19:
2176:
2186:
2224:
2212:
2236:
169:, to a libretto by Carl von Steinsberg, whose traveling company premiered it the same year. The two surviving fragments of the work show little sophistication, although it received moderate success. Weber's next opera,
233:. While its initial premiere in 1810 in Frankfurt was only moderately successful, a Berlin premiere was very well received. When in Stuttgart, Weber and Hiemer had also begun a short Singspiel based on
1145:
Two fragments survive; the work was previously thought to be completely lost until 2000 when these fragments were discovered by
Natalia Gubkina in the Russian archive of the
1083:, the critical edition of Weber's works. The links provided are to the online version of the Carl-Maria-von-Weber-Gesamtausgabe, a database of Weber's life and complete works
2189:
181:'s popular novel of the same name. Premiered in 1803 in Augsburg, the work did not match the novel's popularity and was subsequently forgotten. In 1804 Weber was appointed
1904:
2179:
199:. The work was never performed and the three extant fragments show little improvement in his craft. After his two-year tenure, Weber spent time in modern-day
2151:
1929:
2057:
1757:
1711:
1665:
2256:
2092:
1037:
L'Histoire du très-noble et chevalereux prince Gérard, comte de Nevers et la très-virtueuse et très chaste princesse
Euriant de Savoye, sa mye
1872:
1844:
1816:
1784:
1738:
1692:
241:, which premiered in 1811 Munich to a second success for Weber. His operatic composition paused following his appointment as director of the
2261:
2161:
2063:
1897:
1808:
1080:
1946:
525:
69:
2266:
2116:
2051:
2045:
2039:
1826:
50:
1890:
2202:
865:
347:
after a 13th-century French romance, which premiered at the Kärntnertortheater in 1823 to much praise. Weber's fame from
330:
2086:
597:
192:
429:
45:
2156:
860:
707:
325:
234:
200:
2140:
2109:
1864:
1059:
339:. The Kärntnertortheater commission resulted in the Grosse Heroisch-Romantische Oper (Great Heroic-Romantic opera)
931:
2080:
2033:
981:
364:
1064:
Carl Maria von Weber in seinen Werken: chronologisch-thematisches
Verzeichniss seiner sämtlichen Compositionen
1768:
1722:
1676:
335:, revised the text, and Mahler completed the music, premiering the work in 1888 at the Neues Stadttheater,
2216:
2016:
1105:
320:
was left incomplete for the remainder of his life. His widow later approached Weber's friend and composer
151:
1836:
768:
324:
about completing the work; he did nothing with the sketches for 20 years. Eventually, Weber's grandson,
278:
23:
797:
695:
637:
313:
219:
888:
1913:
922:
344:
37:
2134:
1005:
949:
893:
802:
732:
667:
609:
570:
552:
514:
465:
178:
1763:
1717:
1671:
848:
784:
772:
294:
254:
1776:
1730:
1684:
1251:, p. 104) notes that discussion for the work's conception may have begun as early as 1810.
1970:
1868:
1840:
1812:
1780:
1734:
1688:
1146:
989:
743:
727:
352:
321:
95:
28:
944:
191:
and worked with a libretto by the theatre's director Johann
Gottlieb Rhode (after a story by
2146:
1772:
1726:
1680:
977:
969:
914:
760:
629:
505:
491:
360:
131:
700:
642:
224:
18:
1994:
1954:
1793:
1747:
1701:
1000:
813:
716:
662:
620:
242:
101:
83:
1986:
960:
776:
262:
258:
136:
117:
143:, his most famous and significant work, remains among the most revered German operas.
44:, of which he wrote 10 between 1798 and 1826. His first four exist in various states:
2250:
1999:
871:
830:
368:
266:
188:
183:
174:
126:
2240:
2228:
1854:
1379:
844:
371:. The work received much acclaim. Weber died in London less than two months later.
