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236:. Greenham escaped to Copenhagen to be reunited with her mother thanks to the efforts of her step-father who obtained an exit visa for her. At fifteen Greenham's mother started giving her formal singing lessons and she learnt a repertoire of lieder and operatic arias. Madsen later secured the release of Greenham's father from
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Greenham was a visiting tutor at a number of educational establishments during her lifetime, including the internationally renowned Barry Summer School at the
Glamorgan College of Education in Wales, where she taught on the Fundamentals of Creativity and Colour Kinetics courses, and other mixed media
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The main feature of these tape pieces is the use of speech as a basic element. Contrary to the traditional way of âsetting words to music', in âlingual musicâ speech âemerges as musicâ. âLingual musicâ pieces could not be performed live. The only sound source used is the human voice (if not otherwise
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Greenham moved to London in 1972, where she based herself for the remainder of her life, and began to focus on her own sound poetry experiments. She consciously distanced herself from being regarded as merely an interpreter of other people's poetry, particularly as one of the few female practitioners
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When I was heavily involved in one of the disciplines I actively pursued, I identified with certain professional groups for a time, but I was never exclusively dedicated to any single discipline. Others also seemed to recognize this, because in the field of music I was often described as a painter,
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in the visual arts I was seen as a poet, in literary circles I was a performer and so forth⊠Neither nationality nor religion nor profession, nor any sort of classification covers my own concept of myself. Categories donât fit my character, nor my soul. I am a stranger in a strange land.
268:) patrol discovered them and Greenham's mother was shot in the stomach and died of her wounds a few days later. According to Egon Madsen's memoirs, Greenham had affected her own dramatic escape by boat to Sweden, hiding in ditches and a church attic to escape Nazi patrols.
289:. In 1948 Greenham moved to Paris to study painting, subsequently married poet Peter Greenham in Hendon, London in 1951, before returning to Austria with him in 1952 to study at the Academy of Music and Performing Arts in Vienna. She and Peter Greenham divorced in 1964.
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projects. Barry was famous for its pioneering approach to arts education that annually attracted students from around the world, with other courses offered in areas as diverse as Welsh literature, sailing, millinery, rugby and puppetry. Notable arts tutors included
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and was broadcast on the BBC the following year, though being somewhat short for the designated radio spot (at just over 8 minutes) the piece was actually broadcast twice in succession with a short link spoken by broadcaster
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Greenham coined the term âlingual musicâ in 1973 to describe her experiments with layering and processing reel-to-reel tape recordings of her own voice. She explained her approach in the catalogue for the exhibition
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After the war
Greenham (appearing as Lily Pfiffer-Madsen) and her step-father toured and performed together in Sweden and Denmark, including a 1947 Danish radio broadcast where they performed pieces by
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Greenham continued to perform live across Europe, North Africa and North
America throughout the 1970s and into the 1980s, with free improvisation performances alongside Danish saxophonist
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went on to win a prize for electro-acoustic music at the prestigious 5th
Bourges International Festival of Experimental Music in 1975. That same year she worked with the mercurial
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stated). The recorded material is electronically processed and the result leaves the listener at times in doubt whether he is listening to âelectronic musicâ or the human voice.
640:, Germany, on 8 March 2024 (running until 26 May). It marked the centenary of her birth and was realised in collaboration with Goldsmiths, University of London and the journal
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In later life
Greenham increasingly devoted her time to writing, making art work using early computer graphics programmes and collaborating with film-makers, including
314:. She became well known for radio broadcasts and performances of sound & concrete poetry by many writers, poets and artists, including Freidrich Achtleitner,
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Alongside her own work, Greenham was involved in many performances of contemporary music during the 1960s and '70s, providing voice and other parts for works by
546:. One example was 'Materiels pour Monuments' at La Vieille Grille, Paris, in January/February 1968, with Greenham appearing alongside performers that included
625:, having been rescued from her council flat following her death, and subsequently looked after, by close friends and colleagues Hugh Davies, Michael Parsons,
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Whilst studying in Vienna in the 1950s, Greenham developed a strong interest in contemporary art and became involved with the activities of the
617:, was republished by Distance No Object in 2022, having originally appeared in 1974 as an edition of around 100 copies through Bob Cobbing's
667:, edition OT london, (tape) (1974). A limited edition of 100 stereo 1/4" reel-to-reel tapes, with typewritten tracklisting on coloured card.
