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compositions, but the title "Painterly
Architectonics" (which she gave to many of her paintings) suggests that, even as a Suprematist, Popova was more interested in painting as a projection of material reality than as the personal expression of a metaphysical reality. Popova's superimposed planes and
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declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Popova worked in a broad range of mediums and disciplines, including painting, relief, works on paper, and designs for the theater, textiles, and typography. Popova did
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form. The canvas surface is an energy field of overlapping and intersecting angular planes in a constant state of potential release of energy. At the same time the elements are held in a balanced and proportioned whole as if linking the compositions of the classical past to the future. Color is used
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to remake the world. The term 'supreme' refers to a 'non-objective' or abstract world beyond that of everyday reality. However, there was a tension between those who, like
Malevich, saw art as a spiritual quest, and others who responded to the need for the artist to create a new physical world.
559:, Moscow. The exhibition included Popova's works such as seventy-seven paintings, as well as books, posters, textile designs, and line engravings. "Artist-Constructor" was the term applied to Popova by her contemporaries in the catalogue of the artist's posthumous exhibition.
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painting. At eleven years old she began formal art lessons at home; she was first enrolled in
Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with
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when it was set up in Moscow in March 1921, but joined by the end of 1921. In 1923 she began creating designs for fabric to be manufactured by the First State
Textile Printing Works in Moscow.
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of 1914 suggests the development from Cubism towards the "painterly architectonics" series of 1916–1918. This series defined her distinct artistic trajectory in
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she had exhibited a number of figurative painted cardboard reliefs in a cubist derived style. In 1916 she began to paint completely abstract
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641:, 1916, Oil on canvas, 106 × 69.5 cm (41.7 × 27.4 in), Solomon R. Guggenheim Museum, New York Gift, George Costakis, 1981
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From 1914 to 1915 her Moscow home became the meeting-place for artists and writers. In 1914–1916 Popova together with other
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Popova died at the peak of her artistic powers two days after the death of her son, from whom she had contracted
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940:. London : New York, New York: Thames & Hudson Ltd. ; Thames & Hudson Inc. 2021. p. 170.
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Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient
Russian
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in 1924 in Moscow. A large exhibition of her work opened in Moscow from
December 21, 1924, to January 1925, at
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From 1921 to 1924 Popova became entirely involved in
Constructivist projects, sometimes in collaboration with
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As early as 1917, in parallel with her
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Popova embraced both of these ideals but eventually identified herself entirely with the aims of the
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in Moscow. An analysis of Popova's cubo-futurist work also suggests an affinity with the work of
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as the iconic focus; the strong primary color at the center drawing the outer shapes together.
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in 1913. After returning to Russia that same year, she worked with Tatlin, Udaltsova and the
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She worked briefly in the Cotton
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In 1914 she traveled in France and Italy at the development of Cubism and
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strong color have the objective presence of actual space and materials.
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Tenth State
Exhibition: Non Objective Creativity and Suprematism
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688:"Lyubov Sergeyevna Popova | Russian Constructivist Artist"
997: (archived 2015-04-23) – Solomon R. Guggenheim Museum
423:. The creation of a new kind of painting was part of the
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Popova grew up with a strong interest in art, especially
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were used as the basis of her art teaching theory at
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373:(Artist's brother, Pavel Sergeyevich Popov), 1915
490:Exhibition of 1921, Popova and her four fellow
468:. Popova was also seriously ill but recovered.
291:Popova was one of the first female pioneers in
1001:Liubov Popova: From Painting to Textile Design
719:, Museum of Modern Art, New York, 1991, p.122.
2150:Expatriates from the Russian Empire in France
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832:- chapter from Aesthetics & Alienation,
916:"Rodchenko/Popova: Defining Constructivism"
762:Sarabianov, Dmitri, and Adaskina, Natalia,
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604:, 1912, Oil on canvas, 125 x 107 cm,
223:'s collection of modern French paintings.