290:
1377:
1375:
1373:
1371:
1369:
1367:
1365:
1363:
1361:
1359:
1066:(1871). Not all works—primarily those lost and not performed in his lifetime—have
1858:
1830:
1802:
1555:
1553:
1551:
1549:
1067:
836:
408:
282:
135:(German Romantic Opera) and its national identity, exhibiting much influence on
853:
299:
269:
tale. Briefly interrupted by a canceled royal commission for an opera entitled
121:(1826)—all survive intact; they were all performed within his lifetime, except
1962:
1192:
678:
246:
89:
1978:
904:
687:
655:
542:
448:
204:
155:
111:
129:. His contributions to the genre were crucial in the development of German
560:
162:
64:
2185:
355:, London. For this he composed his final opera and only one in English,
1882:
881:
336:
2223:
1574:
1572:
1570:
1568:
993:
935:
788:
720:
281:
and was extremely well received. Weber immediately began writing the
147:
588:
41:
17:
1886:
1186:, "Works") does not even though it lists other works (e.g.
26:(now Konzerthaus Berlin) where Weber's most famous opera,
1630:
1628:
1058:
Jähns; catalogue numbers of Weber's works as compiled by
1804:
Experiencing Carl Maria Von Weber:A Listener's
Companion
1295:
1293:
1291:
351:
led to another important commission, this time from the
154:, under whose supervision he wrote his first opera, the
1476:
1474:
1437:
1435:
1433:
2200:
1408:
1406:
1404:
245:, but resumed in 1817 when he became director of the
1346:
1344:
1235:
on
Steinsberg's libretto for Weber's earlier opera,
59:
1798) is completely lost; two fragments survive for
2127:
2102:
2073:
2026:
2009:
1938:
1034:An anonymous 13th-century French romance entitled:
229:that was reworked from Steinsberg's earlier one to
173:, was written in Salzburg under the supervision of
161:; the work was never performed. Two years later in
1756:
1710:
1664:
1030:
1028:
150:in 1798, the 13 year old Weber began study with
1263:is Weber's only opera with an English libretto.
1149:. Much of the music was probably reworked into
277:premiered in 1821 in Berlin with a libretto by
1898:
1104:Probably destroyed in a fire at the house of
8:
1182:, p. 14) lists it as a singspiel while
1035:
73:(1803) is lost; and only three numbers from
1905:
1891:
1883:
378:
2152:Hochschule fĂĽr Musik Carl Maria von Weber
1777:10.1093/gmo/9781561592630.article.O004022
1731:10.1093/gmo/9781561592630.article.O007222
1685:10.1093/gmo/9781561592630.article.O004022
1666:"Weber, Carl Maria (Friedrich Ernst) von"
1049:Period during which the opera was written
312:led to a commission from the prestigious
214:Weber's first operatic success came with
1168:Grande ouverture Ă plusieurs instruments
601:
458:
81:1804–05) survive. Weber's mature operas—
2207:
1634:
1591:
1540:
1504:
1465:
1453:
1424:
1395:
1335:
1299:
1275:
1024:
308:, but put it aside when the success of
1646:
1619:
1607:
1595:
1578:
1559:
1528:
1516:
1492:
1480:
1441:
1412:
1383:
1350:
1323:
1311:
1282:
1248:
1183:
1179:
7:
925:after a 13th-century French romance
125:which was posthumously completed by
1809:Rowman & Littlefield Publishers
165:, he embarked on his second opera,
106:
78:
56:
2162:Carl-Maria-von-Weber-Gesamtausgabe
1598:, "Works") unless otherwise noted.