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and playing on the linkage between the word electron as used in both physics and electronic music. Under
Greenham's detailed direction,
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184:, and various international venues during the 1920s and â30s. Her father was a lawyer, impresario and former police commissioner from
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in 1933. Lily was a pupil at the progressive
Rahlgasse School in Vienna until April 1938, whose alumni also include philologist
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135:(4 January 1924 - 31 October 2001) was an Austrian-born Danish visual artist, performer, composer and leading proponent of
237:
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686:; Anastasia Bitzos (LP) (1966). Limited edition of 100; documentation of performances at Kunsthalle Bern, Switzerland.
484:, Greenham explored early digital sampling techniques - long before the availability of commercial samplers - using a
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598:(1983), part of a series of short films created for Channel 4. Greenham died on 31 October 2001 in London, aged 77.
334:. Greenham spoke several languages aside from her native German and adopted Danish, as evidenced in her BBC Radio 3
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1225:"Lily Greenham: Internationale Sprachexperimente Der 50/60er Jahre / Tendentious Neo-Semantics 1970 In English"
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609:, a double CD collection of her work, was released by Paradigm Discs in 2007, with liner notes from composer
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in an overwhelmingly male-dominated field. Her sense of being an outsider was something she wrote about in
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692:, Ăditions Jean-Michel Place, K7 No. 1/10006 & K7 No. 2/10007 (2 cassettes) (1979). (Greenham, Lily;
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to work as a journalist, where as many as 20,000 German, Austrian and Polish Jews sought refuge during
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507:. Greenham again featured at the Bourges International Festival of Experimental Music in 1978, where
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Internationale
Sprachexperimente Der 50/60er Jahre/Tendentious Neo-Semantics 1970 In English
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computer at
University College in Cardiff with software created by programmer Marcus West.
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and Dr. Gabriel Lax, both of Polish/Ukrainian-Jewish descent. Her mother was a well-known
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306:(Vienna Group), an avant-garde constellation of Austrian poets and writers that included
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350:(GRAV) (Research Group for Visual Art)) of opto-kinetic artists. Greenham's innovative
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in 1970 where she delivered sound poems in their original
Spanish, French and English.
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works became widely recognised and were shown in several major exhibitions, including
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The first large-scale retrospective exhibition of her sound and visual work -
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Catalogo della 35a Esposizione Biennale Internazionale dâArte Venezia
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involved the considerable engineering, editing and mixing skills of
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Rena Pfiffer-Lax-Madsen - "Female Caruso": outline of life and work
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Austrian-born Danish visual artist, performer, composer, sound poet
781:. Ivano-Frankivsk: Franciszek KarpiĂżski Society of Polish Culture.
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702:, Watershed Tapes, C-2003 (2 cassettes) (1979). (Greenham, Lily;
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In April 1938 her father was amongst the first wave of prominent
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operatic singer, visual artist, performer, sound poet, composer
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in the collection at the Victoria & Albert Museum, London.
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Greenham, Lily (1995). "Un Arte de Vivir (An Art of Living)".
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In 1964 Greenham had moved back to Paris where she joined the
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Wartime Shanghai and the Jewish Refugees from Central Europe
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held by ZKM (Center for Art and Media), Karlsruhe, Germany.
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378:(Computer Centre, University of Madrid, 1969) and the 35th
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The Documentation Archive of the Austrian Resistance (DĂW)
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in October 1943 with a group of Danish Jews. A 'Kripo' (
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Lily Greenham's Danish passport photo, circa early 1950s
793:"The first Dachau transport from Vienna, April 1, 1938"
480:(1975/6), a stereo French-language version of her poem
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Lily Greenham - Informel, Op Art, Lingual Music (2007)
865:. Berlin/Boston: Walter de Gruyter GmbH & Co. KG.
