Knowledge (XXG)

List of quarter tone pieces

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5046: 3991: 3986: 28: 5067: 2754:, "Both pieces require performing techniques not encountered in traditional music for recorder. The most striking is the production of quarter-tones, notated as pitches in the chromatic scale to be lowered slightly. Charts provided by the composer give fingering for all half- and quarter-tones from the low f' up to a precarious c''''." 3252:
He, Sineng , Ming-chi Chan, Kenneth Kwan, Chi Cheung Leung, Jane Cheung, Stefan Siu Ming Au, Eton Kung, Patrick Chan, Richard Tsang, John Chen, Daniel P. Law, Joanna C. Lee, Victor Chan, Jenny Yip, Ting-cheong So, Kenneth Kwan, Hing-yan Chan, Kim-ho Ip, Richard Tsang, Joanna C. Lee, Ken Smith,
2321: 1111:. Strings are divided into two groups of 13 tuned 1/4 step apart. Each group plays only in its own pitch "universe". The featured bowed saw freely moves from standard tuning to pitches a 1/4 step away. Premiered at 4941: 2318: 3642:
Skinner, Myles Leigh. 2007. "Toward a Quarter-Tone Syntax: Analyses of Selected Works by Blackwood, Haba, Ives, and Wyschnegradsky". Ph.D. diss. Buffalo: State University of New York.
3278:
Hettrick, William E. December 1971. "Tui St. George Tucker: Sonata and Romanza, for Solo Recorder. (Recorder Consort Editions, 14.) Brooklyn: Anfor Music Publishing Co., 1970".
4328: 361: 2406: 3582: 3397: 3218: 4993: 4976: 4971: 4900: 4456: 2220:, n. 12, "At some point, he outfitted his entire trumpet section with four-valved trumpets whose additional valve allowed them to play quarter-tones" 4314: 3812: 3387:
Latham, Cara. 2008. "Mr. Tambourine Man: Seven Songs to Texts by Bob Dylan: A Song Cycle by John Corigliano". DMA diss. Philadelphia: Temple University.
5025: 1107: 3030:
Internationales Stockhausen-Symposion 2000: LICHT. Musikwissenschaftliches Institut der Universität zu Köln, 19. bis 22. Oktober 2000. Tagungsbericht
4388: 724: 4956: 4521: 4301: 1765: 1416:
Suite for four trombones, Op. 8 (1938, scheduled for performance during the 1939 ISCM Festival in Warsaw but the performance could not take place)
1388:
Five songs for voice with violin accompaniment in quarter-tones to texts by Karel Hynek Mácha (1936, performed at the 1938 ISCM Festival in Paris)
3720: 3684: 3676: 3659: 3625: 3608: 3547: 3366: 3306: 3298: 3270: 3262: 3244: 3205: 3197: 3180: 3142: 3058: 3041: 3016: 2975: 2967: 2947: 2930: 2913: 2705: 1364: 3315: 4531: 3915: 2711: 1479: 3492: 285: 3375: 2196:, p. 185, "The nine harps are divided into three groups of three and tuned in sixth-tones, and the flute plays in quarter-steps" 295: 5020: 4951: 4893: 269: 3357:, first English edition, revised and expanded, translated by Christoph K. Lohmann, edited by Malcolm Hamrick Brown, foreword by 5087: 4494: 4191: 3424: 4983: 3805: 2984: 35: 3160: 4679: 3392: 2904: 2691: 2398: 5057: 2681:, p. 15, "Konträr-Klangräume: 6 Pauken, deren Stimmung ganztönig, und zur Klavierstimmung vierteltönig verschoben ". 2040: 5035: 4381: 3459: 3008: 665: 2766:, pp. 2–3, "'V' over a tone lowers it a quartertone … 'V' below a group of tones lowers that group a quartertone". 1694:, for four pianos two of which are tuned a quarter-tone sharp, Op. 23a; for orchestra, Op. 23c (1934, orch. vers. 1967) 472:
for vocalizing soprano, octavina (modified bass guitar, in 8th tones), flute, 16th-tone harp, violin, and guitar (1922)
4936: 4886: 3591: 3406: 3227: 375: 4998: 4926: 4461: 4321: 4064: 3940: 3835: 3033: 1399: 990: 4446: 4273: 4261: 3798: 3344: 3087: 3540:
Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology
1799: 5005: 4961: 4730: 3965: 3443: 303: 4866: 4094: 3468: 3316:
Le répertoire contemporain de l'accordéon en Europe depuis 1990: l'affirmation d'une nouvelle identité sonore
5030: 4988: 4700: 4526: 4451: 4374: 4223: 3905: 3555: 3213: 278: 4484: 5092: 5071: 5010: 4722: 4685: 4675: 3920: 1212: 1135: 1058: 223:; "each variation is based on different performance techniques of the instrument, including quarter-tones" 3746: 1682:, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961) 292:
contains quarter-tones, but they are not "structural features." This movement also calls for third-tones.
4718: 4040: 3870: 3728: 3692: 3560: 3358: 3071: 1562: 1449: 1042: 697: 613: 276:
contains quarter-tone tuning used for parodistic effect. Quarter tones are also used in Bartók's ballet
3618:
A Critique of Etudes and Method Books for Advanced Euphoniumists: Status Quo and Future Recommendations
3328: 1706:, for four pianos two of which are tuned a quarter-tone sharp & ad. lib. percussions, Op. 31 (1946) 1700:, for four pianos two of which are tuned a quarter-tone sharp, timpani & percussions, Op. 24 (1937) 728:, the strings are divided into two sections, one of which is tuned a quarter-tone lower than the other. 236:
for four pianos. "in which four of the 12 pitches of the chromatic scale are tuned a quarter tone flat"
4726: 4671: 4653: 4648: 4643: 4638: 4633: 4628: 4623: 4608: 4603: 4598: 4593: 4588: 4583: 4350: 4173: 4168: 4163: 4158: 4153: 4148: 4143: 4133: 4128: 4123: 4118: 4113: 3845: 3778: 3333: 3004: 1358: 762: 503:
String Quartet in quarter-tones (c.1924) {There are also 7 others with some using smaller intervals.}
355: 334: 1038:
Three Quarter-Tone Pieces, for two pianos, one tuned a quarter-tone sharp, S. 128 (K. 3C3) (1923–24)
449:
Concertino in quarter-, eighth- and sixteenth-tones for violin, cello and harp with orchestra (1926)
5015: 4690: 4663: 4561: 4345: 4290: 3990: 3970: 1632: 1112: 977: 468: 3647: 1081: 4755: 4541: 4536: 4267: 3985: 3895: 2865: 1459: 1177: 4760: 3855: 3755: 3750:, for microtonal harpsichord (score). Tui St. George Tucker website (Accessed 18 November 2011). 3455: 1745: 740: 426: 247: 1640:, for four pianos two of which are tuned a quarter-tone sharp, Op. 17 (1929–1930, revised 1936) 4734: 4695: 4570: 4509: 4355: 4238: 4105: 3885: 3875: 3840: 3783: 3716: 3680: 3672: 3655: 3621: 3604: 3543: 3493:
The Influence of Romanian Folk Music on the Music of George Enescu, with Special Reference to
3362: 3302: 3294: 3266: 3258: 3240: 3201: 3193: 3176: 3138: 3054: 3037: 3012: 2971: 2963: 2943: 2926: 2909: 2783:, p. 4, "An arrow head pointing down over a note lowers it approximately a quarter step". 2749:, p. 7, "An arrow head pointing down over a note lowers it approximately a quarter step". 2701: 1499: 1315: 1220: 1216:(1967) features extensive use of quarter-tones including two pianos tuned a quarter-tone apart 1101: 712: 679: 397: 264: 3379: 3255:
Understanding Contemporary Music: A Teaching Manual for Secondary and Primary School Teachers
2695: 1190: 298:; the cadenza in the first movement requires the use of quarter-tones, but only as an effect. 4714: 4578: 4546: 4466: 4431: 4243: 4196: 4045: 3955: 3910: 3880: 3821: 3565: 3133:
Duchesneau, Louise. 2011. "'Play It Like Bill Evans': György Ligeti and Recorded Music". In
3092: 1295: 1276: 1144: 1120: 658: 4836: 4476: 4183: 3925: 3700: 3280: 2325: 1803: 544: 228: 3192:. Historical Dictionaries of Literature and the Arts. Lanham, Maryland: Scarecrow Press. 3151: 3439: 3329:
Blurred Lines: Robin Thicke & John Beckwith Aren't the Only Acts Sharing Song Titles
1271:(2002) for Kingma System quarter-tone alto flute, vibraphone, marimba, harp and strings. 484:
for solo violin in quarter-tones (c. 1927?) {also for solo viola, cello, or double-bass}
4921: 4514: 4489: 4436: 4397: 4307: 4020: 3975: 3865: 3451: 3152:
A Discussion of Contemporary Flute Design and the Issues Surrounding these Developments
3067: 2955: 2430: 1332: 1013: 1003: 884: 557: 194: 3085:
Clendinning, Jane Piper. 1993. "The Pattern-Meccanico Compositions of György Ligeti".
1265:(2001) for solo alto flute and harp, with Kingma System quarter-tone alto flute ossia. 754:, double concerto for quarter-tone guitar, quarter-tone accordion and orchestra (2012) 5081: 4809: 4778: 4551: 4504: 4411: 4218: 3960: 3935: 3890: 3708: 3587: 3577: 3402: 3223: 3137:, edited by Louise Duchesneau and Wolfgang Marx, 125–148. Woodbridge: Boydell Press. 2996: 1525: 1484: 1473: 1205: 1157: 786: 652: 531: 413: 383: 342: 1200:
for solo B♭ clarinet features extensive use of quarter tones in all three movements.