1081:Carl-Maria-von-Weber-Gesamtausgabe
177:to a libretto by Josef TĂĽrk after
40:(1786–1826) is best known for his
14:
2058:Concertino for Horn and Orchestra
1188:Die Macht der Liebe und des Weins
430:Die Macht der Liebe und des Weins
159:Die Macht der Liebe und des Weins
46:Die Macht der Liebe und des Weins
2234:
2222:
2210:
2184:
2175:
2174:
1947:Peter Schmoll und seine Nachbarn
1164:Peter Schmoll und seine Nachbarn
533:Peter Schmoll and his Neighbours
526:Peter Schmoll und seine Nachbarn
171:Peter Schmoll und seine Nachbarn
70:Peter Schmoll und seine Nachbarn
380:Operas by Carl Maria von Weber
2257:Operas by Carl Maria von Weber
1205:Weber revised the overture of
1162:Weber revised the overture of
1123:Das Mädchen im Spessarter Wald
1:
2143:(compiler of Jähns catalogue)
1133:Alternatively translated as:
1092:Alternatively translated as:
1794:UK public library membership
1748:UK public library membership
1702:UK public library membership
2262:Lists of operas by composer
2157:Carl Maria von Weber Museum
1832:The Opera Lover's Companion
1211:Der Beherrscher der Geister
708:One Thousand and One Nights
235:One Thousand and One Nights
2283:
1865:Cambridge University Press
1801:Morgan, Joseph E. (2017).
1094:The Force of Love and Wine
439:The Power of Love and Wine
365:Christoph Martin Wieland's
146:After his family moved to
2170:
1920:
1209:as the stand-alone piece
1166:as the stand-alone piece
412:
405:
402:
399:
396:
393:
390:
387:
384:
193:Johann Karl August Musäus
203:and eventually moved to
201:PokĂłj, Opole Voivodeship
2141:Friedrich Wilhelm Jähns
2117:Invitation to the Dance
2052:Concertino for Clarinet
2046:Clarinet Concerto No. 2
2040:Clarinet Concerto No. 1
1769:Oxford University Press
1755:Brown, Clive (2002c) .
1723:Oxford University Press
1709:Brown, Clive (2002b) .
1677:Oxford University Press
1663:Brown, Clive (2002a) .
1386:, "1. Life, 1786–1816".
1147:Mariinsky State Theater
1060:Friedrich Wilhelm Jähns
2267:German-language operas
1119:Das stumme Waldmädchen
1106:Johann Nepomuk Kalcher
1079:Catalogue number from
1036:
482:The Girl of the Forest
152:Johann Nepomuk Kalcher
33:
1837:Yale University Press
1562:, "2. Life, 1817–26".
369:poem of the same name
279:Johann Friedrich Kind
24:Schauspielhaus Berlin
21:
2087:Grand Duo Concertant
1930:List of compositions
1914:Carl Maria von Weber
1860:Carl Maria Von Weber
1590:Information is from
1314:, pp. 103, 132.
38:Carl Maria von Weber
36:The German composer
2135:Max Maria von Weber
1594:, p. 379) and
381:
359:, to a libretto by
343:, on a libretto by
289:, to a libretto by
218:, on a libretto by
179:Carl Gottlob Cramer
32:, premiered in 1821
2110:Piano Sonata No. 2
1764:Grove Music Online
1758:"Drei Pintos, Die"
1718:Grove Music Online
1672:Grove Music Online
1495:, pp. 44, 60.
1222:Three nos. survive
932:Kärntnertortheater
379:
314:Kärntnertortheater
249:and began work on
34:
2198:
2197:
2081:Clarinet Quintet
1874:978-0-521-29121-7
1846:978-0-300-12373-9
1818:978-1-4422-5557-9
1792:(subscription or
1786:978-1-56159-263-0
1746:(subscription or
1740:978-1-56159-263-0
1712:"FreischĂĽtz, Der"
1700:(subscription or
1694:978-1-56159-263-0
1610:, "Bibliography".
1456:, pp. 54–55.
1326:, "Introduction".
