461:. Though the League was not officially a political organization, many of its members used photography as a means for social awareness and change, but Model herself did not identity as a political or documentary photographer. The League was eventually classified as a communist organization by the FBI, who interviewed Model personally in 1954 and attempted to recruit her as an informant. She refused to cooperate with the Bureau, leading to her name being placed on the National Security Watchlist. Because many clients were reluctant to hire somebody who was under FBI suspicion, Model encountered increased difficulty finding opportunities to work, which played a role in her focus shift towards teaching.
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of the hazier details of her biography, the reason for this change has not been conclusively identified. Speculation points toward declining health and self-efficacy, increased energy directed towards teaching, and precarious financial situation as some of the primary causes. Nevertheless, Model continued to shoot and teach until her death. She was especially inspired to photograph when away from home, such as her photographs of students in
Berkeley in 1973, Lucerne in 1977, Venice in 1979, and so on. She even returned to Nice, France, for the first time in nearly thirty years. However, she did not find the same inspiration there that she once had when photographing her first influential series
602:, New York, New York. This estate was responsible for the release of a mass of information on the notoriously private Model after her death, including 25,000 negatives (many hundreds unprinted), personal letters, lectures, press clippings, and many more sources. The release of this information made up for the previous dearth of accurate details on Model's life, which could be partially attributed to her mistrust of written publications. She refused the release of interviews, and allegedly even sabotaged a manuscript about her by
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notebooks make frequent references to using children's art as example to show that art was an exploration of the world, and not a replication of what was already in place. She strongly focused on challenging her students to strive for the subjective experience and the utmost creativity, sometimes inspiring students, but alienating others. She did not tolerate lukewarm effort, and was ruthlessly critical of students' work that lacked passion.
311:– which are still among her most widely reproduced and exhibited images. These close-cropped, often clandestine portraits of the local privileged class already bore what would become her signature style: close-up, unsentimental and unretouched expositions of vanity, insecurity and loneliness. Model's compositions and closeness to her subjects were achieved by enlarging and cropping her negatives in the darkroom. Additionally, her use of a
482:. She left for California to teach in part for economic reasons and due to her friendship with Ansel Adams, who extended an informal invitation to a teaching position. She stayed from August until at least November of that year as a "Special instructor in documentary photography" in the Department of Photography. She did not produce much of her own work at that time, possibly because of her failure to receive the
430:. Despite the League's effort to maintain that it was a cultural, photographic organization, political pressure led to the League's demise in 1951. During its existence, Model was an active League member and served as a judge in membership print competitions. In 1941, the League hosted her first solo exhibition. From 1941 to 1953, she was a freelance photographer and contributed to many publications including
276:. She had little training or interest in photography initially; it was Olga who taught her the basics of photographic technique. Model was most interested in the darkroom process, and wanted to become a darkroom technician. She used her sister as a subject to start her photography. Model claimed that "I just picked up a camera without any kind of ambition to be good or bad", but her friends from Vienna and
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physical surroundings. Model's edits in the darkroom eliminate those distractions, tightening the focus on the person and excluding extraneous background information. After the publication of the
Promenade des Anglais images, or the "Riviera" series, Model resumed her Paris street photography practice, this time focusing on the poor.
606:. It is suspected that she may have fudged the truth about her past more than once, and her reticence was due to a fear of revealing this misinformation and unclouding her personal history. Regardless, there is now a wealth of knowledge to be found, thanks to the meticulous preservation of her estate.
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1978 "New
Standpoints: Photography 1940–1955" – Museum of Modern Art, New York, NY, "Photographic Crossroads: The Photo League" – National Gallery of Canada, Ottawa, Canada, "The Quality of Presence" – Lunn Gallery, Washington D.C., "How Photography Clicked" – Floating Foundation of Photography, New
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and was awarded $ 2,500, and in March 1973 she received a
Creative Artists Public Service Program award for $ 2,500. In the later half of her career, Model's work underwent a steep drop in print production. She hadn't stopped shooting photographs; she had simply stopped printing them. Much like some
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In 1964, Model once again applied for the
Guggenheim Fellowship, and in 1965 she was awarded the fellowship of $ 5,000 for a period of one year. In 1966 she went to Los Angeles and Las Vegas, with the intention to photograph anti-glamour of American culture. She also went to photograph in Italy, but
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In
January 1976, Evsa suffered a heart attack, which required that he be constantly taken care of and monitored. His health continued to decline until his death later that same year. His death deeply affected Lisette, who continued to live in their basement apartment they had shared for many years.