4909: 4773: 4613: 4416: 4138: 4035: 4030: 4025: 4010: 4005: 3900: 3860: 3850: 3508: 3429: 3118: 3076: 2399:"The Legendary Microtonal Trio by Jeronimas Kačinskas – a challenge for performers" 1588:
for one player performing on two pianos at a right angle tuned a quarter-tone apart
1512: 1380: 1253:(2001) for alto flute (Boehm system) and harp, with Kingma System alto flute ossia. 1245: 1228: 1071: 1033: 626: 593: 389: 370: 316: 17: 3253:
Kenneth Kwan, Clarence Mak, Eton Kung, Poly Ng, Joshua Chan, and Kwong Chi. 2006.
1139:
for 12 solo strings (1968–69), divided into two groups tuned a quarter-tone apart.
500:
for violin, violoncello and guitar in quarter-, eighth- and sixteenth-tones (1925)
1576:
for 2 baritones with 2 flutes, clarinet, bassoon, trombone, viola, and percussion
1115:, New York City, 1998 by the New York Virtuosi and Dale Stuckenbruck saw soloist. 4861: 4856: 4846: 4441: 4421: 4089: 4084: 4074: 4015: 3446:: Centrum voor Microtonaale Muziek. Huygens-Fokker.org. (Accessed 24 June 2012). 3168: 2893: 692: 1186: 1182: 4851: 4820: 4079: 3930: 3558:
1995. "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions".
2921:
Benedetti, Robert, Michael Brown, Bernie Laramie, and Patrick Williams. 2004.
2030: 329: 1457:, for soprano, quarter-tone flugelhorn, and electronic music, from the opera 478:
for cello in quarter-tones with English horn, harp, and string quartet (1927)
378:(1923); the first movement features use of quarter-tones in the string parts. 252: 4946: 4841: 4795: 4233: 3950: 3774: 1428: 942:
Suite No. 2 for quartertone piano, Op. 11 (1922, revised in 1932 as Op. 11b)
939:
Suite No. 1 for quartertone piano, Op. 10 (1922, revised in 1932 as Op. 11a)
640: 220: 3108:, for 2 Pianos, Second Piano Tuned One Quarter Tone Higher Than the First. 2697:
The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"
1407:
Septet for clarinet, 2 trombones, string trio, and doublebass, Op. 9 (1938)
4228: 3342:
Keislar, Douglas. 1991. "Six American Composers on Nonstandard Tunings".
3125: 2879: 1716:
Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons
822:), 8-song cycle for mid-ranged voice and quartertone guitar, Op.51 (1943) 214: 1718:, Op. 22, for two pianos tuned a quarter-tone apart (1934, revised 1960) 1545:
a proludi in quarter tones for any ensemble of melody instruments (2015)
635:
features "very specific quarter tone detunings coming off the Emulator".
4815: 4765: 2528: 2035: 1670:, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) 3703:. DuMont Dokumente, Werk Nr. 305. Cologne: Verlag M. DuMont Schauberg. 4878: 4783: 4499: 4426: 3945: 1796: 3265:. Chinese edition, as 現代音樂探索-中小學適用教材匯編 . Hong Kong: 中文大學出版社 , 2006. 2888: 3790: 3569: 3416:
Music for Three or More Pianists: A Historical Survey and Catalogue
3257:, 15 vols., 2 CDs, and 1 DVD. Hong Kong: Chinese University Press. 3096: 2962:, translated by Lory Wallfisch. Lanham, Maryland: Scarecrow Press. 4800: 4788: 4366: 2566: 2564: 1727:
String Trio, Op. 53 (1979, unfinished, completed by Claude Ballif)
933:
String Quartet No. 12 ("In quarter-tone system"), Op. 90 (1959–60)
921:
String Quartet No. 2 ("In quarter-tone system"), Op. 7 (1920)
902:), 12-song cycle for soprano and quartertone guitar, Op. 53 (1943) 720:
for cello quartet, two of the cellos are tuned down a quarter tone
3739:. Recorder Consort Editions 14. Brooklyn: Anfor Music Publishing. 1346:, a quarter-tone saxophone quartet in four short movements (2004) 57: 4805: 3497:, Op. 11 no. 1, Sonata for Violin and Piano, Op. 25, No. 3, and 3425:
Blurred Lines Is a Hit ... for an 86-Year-Old Classical Composer
3361:. Russian Music Studies. Bloomington: Indiana University Press. 3190:
Historical Dictionary of Modern and Contemporary Classical Music
1165:(1983) for two pianos, one tuned a quarter-tone apart (1 player) 4882: 4370: 3794: 1676:, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) 259:
Concerto for Quarter Tone Piano and Quarter Tone Strings (1930)
2985:
The Great American Symphony? The Inclusiveness of Charles Ives
1368:, for string orchestra, frequently makes use of quarter tones. 22: 452:
Concerto for 1/4-tone and 1/8-tone cello and orchestra (1958)
3654:. Berkeley and Los Angeles: University of California Press. 1646:, for baritone & 2 pianos in quarter tones, Op. 9 (1923) 870:
Fantasy for violoncello and quartertone piano, Op. 33 (1927)
770:, for piano player on two pianos tuned a quarter tone apart 1688:, for two pianos tuned a quarter-tone apart, Op. 39b (1956) 1021:, Op. 276, for two pianos tuned a quarter tone apart (1974) 936:
String Quartet 14 ("In quarter-tone system"), Op. 94 (1963)
458:
Concerto No. 2 for quarter-tone violin and orchestra (1964)
455:
Concerto No. 1 for quarter-tone violin and orchestra (1963)
3482:
Pappastavrou, George. 1974. "Ives's Quarter-Tone Pieces".
1712:, Op. 21, for two pianos tuned a quarter-tone apart (1932) 1551:
for micro-tonally tuned harpsichord, string quartet (1990)
930:
String Quartet 6 ("In quarter-tone system"), Op. 70 (1950)
927:
String Quartet 4 ("In quarter-tone system"), Op. 14 (1922)
924:
String Quartet 3 ("In quarter-tone system"), Op. 12 (1922)
446:
for solo violin, viola or cello in quarter-tones (c.1960s)
2876:
Elektrofoni: Works For Micro Intervallic Guitar 1965–1978
1076:
Duo for violin and viola in the Quartertone System (1940)
998:
for chamber ensemble of 13 players and electronics (1988)
969:
Suite for quartertone trumpet and trombone, Op. 56 (1944)
3395:. 2001. "Halévy, (Jacques-François-)Fromental(-Elie) ", 3320:
Université Paris-Sorbonne - École doctorale V.
2730: 2728: 2031:"Jacob Collier - in the Bleak Midwinter (Transcription)" 1539:
Concerto for quarter-tone accordion and orchestra (2015)
571:
for two pianos tuned a quarter tone apart, published in
3376:
Danny Elfman's Big Adventure Continues in Sleepy Hollow
3154:". MMus diss. Goldsmiths College: University of London. 3053:. Berkeley and London: University of California Press. 2551: 2549: 1973: 1971: 1969: 1967: 1965: 1963: 957:
Suite for clarinet and quartertone piano, Op. 24 (1925)
864:
Fantasy for violin and quartertone piano, Op. 21 (1925)
39: 2942:. Cambridge and New York: Cambridge University Press, 2908:. Cambridge and New York: Cambridge University Press. 1340:, a quarter-tone wind quintet in five movements (2002) 1259:(2001) for solo Kingma System quarter-tone alto flute. 1152:
for piano "with higher chromatism", Op.12 No.2 (1912).
867:
Fantasy for viola and quartertone piano, Op. 32 (1926)
601:, 1971 for two pianos, one tuned a quarter-tone lower. 5055: 3503:". M. Ph. thesis. Brisbane: University of Queensland. 2113: 2111: 2109: 2107: 2105: 2103: 2101: 2099: 2097: 2095: 2093: 2091: 2089: 2087: 2085: 2083: 2081: 2079: 2077: 202:
calls for an upright piano tuned a quarter-tone flat.