1135:The Forest Maiden
1108:, Weber's teacher
1011:
1010:
990:Royal Opera House
824:
754:
651:16 September 1810
647:after Steinsberg
536:
502:24 November 1800
485:
442:
353:Royal Opera House
345:Helmina von Chézy
322:Giacomo Meyerbeer
220:Franz Carl Hiemer
2274:
2239:
2238:
2237:
2227:
2226:
2215:
2214:
2213:
2206:
2188:
2178:
2177:
2147:Romantische Oper
2034:Bassoon Concerto
2010:Orchestral works
1907:
1900:
1893:
1884:
1878:
1850:
1827:Osborne, Charles
1822:
1797:
1790:
1760:
1751:
1744:
1714:
1705:
1698:
1668:
1650:
1644:
1638:
1632:
1623:
1617:
1611:
1605:
1599:
1588:
1582:
1576:
1563:
1557:
1544:
1538:
1532:
1526:
1520:
1514:
1508:
1502:
1496:
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1484:
1478:
1469:
1463:
1457:
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1439:
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1422:
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1410:
1399:
1393:
1387:
1381:
1354:
1348:
1339:
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1327:
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1315:
1309:
1303:
1297:
1286:
1280:
1264:
1258:
1252:
1246:
1240:
1229:
1223:
1220:
1214:
1203:
1197:
1196:) as singspiels.
1177:
1171:
1160:
1154:
1143:
1137:
1131:
1125:
1115:
1109:
1102:
1096:
1090:
1084:
1077:
1071:
1056:
1050:
1047:
1041:
1039:
1032:
970:Romantische Oper
928:25 October 1823
915:Romantische Oper
913:Grosse Heroisch-
877:20 January 1888
869:
857:
821:The Three Pintos
818:
761:Romantische Oper
748:
704:
652:
646:
630:Romantische Oper
530:
492:Romantische Oper
479:
445:Completely lost
436:
434:
433: []
382:
334:
303:
228:
132:Romantische Oper
108:
80:
58:
54:
2282:
2281:
2277:
2276:
2275:
2273:
2272:
2271:
2247:
2246:
2245:
2235:
2233:
2221:
2217:Classical music
2211:
2209:
2201:
2199:
2194:
2166:
2123:
2098:
2093:Trio in G minor
2069:
2022:
2005:
1995:Die drei Pintos
1934:
1916:
1911:
1881:
1875:
1853:
1847:
1825:
1819:
1800:
1791:
1787:
1754:
1745:
1741:
1708:
1699:
1695:
1662:
1658:
1653:
1645:
1641:
1633:
1626:
1618:
1614:
1606:
1602:
1589:
1585:
1577:
1566:
1558:
1547:
1539:
1535:
1527:
1523:
1515:
1511:
1503:
1499:
1491:
1487:
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1472:
1464:
1460:
1452:
1448:
1440:
1431:
1423:
1419:
1411:
1402:
1394:
1390:
1382:
1357:
1349:
1342:
1334:
1330:
1322:
1318:
1310:
1306:
1298:
1289:
1281:
1277:
1273:
1268:
1267:
1259:
1255:
1247:
1243:
1237:Das Waldmädchen
1230:
1226:
1221:
1217:
1204:
1200:
1178:
1174:
1161:
1157:
1144:
1140:
1132:
1128:
1116:
1112:
1103:
1099:
1091:
1087:
1078:
1074:
1057:
1053:
1048:
1044:
1033:
1026:
1021:
1016:
999:
943:
941:
887:
863:
858:
851:
828:
817:
814:Die drei Pintos
796:
794:
751:The Freeshooter
747:
726:
698:
661:
650:
640:
606:
566:
529:
478:
476:Das Waldmädchen
435:
432:
407:
377:
328:
318:Die drei Pintos
297:
287:Die drei Pintos
243:Opera in Prague
231:Das Waldmädchen
222:
207:where he began
167:Das Waldmädchen
123:Die drei Pintos
102:Die drei Pintos
61:Das Waldmädchen
48:
12:
11:
5:
2280:
2278:
2270:
2269:
2264:
2259:
2249:
2248:
2244:
2243:
2231:
2219:
2196:
2195:
2193:
2192:
2182:
2171:
2168:
2167:
2165:
2164:
2159:
2154:
2149:
2144:
2138:
2131:
2129:
2125:
2124:
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2121:
2113:
2106:
2104:
2100:
2099:
2097:
2096:
2090:
2084:
2077:
2075:
2071:
2070:
2068:
2067:
2061:
2055:
2049:
2043:
2037:
2030:
2028:
2024:
2023:
2021:
2020:
2017:Symphony No. 1
2013:
2011:
2007:
2006:
2004:
2003:
1998:(completed by
1991:
1983:
1975:
1971:Der FreischĂĽtz
1967:
1959:
1951:
1942:
1940:
1936:
1935:
1933:
1932:
1927:
1925:List of operas
1921:
1918:
1917:
1912:
1910:
1909:
1902:
1895:
1887:
1880:
1879:
1873:
1851:
1845:
1823:
1817:
1798:
1785:
1752:
1739:
1706:
1693:
1659:
1657:
1654:
1652:
1651:
1639:
1637:, p. 594.
