Knowledge (XXG)

Little Mickey Grogan

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436:(1909) is her most well-known. She formed her own production company to have control over the screen adaptations of her works, as well as those by other family-friendly authors. After her unexpected death in 1922, her daughter Jeanette Stratton-Porter took over, following her mother's original conception. She hand-picked screenwriters, directors (including husband, 272:) who is looking for a new factory design for his upcoming fleet of buildings, ones showcasing "plenty of light and air." In between the assistance he gives others, he tries to make a living from selling discarded items from the city dump and provides moments of vivacious street entertainment with fellow dancers Susan Dale and a strangely uncredited 440:), camera operators, and film editors. They released their work through the American arm of the British distribution company, the Robertson-Cole Corporation, and eventually through the FBO. Among the artists who worked with Jeanette Stratton-Porter were the notable contributions of women. Chief among them were 563:
is the only FBO film starring Frankie Darro known to have survived. It is also the sole Gene Stratton-Porter Production Company motion picture distributed through FBO known to exist today. Of the 449 films made by FBO, just 123 remain. Interestingly, there is an ostentatious shot in the film in which
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students Aubrey Balzart and Cinnamon Stephens. A newly commissioned score was written by Dr. Philip Carli. Meanwhile, the film's intertitles were changed back to the English ones from the lone French print using an original copy of the script that Ahern still possessed. In addition, a 50-minute
527:. Owing to very complex issues of copyright, a Blu-ray release of the film, with several bonus features, was delayed until the film enters the public domain. It does so on January 1, 2023. After screenings at silent film festivals throughout 2023, the Blu-Ray release of the film will follow. 377:'s Bout de Zan formed the basis of a popular serial that ran from 1912 to 1916. FBO acquired the rights to serve as a vehicle for child actor Frankie Darro, one of the studio's top emerging stars. Fresh off the success of her role as Little Harry in 494:
was made in 2016, and in 2018 a 7,000 word assessment of the film by Crouse appeared as well as a commentary track recorded of Ahern discussing the film and aspects of her silent film career. Among those who championed the restoration were
460:. In addition, she was also known for scripts that featured characters from a range of diverse cultural backgrounds. She did not shy away from a view of humanity that took in and showed different ethnic groups." All of this is reflected in 373:, a big commercial success that sold a quarter of a million copies. Although noting the differences between them, Crouse theorizes that Emprey might have conceived of the character Mickey Grogan based on his time in France where 484:
Archive in Paris. Through a crowd source funding campaign, a digital copy of it was made by film preservationist Eric Grayson, and work on restoring the movie was performed by Grayson, Thad Komorowski, and
480:'s "Baby Peggy," Ahern would prove to be the last Hollywood performer who enjoyed a substantial career in 1920s film.) After a worldwide search, an original 35mm nitrate copy was found at the 851:
Jeffrey Crouse, "We Were All Rushing. Why? Because We Were Preparing to Go to the Movies! Actress Lassie Lou Ahern reminiscences about her gorgeous career in Hollywood silent pictures,"
845: 268:) who is being stalked by a belligent Al Nevers (Billy Scott) as his overbearing attentions increasingly turn violent. On top of this, he also helps an industrialist ( 1055: 476:
begin in 2015 when surviving cast member Lassie Lou Ahern approached Jeffrey Crouse to ask whether her final silent film existed anymore. (Surpassed only by
264:) who is out of work for being too poor to pay for an operation necessary to save his remaining vision, and a kind-hearted office worker (Winnie, played by 1070: 915: 344:
as a work of proto-neorealism, it is a perception that the movie soon corrects. Instead, it emerges neither as a neorealist film nor as a Buñuelian-type
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text, but as an engagingly well-polished thematic and stylistic example of what would become, with the consolidation of the studio system around 1930,
1065: 1060: 1080: 1045: 945: 516: 256:), a nine-year old vagabond of the streets, assumes the responsibility for the well-being of a fellow homeless waif (Susan Dale, played by 953: 846:
https://www.reviewjournal.com/entertainment/arts-culture/lassie-lou-ahern-hopes-to-finally-see-silent-movie-she-acted-in-as-a-child/
937: 432: 383: 367:, whose war experiences fighting as an American in the British army during World War I served as the material for his 1917 book, 241: 125: 908: 540: 464:. In this sense, a Whitmanesque strain runs through the film, syncing well with Emprey and Stratton-Porter's sensibilities. 1075: 869:
Leonard Maltin, "Lassie Lou Ahern: Silent Film Actress Stars in a Fundraising Video," Leonardmaltin.com, October 7, 2016,
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released earlier in 1927, and also featuring star Darro, director Meehan, screenwriter Yost, and editor Allen G. Siegler.