2357: 2075: 2073: 2071: 2069: 2067: 2065: 2063: 2061: 2059: 2057: 972:
Suite in quartertones for 4 trombones, Op. 72 (1950)
861:
Fantasy for unaccompanied violoncello, Op. 18 (1924)
581:
for two pianos tuned a quarter tone apart (ca. 1937)
565:
for two pianos tuned a quarter tone apart (ca. 1930)
4829: 4746: 4709: 4662: 4569: 4560: 4475: 4404: 4338: 4329:
Twelve Microtonal Etudes for Electronic Music Media
4282: 4252: 4209: 4182: 4104: 4063: 4054: 3998: 3828: 1664:, for 4 pianos in quarter tones, Op. 28 (1939–1940) 954:
Suite No. 6 for quartertone piano, Op. 88 (1957–59)
892:), quartertone opera in 10 scenes, Op. 35 (1927–29) 855:
Fantasy No. 11 for quartertone piano, Op. 89 (1959)
852:
Fantasy No. 10 for quartertone piano, Op. 31 (1926)
362:
Twelve Microtonal Etudes for Electronic Music Media
3580:, and Vance Wolverton. 2001. "Hovhaness , Alan ". 3135:György Ligeti: Of Foreign Lands and Strange Sounds 849:Fantasy No. 9 for quartertone piano, Op. 30 (1926) 846:Fantasy No. 8 for quartertone piano, Op. 29 (1926) 843:Fantasy No. 7 for quartertone piano, Op. 28 (1926) 840:Fantasy No. 6 for quartertone piano, Op. 27 (1926) 837:Fantasy No. 5 for quartertone piano, Op. 26 (1925) 834:Fantasy No. 4 for quartertone piano, Op. 25 (1925) 831:Fantasy No. 3 for quartertone piano, Op. 20 (1924) 828:Fantasy No. 2 for quartertone piano, Op. 19 (1924) 825:Fantasy No. 1 for quartertone piano, Op. 17 (1923) 700:(1905, rev. 1927), passages in the second movement 3291:Music for More Than One Piano: An Annotated Guide 3072:Barlow: Works for Piano and Player Piano (Cybele) 3001:Orientations: Collected Writings by Pierre Boulez 2960:Masterworks of George Enescu: A Detailed Analysis 1620:Sonata No. 1 for Solo Recorder ("The Bullfinch"). 1487:, with a prominent quarter tone double bass riff. 966:Suite for clarinet (unaccompanied), Op. 55 (1943) 666:Third Violin Sonata ("In Popular Romanian Style") 3011:, 129–142. Cambridge: Harvard University Press. 1520:for two pianos tuned a quarter-tone apart (1984) 951:Suite No. 5 for quartertone piano, Op. 23 (1925) 948:Suite No. 4 for quartertone piano, Op. 22 (1924) 945:Suite No. 3 for quartertone piano, Op. 16 (1923) 552:for two pianos tuned a quarter tone apart (1997) 487:Sonata for solo guitar in quarter-tones (c.1924) 3583:The New Grove Dictionary of Music and Musicians 3398:The New Grove Dictionary of Music and Musicians 3219:The New Grove Dictionary of Music and Musicians 3161:Sampo Haapamäki wins Nordic Council Music Prize 1284:for two piano tuned a quarter-tone apart (2010) 963:2nd Suite for quartertone guitar, Op. 63 (1947) 960:1st Suite for quartertone guitar, Op. 54 (1943) 880:) for unaccompanied men's chorus, Op. 36 (1928) 858:Fantasy for unaccompanied violin, Op. 9a (1921) 2205: 1066:Trio for trumpet, viola, and harmonium (1933) 1063:String Quartet No. 2 (1931) (lost? withdrawn?) 918:Sonata for quartertone piano, Op. 62 (1946–47) 912:) for unaccompanied male voices, Op. 45 (1932) 4894: 4382: 3806: 3163:". Music Finland (Accessed 22 December 2020). 2496: 1404:Duo for violin and violoncello, Op. 11 (1938) 806:for unaccompanied youth chorus, Op. 42 (1932) 506:Suite for solo guitar in quarter-tones (1960) 34:This list of songs or music-related items is 8: 4457:List of intervals in 5-limit just intonation 3418:. Lanham, Maryland: Scarecrow Press. p. 103. 3051:Overtones and Undertones: Reading Film Music 2700:. Oxford University Press, USA. p. 32. 2529:Benedetti, Brown, Laramie, and Williams 2004 2369: 1753:for Solo Violin, Op. 27 (1924), Nos. 3 and 5 1410:Suite for unaccompanied violin, Op. 6 (1938) 794:for unaccompanied youth chorus, Op.43 (1932) 748:, concerto for quarter-tone accordion (2008) 3513:Music Notation: A Manual of Modern Practice 3173:American Composers: The Emerging Generation 2678: 2484: 4901: 4887: 4879: 4566: 4389: 4375: 4367: 4060: 3813: 3799: 3791: 3733:Sonata for Solo Recorder ("The Bullfinch") 3237:The American Wind Band: A Cultural History 2488: 2468: 2448: 2434:. Vol. 74, no. 1–10. p. 23. 1819: 1391:3 Duos for 2 quarter-tone clarinets (1972) 1128:for 12-voiced women's choir and orchestra. 687:(for three quarter-tone guitars), Opus 46. 3679:; Boston: Northeastern University Press. 3601:Perspectives on American Music, 1900–1950 3293:. Bloomington: Indiana University Press. 2642: 2492: 2475:is Ligeti's "only work in quarter tones". 2455:is Ligeti's "only work in quarter tones". 2341: 2241: 1108:Divination by Mirrors for Saw and Strings 519:) for orchestra in quarter-tones (c.1924) 3531:The Clarinet of the Twenty-First Century 3024:Brotbeck, Roman. 2004. "Anmerkungen zur 2775: 2751: 2666: 2516: 2500: 2464: 2444: 2385: 2373: 1931: 1927: 1831: 1724:String Quartet No. 2, Op. 18 (1930–1931) 1721:String Quartet No. 1, Op. 13 (1923–1924) 1385:Fantasy for quarter-tone piano (1935-36) 725:Music for Flute, Strings, and Percussion 464:for male chorus in quarter-tones (1920s) 5062: 3669:György Ligeti: Music of the Imagination 2804: 2293: 2229: 2193: 1989: 1942: 1776: 1766:List of compositions in just intonation 1733:(five), for orchestra, Op. 33 (1951–52) 800:for unaccompanied chorus, Op. 13 (1922) 779:"Hommage à Josef Matthias Hauer" (1982) 526:) for orchestra in quarter-tones (1926) 512:for solo violin in quarter-tones (1927) 494:) for solo harp in quarter-tones (1931) 2878:: Bjørn Fongaard" (CD track listing). 2780: 2763: 2746: 2734: 2654: 2594: 2582: 2570: 2305: 2181: 2169: 2157: 2145: 2133: 2017: 1883: 1879: 1686:Études sur les densités et les volumes 1394:Suite for quarter-tone piano (1935-36) 440:for solo viola in quarter-tones (1926) 3762:, Op. 27. New York: G. Schirmer, Inc. 3456:An Orchestral Improvisation CD Primer 3374:Lanser, Bryan, and Kevin Monahan. . " 2828: 2792: 2630: 2618: 2606: 2555: 2540: 2353: 2281: 2269: 2265: 2253: 2217: 2129: 2001: 1977: 1911: 1899: 1895: 1855: 1783: 1320:String Quartet No. 5 'Inscape' (1969) 7: 3620:. NOOK Study eTextbook. : ProQuest. 3322:, p. 31. (Accessed 22 December 2020) 2991:(27 January) (accessed 27 May 2015). 2816: 2504: 2117: 2005: 1954: 1915: 1867: 1680:Études sur les mouvements rotatoires 1652:, for violin and piano, Op. 6 (1918) 1468:, for piano and 3 x 2 timpani (1952) 1413:Suite for ten strings, Op. 10 (1938) 1365:Threnody to the Victims of Hiroshima 180: 3699:2, edited and with an afterword by 3216:. 2001. "Ligeti, György (Sándor)". 3066:Clements, Andrew. 23 October 2008. 1843: 1731:Variations sans thème et conclusion 1658:, for string quartet, Op. 43 (1960) 1617:, for microtonal harpsichord (1986) 3747:Sarabande: Dance for Miriam Cooper 3378:". Archived from emu.com. Also at 2403:Music Information Centre Lithuania 1615:Sarabande: Dance for Miriam Cooper 757:Quarter-Tone Piano Concerto (2017) 337:, for violin, piano, and 13 winds. 