1624:
1612:
1600:
1583:
1564:
1545:
1543:, p. 282.
1533:
1521:
1519:, p. 135.
1509:
1507:, p. 595.
1497:
1485:
1470:
1458:
1446:
1429:
1417:
1400:
1388:
1355:
1340:
1328:
1316:
1304:
1302:, p. 597.
1287:
1274:
1272:
1269:
1266:
1265:
1253:
1241:
1224:
1215:
1198:
1172:
1155:
1138:
1126:
1117:Also known as
1110:
1097:
1085:
1072:
1051:
1042:
1023:
1022:
1020:
1017:
1015:
1012:
1009:
1008:
1003:
996:
987:
986:12 April 1826
984:
975:
972:
967:
964:
957:
953:
952:
947:
938:
929:
926:
920:
917:
911:
908:
901:
897:
896:
891:
884:
878:
875:
861:Carl von Weber
842:
839:
834:
825:
810:
806:
805:
800:
791:
785:Schauspielhaus
782:
779:
766:
763:
758:
755:
744:Der FreischĂĽtz
740:
736:
735:
730:
723:
714:
711:
693:
690:
685:
682:
675:
671:
670:
665:
658:
653:
648:
635:
632:
627:
624:
617:
613:
612:
607:
603:
600:
594:
591:
586:
583:
578:
574:
573:
568:
563:
558:
555:
549:
546:
540:
539:Dialogue lost
537:
522:
518:
517:
512:
509:
508:, Buttermarkt
503:
500:
497:
494:
489:
486:
473:
469:
468:
463:
460:
457:
454:
451:
446:
443:
427:
423:
422:
419:
415:
414:
411:
404:
401:
398:
395:
392:
389:
386:
376:
375:List of operas
373:
349:Der FreischĂĽtz
326:Carl von Weber
310:Der FreischĂĽtz
306:Der Brautkampf
285:(comic opera)
275:Der FreischĂĽtz
259:Friedrich Laun
251:Der FreischĂĽtz
195:), to produce
141:Der FreischĂĽtz
137:Richard Wagner
96:Der FreischĂĽtz
29:Der FreischĂĽtz
13:
10:
9:
6:
4:
3:
2:
2279:
2268:
2265:
2263:
2260:
2258:
2255:
2254:
2252:
2242:
2232:
2230:
2225:
2220:
2218:
2208:
2204:
2191:
2187:
2183:
2181:
2173:
2172:
2169:
2163:
2160:
2158:
2155:
2153:
2150:
2148:
2145:
2142:
2139:
2136:
2133:
2132:
2130:
2126:
2119:
2118:
2114:
2111:
2108:
2107:
2105:
2101:
2094:
2091:
2088:
2085:
2082:
2079:
2078:
2076:
2074:Chamber music
2072:
2065:
2062:
2059:
2056:
2053:
2050:
2047:
2044:
2041:
2038:
2035:
2032:
2031:
2029:
2025:
2018:
2015:
2014:
2012:
2008:
2001:
1997:
1996:
1992:
1989:
1988:
1984:
1981:
1980:
1976:
1973:
1972:
1968:
1965:
1964:
1960:
1957:
1956:
1952:
1949:
1948:
1944:
1943:
1941:
1937:
1931:
1928:
1926:
1923:
1922:
1919:
1915:
1908:
1903:
1901:
1896:
1894:
1889:
1888:
1885:
1876:
1870:
1866:
1863:. Cambridge:
1862:
1861:
1856:
1855:Warrack, John
1852:
1848:
1842:
1838:
1835:. New Haven:
1834:
1833:
1828:
1824:
1820:
1814:
1810:
1806:
1805:
1799:
1795:
1788:
1782:
1778:
1774:
1770:
1766:
1765:
1759:
1753:
1749:
1742:
1736:
1732:
1728:
1724:
1720:
1719:
1713:
1707:
1703:
1696:
1690:
1686:
1682:
1678:
1674:
1673:
1667:
1661:
1660:
1655:
1649:, p. 16.