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1981, PPS Gallery, Hamburg, Germany, "Carl
Siembab: A Photographic Patron" – Institute of Contemporary Art, Boston, MA, "Photography of the Fifties: An American Perspective" – Center for Creative Photography, Carmel, CA, "Lisette Model" – Galerie Viviane Esders, Paris, France, "Lisette Model: A
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inch square negative and larger print size were stylistic choices considered unique at a time when a proliferation of street photographers were embracing what was called the minicam. Later examination of her negatives by archivists reveals that the uncropped images include much of the subjects'
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was also teaching photography. The New School had a liberal, humanistic approach to education and a high number of
European refugees on staff. Known for her straightforward way of addressing her students, and unorthodox teaching style, Model realized she had a talent for teaching. Her teaching
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From 1926 to 1933, she underwent psychoanalysis for childhood trauma, but little is known as to why. It is believed that her father molested her in her childhood. These years were referred to as her lonely period, as she frequented cafés alone and struggled to immerse herself into a radically
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1977 "New York: the City and Its People" – A and A Gallery, Yale, New Haven, CN, "Appearances" – Marlborough
Gallery, New York, NY, "Three-Woman Show: Diane Arbus, Lisette Model, Rosalind Solomon" – Galerie Zabriskie, Paris, France, "Photographs from the Collection of the Center for Creative
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Even in her twilight hours, her work was exhibited in
Germany, Japan, and the Netherlands, to name a few, and in 1982 she received the Medal of the City of Paris. On March 4, she gave her last lecture at Haverford college, and she died at New York Hospital on March 30, 1983, from heart and
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in 1946. While they were in the west, their landlord was illegally evicting tenants from their Grove Street apartment in NYC. The landlord's reasons for doing so are unknown, but by the time the Models returned to New York, their friends had taken care of their belongings.
217:, and was familiar to members of his circle. "If ever in my life I had one teacher and one great influence, it was Schoenberg", she said. There is little known about her art education, but her connection with Schoenberg exposed her to the contemporary art scene and leading
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390:, a series that explored manufactured images, and products or consumers in window reflections. She was recognized for her radical deviation from traditional viewpoint, and preoccupation with notions of glamour and anti-glamour. This series along with her work
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Model embarked on a prolific teaching career in the latter half of her life, both institutionally and in private. In 1946 she visited California for the first time, and became good friends with members of the Photography Department of CSFA, established by
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were also students of Model's. For twenty years she taught the program with little variation and routinely followed the same principles. She continued to teach in New York after the passing of her husband Evsa in 1976, both at the New School and at the
345:, but it soon became too expensive and they moved several times in their first few years in New York. The couple, especially Evsa, were known to be very social, frequenting cafés, and especially places with performers that Lisette liked to photograph.
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1985 "The New York School Photographs: Part One" – Corcoran Gallery of Art, Washington D.C., "The New York School Photographs: Part Two" – Corcoran Gallery of Art, Washington D.C., "Masters of the Street II" – Museum of Photographic Arts, San Diego,
505:, who studied under her in 1957, and Arbus owed much of her early technique to Model. Arbus's husband Allan was quoted attributing her development as an artist to Model: "That was Lisette. Three sessions and Diane was a photographer."
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in February 1903, and six years later, her younger sister Olga was born. According to interview testimony from her older brother, she was sexually molested by her father, though the full extent of his abuse remains unclear.
1061:. Ottawa: National Gallery of Canada. pp. 29, 30, 32, 34, 37, 39, 42, 43, 44, 50, 51, 56, 59, 60, 62, 65, 66, 70, 78, 84, 86, 93, 95, 101, 102, 104, 106, 111, 112, 115, 117, 119, 122, 126, 143, 144, 145, 156, 157, 158.