969: 209: 48: 818: 1050: 349: 801: 985: 901: 548:. The film played at the 2020 Cannes Film Festival, and was later aired on French television. The producer was 369: 1017: 453: 427: 993: 630: 603: 566: 332: 233: 88: 456:."Yost's work is marked by an ethical current that runs through , and as such figure as tales of moral 364: 486: 308: 549: 1040: 504: 481: 1009: 961: 524: 378: 289: 888: 657: 512: 419: 197: 680: 925: 585: 500: 477: 437: 392: 388: 298: 284:
In his lengthy analysis of the film, film scholar and historian Jeffrey Crouse writes that "
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Carol Cling, "Lassie Lou Ahern finally hopes to see silent movie she acted in as a child,"
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Kim Tomadjolou, "Dorothy Yost," in Jane Gaines, Radha Vatsal and Monica Dall'Asta (eds)
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http://www.loc.gov/static/programs/national-film-preservation-board/documents/Lost
430:, one of the biggest bestselling authors of the early twentieth century, of which 817:
in "List of 7200 Lost US Silent Feature Films 1912-29," The Library of Congress,
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was cast opposite him. To give the film extra star power, accomplished
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begins as if what we were watching was a kind of forerunner of
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Hollywood's Children: An Inside Account of the Child Star Era
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a large billboard advertises another FBO film, the now lost
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The force that brought the Emprey stories to FBO was writer
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is based on syndicated stories of the same name written by
181: 173: 163: 140: 132: 116: 106: 98: 64: 54: 38: 28: 23: 240:. The film was released on December 27, 1927, by 862:Found: Indiana's Literary Legacy in Hollywood," 681:"Little Mickey Grogan (1927) - James Leo Meehan" 403:was added. Made in-between her leading roles in 871:https://leonardmaltin.com/tag/lassie-lou-ahern/ 260:), a sensitive architect named Jeffrey Shore ( 909: 837:, Southern Methodist University Press, 1997. 787:Jeffrey Crouse, "Lassie Lou Ahern Obituary," 8: 492:Lassie Lou Ahern: A Voice for the Silent Age 423:, 1927 turned out to be her crowning year. 916: 902: 894: 20: 802:"Charlie Chaplin, le GĂ©nie de la LibertĂ©" 658:"Little Mickey Grogan (1927) - Overview" 544:which features a 30 second extract from 340:, 1925). ... f the viewer conceives of 855:, Vol. 13, No.1, 2015, pp. 20–42. 649: 541:Charlie Chaplin, Le GĂ©nie de la LibertĂ© 312:(both 1935), or the type of Zolaesque 1056:Film Booking Offices of America films 534:directed a 145 minute documentary on 7: 1071:Films directed by James Leo Meehan 731:, Vol. 16, No. 1, 2018, pp. 18-19. 14: 280:Thematic and Stylistic Influences 866:, Winter, 2007, pp. 42–47. 639:as Intimidated Man (Uncredited) 490:documentary on Ahern's career, 242:Film Booking Offices of America 204:and written by Dwight Cummins, 136:Film Booking Offices of America 126:Film Booking Offices of America 1066:American black-and-white films 778:, Vol. 16, No. 1, 2018, p. 20. 