Knowledge (XXG)

Lillie Harris

Source 📝

81:
I had written a fusion piece, melding a Baroque-style melody with the Adzogbo rhythm common across many African cultures; the percussive, 'spitty' and unusual sounds ended up being my favourite, as the particularly human, vocal quality of the recorder and the richer, brighter tone of the Baroque
102:, and described as an "evocation of a crumbling building, through moaning trombones and tremolo strings, as well as the bleak aftermath of dust and silence." In the same year, she wrote her solo viola work, 82:
cello had a cohesiveness that I probably would not have felt had the ensemble been on modern cello and flute, for example. The piece was a fun experiment that left me eager to go further.
757: 742: 737: 752: 732: 456: 119: 99: 553: 604: 722: 717: 66: 727: 409: 149: 384: 747: 130: 115: 137: 74: 503: 178:(2018) - clarinets, viola, percussion, electronic tape and poem extracts triggered by audience participation 707: 55: 712: 579: 107: 62: 51: 629: 166:, and maintains her own blog, The Green Copyist, on printing and preparing music sustainably. 39: 528: 111: 434: 153: 145: 357:"NCEM - The National Centre for Early Music - NCEM Composers Award 2013 with Florilegium" 289: 95: 701: 152:'s Young Composers Scheme, during which she worked with the composer and conductor 630:"'Whatever I had been expecting, it wasn't that': The English Concert reviewed" 35: 31: 477: 356: 311: 23: 333: 91: 27: 692: 687: 654: 410:"Lillie Harris wins chance to have RSNO perform her music - Rhinegold" 682: 110:, who subsequently performed the work in her Nordic tour of the 554:"London Symphony Orchestra - LSO Soundhub Showcase: Phase I" 256:(2013) - recorder, Baroque violin and cello, and harpsichord 605:"Tenso Young Composers Award 2017 - Lillie Harris - Tenso" 129:
was written for the pianist Ben Powell as part of the
244:(2014–15) - solo great bass paetzoid and electronics 159:
Harris won the Tenso Young Composers Award in 2017.
379: 377: 140:'s SoundHub programme, and commissioned her piece 148:. That year, she was also offered a place on the 457:"Classical review: RSNO, Usher Hall, Edinburgh" 238:(2015) - large mixed ensemble and solo baritone 79: 162:She has also written reviews and articles for 268:(2011) - strings, piano and HighC electronics 8: 580:"Meet the LPO Young Composers | Education" 136:In 2017, she was appointed a place on the 98:, was commissioned and premiered by the 278: 114:, at Soundfestival Aberdeen and at the 284: 282: 22:(born 1994) is a contemporary British 16:British composer, copyist and engraver 385:"LILLIE HARRIS - Old Wood, New Music" 226:(2015) - harp, live electronics, tape 69:'s Composer Competition, writing her 65:, and in 2013 was a finalist in the 7: 758:21st-century English women musicians 254:The Dahomey Amazons Take a Tea Break 71:The Dahomey Amazons Take a Tea Break 14: 743:British women classical composers 693:The Green Copyist - personal blog 435:"Young composer in Season Finale" 120:Royal Scottish National Orchestra 100:Royal Scottish National Orchestra 738:21st-century classical composers 67:National Centre for Early Music 753:21st-century British composers 508:www.aberdeenperformingarts.com 236:In the Company of Nightingales 1: 266:Nineteen-to-Twenty-Hundred AD 133:Composing for Piano project. 90:reflecting the demolition of 196:(2016–17) - a capella voices 733:British classical composers 688:Lillie Harris on Soundcloud 774: 116:Glasgow Royal Concert Hall 77:. She writes of the piece: 138:London Symphony Orchestra 122:'s chamber music series. 529:"Past Schemes | Psappha" 194:Vernichtung-Frage-Schrei 50:Harris was a student of 723:British women composers 250:(2014) for SSATB voices 232:(2015–16) - sinfonietta 214:(2016) - mixed ensemble 184:(2018) - large ensemble 61:She has an interest in 718:People from Canterbury 292:. From Poetry to Music 84: 58:, graduating in 2016. 56:Royal College of Music 38:, she is now based in 728:Musicians from London 504:"SOUND: NORDIC VIOLA" 437:. RSNO. 26 April 2016 220:(2015–16) - orchestra 144:based on the poem by 478:"About Nordic Viola" 655:"The Green Copyist" 150:London Philharmonic 63:Baroque instruments 578:Atkinson, Alison. 484:. 