285:, who told her "Never photograph anything you are not passionately interested in", a quote she would rework later and become well-known for in her teaching career: "Shoot from the gut". André showed Model how to use the
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came into power). He warned her about the need to survive during a time of high political tension, pushing her to earn a living by photographing. Visiting her mother in Nice in 1934, Model took her camera out on the
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would go on to say that she had high standards for herself and a strong desire to excel at whatever she did. She also stated that the only lesson she ever got in photography, other than from her sister, was from
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1983 "Weegee, Lisette Model, Diane Arbus" – Comfort Gallery, Haverford, PA, "Lisette Model: A Celebration of Genius" – Parsons Exhibition Center, New York, NY, "Lisette Model" – Sander Gallery, New York,
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1980 Watari Gallery, Tokyo, Japan, Photographers Gallery, South Yarra, Australia, Ikona Gallery, Venice, Italy, "The Magical Eye: Definitions of Photography" – National Gallery of Canada, Ottawa, Canada
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In 1944, she and Evsa became naturalized U.S citizens. Letters dated that same year revealed Model's family was financially struggling in Europe, and that her mother had died of cancer on October 21.
213:. Despite her privileged upbringing, she frequently recalled her childhood as difficult. At age 19, she began studying music with composer (and father of her childhood friend Gertrude)
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244:, but Lisette stayed in Paris, the new cultural hub after WWI, to continue studying music. It was during this period that she met her future husband, the Jewish, Russian-born painter
792:
2003 "Lisette Model" – Maurice Keitelman, Paris, France"A Clear Vision: Photographic Works from the F. C. Gundlach Collection" – International House of Photography, Hamburg, Germany
728:
1979 Monograph published by Aperture, "Lisette Model: Photographs" – Vision Gallery, Boston, MA, "August Sander, Lisette Model" – Port Washington Public Library, Port Washington, NY
248:(1901–1976), whom she went on to marry in September 1937. In 1933, she gave up music and recommitted herself to studying visual art, at first taking up painting as a student of
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1989 "Noted Women Photographers of the 20s and 30s" – Jan Kesner Gallery, Los Angeles, CA, "New York: Photography between the Wars" – Metropolitan Museum of Art, New York, NY
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designed the book. Fifty-two photographs made from 1937 to 1970 were reproduced at a large enough scale to correspond with her preferred dimension of 16 × 20 inches.
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Her decision to become a professional photographer came from a conversation in late 1933 or early 1934 with a fellow Viennese émigré and former student of Schoenberg,
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Neither Evsa nor Lisette was in possession of French citizenship, and they were well aware of building political tension in Europe, so they emigrated to
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580:
660:
1948 "A Survey of Today's Photography" – Museum of Modern Art, New York, NY, "Fifty Photographs by Fifty Photographers" – Museum of Modern Art, New York, NY
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908:"Lisette Model" by Ann Thomas, published in 1990 by the National Gallery of Canada to accompany a comprehensive retrospective exhibition of Model's work.
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Model claimed that she did not take any photographs in the first 18 months she lived in New York, but an envelope dated 1939 contained many negatives of
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Photography" – Center for Creative Photography, Carmel, CA, "Photographs from the Collection #1: America" – Philadelphia Museum of Art, Philadelphia, PA
1268:"Women Photojournalists: Lisette Model (1901–1983) – Introduction & Biographical Essay (Prints and Photographs Reading Room, Library of Congress)"
1174:"Women Photojournalists: Lisette Model (1901–1983) – Introduction & Biographical Essay (Prints and Photographs Reading Room, Library of Congress)"
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descent attached to the Austro-Hungarian Imperial and Royal Army and, later, to the International Red Cross; her mother Felicie was French and
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416:, but by the 1950s, her involvement decreased dramatically, and she only published two assignments: "A Note on Blindness" and "Pagan Rome".
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1976 "The Photographer and the Artist" – Sidney Janis Gallery, New York, NY, "Lisette Model Photographs" – Sander Gallery, Washington D.C.
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1997 "Lisette Model: Selections from the Collection of the International Center of Photography" – Paine Webber Art Gallery, New York, NY
531:
412:, in which she took some of her most recognized works such as "Coney Island Bather". Her vision was of great interest to the editors at
538:
due to ill health she returned to New York earlier than anticipated, and was diagnosed and successfully treated for uterine cancer.
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1982 "Lisette Model" – Berner-Photo Galerie, Bern, Switzerland, "Lisette Model, A Retrospective" – Museum Folkwang, Essen, Germany
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in her hands, but continued to diligently teach and photograph. The first book of Model's photographs was published in 1979 by
96:; November 10, 1901 – March 30, 1983) was an Austrian-born American photographer primarily known for the frank humanism of her
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2006 "The Streets of New York: American Photographs from the Collection, 1938–1958" – National Gallery of Art, Washington D.C.