1648:
1643:
1640:
1636:
1631:
1629:
1625:
1621:
1616:
1613:
1609:
1604:
1601:
1597:
1593:
1592:Warrack (1976
1587:
1584:
1580:
1575:
1573:
1571:
1569:
1565:
1561:
1556:
1554:
1552:
1550:
1546:
1542:
1537:
1534:
1530:
1525:
1522:
1518:
1513:
1510:
1506:
1501:
1498:
1494:
1489:
1486:
1483:, p. 27.
1482:
1477:
1475:
1471:
1468:, p. 86.
1467:
1462:
1459:
1455:
1450:
1447:
1444:, p. 14.
1443:
1438:
1436:
1434:
1430:
1427:, p. 36.
1426:
1421:
1418:
1414:
1409:
1407:
1405:
1401:
1398:, p. 32.
1397:
1392:
1389:
1385:
1380:
1378:
1376:
1374:
1372:
1370:
1368:
1366:
1364:
1362:
1360:
1356:
1352:
1347:
1345:
1341:
1338:, p. 29.
1337:
1332:
1329:
1325:
1320:
1317:
1313:
1308:
1305:
1301:
1296:
1294:
1292:
1288:
1285:, p. 50.
1284:
1279:
1276:
1270:
1262:
1257:
1254:
1250:
1245:
1242:
1238:
1234:
1231:Hiemer based
1228:
1225:
1219:
1216:
1212:
1208:
1202:
1199:
1195:
1194:
1189:
1185:
1181:
1176:
1173:
1169:
1165:
1159:
1156:
1152:
1148:
1142:
1139:
1136:
1130:
1127:
1124:
1120:
1114:
1111:
1107:
1101:
1098:
1095:
1089:
1086:
1082:
1076:
1073:
1069:
1065:
1061:
1055:
1052:
1046:
1043:
1038:
1031:
1029:
1025:
1018:
1013:
1007:
1004:
1002:
997:
995:
991:
988:
985:
983:
979:
976:
973:
971:
968:
965:
963:
962:
958:
955:
954:
951:
948:
946:
939:
937:
933:
930:
927:
924:
921:
918:
916:
912:
909:
907:
906:
902:
899:
898:
895:
892:
890:
885:
883:
880:Neues Stadt,
879:
876:
873:
867:
862:
859:Revisions by
855:
850:
846:
843:
840:
838:
837:Komische Oper
835:
832:
829:Completed by
826:
822:
816:
815:
811:
808:
807:
804:
801:
799:
792:
790:
786:
783:
781:18 June 1821
780:
778:
774:
770:
767:
764:
762:
759:
756:
752:
746:
745:
741:
738:
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734:
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729:
724:
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428:
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420:
417:
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410:
383:
374:
372:
370:
366:
362:
361:James Planché
358:
354:
350:
346:
342:
338:
332:
327:
323:
319:
315:
311:
307:
301:
296:
295:Carl Seidel’s
292:
288:
284:
283:Komische oper
280:
276:
272:
268:
264:
260:
256:
255:Johann Apel's
252:
248:
247:Dresden Opera
244:
240:
236:
232:
226:
221:
217:
212:
210:
206:
202:
198:
194:
190:
189:Breslau Opera
186:
185:
184:Kapellmeister
180:
176:
175:Michael Haydn
172:
168:
164:
160:
157:
153:
149:
144:
142:
138:
134:
133:
128:
127:Gustav Mahler
124:
120:
119:
114:
113:
104:
103:
98:
97:
92:
91:
86:
85:
76:
72:
71:
66:
62:
52:
47:
43:
39:
31:
30:
25:
20:
16:
2115:
2064:KonzertstĂĽck
1993:
1985:
1977:
1969:
1961:
1953:
1945:
1924:
1859:
1831:
1803:
1762:
1716:
1670:
1642:
1635:Osborne 2007
1622:, p. 8.
