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Drager says her projects try to explore the questions: "What does it mean to have a body, to own a body, be a body, be bodied? How is that body constructed by others when it enters the public arena? How is that body governed by time, both the literal constructs of the temporal (bodies move always
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From 2016 to 2019 she was an assistant professor of creative writing at the
College of Charleston. In 2019, she joined the faculty of the creative writing program at the University of Utah. Since 2020, she has served as associate fiction editor of
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and a writing consultant at the St. Francis Center, a day shelter for those experiencing homelessness. She also taught writing at the Rocky
Mountain College of Art + Design as well as Lighthouse Writer's Workshop.
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interview, she said, "Much of my interest has been to reveal how language behaves in certain environments, and what forces are—overtly or obliquely—governing those behaviors."
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review, it was awarded the 2016 Binghamton
University John Gardner Fiction Prize. In 2017, it was made available in braille.
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364:""Daughters live in places the men cannot access": A Conversation with Lindsey Drager, curated by Kristina Marie Darling"
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After spending a year in Los
Angeles working for a textbook publishing company, she entered the PhD program at the
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review, Ilana Masad noted, "Drager continues to be a force and should be recognized widely for her work."
30:(born October 9, 1986) is an American author and professor of creative writing at the University of Utah.
263:"The Absence of the Book and the Future of the Work: Blanchot. Barthelme, and Creative Reading Practice"
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Drager was born in Toledo, Ohio. She earned her BA in writing and
English language and literature from
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Drager has said she is highly influenced by visual art, in particular the work of Escher. In a
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New
Writing: The International Journal for the Practice and Theory of Creative Writing
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was among NPR's best books of the year. It was awarded the 2022 Bard
Fiction Prize.
336:"#CountdowntoPub: The Lost Daughter Collective: An Artist's Articulation, Of Sorts"
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390:"New Authors Alvar, Clifford, Drager, Ohanesian, Walker, & Many Others"
134:)? In other words: How are our bodies—like our books—authored and read?"
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toward decay) and cultural periods, zeitgeist (bodies, depending on era,
288:"LINDSEY DRAGER - Teaching - Faculty Profile - The University of Utah"
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243:"The Novella is Not the Novel’s Daughter: An Argument in Notes"
509:"Annual Bard Fiction Prize Is Awarded to Lindsey Drager"
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in
Allendale, Michigan, and an MFA in fiction from the
97:. Called "a remarkable and mature debut" in a starred
93:(Dzanc, 2015), explores the hypothetical end of the
46:. While at Illinois, she studied under the novelist
16:American author and professor of creative writing
468:"The Lost Daughter Collective by Lindsey Drager"
608:University of Illinois Urbana-Champaign alumni
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253:"The World Without Libraries: A Speculation"
146:National Endowment for the Arts Fellowship
106:In 2017, Dzanc released her second novel,
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144:In 2020, Drager was the recipient of a
443:"Shelf Unbound August-September 2017"
61:where she worked as an editor of the
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603:Grand Valley State University alumni
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40:Grand Valley State University
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108:The Lost Daughter Collective
613:University of Denver alumni
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494:"NPR's Best Books of 2020"
247:Michigan Quarterly Review
507:Relations, Bard Public.
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151:Her influences include
116:) and "formally rich" (
44:University of Illinois
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573:"The Avian Hourglass"
95:public library system
78:Writing and reception
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232:(2024). Dzanc Books.
226:(2019). Dzanc Books.
220:(2017). Dzanc Books.
59:University of Denver
52:Dalkey Archive Press
34:Education and career
558:"The Sorrow Proper"
474:. February 28, 2017
415:"The Sorrow Proper"
230:The Avian Hourglass
137:In 2019, her novel
165:Zora Neale Hurston
74:literary journal.
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540:. Retrieved
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72:West Branch
587:Categories
542:2022-04-13
518:2022-04-13
321:2022-04-13
312:"About Us"
297:2022-04-13
274:References
148:in Prose.
124:The Rumpus
122:). In her
210:(2015).
203:Novels
447:issuu
249:blog.
199:Books
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