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depicting ordinary American people. She quickly became a prominent photographer, and by 1941, she had published her work in
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1943 "Action Photography" – Museum of Modern Art, New York, NY, "Photographs by Lisette Model" – Art Institute of Chicago
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Starr, Lori (May 14, 1991). "Lisette Model: Daring to See Opens August 6 at The Getty Museum". The J. Paul Getty Museum.
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Lisette Model: Madrid, Fundación Mapfre, 23 September 2009-10 January 2010, Paris, Jeu de Paume, 9 February-6 June 2010
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1984 "Lisette Model/Evsa Model" – Ikona Gallery, Venice, Italy, "Lisette Model" – Jane Corkin Gallery, Toronto, Canada
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137:. Her work has been shown in numerous exhibitions and resides in several permanent collections, including that of the
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2002 "Lisette Model" – Baudoin Lebon Gallery, Paris, France, "Lisette Model" – L'Espace 14–16 Verneuil, Paris, France
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by Lisette Model & Cristina Zelich, 2009, published by Fundación MAPFRE (Madrid) & Jeu de Paume (Paris)
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1944 "New Yorkers" – Museum of Modern Art, New York, NY, "Art in Progress" – Museum of Modern Art, New York, NY
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https://web.archive.org/web/20110812235755/http://www.jeudepaume.org/pdf/PetitJournal_Lisette%20Model_GB.pdf
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408:, a magazine she went on to work for from 1941 through 1955. One of her first assignments was to photograph
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with Olga and Felicie for Paris after her father died of cancer in 1924 to study voice with Polish soprano
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Bunnell, Peter C. (July–August 1980). "Lisette Model: An Aperture Monograph. Preface by Berenice Abbott".
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Bunnell, Peter C. (July–August 1980). "Lisette Model: An Aperture Monograph. Preface by Berenice Abbott".
386:. Interested in American consumerism and a culture very different from her own, Model began photographing
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1975 "Women of Photography: An Historical Survey" – San Francisco Museum of Modern Art, San Francisco, CA
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Model's involvement with the New York Photo League became the cause of much strife for her during the
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378:. She was captivated by the energy of New York City, which she expressed through her separate series
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She also offered private workshops with Evsa from their apartment. Model's best known pupil was
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into her mother's faith. She had a brother, Salvatór, who was older by one year. Due to growing
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and her father's struggle with his Jewish-Austrian identity, he had their last name changed to
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1965 "Invitational Exhibition, 10 American Photographers" – University of Wisconsin, Milwaukee
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was what perhaps influenced her interest in observing people, and subsequently, photography.
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Lisette Model was born Elise Amelie Felicie Stern in the family home in the 8th district of
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from 1951 until her death in 1983 with many notable students, the most famous of whom was
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upbringing, was primarily educated by a series of private tutors, achieving fluency in
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Waggoner, Walter H. (March 31, 1983). "Lisette Model, a Photographer, Is Dead at 76".
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by Lisette Model, Reinhold Misselbeck & Ann Thomas, 1992, published by Heidelberg
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1972 "Brodovitch and His Influence" – Philadelphia College of Art, Philadelphia, PA
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1967 "Photography in the 20th Century" – National Gallery of Canada, Ottawa, Canada
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2020 "Photography and the Surreal Imagination" - The Menil Collection, Houston, TX
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1958 "Photographs from the Museum Collection" – Museum of Modern Art, New York, NY
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different social group than the bourgeoisie class she had grown up surrounded by.
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by Tina Freeman & Lisette Model, 1981, published by New Orleans Museum of Art
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1988 "Lisette Model: Vintage Photographs" – Germans Van Eck Gallery, New York, NY
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1969 "The Camera and the Human Facade" – Smithsonian Institution, Washington D.C.
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2008 "Lisette Model & Her Successors" – Galleria Carla Sozzani, Milan, Italy
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1992 "Lisette Model: Photographien, 1933–1983" – Museum Ludwig, Cologne, Germany
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1973 "Threads and No Threads" – Floating Foundation of Photography, New York, NY
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1949 "Leading Photographers: Lisette Model" – Museum of Modern Art, New York, NY
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1946 "The Museum Collection of Photography" – Museum of Modern Art, New York, NY
534:. In 1981 she was awarded an honorary Doctorate of Fine Arts by the New School.
