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symphony doesn't need the rehearsal because they sight-read. They sight-read better than we could even imagine. So when we get there, they already know how to play our songs better than we do... The purpose of the rehearsal is really, honestly to prepare the band for exactly how powerful the concert is going to be. When the symphony jumps in during those moments where all of a sudden you're singing a song you sing every night and then 30 more musicians start playing, it's so powerful that it causes you to take pause, and you can't take pause. And that's what the rehearsal really is for.
302:, since she had performed there alongside the symphony in 2008. Prior to the single rehearsal Carlile had with the 30-member-strong Seattle Symphony, string arrangers created charts and sent computer-generated demos to Carlile for approval. Carlile was reportedly "shock" to hear the orchestra "weaving in and out" of her music. According to Carlile, while the recording process was not complicated, she commented later on rehearsing with the full symphony:
434:"Hallelujah" is going to be a standard that our grandkids, our great-great grandkids will learn to sing in church. It's one of those really, really special songs. The thing that's going to make it that, besides that it's so great, is that everyone knows about it because hundreds of songwriters have been moved by that song and have covered it. And that's just something really important that we do in every generation.
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during "Turpentine". During the concert, the band experienced technical difficulties, and a bra thrown from the audience, intended for the drummer, hit
Carlile on stage. Carlile said the "rock 'n' roll symphony album" was "the meeting of two worlds, two different kinds of artists who got together for
306:
The rehearsal process is really understated. It's funny because it's not really needed. It's not needed for us anyway. Because we know how to play the songs, and the charts don't change the songs structurally at all. But the symphony charts are something that you're not used to hearing. And then the
671:
magazine included the album on its list of "12 May Albums Worth
Checking Out". The magazine's contributor Jeff Leven wrote that though the album was "over-stacked" with cover songs, it was "anthemic" and "captivating", and that Carlile's passion was "overwhelming and contagious." Leahey's review
350:
in addition to other live EPs and demos, recorded, mixed, and mastered the album. Carlile had not spoken to
Feveyear prior to the first rehearsal, but was pleased with the result of his work. Carlile's band included long-time members (and brothers) Phil and Tim Hanseroth on guitar and bass, Josh
442:
when the audience stood and loudly sang the words to "Dreams", and that "Before It Breaks" and "I Will" were emotionally the most difficult to perform. Carlile jokes with the audience between songs, which she felt was well-received, and requests their participation in three-part
658:
captures the "unbridled spirit" of
Carlile's live act more than any of her studio albums. Burger also wrote that Carlile's "well-crafted" songs were "gloriously illustrated" by Buckmaster's and O'Loughlin's arrangements. Gregg Shapiro of the
640:
also noted the errors, but summarized his review by saying, "Things aren't perfect; they're still beautiful." Carradini also complimented the successful transition of
Carlile's acoustic-based songs to orchestral arrangements.
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wrote that "standout" tracks included "Dreams" and "Pride and Joy", which highlighted
Carlile's "unique folk-rock style" and "enthralling, emotional and fun" voice. The Hanseroth brothers' cover of
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The number of cover songs, which play a prominent role in
Carlile's live act, represented what she typically includes in a concert. Carlile said that she felt as though she were a member of
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298:(2009). Carlile, who said that she and the band had always wanted their fourth release to be a live album, had initially hoped to record at a famous venue but decided to return to
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concluded: "This isn't Brandi
Carlile's first concert album, but it's certainly the best." Similarly, Visser called the album Carlile's "best work to date".
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magazine's reviewer complimented
Carlile's "authentic and raw" vocals and appreciated that recorded flaws were not covered up. Stephen Carradini of the
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completely different reasons." She has said that the album is the one she and her band are most proud of, believing it truly represents their live act.
1637:"Brandi Carlile – Live at Benaroya Hall with the Seattle Symphony: Singer/songwriter's powerful voice successfully gets the 'with strings!' treatment"
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410:" in 2009 and asked them to perform it during the set. She does not contribute vocals to the version that appears on the album. Carlile's cover of
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contributor Mike Bookey complimented the album for capturing
Carlile's live act and recommended this album for first-time listeners of her music.
