2555:
2547:
2539:
2531:
2523:
2515:
2507:
2499:
2491:
2487:Red & Gold
2483:
2475:
2467:
2459:
2455:Tipplers Tales
2451:
2443:
2435:
2427:
2419:
2411:
2403:
2395:
2387:
2379:
2375:Unhalfbricking
2371:
2363:
2354:
2352:
2348:
2347:
2345:
2344:
2336:
2335:
2330:
2325:
2320:
2315:
2310:
2305:
2303:Dave Swarbrick
2300:
2295:
2290:
2285:
2280:
2275:
2269:
2268:
2261:
2254:
2247:
2240:
2232:
2229:
2228:
2223:
2221:
2220:
2213:
2206:
2198:
2192:
2191:
2180:
2175:Liege and Lief
2170:
2160:
2146:
2145:External links
2143:
2142:
2141:
2138:Liege and Lief
2120:
2117:A Little Music
2113:
2099:
2085:
2071:
2057:
2041:
2038:
2035:
2034:
2009:
1988:Fause Foodrage
1979:
1958:
1945:
1936:
1927:
1901:
1878:
1866:
1854:
1818:
1793:
1767:
1732:
1717:Deming, Mark.
1709:
1688:
1679:
1667:
1658:
1637:
1616:
1604:
1586:
1577:
1565:
1556:
1530:
1523:
1507:, ed. (2000).
1496:
1474:
1444:
1423:
1391:
1362:
1332:
1331:
1329:
1326:
1323:
1322:
1318:Liege and Lief
1308:
1294:
1293:
1291:
1288:
1285:
1284:
1276:
1275:
1272:
1269:
1261:
1260:
1254:
1251:
1238:
1237:Certifications
1235:
1234:
1233:
1227:
1221:
1215:
1209:
1206:Dave Swarbrick
1203:
1195:
1192:
1191:
1190:
1187:
1184:
1181:
1177:Engineered by
1175:
1168:
1159:
1156:
1139:
1138:
1135:
1134:
1131:
1126:
1122:
1121:
1118:
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1111:
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1089:
1088:
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1077:
1074:
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1069:
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1057:
1053:
1052:
1049:
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1038:
1035:
1031:
1030:
1027:
1024:
1020:
1019:
1016:
1013:
1009:
1008:
1005:
1002:
987:
983:
982:
979:
977:Richard Fariña
969:
966:
962:
961:
958:
955:
948:
944:
943:
940:
937:
934:
923:
919:
918:
915:
909:
908:
905:
902:
899:
895:
894:
891:
888:
881:
877:
876:
873:
871:Dave Swarbrick
867:
866:
865:
862:
859:
856:
850:
846:
845:
842:
839:
838:"The Deserter"
836:
832:
831:
828:
825:
822:
811:
807:
806:
803:
796:
793:
789:
788:
785:
782:
775:
771:
770:
767:
757:
750:
746:
745:
742:
733:
730:
726:
725:
722:
719:
716:
705:
703:
700:
695:Liege and Lief
663:Liege and Lief
635:Dave Swarbrick
615:Liege and Lief
597:Unhalfbricking
559:
558:
555:
547:
546:
517:
511:
510:
507:
503:
502:
480:
477:
402:Middle English
391:Richard Fariña
313:Unhalfbricking
305:Dave Swarbrick
292:Unhalfbricking
282:
279:
224:Unhalfbricking
215:Dave Swarbrick
188:
187:
184:
183:
174:
165:
160:Unhalfbricking
151:
150:
143:
142:
137:
131:
130:
120:
114:
113:
102:
98:
97:
92:
86:
85:
79:
75:
74:
71:
67:
66:
63:
59:
58:
53:
46:
45:
37:
36:
28:
24:
18:Liege and Lief
14:
13:
10:
9:
6:
4:
3:
2:
3209:
3198:
3195:
3193:
3190:
3188:
3185:
3183:
3180:
3178:
3175:
3174:
3172:
3156:
3152:
3149:
3145:
3142:
3138:
3137:
3135:
3131:
3125:
3124:
3120:
3118:
3117:
3113:
3111:
3110:
3106:
3105:
3103:
3099:
3093:
3092:
3088:
3087:
3085:
3083:
3078:
3072:
3071:
3070:Fotheringay 2
3067:
3065:
3064:
3060:
3059:
3057:
3055:
3050:
3044:
3043:
3039:
3037:
3036:
3032:
3030:
3029:
3025:
3023:
3022:
3018:
3016:
3015:
3011:
3009:
3008:
3004:
3003:
3001:
2999:
2993:
2987:
2986:
2982:
2980:
2979:
2975:
2974:
2972:
2970:
2965:
2959:
2958:
2954:
2952:
2951:
2947:
2945:
2944:
2940:
2938:
2937:
2933:
2931:
2930:
2926:
2924:
2923:
2919:
2918:
2916:
2912:
2906:
2905:
2901:
2900:
2898:
2894:
2888:
2887:
2883:
2881:
2880:
2876:
2874:
2873:
2869:
2867:
2866:
2862:
2860:
2859:
2855:
2854:
2852:
2848:
2844:
2837:
2832:
2830:
2825:
2823:
2818:
2817:
2814:
2802:
2799:
2797:
2794:
2790:
2787:
2786:
2785:
2782:
2781:
2779:
2775:
2768:
2767:
2763:
2762:
2760:
2756:
2749:
2748:
2744:
2741:
2740:
2736:
2735:
2733:
2729:
2722:
2721:
2717:
2714:
2713:
2709:
2706:
2705:
2701:
2698:
2697:
2693:
2690:
2689:
2685:
2682:
2681:
2677:
2674:
2673:
2669:
2666:
2665:
2661:
2658:
2657:
2653:
2652:
2650:
2646:
2639:
2635:
2632:
2628:
2625:
2621:
2618:
2614:
2611:
2607:
2606:
2604:
2600:
2593:
2592:
2588:
2585:
2584:
2580:
2577:
2576:
2572:
2569:
2568:
2564:
2561:
2560:
2559:Festival Bell
2556:
2553:
2552:
2548:
2545:
2544:
2540:
2537:
2536:
2532:
2529:
2528:
2524:
2521:
2520:
2516:
2513:
2512:
2508:
2505:
2504:
2500:
2497:
2496:
2492:
2489:
2488:
2484:
2481:
2480:
2476:
2473:
2472:
2468:
2465:
2464:
2460:
2457:
2456:
2452:
2449:
2448:
2444:
2441:
2440:
2439:Gottle O'Geer
2436:
2433:
2432:
2428:
2425:
2424:
2420:
2417:
2416:
2412:
2409:
2408:
2404:
2401:
2400:
2399:Angel Delight
2396:
2393:
2392:
2388:
2385:
2384:
2380:
2377:
2376:
2372:
2369:
2368:
2364:
2361:
2360:
2356:
2355:
2353:
2351:Studio albums
2349:
2343:
2342:
2338:
2337:
2334:
2331:
2329:
2326:
2324:
2321:
2319:
2318:Bruce Rowland
2316:
2314:
2313:Jerry Donahue
2311:
2309:
2306:
2304:
2301:
2299:
2296:
2294:
2293:Iain Matthews
2291:
2289:
2286:
2284:
2283:Martin Lamble
2281:
2279:
2276:
2274:
2271:
2270:
2267:
2266:
2265:Dave Mattacks
2262:
2260:
2259:
2255:
2253:
2252:
2248:
2246:
2245:
2241:
2239:
2238:
2234:
2233:
2230:
2226:
2219:
2214:
2212:
2207:
2205:
2200:
2199:
2196:
2189:
2185:
2181:
2178:
2176:
2171:
2169:
2165:
2161:
2158:
2154:
2153:
2149:
2148:
2144:
2139:
2135:
2134:9780865478565
2131:
2127:
2126:
2121:
2118:
2114:
2112:
2108:
2104:
2100:
2098:
2094:
2090:
2086:
2084:
2080:
2076:
2072:
2070:
2066:
2062:
2058:
2056:
2052:
2048:
2044:
2043:
2039:
2023:
2019:
2013:
2010:
2005:
2004:
1997:
1993:
1989:
1983:
1980:
1976:
1972:
1971:Martin Carthy
1968:
1962:
1959:
1955:
1949:
1946:
1940:
1937:
1931:
1928:
1915:
1911:
1905:
1902:
1889:
1882:
1879:
1875:
1870:
1867:
1863:
1858:
1855:
1842:
1838:
1837:
1836:Rolling Stone
1832:
1828:
1822:
1819:
1807:
1803:
1797:
1794:
1782:on 9 May 2008
1781:
1777:
1771:
1768:
1755:
1754:
1749:
1745:
1739:
1737:
1733:
1720:
1713:
1710:
1698:
1692:
1689:
1686:Young, p. 265
1683:
1680:
1674:
1672:
1668:
1662:
1659:
1647:
1641:
1638:
1626:
1620:
1617:
1614:
1608:
1605:
1601:
1597:
1590:
1587:
1581:
1578:
1574:
1569:
1566:
1560:
1557:
1544:
1540:
1534:
1531:
1526:
1524:0-7535-0493-6
1520:
1516:
1512:
1511:
1506:
1500:
1497:
1485:. BBC Radio 2
1484:
1478:
1475:
1462:
1458:
1451:
1449:
1445:
1433:
1427:
1424:
1412:. 7 June 2016
1411:
1407:
1406:
1401:
1395:
1392:
1379:
1378:
1373:
1366:
1363:
1350:
1343:
1337:
1334:
1327:
1319:
1312:
1309:
1305:
1304:sword dancers
1299:
1296:
1289:
1283:
1273:
1270:
1267:
1262:
1258:
1253:Certification
1248:
1245:
1236:
1231:
1230:Dave Mattacks
1228:
1225:
1222:
1219:
1216:
1213:
1210:
1207:
1204:
1201:
1198:
1197:
1193:
1188:
1185:
1182:
1180:
1176:
1173:
1169:
1166:
1162:
1161:
1157:
1155:
1153:
1152:
1147:
1136:
1132:
1129:
1127:
1123:
1119:
1116:
1112:
1108:
1105:
1101:
1097:
1094:
1090:
1086:
1083:
1079:
1075:
1070:
1067:
1064:
1061:
1060:
1058:
1054:
1050:
1047:
1043:
1039:
1036:
1032:
1028:
1025:
1021:
1017:
1014:
1010:
997:
993:
980:
978:
974:
973:Dave Mattacks
970:
967:
963:
959:
956:
953:
949:
945:
929:
916:
913:Total length:
906:
903:
900:
896:
892:
889:
886:
882:
878:
874:
872:
868:
863:
860:
857:
854:
853:
851:
847:
843:
840:
837:
833:
817:
804:
801:
797:
794:
790:
786:
783:
780:
776:
772:
768:
765:
761:
758:
755:
751:
747:
743:
741:
737:
734:
732:"Come All Ye"
731:
727:
711:
702:Track listing
701:
699:
696:
692:
691:
690:Electric Eden
686:
682:
681:
676:
671:
668:
667:Vikki Clayton
664:
660:
656:
652:
648:
644:
640:
639:Dave Mattacks
636:
632:
628:
624:
620:
616:
613:
609:
605:
600:
598:
594:
593:
588:
583:
582:
581:Rolling Stone
577:
573:
569:
565:
556:
554:
553:
549:
548:
518:
516:
513:
512:
504:
501:Review scores
499:
490:
485:
478:
476:
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448:Steeleye Span
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3080:Albums with
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2914:Compilations
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2731:Compilations
2720:Off the Desk
2718:
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2308:Trevor Lucas
2263:
2258:Chris Leslie
2256:
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2122:Young, Rob.
