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Lindsey Drager

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Drager says her projects try to explore the questions: "What does it mean to have a body, to own a body, be a body, be bodied? How is that body constructed by others when it enters the public arena? How is that body governed by time, both the literal constructs of the temporal (bodies move always
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From 2016 to 2019 she was an assistant professor of creative writing at the College of Charleston. In 2019, she joined the faculty of the creative writing program at the University of Utah. Since 2020, she has served as associate fiction editor of
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and a writing consultant at the St. Francis Center, a day shelter for those experiencing homelessness. She also taught writing at the Rocky Mountain College of Art + Design as well as Lighthouse Writer's Workshop.
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interview, she said, "Much of my interest has been to reveal how language behaves in certain environments, and what forces are—overtly or obliquely—governing those behaviors."
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review, it was awarded the 2016 Binghamton University John Gardner Fiction Prize. In 2017, it was made available in braille.
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After spending a year in Los Angeles working for a textbook publishing company, she entered the PhD program at the
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review, Ilana Masad noted, "Drager continues to be a force and should be recognized widely for her work."
30:(born October 9, 1986) is an American author and professor of creative writing at the University of Utah. 263:"The Absence of the Book and the Future of the Work: Blanchot. Barthelme, and Creative Reading Practice" 38:
Drager was born in Toledo, Ohio. She earned her BA in writing and English language and literature from
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Drager has said she is highly influenced by visual art, in particular the work of Escher. In a
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New Writing: The International Journal for the Practice and Theory of Creative Writing
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was among NPR's best books of the year. It was awarded the 2022 Bard Fiction Prize.
336:"#CountdowntoPub: The Lost Daughter Collective: An Artist's Articulation, Of Sorts" 180: 311: 211: 156: 19: 390:"New Authors Alvar, Clifford, Drager, Ohanesian, Walker, & Many Others" 134:)? In other words: How are our bodies—like our books—authored and read?" 130:
toward decay) and cultural periods, zeitgeist (bodies, depending on era,
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in Allendale, Michigan, and an MFA in fiction from the
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Index

Lindsey Drager
Grand Valley State University
University of Illinois
Richard Powers
Dalkey Archive Press
University of Denver
public library system
Library Journal
Kirkus Reviews
Publishers Weekly
National Endowment for the Arts Fellowship
Rikki Ducornet
Carole Maso
Renee Gladman
Zora Neale Hurston
Kate Bernheimer
Kathryn Davis
Percival Everett
Thalia Field
Donald Barthelme
Michael Ondaatje
Herman Melville
Dzanc Books
"The Novella is Not the Novel’s Daughter: An Argument in Notes"
"The World Without Libraries: A Speculation"
"The Absence of the Book and the Future of the Work: Blanchot. Barthelme, and Creative Reading Practice"
"LINDSEY DRAGER - Teaching - Faculty Profile - The University of Utah"
"About Us"
"#CountdowntoPub: The Lost Daughter Collective: An Artist's Articulation, Of Sorts"

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