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Little Kix

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278: 501: 496: 491: 443: 409: 404: 486: 481: 438: 433: 428: 423: 399: 394: 389: 653:, and this record is probably the result of such affinities." but was critical of the lyrics saying "The album's largest detractor lies with its lyrics. The complete lack of irony prevents it from reaching its potential as a genuinely satisfying production... Everything is so amazingly darling and clichéd." 353:
Draper credits the album's gestation process as part of what ultimately led to the end of the band: "What's left is an odd story, people have spoken to me about writing books about it, I don't think I'll ever go on the record and tell the true story, there are one or two people that know. At the end
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imposing several limitations that Draper felt restricted their creativity: "e were battered into being a pop group with 'Little Kix'... We were told absolutely definitively 'You are not allowed to have any prog rock elements in the album', so that's why the album fades in and it's one second longer
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observed in negative review, "a new, lovelorn Mansun is shown stripped of their highly divisive costuming of old -- and their bare bodies are ugly. It's this album's simpler approach that shows them naked and floppy without their previous new romantic/prog-rock garments to hide their failings."
31: 350:". After reading a book on song writing by Jimmy Webb he claimed it "inspired me to write an ironic song that is now my least favourite Mansun track. Bowie intro, comical chorus lyrics and guess what? The label wanted it as a fucking single! I couldn’t believe it". 595:' but certainly has its fair share of great moments." and concluded,"Mansun sometimes fly a little too high with ideas above their station but more often than not they deserve to get away with it thanks to superb musicianship and sheer spirit." 640:
influence that featured on their previous albums saying. "This is almost shifting onto another plane of music. But that's not to say the shift is dramatic enough for comparisons to become meaningless. The band has expressed a taste for the
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is cold turkey. Mature, mainstream and utterly predictable, the band that once promised us the world have delivered yet more lame, cripplingly self-referential, puffed-up, headache-inducing,
265:, released on 14 August 2000 and was the band's last studio album to be completed and released before their dissolution in 2003. It was promoted by three singles, and peaked at #12 on the 306:, and marked a departure from the band's previous way recording in that bandleader Draper had been removed from his position of producer by the record company and was replaced by 322:, to ensure more "independent local radio friendly" sound. Draper also stated that the working method was greatly different from his work on the former two albums: " 525:
did not match the popularity of the group's previous albums and reflected a continuing decline in commercial fortunes for the group. It peaked at #12 on the
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of the day people always say bands split over musical differences but they never do. It's all to do with money and drugs and all sorts of shit."
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Draper provided an example of the dysfunction that existed between the band and its label that centred on the track "
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fans might have called self indulgent." but felt that the album "doesn't contain anything as fantastic as
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gave a positive review on the album, saying that it was "a return to former glories" as they felt
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was the only album I had to make demos for, the rest I just made up as I went along".
1909: 1698: 970: 888: 299: 1863: 1835: 1670: 976: 949: 901: 695: 548:", the second single was released in November and peaked at #23. The final single " 311: 307: 132: 115: 74: 1254: 964: 922: 81: 1849: 1677: 918: 621: 330: 319: 303: 120: 329:
Record label interference extended further than the choice of producer, with