2116:
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2046:
2040:Bibliography
2025:. Retrieved
2012:
2001:
1982:
1961:
1948:
1939:
1930:
1918:. Retrieved
1914:the original
1904:
1892:. Retrieved
1881:
1869:
1857:
1845:. Retrieved
1841:the original
1834:
1821:
1811:16 September
1809:. Retrieved
1805:
1796:
1784:. Retrieved
1780:the original
1770:
1758:. Retrieved
1751:
1723:. Retrieved
1712:
1700:. Retrieved
1691:
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1649:. Retrieved
1640:
1628:. Retrieved
1619:
1607:
1589:
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1568:
1559:
1547:. Retrieved
1543:the original
1533:
1515:Virgin Books
1508:
1505:Colin Larkin
1499:
1487:. Retrieved
1477:
1465:. Retrieved
1461:The Guardian
1460:
1435:. Retrieved
1426:
1414:. Retrieved
1410:Time Inc. UK
1403:
1394:
1384:25 September
1382:. Retrieved
1377:Classic Rock
1375:
1365:
1355:15 September
1353:. Retrieved
1348:
1336:
1317:
1311:
1298:
1279:
1243:
1174:Ltd., London
1170:Recorded at
1163:Produced by
1149:
1143:
779:Matty Groves
694:
688:
684:
678:
672:
662:
655:Trevor Lucas
651:Matty Groves
649:, performed
618:
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429:" fame) and
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363:Matty Groves
352:
331:
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290:
284:
272:
269:Colin Larkin
260:
246:
233:Matty Groves
222:
193:
192:
191:
176:
168:
167:
158:
50:Studio album
26:
3182:1969 albums
3063:Fotheringay
3054:Fotheringay
2995:Albums with
2957:Sandy Denny
2896:Live albums
2850:Solo albums
2843:Sandy Denny
2789:appearances
2648:Live albums
2341:Discography
2323:Dan Ar Braz
2298:Sandy Denny
2251:Ric Sanders
2237:Simon Nicol
2006:(207): 129.
1992:Andy Irvine
1954:Shady Grove
1611:Quoted in
1489:30 December
1467:30 December
1218:Simon Nicol
1200:Sandy Denny
975:; words by
760:Traditional
736:Sandy Denny
647:Sandy Denny
643:Chris While
623:Simon Nicol
608:BBC Radio 2
489:Chris While
452:Fotheringay
431:Cecil Sharp
415:pace-eggers
371:Cecil Sharp
340:Braishfield
324:Simon Nicol
211:debut album
207:Sandy Denny
3171:Categories
2879:Rendezvous
2688:House Full
2391:Full House
2288:Judy Dyble
2111:0863699936
2097:0906008468
2083:0571278914
2069:1900924323
2055:1900924358
2027:23 October
1890:. AllMusic
1756:. New York
1721:. AllMusic
1596:Luke Kelly
1380:. TeamRock
1328:References
1158:Production
754:Reynardine
645:replacing
461:Full House
359:Reynardine
344:Winchester
178:Full House
149:chronology
3082:The Bunch
2904:Gold Dust
2886:Gold Dust
2244:Dave Pegg
1967:Hedy West
1416:20 August
1194:Personnel
1179:John Wood
1146:John Peel
1128:"Medley"
939:Writer(s)
852:"Medley"
827:Writer(s)
721:Writer(s)
604:folk rock
568:John Peel
456:Dave Pegg
379:The Byrds
355:Bob Dylan
257:the Byrds
253:folk rock
2758:Box sets
2640:" (1970)
2633:" (1969)
2626:" (1969)
2619:" (1968)
2612:" (1968)
2583:50:50@50
1847:14 April
1760:14 April
1463:. London
1274:100,000
1202:– vocals
1165:Joe Boyd
1151:Top Gear
1059:"Medley
994:sessions
814:Side two
764:arranged
708:Side one
675:AllMusic
659:Cropredy
572:Top Gear
515:Allmusic
443:Top Gear
417:and the
277:(2000).