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was recorded at two sold-out shows in November 2010 during Carlile's tour in support of her previous studio album,
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Neumann on cello, and Allison Miller on drums. The Seattle Symphony was led by Assistant Conductor Eric Garcia.
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in Seattle, Washington, the album features Washington-native Carlile and her long-time band (including brothers
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402:(1970), contacted Buckmaster on the advice of her manager. Carlile first heard the Hanseroth brothers singing
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and Sean O'Loughlin. Carlile had previously performed with the Seattle Symphony in 2008 at the same venue.
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was positive overall. In the United States, the album reached peak positions of number sixty-three on the
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372:(2007). "Looking Out", "Before It Breaks", "I Will", "Dreams", and "Pride and Joy" had all appeared on
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said that listening to the album is a must, even for people who do not often enjoy live albums.
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1467:"Brandi Carlile on Her New Live Album, Admiration for Elton John and Thoughts on Lady Gaga"
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1431:"Brandi Carlile Live at Benaroya Hall with the Seattle Symphony Album Released May 3"
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2081: – Tom Keogh's review of Carlile's 2008 performance with the Seattle Symphony
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1773:"CD Review: Brandi Carlile: Live at Benaroya Hall With The Seattle Symphony"
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1948:"Live at Benaroya Hall with the Seattle Symphony: Charts & Awards"
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Overall, critical reception of the album was positive. Nick Vissey of
1525:"Q&A: Brandi Carlile rocks the symphony with 'Live at Benaroya'"
222:
The album contains three songs from Carlile's second studio album,
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1675:"Brandi Carlile – Live at Benaroya Hall With the Seattle Symphony"
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recorded the concerts, which contained orchestral arrangements by
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1807:"Brandi Carlile: Live at Benaroya Hall with the Seattle Symphony"
1743:"Brandi Carlile: Live at Benaroya Hall with the Seattle Symphony"
342:, and Sean O'Loughlin. Seattle-based producer and audio engineer
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2079:"Concert review: Singer Brandi Carlile reveals new dimensions"
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Tim Hanseroth – composer, electric guitar, guitar, vocals
1382:"PopTop: Symphony arrangements bring Carlile songs to life"
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Phil Hanseroth – acoustic bass, bass, composer, vocals
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Track listing adapted from Allmusic and album liner notes.
2034:"Brandi Carlile Chart History (Top Americana/Folk Albums)"
620:'s Andrew Leahey and "breathtaking" by Gene Stout of the
199:. Recorded during two sold-out shows in November 2010 at
942: – composer, guitar, electric guitar, piano, vocals
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Personnel adapted from Allmusic and album liner notes.
366:", which had appeared on Carlile's second studio album
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features arrangements by British arranger and composer
1922:(CD insert). Brandi Carlile. Columbia Records. 2011.
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reached peak positions of number sixty-three on the
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616:'s "The Sound of Silence" was deemed "spot-on" by
191:is the fourth album by American singer-songwriter
1266:"Live at Benaroya Hall with the Seattle Symphony"
418:", also arranged by Buckmaster, is followed by a
2052:"Brandi Carlile Chart History (Top Rock Albums)"
1860:. San Francisco, California: Benro Enterprises.
1322:"Brandi Carlile soars on new live SSO recording"
2152:Live at Benaroya Hall with the Seattle Symphony
1932:: CS1 maint: others in cite AV media (notes) (
1920:Live at Benaroya Hall with the Seattle Symphony
1745:. Seattle Symphony. May 3, 2011. Archived from
1163:Live at Benaroya Hall with the Seattle Symphony
430:". Carlile said the following of Cohen's song:
290:Live at Benaroya Hall with the Seattle Symphony
188:Live at Benaroya Hall with the Seattle Symphony
163:Live at Benaroya Hall with the Seattle Symphony
24:Live at Benaroya Hall with the Seattle Symphony
1100:Sean O'Loughlin – orchestral arrangements
2100:
380:, Carlile included six cover versions in the
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1974:"Brandi Carlile: Chart History: Folk Albums"
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211:. Seattle-based producer and audio engineer
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1645:. Oklahoma City, Oklahoma: Gazette Media.