633: 1459: 1280: 1302: 1164: 931: 642: 561: 540:" became one of the group's most successful singles peaking at #8 on the 381: 89: 1814: 1614: 1389: 340:, just to piss the record company off (laughs)". In the liner notes of 1584:(19th ed.). London: Guinness World Records Limited. p. 348. 1651: 1082: 262: 140: 43: 1186:"Paul Draper talks exclusively to The Downloader...(new interview)" 913: 276: 38: 646: 1624: 452: 315: 1620: 536:
Three singles were released from the album. The first, "
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was released in August 2000. Early album titles include
967:– strings on "Electric Man" and "Soundtrack 4 2 Lovers" 1887: 1764: 1746: 1707: 955:
Mike Hunter – co-producer, hammond organ, Pro Tools
682: 671: 188: 139: 126: 114: 98: 80: 66: 58: 50: 37: 23: 298:, a boat that housed a recording studio owned by 386: 1636: 1243:Legacy: The Best of Mansun liner notes (2006) 1218: 1216: 1027:"I Can Only Disappoint U (Perfecto club mix)" 8: 1332:Pitchfork: Album Reviews: Mansun: Little Kix 1159: 1157: 1155: 1153: 1151: 1033:"I Can Only Disappoint U (Instrumental mix)" 478: 420: 1207:"www.PaulDraper-Music.co.uk : Q&A" 1643: 1629: 1621: 1066: 361: 29: 20: 1359:Select: Album Reviews: Mansun: Little Kix 1559:"Official Scottish Albums Chart Top 100" 668: 544:in the run up to the album's release. " 1121: 855: 1439:Little Kix - Mansun | Album | AllMusic 856: 367: 7: 1561:. officialcharts.com. 20 August 2000 1045:"I've Seen the Top of the Mountain" 388: 601:gave a scathing review saying "If 294:The album was recorded aboard the 14: 1412:"'Little Kix' Silver Certificate" 1388:. 17 January 2000. Archived from 1030:"Electric Man (Acoustic version)" 480: 422: 1582:British Hit Singles & Albums 529:and was certified Silver by the 499: 494: 489: 484: 479: 441: 436: 431: 426: 421: 407: 402: 397: 392: 387: 1926:Albums produced by Hugh Padgham 1382:"MANSUN: 'TROUBLE' AT THE TOP!" 1129:Forrester, Iain (9 June 2016). 18:2000 studio album by Mansun 1617:(streamed copy where licensed) 1165:"Mansun at OfficialCharts.com" 997:from "I Can Only Disappoint U" 672: 519:The Trouble with Relationships 257:is the third album by English 1: 1283:. 2001 www.leonardslair.co.uk 691:"Butterfly (A New Beginning)" 1131:"Top Ten Post-Britpop Flops" 1108: 1098: 1088: 604:‘Attack Of The Grey Lantern’ 1947: 1780:Skin Up Pin Up / Flourella 1716:Attack of the Grey Lantern 1336:. 2010 Pitchfork Media Inc 1305:Little Kix - Album Reviews 993: 875: 662:All tracks are written by 632:observed the departure of 343:Legacy: The Best of Mansun 310:, formerly a producer for 1658: 1484:NME (12 September 2005). 1209:. PaulDraper-Music.co.uk. 1037: 994: 941: 876: 842: 828: 810: 796: 782: 768: 754: 736: 722: 704: 687: 679: 676: 613:was a panic attack, then 375: 372: 246: 238:Released: 29 January 2001 225:Released: 6 November 2000 199: 184: 147: 28: 1537:"Japan: Album positions" 1857:I Can Only Disappoint U 1808:She Makes My Nose Bleed 1580:Roberts, David (2006). 772:"Soundtrack 4 2 Lovers" 710:I Can Only Disappoint U 583:album which even early 538:I Can Only Disappoint U 207:I Can Only Disappoint U 1464:www.leonardslair.co.uk 1054:"Black Infinite Space" 1002:"Decisions, Decisions" 726:"Comes as No Surprise" 291: 212:Released: 31 July 2000 1460:"Mansun - Little Kix" 1414:. BPI. Archived from 1309:. IPC MEDIA 1996-2010 1281:"Mansun - Little Kix" 1095:Scottish Albums Chart 800:"Until the Next Life" 666:; except as indicated 337:Dark Side of the Moon 280: 1773:Take It Easy Chicken 1512:"Mansun: Little Kix" 363:Professional ratings 284:was recorded on the 1822:Closed for Business 1755:Legacy: The Best Of 1418:on 20 February 2008 1257:Little Kix - Mansun 1016:from "Electric Man" 364: 979:– live photography 959:Mark 'Spike' Stent 552:" charted at #28. 362: 292: 1931:Parlophone albums 1903: 1902: 1328:Griffith, Craig. 