16:A selection of compositions using 14: 3637:. London and New York: Routledge. 3491:Patterson, Michael David. 2009. " 3423:Michaels, Sean. 27 August 2013. " 3327:Johnston, Abby. 29 August 2013. " 2999:. 1986. "The System Exposed". In 2905:The Cambridge Companion to Bartók 2409:from the original on June 3, 2021 434:for piano in quarter-tones (1959) 311:for violin and harpsichord (1997) 5065: 5044: 4532:Ptolemy's intense diatonic scale 3989: 3984: 3522:20th-Century Microtonal Notation 3150:Fether, Deborah Carolyn. 2005. " 2319:Georg Friedrich Haas: 3 Hommages 1480:These Boots Are Made for Walkin' 915:Solo for violin Op. 93 (1961–62) 776:"Hommage à György Ligeti" (1984) 26: 3529:Richards, Edwin Michael. 1992. 3104:Couper, Mildred. January 1937. 2714:from the original on 2023-02-22 2043:from the original on 2022-08-18 510:3 estudios en forma de sonatina 3744:Tucker, Tui St. George. 1986. 3036:, 51–60. Münster: Lit-Verlag. 2940:Music: A Mathematical Offering 2831:, pp. 24, 26, 39, and 43. 1301:Deux monodies en quarts de ton 773:"Hommage à Steve Reich" (1982) 365:: "24 Notes: Moderato" (1980). 1: 4942:featuring Andalusian cadences 3564:17, no. 2 (Autumn): 242–267. 3462:(accessed 23 September 2014). 3091:31, no. 1 (Winter): 192–234. 2925:. Boston: Pearson Education. 2856:International Record Review 2 1483:, 1966 popular song, sung by 170: 4495:Harry Partch's 43-tone scale 4192:Harry Partch's 43-tone scale 3760:Six Sonatas pour violin seul 3586:, second edition, edited by 3524:. New York: Greenwood Press. 3501:for Violin and Piano, Op. 28 3460:American Composers Orchestra 3401:, second edition, edited by 3222:, second edition, edited by 2882:(Accessed 15 November 2011). 1008:String Quartet No. 5 (1962). 242:version 7 for guitar (1980). 219:Concert Variations for solo 4315:Sonata for Microtonal Piano 3671:. London: Faber and Faber. 3515:. Boston: Alleyn and Bacon. 3438:Op de Coul, Manuel. 2012. " 3414:Maxwell, Grant Lyle. 1993. 3348:29, no. 1 (Winter):176–211. 3032:, edited by Imke Misch and 2471:, p. 135) states that 2451:, p. 135) states that 1433:String Quartet No. 3 (1962) 1019:O Lord, Bless Thy Mountains 621:, for flute and nine harps. 5109: 4462:List of meantone intervals 4322:Suite for Microtonal Piano 3499:Impression (sic) d'Enfance 1704:Fragment symphonique No. 3 1698:Fragment symphonique No. 2 1692:Fragment symphonique No. 1 1638:Ainsi Parlait Zarathoustra 1598:Quartertone Recorder Duets 1586:My Melancholy Baby Fantasy 1131:Quartet No. 2 for strings. 175: 5042: 4917: 4452:List of musical intervals 4447:Consonance and dissonance 4274:Huygens-Fokker Foundation 4262:Boston Microtonal Society 3982: 3737:Romanza for Solo Recorder 3715:. London: Phaidon Press. 3667:Steinitz, Richard. 2003. 3345:Perspectives of New Music 3314:Lhermet, Vincent. 2016. " 3235:Hansen, Richard K. 2005. 3088:Perspectives of New Music 2573:, pp. 5, 36, and 51. 2358:Rosner and Wolverton 2001 2206:Lanser and Monahan & 1650:Chant douloureux et étude 1290:for string quartet (2001) 3556:Roig-Francolí, Miguel A. 3538:Riley, Charles A. 1996. 3444:Stichting Huygens-Fokker 3382:(Accessed 25 June 2012). 3284:second series 28(2):312. 2983:Borchert, Gavin. 2015. " 2467:, p. 183. However, 2447:, p. 201. However, 1557:for oboe and tape (1979) 575:quarterly (January 1937) 462:Mass for Pope John XXIII 4224:Otonality and Utonality 3633:Sherwood, Gayle. 2002. 3599:Saffle, Michael. 2000. 3289:Hinson, Maurice. 1983. 3188:Gagné, Nicole V. 2012. 3128:(accessed 28 May 2015). 3034:Christoph von Blumröder 2938:Benson, David J. 2007. 2923:Creative Postproduction 2897:(accessed 28 May 2015). 2597:, pp. 36, and 105. 1822:, "Uses quarter tones." 1198:Street Cries (11.10.83) 421:for 10 Vocalists (2016) 279:The Miraculous Mandarin 5088:Lists of musical works 4972:Twelve-tone and serial 3921:Claus-Steffen Mahnkopf 3729:Tucker, Tui St. George 3693:Stockhausen, Karlheinz 3616:Saito, Mitsuru. 2008. 3470:Circles Mostly in Wood 3380:bluntinstrument.org.uk 3353:Kurtz, Michael. 2007. 3159:Fiilin, Teemu. 2020. " 3049:Brown, Royal S. 1994. 2902:Bayley, Amanda. 2001. 1644:2 Chants sur Nietzsche 1582:for quarter-tone piano 1338:Circles Mostly in Wood 1234:Indigenous Instruments 419:In the Bleak Midwinter 288:; the fourth movement 286:Sonata for Solo Violin 161: 156: 151: 146: 141: 136: 131: 126: 121: 116: 111: 106: 101: 96: 91: 86: 81: 76: 71: 66: 4719:Temperament ordinaire 4097:(Bohlen–Pierce scale) 4041:Tui St. George Tucker 3561:Music Theory Spectrum 3533:. : E + K Publishers. 3520:Read, Gardner. 1990. 3359:Mstislav Rostropovich 3239:. : GIA Publications 1605:1–3 for recorder trio 1603:Quartertone Lullubies 1563:Tui St. George Tucker 1450:Karlheinz Stockhausen 1210:Soundtrack score for 631:Soundtrack score for 492:Amanecer en Berlin 13 296:Violin Concerto No. 2 272:; the third movement 5036:Tone rows and series 4522:List of compositions 4351:Generalized keyboard 3846:Easley Blackwood Jr. 3779:Sound Bytes of Truth 3594:. London: Macmillan. 3409:. London: Macmillan. 3334:The Austin Chronicle 3230:. London: Macmillan. 3117:Couture, François. " 3005:Jean-Jacques Nattiez 2503:, pp. 179–180; 2330:UniversalEdition.com 1549:Arsenic and Old Lace 1533:for Decacorde (2016) 1359:Krzysztof Penderecki 763:Georg Friedrich Haas 498:Sonata casi fantasia 356:Easley Blackwood Jr. 322:Quarter-Tone Quartet 270:String Quartet No. 6 234:Çoǧluotobüsişletmesi 40:adding missing items 4346:Enharmonic keyboard 4297:quarter tone pieces 4291:Beauty in the Beast 3971:Ivan Wyschnegradsky 3074:" (record review). 2543:, pp. 177–178. 2507:, pp. 134–135. 2428:"Classical Music". 2232:, pp. 242–244. 2020:, pp. 129–131. 1957:, pp. 143–144. 1633:Ivan Wyschnegradsky 1113:Merkin Concert Hall 1059:Jeronimas Kačinskas 376:Piano Quintet No. 1 4756:Chinese musicology 4542:Scale of harmonics 4537:Pythagorean tuning 4485:Euler–Fokker genus 4268:Genesis of a Music 3896:Christiaan Huygens 2866:BBC Music Magazine 2497:Roig-Francolí 1995 2376:, pp. 123–126 2324:2016-03-03 at the 1802:2015-05-28 at the 1797:Concert Variations 1611:for solo recorder. 1460:Dienstag aus Licht 1442:Zwei Konzertstücke 1163:Anneaux de Lumière 983:Prométhée enchaîné 38:; you can help by 5053: 5052: 4876: 4875: 4742: 4741: 4364: 4363: 4356:Modernism (music) 4205: 4204: 4106:Equal temperament 3876:Brian Ferneyhough 3784:The Village Voice 3721:978-0-7148-3795-6 3685:978-1-55553-551-3 3677:978-0-571-17631-1 3660:978-0-520-08485-8 3626:978-0-549-78383-1 3609:978-0-8153-2145-3 3548:978-0-87451-742-2 3495:Romanian Rhapsody 3467:Oteri, Frank J. " 3367:978-0-253-34907-1 3355:Sofia Gubaidulina 3307:978-0-253-21457-7 3299:978-0-253-33952-2 3271:978-962-996-215-9 3263:978-962-996-214-2 3245:978-1-57999-467-9 3206:978-0-8108-7962-1 3198:978-0-8108-6765-9 3181:978-3-7186-5529-8 3143:978-1-84383-550-9 3119:Clarence Barlow: 3059:978-0-520-08320-2 3042:978-3-8258-7944-0 3017:978-0-674-64375-8 2976:978-0-8108-7690-3 2968:978-0-8108-7665-1 2948:978-0-521-85387-3 2931:978-0-205-37575-2 2914:978-0-521-66958-0 2707:978-0-19-531023-8 2669:, pp. 56–57. 