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1326:. Tucson: Center for Creative Photography, University of Arizona. p. 375.
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A prolific photographer in the 1940s and a member of the New-York cooperative
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1957 "70 Photographers Look at New York" – Museum of Modern Art, New York, NY
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1953 "Contemporary American Photography" – Museum of Modern Art, New York, NY
209:. Her private education even when the family suffered financial strain after
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1991 "Lisette Model" – San Francisco Museum of Modern Art, San Francisco, CA
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and made a series of portraits – published in 1935 in the leftist magazine
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1991 "Lisette Model: Daring to See" – The J. Paul Getty Museum, Malibu, CA
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2007 "Lisette Model and Her Successors" – Aperture Gallery, New York, NY
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1991 "Lisette Model" – International Center of Photography, New York, NY
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1970 "The People Yes" – Floating Foundation of Photography, New York, NY
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American Association of Magazine Photographers Honorary Membership, 1968
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and reissued in 2008 for the twenty-fifth anniversary of Model's death.
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New School of Social Research Honorary Doctorate of Fine Arts, 1981
1122:"Lisette Model (American, born Austria, 1901–1983) (Getty Museum)"
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1974 "American Masters" – Smithsonian Institution, Washington D.C.
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1990 "Lisette Model" – National Gallery of Canada, Ottawa, Canada
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1951 "Twelve Photographers" – Museum of Modern Art, New York, NY
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of the 1950s, when the organization came under scrutiny by the
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before taking up teaching in 1949 through the intermediary of
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1955 "The Family of Man" – Museum of Modern Art, New York, NY
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1954 "Great Photographers" – Limelight Gallery, New York, NY
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Model bought her first enlarger and camera when she went to
897:"Lisette Model: Photographs by Lisette Model", foreword by
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Retrospective" – New Orleans Museum of Art, New Orleans, LA
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1963 "A Bid for Space" – Museum of Modern Art, New York, NY
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1960 "A Bid for Space" – Museum of Modern Art, New York, NY
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Model eventually became a prominent member of the New York
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1940 "Sixty Photographs: A Survey of Camera Esthetics" –
165:. Her father, Victor, was an Italian/Austrian doctor of
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2000 "Lisette Model" – Kunsthalle Wien, Vienna, Austria
1342:
The Radical Camera: New York's Photo League: 1936-1951
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The National Gallery of Australia, Canberra, Australia
1344:. New Haven, Conn: Yale University Press. p. 72.
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San Francisco Museum of Modern Art, San Francisco, CA
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Model's image is included in the iconic 1972 poster
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Photography of the Fifties: an American Perspective
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Creative Artists Public Service Program Award, 1973
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848:Kemper Museum of Contemporary Art, Kansas City, MO
725:1978, Rencontres de la photographie, Arles, France
489:In spring 1951, Model was invited to teach at the
851:Los Angeles County Museum of Art, Los Angeles, CA
752:1987 "Vintage Women" – Photocollect, New York, NY
1461:"Some Living American Women Artists/Last Supper"
1419:"The Woman Behind the First Photography Gallery"
881:Smithsonian American Art Museum, Washington D.C.
804:2010 "Lisette Model" – The Galerie nationale du
125:. She continued to photograph and taught at the
827:The Center for Creative Photography, Tucson, AZ
1675:Respiratory disease deaths in New York (state)
1487:"Lisette Model, a Photographer, is Dead at 76"
872:The National Gallery of Canada, Ottawa, Canada
866:The Museum of Photographic Arts, San Diego, CA
598:The estate of Lisette Model is represented by
1576:Entry about Lisette Model in METROMOD archive
1074:"Lisette Model – Artists – Bruce Silverstein"
8:
1387:"The Woman Who Influenced Diane Arbus's Eye"
1237:. Ottawa : National Gallery of Canada.
1207:"Lisette Model – Moderna Museet i Stockholm"
887:Whitney Museum of American Art, New York, NY
493:in New York City, where her longtime friend
1650:American people of Austrian-Jewish descent
29:
18:
1690:20th-century American women photographers
1645:American people of Italian-Jewish descent
857:Metropolitan Museum of Art, New York, NY
1340:Evans, Catherine; Klein, Mason (2011).