1113: 1112: 1060: 1059: 985: 984: 866: 865: 832:"We Are the Boys" 619:late-Manics-style 508: 507: 250: 249: 180: 179: 1938: 1888:Related articles 1645: 1638: 1631: 1622: 1596: 1595: 1577: 1571: 1570: 1568: 1566: 1555: 1549: 1548: 1546: 1544: 1533: 1527: 1526: 1524: 1522: 1507: 1501: 1500: 1498: 1496: 1481: 1475: 1474: 1472: 1470: 1456: 1450: 1449: 1448: 1446: 1434: 1428: 1427: 1425: 1423: 1408: 1402: 1401: 1399: 1397: 1378: 1372: 1371: 1369: 1367: 1352: 1346: 1345: 1343: 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Retrieved 1553: 1541:. Retrieved 1531: 1519:. Retrieved 1515: 1505: 1493:. Retrieved 1489: 1486:"Little Kix" 1479: 1467:. Retrieved 1463: 1454: 1443:, retrieved 1438: 1432: 1420:. Retrieved 1416:the original 1406: 1394:. Retrieved 1390:the original 1385: 1376: 1364:. Retrieved 1358: 1350: 1338:. Retrieved 1331: 1323: 1311:. Retrieved 1304: 1297: 1285:. Retrieved 1275: 1263:. Retrieved 1256: 1248: 1239: 1227:. Retrieved 1201: 1189:. Retrieved 1180: 1168:. Retrieved 1138:. Retrieved 1134: 1124: 1086:Album Chart 1081: 1005:"Repair Man" 977:Pennie Smith 950:Hugh Padgham 902:Dominic Chad 786:"Forgive Me" 775:Draper, Chad 758:"Love Is..." 742:Electric Man 715:Draper, Chad 696:Dominic Chad 661: 627: 626: 615:‘Little Kix’ 614: 608: 602: 598: 597: 575: 570: 569: 562: 559: 546:Electric Man 535: 522: 518: 514: 510: 509: 451: 352: 341: 335: 328: 323: 312:Phil Collins 308:Hugh Padgham 293: 285: 281: 253: 252: 251: 220:Electric Man 193: 170: 162: 161: 152: 133:Hugh Padgham 75:River Thames 39:Studio album 15: 1916:2000 albums 1895:Discography 1737:Kleptomania 1664:Paul Draper 1543:13 December 1422:17 December 1366:29 November 1229:29 November 1191:29 November 1140:15 December 1040:from "Fool" 965:Anne Dudley 889:lead vocals 885:Paul Draper 664:Paul Draper 638:progressive 622:retro indie 194:Little Kix 172:Kleptomania 1910:Categories 1730:Little Kix 1678:Stove King 1610:Little Kix 1261:. Allmusic 1116:References 1048:"Promises" 952:– producer 944:Production 936:percussion 919:Stove King 523:Little Kix 511:Little Kix 331:Parlophone 324:Little Kix 320:the Police 304:Pink Floyd 282:Little Kix 254:Little Kix 163:Little Kix 143:chronology 121:Parlophone 24:Little Kix 1516:Pitchfork 1357:"Review: 1330:"Review: 1303:"Review: 1255:"Review: 1080:Japanese 1075:position 897:keyboards 870:Personnel 846:"Goodbye" 680:Writer(s) 634:glam rock 629:Pitchfork 581:prog-rock 556:Reception 464:Pitchfork 1843:Negative 1396:23 April 1340:23 April 1313:23 April 1287:20 March 1265:23 April 1170:4 August 961:– mixing 694:Draper, 643:Bee Gees 589:'Legacy' 563:Allmusic 468:(6.8/10) 382:AllMusic 273:Overview 128:Producer 90:Synthpop 59:Recorded 51:Released 41: by 1815:Taxloss 1765:Singles 1615:YouTube 988:B-sides 585:Genesis 579:was "a 358:Release 296:Astoria 287:Astoria 190:Singles 176:(2004) 167:(2000) 158:(1999) 73:on the 71:Astoria 1829:Legacy 1652:Mansun 1588:  1083:Oricon 1063:Charts 879:Mansun 849:  835:  821:  803:  789:  761:  747:  729:  683:Length 651:Prince 474:Select 458:(3/10) 376:Rating 373:Source 263:Mansun 141:Mansun 99:Length 67:Studio 44:Mansun 1521:4 May 1495:4 May 1469:4 May 1445:4 May 932:drums 914:piano 862:52:14 677:Title 610:‘Six’ 334:than 261:band 192:from 116:Label 82:Genre 1871:Fool 1586:ISBN 1567:2016 1545:2010 1523:2024 1497:2024 1471:2024 1447:2024 1424:2008 1398:2010 1368:2021 1342:2010 1315:2010 1289:2012 1267:2010 1231:2021 1193:2021 1172:2009 1142:2016 1073:Peak 923:bass 852:5:10 838:4:25 824:4:17 816:Fool 806:4:49 792:4:44 778:4:11 764:4:37 750:5:21 732:4:01 718:4:47 700:5:52 647:ABBA 636:and 591:or ' 550:Fool 517:and 348:Fool 318:and 233:Fool 62:2000 1850:Six 1723:Six 1613:at 1490:NME 1386:NME 1109:12 1099:13 1089:47 843:11. 829:10. 673:No. 599:NME 576:Six 531:BPI 453:NME 316:XTC 302:of 154:Six 1912:: 1514:. 1488:. 1462:. 1384:. 1215:^ 1150:^ 1133:. 934:, 930:– 921:– 912:, 908:, 904:– 895:, 891:, 887:– 811:9. 797:8. 783:7. 769:6. 755:5. 737:4. 723:3. 705:2. 688:1. 645:, 533:. 521:. 314:, 269:. 108:14 104:52 1880:" 1876:" 1873:" 1869:" 1866:" 1862:" 1859:" 1855:" 1852:" 1848:" 1845:" 1841:" 1838:" 1834:" 1831:" 1827:" 1824:" 1820:" 1817:" 1813:" 1810:" 1806:" 1803:" 1799:" 1796:" 1792:" 1789:" 1785:" 1782:" 1778:" 1775:" 1771:" 1644:e 1637:t 1630:v 1594:. 1569:. 1547:. 1525:. 1499:. 1473:. 1426:. 1400:. 1370:. 1361:" 1344:. 1334:" 1317:. 1307:" 1291:. 1269:. 1259:" 1233:. 1195:. 1174:. 1144:. 818:" 814:" 744:" 740:" 712:" 708:" 290:. 235:" 231:" 222:" 218:" 209:" 205:" 106::

Index


Studio album
Mansun
Astoria
River Thames
Genre
Synthpop
Label
Parlophone
Producer
Hugh Padgham
Mansun
Six
Kleptomania
Singles
I Can Only Disappoint U
Electric Man
Fool
alternative rock
Mansun
UK Albums Chart

Astoria
Astoria
David Gilmour
Pink Floyd
Hugh Padgham
Phil Collins
XTC
the Police

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