2370:Pappastavrou 1974 2244:, pp. 38–39. 2184:, pp. 52–53. 1594:for recorder trio 1592:Quartertone Carol 1570:for solo clarinet 1344:Fair and Balanced 1282:Quartertone Canon 1257:XXIX—in Perpetuum 1221:The Night Visitor 1126:Clocks and Clouds 1102:Michael A. Levine 713:Sofia Gubaidulina 619:Sonority Movement 398:Le Visage nuptial 56: 55: 5100: 5070: 5069: 5068: 5061: 5048: 5047: 5021:Scales and modes 5006:Jazz contrafacts 4977:Whole tone scale 4903: 4896: 4889: 4880: 4715:Well temperament 4701:Regular diatonic 4567: 4547:Tonality diamond 4391: 4384: 4377: 4368: 4244:Tonality diamond 4067:repeating scales 4061: 4046:Nicola Vicentino 3993: 3988: 3956:Nicola Vicentino 3881:Michael Finnissy 3822:Microtonal music 3815: 3808: 3801: 3792: 3777:. 6 July 1999. " 3763: 3751: 3740: 3724: 3704: 3688: 3663: 3643: 3638: 3629: 3612: 3595: 3573: 3551: 3534: 3525: 3516: 3504: 3487: 3478: 3463: 3447: 3434: 3419: 3410: 3388: 3383: 3370: 3349: 3338: 3323: 3310: 3285: 3274: 3248: 3231: 3209: 3184: 3164: 3155: 3146: 3129: 3113: 3100: 3081: 3062: 3045: 3020: 3007:, translated by 2992: 2979: 2951: 2934: 2917: 2898: 2883: 2870: 2859: 2850: 2849:. 8 (2). p. 921. 2832: 2826: 2820: 2814: 2808: 2802: 2796: 2790: 2784: 2773: 2767: 2761: 2755: 2744: 2738: 2732: 2723: 2722: 2720: 2719: 2688: 2682: 2679:Stockhausen 1964 2676: 2670: 2664: 2658: 2652: 2646: 2640: 2634: 2628: 2622: 2616: 2610: 2604: 2598: 2592: 2586: 2580: 2574: 2568: 2559: 2553: 2544: 2538: 2532: 2526: 2520: 2514: 2508: 2485:Clendinning 1993 2482: 2476: 2469:Duchesneau (2011 2462: 2456: 2449:Duchesneau (2011 2442: 2436: 2435: 2425: 2419: 2418: 2416: 2414: 2395: 2389: 2383: 2377: 2367: 2361: 2351: 2345: 2339: 2333: 2315: 2309: 2303: 2297: 2291: 2285: 2279: 2273: 2263: 2257: 2251: 2245: 2239: 2233: 2227: 2221: 2215: 2209: 2203: 2197: 2191: 2185: 2179: 2173: 2167: 2161: 2155: 2149: 2143: 2137: 2127: 2121: 2115: 2052: 2051: 2049: 2048: 2027: 2021: 2015: 2009: 1999: 1993: 1987: 1981: 1975: 1958: 1952: 1946: 1940: 1934: 1925: 1919: 1909: 1903: 1893: 1887: 1877: 1871: 1865: 1859: 1853: 1847: 1841: 1835: 1829: 1823: 1817: 1811: 1793: 1787: 1781: 1710:Prélude et Fugue 1296:Olivier Messiaen 1251:Aeolian Rustling 1194: 978:Fromental Halévy 820:Children's Moods 810:5 Mixed Choruses 522:Symphony No. 2 ( 515:Symphony No. 1 ( 469:Preludio a Colón 444:Casi-sonatas 1–6 335:Chamber Concerto 256: 51: 48: 30: 29: 23: 5108: 5107: 5103: 5102: 5101: 5099: 5098: 5097: 5078: 5077: 5076: 5072:Classical music 5066: 5064: 5056: 5054: 5049: 5045: 5040: 4913: 4907: 4877: 4872: 4869:(Bohlen–Pierce) 4837:833 cents scale 4825: 4748: 4738: 4705: 4658: 4556: 4477:Just intonation 4471: 4400: 4398:Musical tunings 4395: 4365: 4360: 4334: 4278: 4254: 4248: 4211: 4201: 4197:Double diatonic 4184:Just intonation 4178: 4100: 4066: 4056: 4050: 3994: 3980: 3926:Joel Mandelbaum 3856:Julián Carrillo 3836:Richard Barrett 3824: 3819: 3771: 3769:Further reading 3766: 3754: 3743: 3727: 3707: 3701:Dieter Schnebel 3697:Texte zur Musik 3691: 3666: 3646: 3641: 3632: 3615: 3598: 3576: 3554: 3537: 3528: 3519: 3507: 3490: 3481: 3475:NewMusicUSA.org 3466: 3452:Oteri, Frank J. 3450: 3437: 3422: 3413: 3393:Macdonald, Hugh 3391: 3386: 3373: 3352: 3341: 3326: 3313: 3288: 3277: 3251: 3234: 3214:Griffiths, Paul 3212: 3187: 3167: 3158: 3149: 3132: 3116: 3103: 3084: 3065: 3048: 3023: 2995: 2982: 2956:Bentoiu, Pascal 2954: 2937: 2920: 2901: 2886: 2873: 2869:15, nos. 7–13:. 2862: 2853: 2844: 2840: 2835: 2827: 2823: 2815: 2811: 2803: 2799: 2791: 2787: 2779: 2774: 2770: 2762: 2758: 2750: 2745: 2741: 2733: 2726: 2717: 2715: 2708: 2692:Everett, Walter 2690: 2689: 2685: 2677: 2673: 2665: 2661: 2653: 2649: 2641: 2637: 2629: 2625: 2617: 2613: 2605: 2601: 2593: 2589: 2581: 2577: 2569: 2562: 2554: 2547: 2539: 2535: 2527: 2523: 2515: 2511: 2499:, p. 244; 2491:, p. 135; 2489:Duchesneau 2011 2487:, p. 219; 2483: 2479: 2463: 2459: 2443: 2439: 2427: 2426: 2422: 2412: 2410: 2397: 2396: 2392: 2384: 2380: 2368: 2364: 2356:, p. 217; 2352: 2348: 2340: 2336: 2326:Wayback Machine 2316: 2312: 2304: 2300: 2292: 2288: 2280: 2276: 2268:, p. 347; 2264: 2260: 2252: 2248: 2240: 2236: 2228: 2224: 2216: 2212: 2204: 2200: 2192: 2188: 2180: 2176: 2168: 2164: 2156: 2152: 2144: 2140: 2132:, p. 217; 2128: 2124: 2116: 2055: 2046: 2044: 2029: 2028: 2024: 2016: 2012: 2004:, p. 217; 2000: 1996: 1988: 1984: 1976: 1961: 1953: 1949: 1941: 1937: 1926: 1922: 1914:, p. 217; 1910: 1906: 1898:, p. 275; 1894: 1890: 1882:, p. 269; 1878: 1874: 1866: 1862: 1854: 1850: 1842: 1838: 1830: 1826: 1820:Op de Coul 2012 1818: 1814: 1804:Wayback Machine 1794: 1790: 1782: 1778: 1774: 1762: 1742: 1629: 1496: 1444:, Op. 26, 1906. 1425: 1377: 1355: 1329: 1312: 1213:Wait Until Dark 1180: 1174: 1098: 1089:, Op. 32 (1992) 1055: 1030: 996:Valley of Aosta 991:Jonathan Harvey 910:The working day 812:, Op. 44 (1932) 792:Children's Play 741:Sampo Haapamäki 737: 709: 676: 610: 590: 545:John Corigliano 427:Julián Carrillo 410: 250: 229:Clarence Barlow 211: 191: 186: 185: 181:Further reading 166: 62: 52: 46: 43: 27: 12: 11: 5: 5106: 5104: 5096: 5095: 5090: 5080: 5079: 5075: 5074: 5051: 5050: 5043: 5041: 5039: 5038: 5033: 5028: 5023: 5018: 5013: 5011:Turkish makams 5008: 5003: 5002: 5001: 4996: 4986: 4981: 4980: 4979: 4974: 4969: 4964: 4959: 4954: 4949: 4944: 4939: 4931: 4930: 4929: 4918: 4915: 4914: 4908: 4906: 4905: 4898: 4891: 4883: 4874: 4873: 4871: 4870: 4864: 4859: 4854: 4849: 4844: 4839: 4833: 4831: 4827: 4826: 4824: 4823: 4818: 4813: 4803: 4798: 4793: 4792: 4791: 4786: 4781: 4776: 4768: 4763: 4758: 4752: 4750: 4744: 4743: 4740: 4739: 4713: 4711: 4707: 4706: 4704: 4703: 4698: 4693: 4688: 4683: 4668: 4666: 4660: 4659: 4657: 4656: 4651: 4646: 4641: 4636: 4631: 4626: 4621: 4611: 4606: 4601: 4596: 4591: 4586: 4581: 4575: 4573: 4564: 4558: 4557: 4555: 4554: 4549: 4544: 4539: 4534: 4529: 4524: 4519: 4518: 4517: 4512: 4502: 4497: 4492: 4490:Harmonic scale 4487: 4481: 4479: 4473: 4472: 4470: 4469: 4464: 4459: 4454: 4449: 4444: 4439: 4437:Interval ratio 4434: 4429: 4424: 4419: 4414: 4408: 4406: 4402: 4401: 4396: 4394: 4393: 4386: 4379: 4371: 4362: 4361: 4359: 4358: 4353: 4348: 4342: 4340: 4336: 4335: 4333: 4332: 4325: 4318: 4311: 4304: 4299: 4294: 4286: 4284: 4280: 4279: 4277: 4276: 4271: 4264: 4258: 4256: 4250: 4249: 4247: 4246: 4241: 4239:Xenharmonicity 4236: 4231: 4226: 4221: 4215: 4213: 4207: 4206: 4203: 4202: 4200: 4199: 4194: 4188: 4186: 4180: 4179: 4177: 4176: 4171: 4166: 4161: 4156: 4151: 4146: 4141: 4136: 4131: 4126: 4121: 4116: 4110: 4108: 4102: 4101: 4099: 4098: 4092: 4087: 4082: 4077: 4071: 4069: 4058: 4052: 4051: 4049: 4048: 4043: 4038: 4033: 4028: 4023: 4021:Adriaan Fokker 4018: 4013: 4008: 4002: 4000: 3996: 3995: 3983: 3981: 3979: 3978: 3976:La Monte Young 3973: 3968: 3963: 3958: 3953: 3948: 3943: 3941:John Schneider 3938: 3933: 3928: 3923: 3918: 3913: 3908: 3903: 3898: 3893: 3888: 3886:Bjørn Fongaard 3883: 3878: 3873: 3868: 3866:Mildred Couper 3863: 3858: 3853: 3848: 3843: 3838: 3832: 3830: 3826: 3825: 3820: 3818: 3817: 3810: 3803: 3795: 3789: 3788: 3770: 3767: 3765: 3764: 3752: 3741: 3725: 3705: 3689: 3664: 3648:Somfai, László 3644: 3639: 3630: 3613: 3596: 3578:Rosner, Arnold 3574: 3570:10.2307/745873 3552: 3535: 3526: 3517: 3505: 3488: 3479: 3464: 3448: 3435: 3420: 3411: 3389: 3384: 3371: 3350: 3339: 3324: 3311: 3286: 3275: 3249: 3232: 3210: 3185: 3165: 3156: 3147: 3130: 3114: 3101: 3097:10.2307/833050 3082: 3063: 3046: 3021: 2997:Boulez, Pierre 2993: 2989:Seattle Weekly 2980: 2952: 2935: 2918: 2899: 2884: 2871: 2863:Anon. 2007. . 