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1004:Alex Gardner – live sound engineer
384:, three of which appear on the album. "
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1082:Mary Kate McElvaney – photography
760:Carlile, Phil Hanseroth, Tim Hanseroth
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1864:from the original on March 23, 2012
1635:Carradini, Stephen (May 16, 2011).
802:Carlile, P. Hanseroth, T. Hanseroth
195:, released on May 3, 2011, through
2311:Albums produced by Martin Feveyear
1885:"12 May Albums Worth Checking Out"
1148:Ko-ichiro Yamamoto – trombone
1043:Dylan Hermiston – photography
650:s David Burger gave the album an A
376:. Believing in the cultivation of
14:
1719:. Richmond, Virginia. p. 1.
1711:Dreyfuss, Anne (April 27, 2011).
1649:from the original on May 19, 2011
1557:from the original on May 10, 2011
1479:from the original on July 3, 2011
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16:2011 live album by Brandi Carlile
1883:Jackson, Josh (April 28, 2011).
1850:Shapiro, Gregg (June 23, 2011).
1465:Goldberg, Lesley (May 2, 2011).
1437:. April 29, 2011. Archived from
1406:from the original on May 5, 2011
1354:from the original on May 6, 2011
1282:from the original on May 8, 2011
1142:Michael Werner – percussion
1097:Michael Miropolsky – violin
1064:Josh Neumann – cello, piano
918:Michael Bauer – photography
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2326:Live albums by American artists
2012:"Brandi Carlile Chart History (
1673:Bookey, Mike (April 27, 2011).
1136:Brian Valentino – engineer
1118:Kim Sessions – cover photo
1109:Jon Schlukebier – engineer
1106:Mark Robbins – French horn
981:Zartouhi Dombourian Eby –
969:Andrew Detloff – assistant
933: – orchestral arrangements
924:Geoffrey Bergler – trumpet
1681:. Bend, Oregon. Archived from
1067:Joe Kaufman – double bass
927:William Brown – assistant
684:
1:
1771:Palmer, Brian (May 9, 2011).
1380:Burger, David (May 2, 2011).
987:Justin Emerich – trumpet
972:Tony Dilorenzo – trumpet
921:Theresa Benshoof – cello
2321:Columbia Records live albums
1320:Visser, Nick (May 2, 2011).
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1121:Mikhail Shmidt – violin
1076:Joe Larosee – assistant
1040:Patrick Herb – trombone
1010:Sande Gillette – violin
2060:. Retrieved June 30, 2022.
2042:. Retrieved June 30, 2022.
2024:. Retrieved June 30, 2022.
1805:Leven, Jeff (May 3, 2011).
1523:Stout, Gene (May 1, 2011).
1112:Christopher Sereque –
1016:David Gordon – trumpet
975:Roberta Downey – cello
915:Mariel Bailey – violin
207:) performing alongside the
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2166:The Firewatcher's Daughter
1852:"Big-time queer musicians"
1530:Seattle Post-Intelligencer
1085:Emma McGrath – violin
1013:Artur Girsky – violin
978:Wesley Dyring – viola
912:Jennifer Bai – violin
883:" (includes hidden track "
623:Seattle Post-Intelligencer
270:"). Critical reception of
2173:By the Way, I Forgive You
1332:The Seattle Times Company
1139:John Weller – violin
1007:Mara Gearman – viola
1001:, mixing, record producer
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388:", originally written by
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1713:"Natural-Born Performer"
1390:. Salt Lake City, Utah:
1020:Valerie Muzzolini Gordon
1984:Prometheus Global Media
945:John Carrington –
262:" (which also features
2273:Phil and Tim Hanseroth
2251:You and Me on the Rock
1472:The Hollywood Reporter
1161:In the United States,
1046:Michelle Holme –
1025:Vivian Gu – cello
963:Michael Crusoe –
436:
328:
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205:Phil and Tim Hanseroth
2316:Brandi Carlile albums
1685:on September 28, 2011
1387:The Salt Lake Tribune
1079:Mae Lin – violin
788:Carlile, T. Hanseroth
656:Live at Benaroya Hall
644:The Salt Lake Tribune
573:The Salt Lake Tribune
432:
399:Tumbleweed Connection
358:album opens with the
348:Carlile's debut album
332:Live at Benaroya Hall
319:
304:
272:Live at Benaroya Hall
248:Simon & Garfunkel
54:May 3, 2011
2331:Live pop rock albums
2180:In These Silent Days
1893:. Wolfgang's Vault.