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478:In 1949, she taught photography at the
1608:Lisette Model: Photographien 1933-1983
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833:Cleveland Museum of Art, Cleveland, OH
455:House Un-American Activities Committee
296:(who had previously fled Germany once
240:in 1926. Felicie and Olga moved on to
1695:French emigrants to the United States
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1630:20th-century American photographers
860:Milwaukee Art Museum, Milwaukee, WI
836:George Eastman House, Rochester, NY
532:International Center of Photography
394:attracted the attention of editors
1640:Austrian people of Italian descent
1485:Waggoner, Walter H. (1983-03-31).
884:Spencer Museum of Art, Lawrence KS
875:de Saisset Museum, Santa Clara, CA
863:Museum of Modern Art, New York, NY
581:Some Living American Women Artists
465:Teaching and Guggenheim Fellowship
338:in 1938. Their first home was the
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1635:Austrian people of French descent
854:The Menil Collection, Houston, TX
567:In early 1970 she applied to the
457:for suspected connections to the
1589:A History of Women Photographers
1448:The Print Collector's Newsletter
1304:The Print Collector's Newsletter
1126:The J. Paul Getty in Los Angeles
627:Medal of the City of Paris, 1982
1465:Smithsonian American Art Museum
252:(whose other students included
1602:Lisette Model, A Retrospective
830:Centre Pompidou, Paris, France
821:Academy Art Museum, Easton, MD
546:In the 1970s, Model developed
491:New School for Social Research
127:New School for Social Research
1:
839:Getty Museum, Los Angeles, CA
1670:Austrian emigrants to France
1385:Lubow, Arthur (2016-05-25).
1680:Pupils of Arnold Schoenberg
1539:"Preserving Model's Legacy"
632:Exhibitions and collections
615:Guggenheim Fellowship, 1965
480:San Francisco Art Institute
1711:
1570:National Gallery of Canada
1211:Moderna Museet i Stockholm
824:Albertina, Vienna, Austria
556:and included a preface by
330:Later work and controversy
289:, expanding her practice.
139:National Gallery of Canada
94:Elise Amelie Felicie Stern
42:Elise Amelie Felicie Stern
1591:by Naomi Rosenblum, 2014,
1513:"Estate of Lisette Model"
927:"New York's PHOTO LEAGUE"
600:Bruce Silverstein Gallery
569:Ingram Merrill Foundation
147:National Portrait Gallery
28:
1078:www.brucesilverstein.com
153:Early life and education
1146:"J. Robert Oppenheimer"
901:, published in 1979 by
782:2001 "Lisette Model" –
644:1941 "Lisette Model" –
107:, she was published in
1685:Humanist photographers
258:George Hoyningen-Huene
816:Permanent collections
786:, Zurich, Switzerland
784:Fotomuseum Winterthur
595:respiratory disease.
574:Promenade des Anglais
484:Guggenheim Fellowship
303:Promenade des Anglais
254:Henri Cartier-Bresson
16:American photographer
1233:Thomas, Ann (1990).
1057:Thomas, Ann (1990).
639:Museum of Modern Art
443:Ladies' Home Journal
225:. Early exposure to
143:J. Paul Getty Museum
1655:Artists from Vienna
1566:Lisette Model fonds
1519:on January 22, 2015
1391:Wall Street Journal
1322:Gee, Helen (1980).
903:Aperture Foundation
486:the previous year.
1543:www.ngcmagazine.ca
1492:The New York Times
1434:The New York Times
941:www.jeudepaume.org
98:street photography
1572:, Ottawa, Ontario
1366:on April 16, 2013
1360:The Jewish Museum
1244:978-0-88884-606-8
963:Missing or empty
843:The Jewish Museum
585:Mary Beth Edelson
521:, Charles Pratt,
426:and studied with
400:Alexey Brodovitch
343:Master Apartments
268:First photographs
215:Arnold Schoenberg
87:
86:
74:New York City, US
52:November 10, 1901
1702:
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946:. Archived from
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527:Rosalind Solomon
324:
323:
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316:
221:artists such as
173:, and Model was
70:
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1583:Further reading
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1421:. 4 April 2018.
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1356:"Lisette Model"
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1098:"Lisette Model"
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1072:exhibit-e.com.