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Open Music Trio. In 1976 she toured in Holland with
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1037:Briscoe, Desmond; Curtis-Bramwell, Roy (1983).
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1310:Ode To Gravity: Sound poetry of Lily Greenham
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413:at the Stedelijk Museum, Amsterdam, in 1977.
240:in November 1938. Her father travelled on to
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1250:"Lily Greenham - Tune In To Reality (tape)"
1041:. London: British Broadcasting Corporation.
1312:: interview by Charles Amirkhanian (1972).
1275:"Various: Breathingspace79 (Sound Poetry)"
1010:"Tekst in geluid, Stedelijk Museum (1977)"
877:"Holocaust Survivors and Victims Database"
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1127:"Prospectus for Barry Summer School 1966"
1052:"Workshop: Relativity by Lily Greenham".
636:- opened at the Badischer Kunstverein in
200:, fashion designer (and life partner of
164:, on January 4, 1924, the only child of
901:"Lily Greenham: Sound Poetry Concert".
881:United States Holocaust Memorial Museum
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1095:Lewis, Elizabeth Matthew (June 1966).
690:Poésie Sonore Internationale 1 & 2
224:arrested in Vienna and transported to
673:, Paradigm Discs, PD22 (2CDs) (2007).
374:(Museum of Modern Art, Paris, 1967),
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753:"Performances with Rena Pfiffer-Lax"
732:Ăsterreichisches Musiklexikon online
661:, Edition Hoffmann, S-1 (LP) (1970).
629:and former husband Peter Greenham.
613:. Her only published book of poems,
468:in the Electronic Music Studios at
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1200:"Lily Greenham: An Art of Living"
700:Breathingspace/79 (Sound Poetry)
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1071:"Lily Greenham - Lingual Music"
634:Lily Greenham: An Art of Living
411:Tekst in geluid (Text in sound)
248:. He died there in April 1944.
1334:, Neue Gallerie Graz, Austria.
435:, using words from Einstein's
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1149:"Hang On A Minute/Tyger Lily"
262:attempted to escape to Sweden
238:Buchenwald concentration camp
1305:, The Lily Greenham Archive.
998:. Venice: La Biennale. 1970.
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967:"Archives of the exhibition
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258:German occupation of Denmark
1343:(Distance No Object, 2023).
260:in 1940, Greenham's mother
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1308:Pacifica Radio Archives -
1097:"A Summer School in Wales"
942:"The Responsive Eye, 1965"
427:In 1974 she worked at the
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694:Seven Consonants In Space
370:(MoMa), New York, 1965),
226:Dachau concentration camp
196:, actress and journalist
60:October 31, 2001 (age 77)
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905:(2409). 14 January 1970.
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208:, and nuclear physicist
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917:"Exhibitions 1951-1971"
562:Teaching and later life
298:Vienna and sound poetry
133:Lily Henriette Greenham
1056:(2683). 18 April 1975.
777:Ciwkacz, Olga (2020).
472:, to create the piece
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1175:"Tune in to Reality!"
704:7 Consonants In Space
509:7 Consonants in Space
293:Career and adult life
230:annexation of Austria
194:Gertrud Herzog-Hauser
176:who performed at the
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861:Eber, Irene (2012).
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642:Bricks from the Kiln
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106:(m. 1951; div. 1964)
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728:"Pfiffer-Lax, Rena"
615:Tune in to Reality!
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322:, Ronaldo Azeredo,
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1179:Distance No Object
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594:& Jo Davis on
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45:Lily Henriette Lax
822:"Den Danske Gigl"
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980:14 December
926:26 February
886:25 February
831:12 December
826:aabakken.dk
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762:26 February
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648:Discography
627:Max Eastley
517:Circulation
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478:Circulation
466:Hugh Davies
431:to realise
360:Denise René
356:Mouvement 2
332:Ernst Jandl
324:Bob Cobbing
316:Elena Asins
283:Franz LehĂĄr
1351:Categories
1259:31 January
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711:References
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