770:Jeffrey Crouse, "Gutter Kids: 740:Jeffrey Crouse, "Gutter Kids: 723:Jeffrey Crouse, "Gutter Kids: 1: 1061:American silent feature films 748:, Vol. 16, No. 1, 2018, p. 18 448:), as well as fellow writers 1081:Silent American comedy films 1046:1920s English-language films 615:Don Bailey as Truant Officer 316:cinema exercised during the 759:Women Film Pioneers Project 627:as Dancing Boy (Uncredited) 149:December 27, 1927 1097: 821:. Retrieved March 10, 2020 350:classical Hollywood cinema 932: 946:A Girl of the Limberlost 873:. Retrieved 2020-03-10. 848:. Retrieved 2020-03-10. 842:Las Vegas Review-Journal 633:as Landlady (Uncredited) 433:A Girl of the Limberlost 1018:The Little Yellow House 954:The Keeper of the Bees 844:, September 11, 2016, 703:"Little Mickey Grogan" 994:Judgment of the Hills 815:Judgment of the Hills 567:Judgment of the Hills 356:Production Background 333:The Salvation Hunters 1076:1920s American films 1002:Little Mickey Grogan 884:Little Mickey Grogan 791:, February 26, 2018. 772:Little Mickey Grogan 742:Little Mickey Grogan 725:Little Mickey Grogan 594:as Winifred Davidson 561:Little Mickey Grogan 546:Little Mickey Grogan 487:Nevada State College 474:Little Mickey Grogan 462:Little Mickey Grogan 446:Little Mickey Grogan 361:Little Mickey Grogan 342:Little Mickey Grogan 286:Little Mickey Grogan 193:Little Mickey Grogan 24:Little Mickey Grogan 530:In 2020, filmmaker 454:Adele S. Buffington 428:Gene Statton-Porter 196:is a 1927 American 938:Michael O'Halloran 924:Films directed by 853:Film International 833:Diana Serra Cary, 776:Film International 746:Film International 729:Film International 290:Italian neorealism 1051:1927 comedy films 1028: 1027: 705:. Catalog.afi.com 513:Michael Feinstein 384:Uncle Tom's Cabin 365:Arthur Guy Emprey 320:in such films as 212:. The film stars 198:comedy-drama film 189: 188: 1088: 970:The Magic Garden 926:James Leo Meehan 918: 911: 904: 895: 822: 812: 806: 805: 798: 792: 785: 779: 768: 762: 755: 749: 738: 732: 721: 715: 714: 712: 710: 699: 693: 692: 690: 688: 676: 670: 669: 667: 665: 654: 600:as Jeffrey Shore 586:Lassie Lou Ahern 582:as Mickey Grogan 556:Historical value 501:Diana Serra Cary 478:Diana Serra Cary 438:James Leo Meehan 393:Lassie Lou Ahern 258:Lassie Lou Ahern 218:Lassie Lou Ahern 202:James Leo Meehan 156: 154: 112:Edward Schroeder 102:Allen G. Siegler 73:Lassie Lou Ahern 59:Arthur Guy Empey 33:James Leo Meehan 21: 1096: 1095: 1091: 1090: 1089: 1087: 1086: 1085: 1031: 1030: 1029: 1024: 978:Naughty Nanette 928: 922: 879: 858:Eric Grayson, " 831: 829:Further reading 826: 825: 813: 809: 800: 799: 795: 786: 782: 769: 765: 756: 752: 739: 735: 722: 718: 708: 706: 701: 700: 696: 686: 684: 678: 677: 673: 663: 661: 656: 655: 651: 646: 576: 558: 536:Charlie Chaplin 472:Restoration on 470: 415:William Wellman 410:The Kid Brother 375:Louis Feuillade 358: 309:An Inn at Tokyo 282: 252:Mickey Grogan ( 250: 166: 159: 152: 150: 143: 128: 121: 119: 111: 91: 87: 83: 79: 75: 71: 47: 43: 17: 12: 11: 5: 1094: 1092: 1084: 1083: 1078: 1073: 1068: 1063: 1058: 1053: 1048: 1043: 1033: 1032: 1026: 1025: 1023: 1022: 1014: 1006: 998: 990: 982: 974: 966: 958: 950: 942: 933: 930: 929: 923: 921: 920: 913: 906: 898: 892: 891: 878: 877:External links 875: 830: 827: 824: 823: 807: 793: 780: 763: 750: 733: 716: 694: 679:Hal Erickson. 