1070:Seth Krimsky –
1052:Adam Iascone –
1034:Ben Hausmann –
829:The Sound of Silence
785:"Shadow on the Wall"
457:Professional ratings
408:The Sound of Silence
252:The Sound of Silence
69:November 19–21, 2010
1928:cite AV media notes
1603:"Give Up the Ghost"
957:Vince Comer –
458:
1954:. Rovi Corporation
1831:on August 29, 2016
1609:. Rovi Corporation
1583:. Rovi Corporation
1535:Hearst Corporation
757:"Before It Breaks"
456:
452:Critical reception
329:
327:in Seattle in 2009
234:(2009), and three
228:(2007), five from
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2237:A Beautiful Noise
2145:Give Up the Ghost
1857:Bay Area Reporter
1749:on March 26, 2012
1679:The Source Weekly
1327:The Seattle Times
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628:The Source Weekly
609:The Seattle Times
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374:Give Up the Ghost
340:Give Up the Ghost
295:Give Up the Ghost
231:Give Up the Ghost
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865:"Pride and Joy"
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719:Sixty Years On
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2244:Right on Time
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1178:Chart (2011)
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1131:Bernie Taupin
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1048:art direction
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952:Leonard Cohen
950:
948:
944:
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932:
929:
926:
923:
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917:
914:
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905:
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891:Leonard Cohen
889:
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885:Forever Young
882:
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762:
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748:
746:
743:
741:"Looking Out"
740:
736:
732:
730:
729:Bernie Taupin
726:
723:
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682:
676:Track listing
675:
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479:
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462:Review scores
460:
451:
449:
446:
441:
435:
431:
429:
428:Forever Young
425:
422:: a cover of
421:
417:
413:
412:Leonard Cohen
409:
405:
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395:
394:Bernie Taupin
391:
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365:
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325:Benaroya Hall
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300:Benaroya Hall
297:
296:
291:
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256:Leonard Cohen
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78:Benaroya Hall
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53:
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40:
36:
32:
27:
22:
19:
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2129:
2056:
2047:
2038:
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2020:
2013:
2007:
1995:. Retrieved
1977:
1968:
1956:. Retrieved
1951:
1942:
1919:
1899:. Retrieved
1888:
1878:
1866:. Retrieved
1855:
1845:
1833:. Retrieved
1829:the original
1810:
1785:. Retrieved
1776:
1751:. Retrieved
1747:the original
1737:
1725:. Retrieved
1716:
1687:. Retrieved
1683:the original
1678:
1651:. Retrieved
1640:
1611:. Retrieved
1606:
1597:
1585:. Retrieved
1580:
1571:
1559:. Retrieved
1528:
1481:. Retrieved
1470:
1443:. Retrieved
1439:the original
1408:. Retrieved
1385:
1356:. Retrieved
1325:
1284:. Retrieved
1269:
1222:
1204:
1190:
1167:
1162:
1160:
1152:
1022: – harp
901:
854:P. Hanseroth
813:"Turpentine"
666:
660:
655:
642:
635:
631:
627:
621:
607:
605:
595:
583:
571:
559:
547:
511:
437:
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420:hidden track
397:
373:
367:
360:curtain call
353:
339:
331:
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305:
293:
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288:
276:
271:
238:, including
229:
223:
221:
187:
186:
185:
170:
162:
161:
152:
18:
2268:Discography
1577:"The Story"
1093:snare drums
1054:French horn
440:The Beatles
312:Composition
2300:Categories
2159:Bear Creek
1236:References
1125:Paul Simon
1059:Elton John
881:Hallelujah
835:Paul Simon
725:Elton John
614:Paul Simon
600:(positive)
590:(positive)
554:(positive)
424:Alphaville
416:Hallelujah
404:Paul Simon
390:Elton John
285:Background
264:Alphaville
260:Hallelujah
240:Elton John
172:Bear Creek
143:chronology
58:2011-05-03
39:Live album
2216:The Story
2138:The Story
2057:Billboard
2039:Billboard
2021:Billboard
2014:Billboard
1992:0006-2510
1979:Billboard
1825:1540-3106
1543:0745-970X
1400:0746-3502
1340:0745-9696
1223:Billboard
1205:Billboard
1191:Billboard
1183:position
1168:Billboard
999:mastering
906:Personnel
849:The Story
692:Writer(s)
378:standards
369:The Story
364:The Story
277:Billboard
225:The Story
2230:The Joke
1997:June 28,
1952:Allmusic
1895:Archived
1868:July 13,
1862:Archived
1835:July 13,
1787:July 13,
1781:Archived
1727:July 12,
1721:Archived
1717:Richmond
1653:July 13,
1647:Archived
1607:Allmusic
1581:Allmusic
1555:Archived
1477:Archived
1445:July 13,
1404:Archived
1352:Archived
1280:Archived
1271:Allmusic
1114:clarinet
995:engineer
993: –
799:"Dreams"
771:"I Will"
618:Allmusic
566:(8.1/10)
476:Allmusic
382:set list
356:pop rock
129:Producer
122:Columbia
94:Pop rock
66:Recorded
51:Released
41: by
2261:Related
2208:Singles
1958:July 7,
1901:July 9,
1753:July 9,
1689:July 7,
1613:July 8,
1587:July 8,
1561:July 7,
1551:3734418
1483:July 9,
1410:July 8,
1348:9198928
1072:bassoon
965:timpani
868:Carlile
816:Carlile
774:Carlile
445:harmony
254:", and
176:(2012)
167:(2011)
158:(2009)
82:Seattle
56: (
2123:Albums
1990:
1823:
1549:
1541:
1398:
1358:May 2,
1346:
1338:
1286:May 3,
1157:Charts
706:
695:Length
652:
470:Rating
467:Source
236:covers
100:Length
2016:200)"
1890:Paste
1812:Paste
1777:Glide
983:flute
959:viola
895:11:28
689:Title
668:Paste
648:'
632:Glide
561:Paste
512:Glide
117:Label
89:Genre
74:Venue
2198:XOBC
1999:2012
1988:ISSN
1960:2011
1934:link
1903:2011
1870:2011
1837:2011
1821:ISSN
1789:2011
1755:2011
1729:2011
1691:2011
1655:2011
1615:2011
1589:2011
1563:2011
1547:OCLC
1539:ISSN
1485:2011
1447:2011
1412:2011
1396:ISSN
1360:2011
1344:OCLC
1336:ISSN
1288:2011
1181:Peak
1036:oboe
947:harp
871:7:07
857:5:06
839:3:26
819:6:21
805:4:10
791:3:53
777:4:39
763:4:23
749:4:33
733:4:51
709:1:11
426:'s "
414:'s "
406:'s "
392:and
354:The
266:'s "
258:'s "
250:'s "
242:'s "
2190:EPs
1229:14
1216:US
1197:63
1193:200
1188:US
1170:200
876:12.
862:11.
844:10.
685:No.
323:at
279:200
246:",
2302::
2054:.
2036:.
2018:.
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1982:.
1976:.
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1930:}}
1926:{{
1911:^
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578:A−
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1962:.
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1362:.
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1220:(
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721:"
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107::
60:)
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