2860: 2854:Anon. 2001. . 2851: 2841: 2839: 2836: 2834: 2833: 2821: 2809: 2807:, p. 103. 2797: 2795:, p. 921. 2785: 2768: 2756: 2739: 2737:, p. 285. 2724: 2706: 2683: 2671: 2659: 2657:, p. 228. 2647: 2643:He et al. 2006 2635: 2623: 2611: 2609:, p. 172. 2599: 2587: 2575: 2560: 2558:, p. 135. 2545: 2533: 2531:, p. 134. 2521: 2509: 2493:Griffiths 2001 2477: 2457: 2437: 2431:The New Yorker 2420: 2390: 2378: 2362: 2346: 2342:Macdonald 2001 2334: 2310: 2298: 2286: 2284:, p. 232. 2274: 2258: 2246: 2242:Patterson 2009 2234: 2222: 2210: 2198: 2186: 2174: 2172:, p. 230. 2162: 2150: 2138: 2122: 2053: 2022: 2010: 1994: 1982: 1980:, p. 217. 1959: 1947: 1945:, p. vii. 1935: 1920: 1904: 1888: 1872: 1860: 1848: 1844:Couture & 1836: 1824: 1812: 1788: 1775: 1773: 1770: 1769: 1768: 1761: 1758: 1757: 1756: 1755: 1754: 1741: 1738: 1737: 1736: 1735: 1734: 1728: 1725: 1722: 1719: 1713: 1707: 1701: 1695: 1689: 1683: 1677: 1671: 1665: 1659: 1653: 1647: 1641: 1628: 1625: 1624: 1623: 1622: 1621: 1618: 1612: 1606: 1600: 1595: 1589: 1583: 1577: 1571: 1560: 1559: 1558: 1552: 1546: 1540: 1534: 1523: 1522: 1521: 1510: 1509: 1508: 1500:Tōru Takemitsu 1495: 1492: 1491: 1490: 1489: 1488: 1471: 1470: 1469: 1466:Schlagquartett 1463: 1447: 1446: 1445: 1438:Richard Stein 1436: 1435: 1434: 1424: 1421: 1420: 1419: 1418: 1417: 1414: 1411: 1408: 1405: 1397: 1396: 1395: 1392: 1389: 1386: 1376: 1373: 1372: 1371: 1370: 1369: 1354: 1351: 1350: 1349: 1348: 1347: 1341: 1333:Frank J. Oteri 1328: 1325: 1324: 1323: 1322: 1321: 1311: 1308: 1307: 1306: 1305: 1304: 1293: 1292: 1291: 1285: 1274: 1273: 1272: 1266: 1260: 1254: 1243: 1242: 1241: 1236: 1226: 1225: 1224: 1217: 1203: 1202: 1201: 1173: 1170: 1169: 1168: 1167: 1166: 1155: 1154: 1153: 1142: 1141: 1140: 1132: 1129: 1118: 1117: 1116: 1097: 1094: 1093: 1092: 1091: 1090: 1079: 1078: 1077: 1069: 1068: 1067: 1064: 1054: 1051: 1050: 1049: 1048: 1047: 1043:Symphony No. 4 1039: 1029: 1026: 1025: 1024: 1023: 1022: 1014:Alan Hovhaness 1011: 1010: 1009: 1004:Lejaren Hiller 1001: 1000: 999: 988: 987: 986: 975: 974: 973: 970: 967: 964: 961: 958: 955: 952: 949: 946: 943: 940: 937: 934: 931: 928: 925: 922: 919: 916: 913: 903: 900:Poetry of Life 893: 881: 871: 868: 865: 862: 859: 856: 853: 850: 847: 844: 841: 838: 835: 832: 829: 826: 823: 813: 807: 801: 795: 784: 783: 782: 781: 780: 777: 774: 760: 759: 758: 755: 749: 736: 733: 732: 731: 730: 729: 721: 708: 705: 704: 703: 702: 701: 690: 689: 688: 680:Bjørn Fongaard 675: 672: 671: 670: 669: 668: 663: 650: 649: 648: 638: 637: 636: 624: 623: 622: 609: 606: 605: 604: 603: 602: 589: 586: 585: 584: 583: 582: 576: 566: 558:Mildred Couper 555: 554: 553: 542: 541: 540: 529: 528: 527: 520: 513: 507: 504: 501: 495: 488: 485: 479: 473: 465: 459: 456: 453: 450: 447: 441: 435: 424: 423: 422: 409: 406: 405: 404: 403: 402: 394: 381: 380: 379: 368: 367: 366: 353: 352: 351: 340: 339: 338: 327: 326: 325: 314: 313: 312: 301: 300: 299: 293: 283: 262: 261: 260: 245: 244: 243: 237: 226: 225: 224: 210: 207: 206: 205: 204: 203: 190: 187: 184: 183: 178: 173: 167: 165: 164: 159: 154: 149: 144: 139: 134: 129: 124: 119: 114: 109: 104: 99: 94: 89: 84: 79: 74: 69: 63: 61: 58: 54: 53: 33: 31: 13: 10: 9: 6: 4: 3: 2: 5105: 5094: 5093:Quarter tones 5091: 5089: 5086: 5085: 5083: 5073: 5063: 5059: 5037: 5034: 5032: 5029: 5027: 5024: 5022: 5019: 5017: 5014: 5012: 5009: 5007: 5004: 5000: 4997: 4995: 4992: 4991: 4990: 4987: 4985: 4982: 4978: 4975: 4973: 4970: 4968: 4965: 4963: 4960: 4958: 4955: 4953: 4950: 4948: 4945: 4943: 4940: 4938: 4935: 4934: 4933:Compositions 4932: 4928: 4925: 4924: 4923: 4920: 4919: 4916: 4911: 4904: 4899: 4897: 4892: 4890: 4885: 4884: 4881: 4868: 4865: 4863: 4860: 4858: 4855: 4853: 4850: 4848: 4845: 4843: 4840: 4838: 4835: 4834: 4832: 4828: 4822: 4819: 4817: 4814: 4811: 4810:Carnatic raga 4807: 4804: 4802: 4799: 4797: 4794: 4790: 4787: 4785: 4782: 4780: 4779:Turkish makam 4777: 4775: 4772: 4771: 4769: 4767: 4764: 4762: 4759: 4757: 4754: 4753: 4751: 4745: 4736: 4732: 4728: 4724: 4720: 4716: 4712: 4708: 4702: 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4681: 4677: 4676:quarter-comma 4673: 4670: 4669: 4667: 4665: 4661: 4655: 4652: 4650: 4647: 4645: 4642: 4640: 4637: 4635: 4632: 4630: 4627: 4625: 4622: 4619: 4615: 4612: 4610: 4607: 4605: 4602: 4600: 4597: 4595: 4592: 4590: 4587: 4585: 4582: 4580: 4577: 4576: 4574: 4572: 4568: 4565: 4563: 4559: 4553: 4552:Tonality flux 4550: 4548: 4545: 4543: 4540: 4538: 4535: 4533: 4530: 4528: 4525: 4523: 4520: 4516: 4513: 4511: 4508: 4507: 4506: 4503: 4501: 4498: 4496: 4493: 4491: 4488: 4486: 4483: 4482: 4480: 4478: 4474: 4468: 4465: 4463: 4460: 4458: 4455: 4453: 4450: 4448: 4445: 4443: 4440: 4438: 4435: 4433: 4430: 4428: 4425: 4423: 4420: 4418: 4415: 4413: 4410: 4409: 4407: 4403: 4399: 4392: 4387: 4385: 4380: 4378: 4373: 4372: 4369: 4357: 4354: 4352: 4349: 4347: 4344: 4343: 4341: 4337: 4331: 4330: 4326: 4324: 4323: 4319: 4317: 4316: 4312: 4310: 4309: 4305: 4303: 4300: 4298: 4295: 4293: 4292: 4288: 4287: 4285: 4281: 4275: 4272: 4270: 4269: 4265: 4263: 4260: 4259: 4257: 4251: 4245: 4242: 4240: 4237: 4235: 4232: 4230: 4227: 4225: 4222: 4220: 4217: 4216: 4214: 4208: 4198: 4195: 4193: 4190: 4189: 4187: 4185: 4181: 4175: 4172: 4170: 4167: 4165: 4162: 4160: 4157: 4155: 4152: 4150: 4147: 4145: 4142: 4140: 4137: 4135: 4132: 4130: 4127: 4125: 4122: 4120: 4117: 4115: 4112: 4111: 4109: 4107: 4103: 4096: 4093: 4091: 4088: 4086: 4083: 4081: 4078: 4076: 4073: 4072: 4070: 4068: 4062: 4059: 4053: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4003: 4001: 3997: 3992: 3987: 3977: 3974: 3972: 3969: 3967: 3966:Elaine Walker 3964: 3962: 3961:Claude Vivier 3959: 3957: 3954: 3952: 3949: 3947: 3944: 3942: 3939: 3937: 3936:Roger Redgate 3934: 3932: 3929: 3927: 3924: 3922: 3919: 3917: 3916:Stu Mackenzie 3914: 3912: 3911:György Ligeti 3909: 3907: 3904: 3902: 3899: 3897: 3894: 3892: 3889: 3887: 3884: 