671: 648: 647: 645: 642: 641: 640: 634: 628: 625:Eugene Jackson 622: 616: 613: 607: 601: 595: 592:Jobyna Ralston 589: 583: 575: 572: 557: 554: 550:Serge Bromberg 509:Leonard Maltin 497:Kevin Brownlow 469: 466: 401:Jobyna Ralston 357: 354: 314:social realist 281: 278: 274:Eugene Jackson 266:Jobyna Ralston 249: 246: 230:Eugene Jackson 222:Jobyna Ralston 187: 186: 183: 179: 178: 175: 171: 170: 167: 164: 161: 160: 158: 157: 146: 144: 141: 138: 137: 134: 133:Distributed by 130: 129: 124: 122: 117: 114: 113: 110:Dwight Cummins 108: 104: 103: 100: 99:Cinematography 96: 95: 85:Eugene Jackson 77:Jobyna Ralston 66: 62: 61: 56: 52: 51: 42:Dwight Cummins 40: 36: 35: 30: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 1093: 1082: 1079: 1077: 1074: 1072: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1052: 1049: 1047: 1044: 1042: 1039: 1038: 1036: 1020: 1019: 1015: 1012: 1011: 1007: 1004: 1003: 999: 996: 995: 991: 988: 987: 986:The Harvester 983: 980: 979: 975: 972: 971: 967: 964: 963: 959: 956: 955: 951: 948: 947: 943: 940: 939: 935: 934: 931: 927: 919: 914: 912: 907: 905: 900: 899: 896: 890: 886: 885: 881: 880: 876: 874: 872: 867: 865: 861: 856: 854: 849: 847: 843: 838: 836: 828: 820: 816: 811: 808: 803: 797: 794: 790: 784: 781: 777: 773: 767: 764: 760: 754: 751: 747: 743: 737: 734: 730: 726: 720: 717: 704: 698: 695: 682: 675: 672: 659: 653: 650: 643: 638: 635: 632: 629: 626: 623: 620: 619:Crauford Kent 617: 614: 611: 610:Vadim Uraneff 608: 605: 604:William Scott 602: 599: 596: 593: 590: 588:as Susan Dale 587: 584: 581: 580:Frankie Darro 578: 577: 573: 571: 569: 568: 562: 555: 553: 551: 547: 543: 542: 537: 533: 528: 526: 522: 518: 517:David Shepard 514: 510: 506: 502: 498: 493: 488: 483: 479: 475: 467: 465: 463: 459: 455: 451: 447: 443: 439: 435: 434: 429: 424: 422: 421: 416: 412: 411: 406: 402: 398: 394: 390: 386: 385: 380: 376: 372: 371: 366: 362: 355: 353: 351: 347: 343: 339: 338:von Sternberg 335: 334: 329: 325: 324: 319: 315: 311: 310: 305: 301: 300: 295: 291: 287: 279: 277: 275: 271: 270:Crauford Kent 267: 263: 259: 255: 254:Frankie Darro 247: 245: 243: 239: 238:Vadim Uraneff 235: 234:William Scott 231: 227: 223: 219: 215: 214:Frankie Darro 211: 207: 203: 199: 195: 194: 184: 180: 177:United States 176: 172: 168: 162: 148: 147: 145: 139: 135: 131: 127: 123: 115: 109: 105: 101: 97: 94: 93:Vadim Uraneff 90: 89:William Scott 86: 82: 78: 74: 70: 69:Frankie Darro 67: 63: 60: 57: 53: 50: 46: 41: 39:Screenplay by 37: 34: 31: 27: 22: 19: 1016: 1008: 1001: 1000: 992: 984: 976: 968: 960: 952: 944: 936: 883: 868: 863: 859: 857: 852: 850: 841: 839: 834: 832: 814: 810: 796: 789:The Guardian 788: 783: 775: 771: 766: 758: 753: 745: 741: 736: 728: 724: 719: 707:. 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TCM.com 405:Ted Wilde 391:, 1927), 381:'s epic, 379:Universal 107:Edited by 16:1927 film 774:at 90," 744:at 90", 727:at 90," 182:Language 65:Starring 55:Story by 538:titled 399:costar 389:Pollard 323:La Roue 292:, like 185:English 174:Country 151: ( 120:company 1021:(1928) 1013:(1928) 1005:(1927) 997:(1927) 989:(1927) 981:(1927) 973:(1927) 965:(1926) 962:Laddie 957:(1925) 949:(1924) 941:(1923) 864:Traces 523:, and 458:uplift 420:Wings 328:Gance 889:IMDb 711:2018 689:2018 666:2018 574:Cast 452:and 413:and 299:Toni 248:Plot 236:and 208:and 887:at 417:'s 407:'s 306:'s 302:or 296:'s 1037:: 552:. 519:, 515:, 511:, 507:, 503:, 499:, 352:. 276:. 244:. 232:, 228:, 224:, 220:, 216:, 917:e 910:t 903:v 804:. 713:. 691:. 668:. 387:( 336:( 326:( 155:)

Index

James Leo Meehan
Dorothy Yost
Charles Kerr
Arthur Guy Empey
Frankie Darro
Lassie Lou Ahern
Jobyna Ralston
Carroll Nye
Eugene Jackson
William Scott
Vadim Uraneff
Film Booking Offices of America
comedy-drama film
James Leo Meehan
Dorothy Yost
Charles Kerr
Frankie Darro
Lassie Lou Ahern
Jobyna Ralston
Carroll Nye
Eugene Jackson
William Scott
Vadim Uraneff
Film Booking Offices of America
Frankie Darro
Lassie Lou Ahern
Carroll Nye
Jobyna Ralston
Crauford Kent
Eugene Jackson

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