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on the book Le CĹ“ur de Pic. After publishing Le CĹ“ur de Pic in 1937 Deharme, alternatively, came to be known in the
Surrealist circle as "la Dame de Pique" . Around this time she was closely connected to André Breton, Paul Eluard, and Man Ray. She is featured posing in one of Man Ray's photographs as
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once described
Deharme's house, where she held her salons, as "a rambling affair, filled with strange objects and rococo furniture". Amidst these rambling salons, Deharme's subversive publication, Le Phare de Neuilly, emerged in 1933. Le Phare de Neuilly provided space for radical juxtapositions of
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Marie Clare Barnet describes the significance of
Deharme's new nickname: Le choix du symbole maléfique de la Dame de Pique nous suggère donc qu'on aurait tort de reléguer ses ouvres dans la rubrique "charme fragile" de la "féminité féline et végétale". Méfiance, le charme de l'humour deharmien est
239:. She is remembered as the "first impossible mad love dreamed of by André Breton". However, her social and political influence on Surrealism extends far beyond the novel, and beyond her influence as Breton's "notorious muse".
605:
Malt, Johanna. "Recycling, Contamination and
Compulsion: Practices of the Objet Surréaliste." Surrealism: Crossings/Frontiers. Ed. Elza Adamowicz. 18 Vol. Switzerland: Peter Lang, 2006. 109-131. Print. European
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in 1898. Her father was a famous doctor. In
January 1925, she visited the Paris Bureau of Surrealist Research. As a result of an incident that occurred during her visit, which is recorded in
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Oberhuber, Andrea. "The
Surrealist Book as a Cross-Border Space: The Experimentation of Lise Deharme and Gisèle Prassinos." Image & Narrative 12.13 (2011): 81. Print.
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262:, have begun to un-do the "reducing" of Deharme to "a failed love story". These scholars have set out to establish a more dynamic conception of Deharme's reputation.
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Barnet, Marie-Claire. "To Lise
Deharme's Lighthouse: Le Phare De Neuilly, a Forgotten Surrealist Review." French Studies LVII.3 (2003): 323–334. Print.
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Oberhuber, Andrea. "Claude Cahun, Marcel Moore, Lise
Deharme and the Surrealist Book." History of Photography 31.1 (2007): 40. Print.
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Barnet, Marie-Claire. La Femme Cent Sexes Ou Les Genres
Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang, 1998. Print.
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Marguerite Bonnet « Chronologie » in « André Breton, œuvres complète, tome 1 », Gallimard, 1988, page L
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Chadwick, Whitney, ed. Mirror Images: Women, Surrealism, and Self-Representation. Cambridge: The MIT Press, 1998. Print.
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Until recently, the legacy of Lise
Deharme has been told in the margins of books on Surrealism and Surrealism's father,
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In her lifetime, she gained "celebrity as a hostess". Specifically, she was a prolific organizer of Surrealist salons.
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Deharme, Lise. Le Cœur de Pic . Illus. Claude Cahun. 2nd ed. Rennes: Éditions MeMo, 2004. Print.
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plus vénéneux qu'on a pu le laisser entendre, même dans le meilleurs ouvrages de références. .
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Rosemont, Penelope. Surrealist Women. Austin: The University of Texas Press, 1998. Print.
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Caws, Mary Ann. Glorious Eccentrics. 1st ed. New York: Palgrave Macmillan, 2006. Print.
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Man Ray. Self Portrait. Bulfinch Press, 1963. Print.
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331:(1937) – republished by éditions MeMo (2004)
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222:Il Ă©tait une petite pie
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133:Birmingham Surrealists
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365:(Gallimard NRF, 1949)
359:(Gallimard NRF, 1952)
294:the Queen of Spades.
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369:Le Poids d'un Oiseau
212:In 1927 she married
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128:Surrealist Manifesto
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489:La Marquise d'Enfer
244:Marie-Claire Barnet
77:Part of a series on
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667:Writers from Paris
405:(Deux-Rives, 1956)
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363:La porte d'à Côté
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373:LĂ©onor Fini
339:Paul Éluard
276:James Joyce
232:) in 1928.
55:Nationality
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572:(1998) by
503:References
495:La Caverne
409:Et la BĂŞte
187:movement.
185:Surrealist
112:Techniques
83:Surrealism
67:Surrealism
47:Occupation
477:Valentina
425:Joan MirĂł
345:Insolence
313:Joan MirĂł
230:Joan MirĂł
191:Biography
226:pochoirs
224:(with 8
267:Man Ray
89:Aspects
651:poetry
637:Portal
497:(1984)
491:(1977)
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321:(1933)
315:(1928)
282:, and
258:, and
181:French
120:Groups
107:Humour
97:Cinema
58:French
206:Nadja
197:Paris
102:Music
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