25 February 2016 748:English composers 659:The Green Copyist 634:Revoice! Magazine 389:Revoice! Magazine 260:Lola on the Beach 242:Dormientes Bestia 202:(2016–17) - piano 40:south-east London 765: 683:Official website 670: 669: 667: 665: 651: 645: 644: 642: 640: 626: 620: 619: 617: 615: 601: 595: 594: 592: 590: 575: 569: 568: 566: 564: 550: 544: 543: 541: 539: 525: 519: 518: 516: 514: 500: 494: 493: 491: 489: 474: 468: 467: 465: 463: 453: 447: 446: 444: 442: 431: 425: 424: 422: 420: 406: 400: 399: 397: 395: 381: 372: 371: 369: 367: 355:Campbell, Andy. 352: 346: 345: 343: 341: 330: 324: 323: 321: 319: 308: 302: 301: 299: 297: 286: 164:Revoice Magazine 142:My Last Duchess, 112:Shetland Islands 773: 772: 768: 767: 766: 764: 763: 762: 698: 697: 679: 674: 673: 663: 661: 653: 652: 648: 638: 636: 628: 627: 623: 613: 611: 603: 602: 598: 588: 586: 577: 576: 572: 562: 560: 552: 551: 547: 537: 535: 527: 526: 522: 512: 510: 502: 501: 497: 487: 485: 476: 475: 471: 461: 459: 455: 454: 450: 440: 438: 433: 432: 428: 418: 416: 408: 407: 403: 393: 391: 383: 382: 375: 365: 363: 354: 353: 349: 339: 337: 334:"Lillie Harris" 332: 331: 327: 317: 315: 314:. Lillie Harris 310: 309: 305: 295: 293: 290:"Lillie Harris" 288: 287: 280: 275: 190:(2017) - sextet 176:My Last Duchess 172: 154:James MacMillan 146:Robert Browning 118:as part of the 86:Her 2016 work, 48: 17: 12: 11: 5: 771: 769: 761: 760: 755: 750: 745: 740: 735: 730: 725: 720: 715: 710: 700: 699: 696: 695: 690: 685: 678: 677:External links 675: 672: 671: 646: 621: 596: 584:www.lpo.org.uk 570: 545: 520: 495: 469: 448: 426: 401: 373: 361:www.ncem.co.uk 347: 325: 303: 277: 276: 274: 271: 270: 269: 263: 262:(2012) - cello 257: 251: 245: 239: 233: 227: 221: 215: 209: 208:(2016) - viola 203: 197: 191: 185: 179: 171: 170:Selected works 168: 108:Katherine Wren 96:Red Road Flats 47: 44: 15: 13: 10: 9: 6: 4: 3: 2: 770: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 709: 708:Living people 706: 705: 703: 694: 691: 689: 686: 684: 681: 680: 676: 660: 656: 650: 647: 635: 631: 625: 622: 610: 606: 600: 597: 585: 581: 574: 571: 559: 555: 549: 546: 534: 530: 524: 521: 509: 505: 499: 496: 483: 479: 473: 470: 458: 452: 449: 436: 430: 427: 415: 411: 405: 402: 390: 386: 380: 378: 374: 362: 358: 351: 348: 335: 329: 326: 313: 307: 304: 291: 285: 283: 279: 272: 267: 264: 261: 258: 255: 252: 249: 246: 243: 240: 237: 234: 231: 228: 225: 222: 219: 216: 213: 210: 207: 204: 201: 198: 195: 192: 189: 186: 183: 180: 177: 174: 173: 169: 167: 165: 160: 157: 155: 151: 147: 143: 139: 134: 132: 128: 123: 121: 117: 113: 109: 105: 101: 97: 93: 89: 83: 78: 76: 72: 68: 64: 59: 57: 53: 45: 43: 41: 37: 33: 29: 25: 21: 20:Lillie Harris 662:. Retrieved 658: 649: 637:. Retrieved 633: 624: 614:11 September 612:. Retrieved 608: 599: 587:. Retrieved 583: 573: 561:. Retrieved 557: 548: 536:. Retrieved 532: 523: 511:. Retrieved 507: 498: 486:. Retrieved 481: 472: 460:. Retrieved 451: 439:. Retrieved 429: 417:. Retrieved 413: 404: 392:. Retrieved 388: 364:. Retrieved 360: 350: 338:. Retrieved 328: 316:. Retrieved 306: 294:. Retrieved 265: 259: 253: 247: 241: 235: 229: 223: 217: 211: 205: 199: 193: 187: 181: 175: 163: 161: 158: 141: 135: 126: 124: 106:for violist 103: 88:remiscipate, 87: 85: 80: 70: 60: 52:Haris Kittos 49: 19: 18: 713:1994 births 664:2 September 639:2 September 589:2 September 563:2 September 538:2 September 513:2 September 488:2 September 482:nordicviola 462:2 September 441:3 September 419:2 September 394:2 September 366:2 September 340:3 September 318:3 September 312:"Composing" 296:3 September 218:remiscipate 75:Florilegium 702:Categories 273:References 125:Her work, 36:Canterbury 34:. Born in 558:lso.co.uk 414:Rhinegold 224:Chrysalis 46:Biography 200:vitreous 188:Elsewhen 127:Vitreous 32:engraver 24:composer 533:Psappha 212:wavelet 131:Psappha 92:Glasgow 54:at the 28:copyist 336:. IMDb 182:Recall 609:Tenso 248:Qinah 666:2018 641:2018 616:2018 591:2018 565:2018 540:2018 515:2018 490:2018 464:2018 443:2018 421:2018 396:2018 368:2018 342:2018 320:2018 298:2018 104:AND, 73:for 30:and 230:Red 206:AND 94:'s 704:: 657:. 632:. 607:. 582:. 556:. 531:. 506:. 480:. 412:. 387:. 376:^ 359:. 281:^ 156:. 42:. 26:, 668:. 643:. 618:. 593:. 567:. 542:. 517:. 492:. 466:. 445:. 423:. 398:. 370:. 344:. 322:. 300:.

Index

composer
copyist
engraver
Canterbury
south-east London
Haris Kittos
Royal College of Music
Baroque instruments
National Centre for Early Music
Florilegium
Glasgow
Red Road Flats
Royal Scottish National Orchestra
Katherine Wren
Shetland Islands
Glasgow Royal Concert Hall
Royal Scottish National Orchestra
Psappha
London Symphony Orchestra
Robert Browning
London Philharmonic
James MacMillan


"Lillie Harris"
"Composing"
"Lillie Harris"
"NCEM - The National Centre for Early Music - NCEM Composers Award 2013 with Florilegium"

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.