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899:Berenice Abbott
894:
818:
808:, Paris, France
634:
612:
558:Berenice Abbott
544:
495:Berenice Abbott
467:
459:Communist Party
432:Harper's Bazaar
414:Harper's Bazaar
405:Harper's Bazaar
362:Lower East Side
358:Delancey Street
332:
321:
317:
314:
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163:Austria-Hungary
155:
114:Harper's Bazaar
75:
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1579:
1578:by Helene Roth
1573:
1561:
1560:External links
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71:(aged 81)
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1059:Lisette Model
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227:Expressionism
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179:anti-Semitism
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90:Lisette Model
82:
78:
66:
62:
58:
40:
36:
32:
27:
23:Lisette Model
20:
1613:
1607:
1601:
1588:
1546:. Retrieved
1542:
1533:
1521:. Retrieved
1517:the original
1507:
1496:. Retrieved
1490:
1480:
1468:. Retrieved
1464:
1455:
1447:
1442:
1433:
1427:
1413:
1402:. Retrieved
1390:
1380:
1368:. Retrieved
1364:the original
1359:
1350:
1341:
1323:
1303:
1297:
1286:
1275:. Retrieved
1271:
1235:Lisette Mode
1234:
1214:. Retrieved
1210:
1181:. Retrieved
1177:
1155:14 September
1153:. Retrieved
1149:
1140:
1129:. Retrieved
1125:
1116:
1105:. Retrieved
1101:
1092:
1081:. Retrieved
1077:
1067:
1058:
965:|title=
948:the original
940:
935:
921:
892:Publications
806:Jeu de Paume
646:Photo League
597:
593:
589:
578:
573:
566:
551:
545:
536:
515:John Gossage
500:
488:
477:
468:
451:McCarthy Era
448:
441:
435:
431:
428:Sid Grossman
424:Photo League
421:
418:
413:
410:Coney Island
403:
392:Running Legs
391:
387:
384:Running Legs
383:
379:
375:
371:
365:
350:Battery Park
347:
333:
306:
294:Hanns Eisler
291:
271:
262:
238:Marya Freund
231:
223:Gustav Klimt
192:
186:
156:
118:
112:
108:
105:Photo League
102:
93:
89:
88:
83:Photographer
69:(1983-03-30)
1665:1983 deaths
1660:1901 births
1523:January 22,
1272:www.loc.gov
1178:www.loc.gov
542:Final years
519:Harry Lapow
503:Diane Arbus
472:Ansel Adams
396:Carmel Snow
388:Reflections
380:Reflections
376:U.S. Camera
372:PM's Weekly
354:Wall Street
250:Andre Lhote
232:Model left
219:avant-garde
145:., and the
135:Diane Arbus
123:Ansel Adams
109:PM's Weekly
1624:Categories
1597:0789212242
1548:2017-03-26
1498:2016-02-20
1470:21 January
1404:2017-03-26
1277:2017-03-26
1216:2017-03-26
1183:2017-03-26
1150:npg.si.edu
1131:2017-03-26
1107:2017-03-26
1083:2017-03-26
913:References
548:rheumatism
507:Larry Fink
360:, and the
287:Rolleiflex
283:Rogi André
246:Evsa Model
193:She had a
80:Occupation
48:1901-11-10
1399:0099-9660
511:Helen Gee
336:Manhattan
195:bourgeois
119:US Camera
1370:April 2,
956:cite web
722:York, NY
553:Aperture
340:Art Deco
175:baptised
171:Catholic
131:New York
55:Vienna,
1568:at the
320:⁄
308:Regards
199:Italian
187:Seybert
183:Austria
1595:
1397:
1241:
610:Awards
440:, and
374:, and
298:Hitler
234:Vienna
207:French
205:, and
203:German
167:Jewish
159:Vienna
141:, the
117:, and
92:(born
402:from
278:Paris
274:Italy
1593:ISBN
1525:2015
1472:2022
1395:ISSN
1372:2012
1239:ISBN
1157:2024
969:help
525:and
437:Look
398:and
382:and
256:and
242:Nice
64:Died
38:Born
583:by
367:Cue
260:).
211:WWI
181:in
129:in
1626::
1541:.
1489:.
1463:.
1393:.
1389:.
1358:.
1332:^
1312:^
1270:.
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1225:^
1209:.
1192:^
1176:.
1165:^
1148:.
1124:.
1100:.
1076:.
977:^
960::
958:}}
954:{{
749:CA
742:NY
587:.
576:.
560:.
517:,
513:,
509:,
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356:,
352:,
201:,
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971:)
967:(
929:.
322:4
318:1
315:+
313:2
50:)
46:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