3882: 3879: 3877: 3874: 3872: 3869: 3867: 3864: 3862: 3859: 3857: 3854: 3852: 3849: 3847: 3844: 3842: 3839: 3837: 3834: 3833: 3831: 3827: 3823: 3816: 3811: 3809: 3804: 3802: 3797: 3796: 3793: 3786: 3785: 3780: 3776: 3773: 3772: 3768: 3761: 3757: 3756:Ysaÿe, Eugène 3753: 3749: 3748: 3742: 3738: 3734: 3730: 3726: 3722: 3718: 3714: 3713:György Ligeti 3710: 3709:Toop, Richard 3706: 3702: 3698: 3694: 3690: 3686: 3682: 3678: 3674: 3670: 3665: 3661: 3657: 3653: 3649: 3645: 3640: 3636: 3631: 3627: 3623: 3619: 3614: 3610: 3606: 3602: 3597: 3593: 3589: 3588:Stanley Sadie 3585: 3584: 3579: 3575: 3571: 3567: 3563: 3562: 3557: 3553: 3549: 3545: 3541: 3536: 3532: 3527: 3523: 3518: 3514: 3510: 3509:Read, Gardner 3506: 3502: 3500: 3496: 3489: 3485: 3480: 3476: 3472: 3471: 3465: 3461: 3457: 3453: 3449: 3445: 3441: 3436: 3432: 3431: 3426: 3421: 3417: 3412: 3408: 3404: 3403:Stanley Sadie 3400: 3399: 3394: 3390: 3385: 3381: 3377: 3372: 3368: 3364: 3360: 3356: 3351: 3347: 3346: 3340: 3336: 3335: 3330: 3325: 3321: 3317: 3312: 3308: 3304: 3300: 3296: 3292: 3287: 3283: 3282: 3276: 3272: 3268: 3264: 3260: 3256: 3250: 3246: 3242: 3238: 3233: 3229: 3225: 3224:Stanley Sadie 3221: 3220: 3215: 3211: 3207: 3203: 3199: 3195: 3191: 3186: 3182: 3178: 3174: 3170: 3166: 3162: 3157: 3153: 3148: 3144: 3140: 3136: 3131: 3127: 3123: 3122: 3115: 3111: 3107: 3102: 3098: 3094: 3090: 3089: 3083: 3079: 3078: 3073: 3069: 3064: 3060: 3056: 3052: 3047: 3043: 3039: 3035: 3031: 3027: 3022: 3018: 3014: 3010: 3009:Martin Cooper 3006: 3002: 2998: 2994: 2990: 2986: 2981: 2977: 2973: 2969: 2965: 2961: 2957: 2953: 2949: 2945: 2941: 2936: 2932: 2928: 2924: 2919: 2915: 2911: 2907: 2906: 2900: 2896: 2895: 2890: 2887:Anon. 2015. " 2885: 2881: 2877: 2874:Anon. 2011. " 2872: 2868: 2867: 2861: 2857: 2852: 2848: 2843: 2842: 2837: 2830: 2825: 2822: 2819:, p. 76. 2818: 2813: 2810: 2806: 2801: 2798: 2794: 2789: 2786: 2782: 2777: 2776:Hettrick 1971 2772: 2769: 2765: 2760: 2757: 2753: 2752:Hettrick 1971 2748: 2743: 2740: 2736: 2731: 2729: 2725: 2713: 2709: 2703: 2699: 2698: 2693: 2687: 2684: 2680: 2675: 2672: 2668: 2667:Brotbeck 2004 2663: 2660: 2656: 2651: 2648: 2644: 2639: 2636: 2632: 2627: 2624: 2620: 2615: 2612: 2608: 2603: 2600: 2596: 2591: 2588: 2585:, p. 36. 2584: 2579: 2576: 2572: 2567: 2565: 2561: 2557: 2552: 2550: 2546: 2542: 2537: 2534: 2530: 2525: 2522: 2518: 2517:Richards 1992 2513: 2510: 2506: 2502: 2501:Steinitz 2003 2498: 2494: 2490: 2486: 2481: 2478: 2474: 2473:Ramifications 2470: 2466: 2465:Steinitz 2003 2461: 2458: 2454: 2453:Ramifications 2450: 2446: 2445:Steinitz 2003 2441: 2438: 2433: 2432: 2424: 2421: 2408: 2404: 2400: 2394: 2391: 2387: 2386:Borchert 2015 2382: 2379: 2375: 2374:Sherwood 2002 2371: 2366: 2363: 2359: 2355: 2350: 2347: 2343: 2338: 2335: 2331: 2327: 2323: 2320: 2314: 2311: 2307: 2302: 2299: 2295: 2290: 2287: 2283: 2278: 2275: 2272:, p. 106 2271: 2267: 2262: 2259: 2255: 2250: 2247: 2243: 2238: 2235: 2231: 2226: 2223: 2219: 2214: 2211: 2207: 2202: 2199: 2195: 2190: 2187: 2183: 2178: 2175: 2171: 2166: 2163: 2159: 2154: 2151: 2148:, p. 42. 2147: 2142: 2139: 2135: 2131: 2126: 2123: 2119: 2114: 2112: 2110: 2108: 2106: 2104: 2102: 2100: 2098: 2096: 2094: 2092: 2090: 2088: 2086: 2084: 2082: 2080: 2078: 2076: 2074: 2072: 2070: 2068: 2066: 2064: 2062: 2060: 2058: 2054: 2042: 2038: 2037: 2032: 2026: 2023: 2019: 2014: 2011: 2007: 2003: 1998: 1995: 1992:, p. 45. 1991: 1986: 1983: 1979: 1974: 1972: 1970: 1968: 1966: 1964: 1960: 1956: 1951: 1948: 1944: 1939: 1936: 1933: 1932:Michaels 2013 1929: 1928:Johnston 2013 1924: 1921: 1917: 1913: 1908: 1905: 1902:, p. 217 1901: 1897: 1892: 1889: 1886:, p. 168 1885: 1881: 1876: 1873: 1870:, p. 51. 1869: 1864: 1861: 1858:, p. 26. 1857: 1852: 1849: 1845: 1840: 1837: 1833: 1832:Clements 2008 1828: 1825: 1821: 1816: 1813: 1809: 1805: 1801: 1798: 1792: 1789: 1786:, p. 12. 1785: 1780: 1777: 1771: 1767: 1764: 1763: 1759: 1752: 1749: 1748: 1747: 1744: 1743: 1739: 1732: 1729: 1726: 1723: 1720: 1717: 1714: 1711: 1708: 1705: 1702: 1699: 1696: 1693: 1690: 1687: 1684: 1681: 1678: 1675: 1672: 1669: 1666: 1663: 1660: 1657: 1654: 1651: 1648: 1645: 1642: 1639: 1636: 1635: 1634: 1631: 1630: 1626: 1619: 1616: 1613: 1610: 1607: 1604: 1601: 1599: 1596: 1593: 1590: 1587: 1584: 1581: 1580:Little Pieces 1578: 1575: 1574:Indian Summer 1572: 1569: 1566: 1565: 1564: 1561: 1556: 1553: 1550: 1547: 1544: 1541: 1538: 1537:Anomal Dances 1535: 1532: 1529: 1528: 1527: 1526:Jukka Tiensuu 1524: 1519: 1516: 1515: 1514: 1511: 1506: 1503: 1502: 1501: 1498: 1497: 1493: 1486: 1485:Nancy Sinatra 1482: 1481: 1477: 1476: 1475: 1474:Billy Strange 1472: 1467: 1464: 1462: 1461: 1456: 1453: 1452: 1451: 1448: 1443: 1440: 1439: 1437: 1432: 1431: 1430: 1427: 1426: 1422: 1415: 1412: 1409: 1406: 1403: 1402: 1401: 1398: 1393: 1390: 1387: 1384: 1383: 1382: 1379: 1378: 1374: 1367: 1366: 1362: 1361: 1360: 1357: 1356: 1352: 1345: 1342: 1339: 1336: 1335: 1334: 1331: 1330: 1326: 1319: 1318: 1317: 1314: 1313: 1309: 1302: 1299: 1298: 1297: 1294: 1289: 1286: 1283: 1280: 1279: 1278: 1277:Rytis Mažulis 1275: 1270: 1267: 1264: 1261: 1258: 1255: 1252: 1249: 1248: 1247: 1244: 1240: 1237: 1235: 1232: 1231: 1230: 1227: 1223: 1222: 1218: 1215: 1214: 1209: 1208: 1207: 1206:Henry Mancini 1204: 1199: 1196: 1195: 1192: 1188: 1184: 1179: 1176: 1175: 1171: 1164: 1161: 1160: 1159: 1158:Alain Louvier 1156: 1151: 1148: 1147: 1146: 1145:Arthur Lourié 1143: 1138: 1137: 1136:Ramifications 1133: 1130: 1127: 1124: 1123: 1122: 1121:György Ligeti 1119: 1114: 1110: 1109: 1105: 1104: 1103: 1100: 1099: 1095: 1088: 1085: 1084: 1083: 1082:György Kurtág 1080: 1075: 1074: 1073: 1070: 1065: 1062: 1061: 1060: 1057: 1056: 1052: 1045: 1044: 1040: 1037: 1036: 1035: 1032: 1031: 1027: 1020: 1017: 1016: 1015: 1012: 1007: 1006: 1005: 1002: 997: 994: 993: 992: 989: 984: 981: 980: 979: 976: 971: 968: 965: 962: 959: 956: 953: 950: 947: 944: 941: 938: 935: 932: 929: 926: 923: 920: 917: 914: 911: 907: 906:Pracující den 904: 901: 897: 896:Poesie zivota 894: 891: 887: 886: 882: 879: 875: 872: 869: 866: 863: 860: 857: 854: 851: 848: 845: 842: 839: 836: 833: 830: 827: 824: 821: 817: 816:Detské nálady 814: 811: 808: 805: 802: 799: 796: 793: 790: 789: 788: 785: 778: 775: 772: 771: 769: 766: 765: 764: 761: 756: 753: 750: 747: 744: 743: 742: 739: 738: 734: 727: 726: 722: 719: 716: 715: 714: 711: 710: 706: 699: 696: 695: 694: 691: 686: 683: 682: 681: 678: 677: 673: 667: 664: 661: 660: 656: 655: 654: 653:George Enescu 651: 647: 646:Electric Bath 644: 643: 642: 639: 634: 633:A Simple Plan 630: 629: 628: 625: 620: 617: 616: 615: 612: 611: 607: 600: 599:Reminiscences 597: 596: 595: 592: 591: 587: 580: 577: 574: 570: 567: 564: 561: 560: 559: 556: 551: 548: 547: 546: 543: 538: 535: 534: 533: 532:Aaron Copland 530: 525: 521: 518: 514: 511: 508: 505: 502: 499: 496: 493: 489: 