1615:
1603:
1596:Brown (2002a
1586:
1541:Warrack 1976
1536:
1524:
1512:
1505:Osborne 2007
1500:
1488:
1466:Warrack 1976
1461:
1454:Warrack 1976
1449:
1425:Warrack 1976
1420:
1415:, p. 9.
1396:Warrack 1976
1391:
1336:Warrack 1976
1331:
1319:
1307:
1300:Osborne 2007
1278:
1260:
1256:
1249:Morgan (2017
1244:
1236:
1232:
1227:
1218:
1210:
1206:
1201:
1191:
1187:
1184:Brown (2002a
1180:Morgan (2017
1175:
1167:
1163:
1158:
1150:
1141:
1134:
1129:
1122:
1118:
1113:
1100:
1093:
1088:
1075:
1068:opus numbers
1063:
1054:
1045:
959:
903:
820:
812:
750:
742:
713:4 June 1811
706:
677:
619:
602:Unperformed
596:Rhode after
580:
557:March? 1803
532:
524:
481:
475:
459:Unperformed
438:
363:, based on
356:
348:
340:
317:
309:
305:
291:Theodor Hell
286:
274:
270:
250:
238:
230:
215:
213:
208:
196:
182:
170:
166:
158:
145:
140:
130:
122:
116:
110:
100:
94:
88:
82:
74:
68:
63:(1800); the
60:
35:
27:
15:
2103:Piano music
2095:(1818–1819)
2027:Concertante
2019:(1806–1807)
1647:Morgan 2017
1620:Morgan 2017
1608:Brown 2002a
1579:Brown 2002a
1560:Brown 2002a
1529:Brown 2002c
1517:Morgan 2017
1493:Morgan 2017
1481:Morgan 2017
1442:Morgan 2017
1413:Morgan 2017
1384:Brown 2002a
1351:Brown 2002b
1324:Brown 2002a
1312:Morgan 2017
1283:Morgan 2017
870:(text) and
864: [
852: [
699: [
641: [
551:TĂĽrk after
499:Steinsberg
400:Librettist
329: [
316:in Vienna.
298: [
253:, based on
223: [
49: [
2251:Categories
1963:Abu Hassan
1807:. Lanham:
1767:. Oxford:
1721:. Oxford:
1675:. Oxford:
1581:, "Works".
1193:Abu Hassan
1014:References
827:Incomplete
679:Abu Hassan
585:Fragments
488:Fragments
267:FreischĂĽtz
263:adaptation
239:Abu Hassan
109:1820–21),
90:Abu Hassan
1979:Euryanthe
1796:required)
1750:required)
1704:required)
1271:Citations
966:Survived
910:Survived
905:Euryanthe
757:Survived
688:Singspiel
684:Survived
656:Frankfurt
626:Survived
543:Singspiel
449:Singspiel
403:Premiere
341:Euryanthe
205:Stuttgart
156:Singspiel
112:Euryanthe
2180:Category
1857:(1976).