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2025:Estorick Collection of Modern Italian Art
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563:Rodchenko/Popova: Defining Constructivism
460:In 1918 Popova married the art historian
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569:, London, in 2009, and subsequently at
1718:Futurist Painting: Technical Manifesto
1662:Drama in the Futurists' Cabaret No. 13
1003:by Christina Lodder, Tate Papers no.14
419:and others who at this time worked in
1711:Dynamism of a Speeding Horse + Houses
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766:, Harry N Abrams Inc. New York, 1990
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1816:Unique Forms of Continuity in Space
802:, Guggenheim Museum, New York, 1999
226:In 1912–1913 she studied art with
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2110:Painters from the Russian Empire
1655:Development of a Bottle in Space
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497:Working Group of Constructivists
448:design, as well as teaching. At
1760:Manifesto of Futurist Musicians
1697:Dynamism of a Human Body: Boxer
732:Harris, Ann Sutherland (1976).
1767:Mercury Passing Before the Sun
514:. She produced stage designs:
1:
984: (archived 2004-12-06) –
890:Dabrowski, Magdalena (1991).
847:The Russian Experiment in Art
830:Soviet Avant Garde Aesthetics
2074:Verbovka Village Folk Centre
1690:Dynamism of a Dog on a Leash
986:Solomon R. Guggenheim Museum
421:Verbovka Village Folk Centre
2140:Academic staff of Vkhutemas
1788:The Street Enters the House
1704:Dynamism of a Soccer Player
530:Spatial Force Constructions
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2145:Suprematism (art movement)
1566:Italian futurism in cinema
1127:Francesco Balilla Pratella
800:Amazons of the Avant-Garde
480:books and posters, In the
328:exhibitions, in Petrograd
286:National Gallery of Canada
109:Любо́вь Серге́евна Попо́ва
65:Ivanovskoe, Russian Empire
46:Lyubov Popova, before 1920
27:Russian artist (1889–1924)
1739:The Hand of the Violinist
1732:Girl Running on a Balcony
1243:Vladimir Baranoff-Rossine
849:, Thames and Hudson, 1965
371:Portrait of a Philosopher
322:) contributed to the two
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2135:Soviet Futurist painters
1508:Valentine de Saint-Point
1493:José de Almada Negreiros
894:. Museum of Modern Art.
735:Women Artists, 1550-1950
606:The State Russian Museum
305:Composition with Figures
299:. After first exploring
297:painterly architectonics
195:In 1909 she traveled to
101:Lyubov Sergeyevna Popova
1528:Frances Simpson Stevens
1523:Amadeo de Souza Cardoso
668:List of Russian artists
525:The Magnanimous Cuckold
377:In 1916 she joined the
1868:Luisa, Marchesa Casati
1613:Abstract Speed + Sound
1547:Techniques, sub-genres
656:Textile design, c.1924
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318:, Nadezhda Udaltsova,
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169:Académie de La Palette
2069:Ukrainian avant-garde
2047:Robert René Meyer-Sée
1753:Manifesto of Futurism
1683:Dynamism of a Cyclist
1571:Futurist architecture
1263:Kseniya Boguslavskaya
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280:
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1830:Victory over the Sun
1233:Alexander Archipenko
938:Women in abstraction
834:John Hunt Publishing
578:Women in Abstraction
417:Ksenia Boguslavskaya
236:Alexander Archipenko
2052:Russian avant-garde
1873:Gabriele D'Annunzio
1837:Vladimir Mayakovsky
1774:The Poem of the End
1581:Futurist literature
1388:Vadim Shershenevich
1358:Vladimir Mayakovsky
1318:Aleksei Kruchyonykh
1258:Alexander Bogomazov
1092:Nikolay Diulgheroff
969:Library of Congress
557:Stroganov Institute
520:Fernand Crommelynck
512:Alexander Rodchenko
429:Russian avant-garde
219:, and also visited
188:, the paintings of
161:Henri Le Fauconnier
149:Stanislav Zhukovsky
144:Italian Renaissance
131:Popova was born in
2120:Soviet avant-garde
1513:Jules Schmalzigaug
1393:Nadezhda Udaltsova
1333:Aristarkh Lentulov
1308:Velimir Khlebnikov
1293:Natalia Goncharova
1200:Konstantin Olimpov
516:Vsevolod Meyerhold
401:Nadezhda Udaltsova