140:Joe Boyd
135:Producer
84:, London
70:Recorded
62:Released
52: by
3091:Rock On
2969:Strawbs
2602:Singles
2157:Discogs
1894:28 July
1725:18 July
1625:"Liege"
1437:1 March
1259:/sales
1250:Region
1148:'s BBC
885:Tam Lin
798:words:
641:, with
570:on his
471:" and "
404:words:
367:Tam Lin
338:, near
281:History
237:Tam Lin
182:(1970)
173:(1969)
164:(1969)
127:A&M
3042:Heyday
2769:(1998)
2750:(1976)
2742:(1972)
2723:(2008)
2715:(2007)
2707:(1994)
2699:(1987)
2696:Heyday
2691:(1986)
2683:(1982)
2675:(1979)
2667:(1977)
2659:(1974)
2594:(2020)
2586:(2017)
2578:(2015)
2570:(2012)
2562:(2011)
2554:(2007)
2546:(2004)
2538:(2001)
2530:(1999)
2522:(1997)
2514:(1996)
2506:(1995)
2498:(1990)
2490:(1988)
2482:(1987)
2474:(1986)
2466:(1985)
2458:(1978)
2450:(1977)
2442:(1976)
2434:(1975)
2426:(1973)
2418:(1973)
2410:(1971)
2402:(1971)
2394:(1970)
2386:(1969)
2378:(1969)
2370:(1969)
2362:(1968)
2132:
2109:
2095:
2081:
2067:
2053:
1646:"Lief"
1521:
1007:Length
981:
960:
942:Length
830:Length
724:Length
509:Rating
506:Source
229:Celtic
125:(UK);
123:Island
101:Length
78:Studio
3133:Songs
2865:Sandy
2415:Rosie
1920:5 May
1786:5 May
1702:5 May
1651:5 May
1630:5 May
1549:5 May
1345:(PDF)
1290:Notes
1271:Gold
1004:Title
936:Title
917:40:33
824:Title
718:Title
425:(of "
406:liege
201:band
118:Label
90:Genre
2535:XXXV
2423:Nine
2130:ISBN
2107:ISBN
2093:ISBN
2079:ISBN
2065:ISBN
2051:ISBN
2029:2023
1922:2008
1896:2011
1849:2013
1813:2019
1788:2008
1762:2013
1727:2017
1704:2008
1653:2008
1632:2008
1551:2008
1519:ISBN
1491:2008
1469:2008
1439:2011
1418:2016
1386:2016
1357:2021
1137:2:21
1120:2:11
1109:7:50
1098:4:19
1087:3:44
1076:4:13
1051:7:46
1040:4:53
1029:5:59
1018:3:59
907:4:35
893:7:20
875:4:00
844:4:10
805:2:38
787:8:08
769:4:33
744:4:55
680:Mojo
410:lief
361:", "
235:", "
217:and
129:(US)
2155:at
1405:NME
1349:NME
1266:BPI
1125:10.
1000:No.
992:BBC
965:10.
932:No.
820:No.
714:No.
589:of
578:of
475:".
381:' "
271:'s
3173::
2020:.
1998:.
1977:".
1833:.
1804:.
1750:.
1735:^
1670:^
1459:.
1447:^
1408:.
1402:.
1374:.
1347:.
1268:)
1114:9.
1103:8.
1092:7.
1081:6.
1056:5.
1045:4.
1034:3.
1023:2.
1012:1.
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898:8.
880:7.
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774:3.
762:;
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738:,
729:1.
637:,
633:,
629:,
625:,
599:.
557:B−
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342:,
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2031:.
1924:.
1898:.
1851:.
1815:.
1790:.
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1729:.
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1420:.
1388:.
1359:.
950:"
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883:"
781:"
777:"
756:"
752:"
294:,
108::
20:)
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