1829:(2007).
1213:in 1801.
1207:RĂĽbezahl
1170:in 1807.
956:1825–26
900:1822–23
874:(music)
809:1820–21
739:1817–21
717:Residenz
674:1810–11
616:1808–10
581:RĂĽbezahl
577:1804–05
561:Augsburg
521:1801–02
506:Freiberg
456:Unknown
271:Alcindor
197:RĂĽbezahl
163:Freiburg
115:(1823),
99:(1821),
93:(1811),
87:(1810),
75:RĂĽbezahl
65:libretto
2203:Portals
2128:Related
2002:, 1888)
1955:Silvana
1656:Sources
1233:Silvana
1151:Silvana
1062:in his
982:Wieland
978:Planché
974:3 acts
923:Helmina
919:3 acts
882:Leipzig
841:3 acts
765:3 acts
634:3 acts
621:Silvana
605:J. 44–6
593:2 acts
548:2 acts
511:Anh. 1
496:2 acts
462:Anh. 6
453:? acts
391:Status
385:Period
337:Leipzig
265:of the
216:Silvana
209:Silvana
187:at the
84:Silvana
2120:(1819)
2112:(1816)
2089:(1816)
2083:(1811)
2066:(1821)
2060:(1815)
2054:(1811)
2048:(1811)
2042:(1811)
2036:(1811)
2000:Mahler
1990:(1826)
1987:Oberon
1982:(1823)
1974:(1821)
1966:(1811)
1958:(1810)
1950:(1802)
1939:Operas
1871:
1843:
1815:
1783:
1737:
1691:
1261:Oberon
998:J. 306
994:London
980:after
961:Oberon
942:Op. 81
940:J. 291
936:Vienna
886:Anh. 5
872:Mahler
849:Seidel
847:after
831:Mahler
795:Op. 77
793:J. 277
789:Berlin
771:after
725:J. 106
721:Munich
705:after
696:Hiemer
692:1 act
638:Hiemer
598:Musäus
567:Op. 8
553:Cramer
421:Venue
394:Genre
388:Title
357:Oberon
304:novel
293:after
148:Munich
118:Oberon
42:operas
2241:Music
2229:Opera
2190:Audio
2137:(son)
1019:Notes
1001:Score
945:Score
889:Score
868:]
856:]
833:1887
798:Score
728:Score
703:]
663:Score
660:J. 87
645:]
589:Opera
472:1800
426:1798
418:Date
397:Acts
367:epic
333:]
302:]
227:]
107:comp.
79:comp.
57:comp.
53:]
1869:ISBN
1841:ISBN
1813:ISBN
1781:ISBN
1735:ISBN
1689:ISBN
1190:and
1006:C.10
845:Hell
777:Laun
775:and
773:Apel
769:Kind
565:J. 8
413:WeV
257:and
22:The
1773:doi
1727:doi
1681:doi
1121:or
950:C.9
894:C.8
803:C.7
733:C.6
668:C.5
610:C.4
571:C.3
515:C.2
466:C.1
409:Op.
261:'s
67:to
2253::
1867:.
1839:.
1811:.
1779:.
1771:.
1761:.
1733:.
1725:.
1715:.
1687:.
1679:.
1669:.
1627:^
1567:^
1548:^
1473:^
1432:^
1403:^
1358:^
1343:^
1290:^
1027:^
992:,
934:,
866:de
854:de
787:,
719:,
701:de
643:de
545:?
406:J.
331:de
300:de
273:,
237:,
225:de
211:.
139:.
51:de
2205::
1906:e
1899:t
1892:v
1877:.
1849:.
1821:.
1789:.
1775::
1743:.
1729::
1697:.
1683::
1531:.
1353:.
1239:.
1153:.
1070:.
1040:.
823:)
819:(
753:)
749:(
535:)
531:(
484:)
480:(
441:)
437:(
105:(
77:(
55:(
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