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228:Nadezhda Udaltsova
199:, then in 1910 to
113:avant-garde artist
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2064:Sackville Gallery
1907:Groups influenced
1861:Associated people
1676:Dynamism of a Car
1627:The Art of Noises
1556:Anti-neutral suit
1498:C. R. W. Nevinson
1467:Enrico Prampolini
1353:Mikhail Matyushin
1343:Benedikt Livshits
1288:Nina Genke-Meller
1283:Aleksandra Ekster
1220:Russian Futurists
1142:Antonio Sant'Elia
1045:Italian Futurists
794:Bowlt, John, and
643:Guggenheim Museum
625:Guggenheim Museum
571:Museo Reina Sofia
518:'s production of
504:Varvara Stepanova
393:Aleksandra Ekster
387:, the founder of
325:Knave of Diamonds
316:Aleksandra Ekster
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16:(Redirected from
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1974:Soyuz Molodyozhi
1944:Jack of Diamonds
1939:Grosvenor School
1883:Benito Mussolini
1878:Sergei Diaghilev
1795:The Street Light
1725:The Knifegrinder
1576:Futurist cooking
1518:Mykhaylo Semenko
1503:Emilio Pettoruti
1442:Fortunato Depero
1432:Giuseppe Caselli
1348:Kazimir Malevich
1328:Mikhail Larionov
1273:Vladimir Burliuk
1195:Dmitri Kryuchkov
1117:Aldo Palazzeschi
1097:Luigi De Giudici
1067:Umberto Boccioni
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1605:Selected output
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1303:Vasily Kamensky
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1190:Igor Severyanin
1175:Vasilisk Gnedov
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1132:Antonio Russolo
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1087:Franco Casavola
1077:Benedetta Cappa
1072:Anton Bragaglia
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828:Tedman, Gary,
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18:Liubov Popova
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1338:El Lissitzky
1180:Boris Gusman
1112:Bruno Munari
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920:. Retrieved
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874:. Retrieved
867:the original
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100:
99:
76:(1924-05-25)
74:May 25, 1924
2105:1924 deaths
2100:1889 births
2079:Zveno (art)
2042:Primitivism
2037:Pointillism
2020:Divisionism
1979:Suprematism
1959:Panfuturism
1591:Noise music
1533:Mary Swanzy
1462:Marisa Mori
1409:Aeropittura
1205:Rurik Ivnev
1107:Marisa Mori
1082:Carlo Carrà
922:October 13,
567:Tate Modern
454:Suprematist
442:book design
436:working in
389:Suprematism
383:group with
350:Suprematism
312:avant-garde
282:The Pianist
90:Suprematism
2094:Categories
1919:Agit-train
1313:Ivan Kliun
1298:Elena Guro
1248:Lilya Brik
1122:Ugo Piatti
991:Collection
876:2017-03-11
782:Guggenheim
692:Britannica
674:References
573:, Madrid.
434:Revolution
413:Nina Genke
397:Ivan Kliun
356:The Violin
171:in Paris.
157:Ivan Dudin
133:Ivanovskoe
127:Early life
58:1889-04-24
2031:Le Chahut
1989:Vorticism
1634:BÏF§ZF+18
1422:"Barbara"
1378:Ivan Puni
1253:Osip Brik
1062:"Barbara"
978:Biography
534:Vkhutemas
409:Ivan Puni
340:The Store
330:Tramway V
314:artists (
271:The Model
1998:See also
1984:Supremus
1969:Rayonism
1914:Agitprop
1488:Mina Loy
1400:(Iliazd)
1038:Futurism
662:See also
621:Untitled
478:Agitprop
380:Supremus
360:abstract
332:and the
284:, 1914,
251:Futurism
205:Novgorod
121:designer
83:Movement
1929:Dadaism
1844:Zangezi
1746:Lacerba
1648:Cyclist
993:at the
980:at the
967:at the
698:18 July
588:Gallery
580:at the
446:theatre
180:Travels
135:, near
117:painter
105:Russian
2015:Cubism
2010:5x5=25
1954:Oberiu
1781:Poesia
1452:Fillìa
944:
898:
836:, 2012
819:, 2001
764:Popova
746:
488:5x5=25
438:poster
273:, 1913
190:Giotto
175:Career
137:Moscow
1802:Thaïs
870:(PDF)
863:(PDF)
639:Birsk
257:Style
232:Paris
201:Pskov
186:icons
1596:Zaum
942:ISBN
924:2012
896:ISBN
744:ISBN
700:2024
510:and
450:0.10
335:0.10
238:and
215:and
203:and
197:Kiev
163:and
155:and
119:and
71:Died
52:Born
1222:and
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230:in
167:at
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103:(
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