486: 483: 480: 477: 474: 471: 470: 466: 463: 460: 457: 454: 451: 448: 445: 442: 439: 436: 433: 430: 429: 428: 425: 420: 417: 416: 415: 414:Jacob Collier 412: 411: 407: 400: 399: 395: 392: 391: 387: 386: 385: 384:Pierre Boulez 382: 377: 374: 373: 372: 369: 364: 363: 359: 358: 357: 354: 349: 346: 345: 344: 343:Luciano Berio 341: 336: 333: 332: 331: 328: 323: 320: 319: 318: 315: 310: 309:Blurred Lines 307: 306: 305: 304:John Beckwith 302: 297: 294: 291: 287: 284: 282: 280: 275: 271: 268: 267: 266: 263: 258: 257: 254: 249: 246: 241: 238: 235: 232: 231: 230: 227: 222: 218: 217: 216: 213: 212: 208: 201: 198: 197: 196: 193: 192: 188: 182: 179: 177: 174: 172: 169: 168: 163: 160: 158: 155: 153: 150: 148: 145: 143: 140: 138: 135: 133: 130: 128: 125: 123: 120: 118: 115: 113: 110: 108: 105: 103: 100: 98: 95: 93: 90: 88: 85: 83: 80: 78: 75: 73: 70: 68: 65: 64: 59: 50: 41: 37: 32: 25: 24: 21: 19: 18:quarter tones 4994:5-limit just 4967:Quarter tone 4966: 4927:Progressions 4910:Music theory 4867:Lambda scale 4774:Arabic maqam 4731:Werckmeister 4617: 4562:Temperaments 4339:Other topics 4327: 4320: 4313: 4306: 4296: 4289: 4283:Compositions 4266: 4255:publications 4210:Concepts and 4095:Lambda scale 4036:Harry Partch 4031:Yuri Landman 4026:Lou Harrison 4011:Wendy Carlos 4006:Glenn Branca 3906:Ben Johnston 3901:Charles Ives 3861:Franklin Cox 3851:Heinz Bohlen 3782: 3759: 3745: 3736: 3732: 3712: 3696: 3668: 3651: 3635:Charles Ives 3634: 3617: 3600: 3592:John Tyrrell 3581: 3559: 3539: 3530: 3521: 3512: 3498: 3494: 3486:13(7):31–32. 3483: 3474: 3469: 3430:The Guardian 3428: 3415: 3407:John Tyrrell 3396: 3354: 3343: 3332: 3319: 3290: 3279: 3254: 3236: 3228:John Tyrrell 3217: 3189: 3172: 3169:Froom, David 3134: 3120: 3109: 3105: 3086: 3077:The Guardian 3075: 3050: 3029: 3025: 3003:, edited by 3000: 2988: 2959: 2939: 2922: 2903: 2892: 2875: 2864: 2855: 2847:Schwann Opus 2846: 2845:Anon. 1997. 2824: 2812: 2805:Maxwell 1993 2800: 2788: 2771: 2759: 2742: 2716:. Retrieved 2696: 2686: 2674: 2662: 2650: 2638: 2626: 2614: 2602: 2590: 2578: 2536: 2524: 2512: 2480: 2472: 2460: 2452: 2440: 2429: 2423: 2411:. Retrieved 2402: 2393: 2381: 2365: 2349: 2337: 2329: 2313: 2301: 2294:Lhermet 2016 2289: 2277: 2261: 2249: 2237: 2230:Bentoiu 2010 2225: 2213: 2201: 2194:Keislar 1991 2189: 2177: 2165: 2153: 2141: 2136:, p. 11 2125: 2120:, p. 2. 2045:. Retrieved 2034: 2025: 2013: 2008:, p. 58 1997: 1990:Skinner 2007 1985: 1950: 1943:Skinner 2007 1938: 1923: 1918:, p. 52 1907: 1891: 1875: 1863: 1851: 1839: 1827: 1815: 1807: 1791: 1779: 1750: 1746:Eugène Ysaÿe 1730: 1715: 1709: 1703: 1697: 1691: 1685: 1679: 1673: 1667: 1661: 1655: 1649: 1643: 1637: 1614: 1608: 1602: 1597: 1591: 1585: 1579: 1573: 1567: 1554: 1548: 1542: 1536: 1530: 1517: 1513:James Tenney 1504: 1478: 1465: 1458: 1454: 1441: 1400:Milan Ristić 1381:Karel Reiner 1363: 1343: 1337: 1300: 1287: 1281: 1268: 1263:Water Lilies 1262: 1256: 1250: 1246:Andrew March 1239:On All Fours 1238: 1233: 1229:Steve Mackey 1219: 1211: 1197: 1162: 1149: 1134: 1125: 1106: 1086: 1072:Gideon Klein 1041: 1034:Charles Ives 1018: 995: 982: 909: 905: 899: 895: 889: 883: 877: 873: 819: 815: 809: 803: 797: 791: 767: 751: 745: 723: 717: 698:Cello Sonata 684: 657: 645: 632: 627:Danny Elfman 618: 598: 594:John Diercks 578: 572: 568: 562: 549: 536: 523: 516: 509: 497: 491: 481: 475: 467: 461: 443: 437: 431: 418: 396: 390:Polyphonie X 388: 371:Ernest Bloch 360: 347: 321: 317:Jack Behrens 308: 289: 277: 273: 239: 233: 199: 47:October 2021 44: 15: 5016:Set classes 4952:Major/minor 4862:Delta scale 4857:Gamma scale 4847:Alpha scale 4749:non-Western 4747:Traditional 4442:Pitch class 4422:Millioctave 4405:Measurement 4302:just pieces 4090:Delta scale 4085:Gamma scale 4075:Alpha scale 4065:Non-octave- 4055:Tunings and 4016:Ivor Darreg 3841:Béla Bartók 3652:Béla Bartók 3440:Discografie 3121:...until... 3112:10(2):4–12. 2894:NewMusicBox 2781:Tucker 1970 2764:Tucker 1986 2747:Tucker 1970 2735:Hansen 2005 2655:Benson 2007 2595:Fether 2005 2583:Fether 2005 2571:Fether 2005 2306:Fiilin 2020 2182:Hinson 1983 2170:Saffle 2000 2158:Couper 1937 2146:Hinson 1983 2134:Latham 2008 2018:Boulez 1986 1884:Bayley 2001 1880:Somfai 1996 1808:JanBach.com 1751:Six Sonatas 1656:Composition 1316:Per Nørgård 1181: [ 1178:Drake Mabry 1046:(1910–1924) 693:John Foulds 550:Chiaroscuro 482:70 estudios 265:Béla Bartók 251: [ 195:Thomas Adès 5082:Categories 4852:Beta scale 4830:Non-octave 4821:Tetrachord 4723:Kirnberger 4686:Schismatic 4253:Groups and 4212:techniques 4080:Beta scale 3931:Joe Maneri 3891:Alois Hába 3871:John Eaton 3775:Gann, Kyle 2889:Who We Are 2838:References 2829:Ysaÿe 1924 2793:Anon. 1997 2718:2023-03-21 2631:Anon. 2015 2607:Gagné 2012 2556:Froom 1994 2541:Brown 1994 2354:Gagné 2012 2282:Kurtz 2007 2270:Anon. 2007 2266:Anon. 2001 2254:Anon. 2011 2218:Oteri 2004 2130:Gagné 2012 2047:2022-08-18 2002:Gagné 2012 1978:Gagné 2012 1912:Gagné 2012 1900:Gagné 2012 1896:Riley 1996 1856:Gagné 2012 1784:Saito 2008 1674:Dithyrambe 1288:Sans Pause 1087:Lebenslauf 890:The Mother 804:5 Choruses 798:Chor-Suite 787:Alois Hába 768:3 Hommages 752:Conception 718:Quaternion 614:John Eaton 330:Alban Berg 248:Hans Barth 36:incomplete 5031:Theorists 4989:Intervals 4962:Polytonal 4947:Homotonal 4842:A12 scale 4796:Octoechos 4761:Shí-èr-lǜ 4710:Irregular 4527:Otonality 4467:Microtone 4234:Sonido 13 3999:Inventors 3951:Ezra Sims 3829:Composers 3301:(cloth); 3200:(cloth); 3110:New Music 2817:Read 1990 2619:Oteri n.d 2505:Toop 1999 2118:Read 1990 2006:Read 1990 1955:Read 1964 1916:Read 1990 1868:Read 1990 1555:Narcissus 1429:Ezra Sims 746:Velinikka 641:Don Ellis 573:New Music 324:, Op. 20. 240:...until' 221:euphonium 5026:Teachers 4999:Meantone 4727:Vallotti 4680:septimal 4672:Meantone 4432:Interval 4229:Semitone 3758:. 1924. 3731:. 1970. 3711:. 1999. 3695:. 1964. 3650:. 1996. 3628:(eBook). 3542:. UPNE. 3511:. 1964. 3208:(ebook). 3171:. 1994. 3126:AllMusic 2978:(ebook). 2970:(cloth) 2958:. 2010. 2880:AllMusic 2712:Archived 2694:(2009). 2407:Archived 2322:Archived 2041:Archived 1800:Archived 1760:See also 1668:Dialogue 1543:Kuuhiomo 1269:Memoriam 524:Colombia 517:Colombia 490:Sonata ( 476:Serenata 438:Capricho 432:Capricho 274:Burletta 215:Jan Bach 171:See also 60:Contents 4816:Slendro 4766:Dastgah 4691:Miracle 4654:96-tone 4649:72-tone 4644:58-tone 4639:53-tone 4634:41-tone 4629:34-tone 4624:31-tone 4614:24-tone 4609:23-tone 4604:22-tone 4599:19-tone 4594:17-tone 4589:15-tone 4584:12-tone 4515:7-limit 4510:5-limit 3484:Clavier 3454:2004. 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Index

quarter tones
incomplete
adding missing items
A
B
C
D
E
F
G
H
I
K
L
M
N
O
P
R
S
T
W
Y
See also
Notes
Further reading
Thomas Adès
Jan Bach
euphonium
Clarence Barlow

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