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virginity and angrily jealous of her rivals". By the mid-twentieth century, perceptions had changed again so that Siddal became "a Pre-Raphaelite groupie, a child of the 1950s and 60s pop culture." More recently, authors and biographers have reassessed Siddal. In this reexamination, she emerges as "partly a victim of masculine oppression and partly a rediscovered proto-feminist", and a rediscovery that includes "a determined effort to detach
Elizabeth Siddal's story from that of Rossetti and the
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justification, that
Rossetti was always seeking to replace her with a younger muse, which contributed to her later depressive periods and illness. Although Ruskin urged Rossetti to marry in 1855, their relationship deteriorated: the reasons probably included Siddal's ill-health, her laudanum addiction, Rossetti's philandering, Rossetti's lack of funds, the aforementioned disapproval of the Rossetti family, and Rossetti's probable aversion to marriage in general.
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838:. A 2018 exhibition, "Beyond Ophelia", curated by National Trust Assistant Curator Hannah Squire, ran for nine months and featured twelve artworks by Siddal and owned by the National Trust. Only the second solo exhibition of her work, the exhibition examined Siddal's career, artistic style, subject matter, and the recognition challenges she faced as a female artist.
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401:, Siddal floated in a bathtub full of water to portray the drowning Ophelia. Millais painted daily through the winter, putting oil lamps under the tub to warm the water. On one occasion, the lamps went out and the water became icy cold. Millais, absorbed by his painting, did not notice and Siddal did not complain. After this, she became ill with a severe
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subsidised her career and paid £150 per year in exchange for all the drawings and paintings she produced. She produced many sketches, drawings, and watercolours as well as one oil painting. Her sketches are similar to other Pre-Raphaelite compositions illustrating
Arthurian legend and other idealized
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visited the milliner's to meet a woman he was acquainted with and admired; Siddal was the woman's co-worker and joined the pair on their walk home, as it was the women's usual practice to travel home from work together. Siddal made such an impression on
Allingham that he recommended her as a possible
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am on 11 February 1862 at their home at 14 Chatham Place. Her obituary noted that she "had expressed no wish to die, but quite the reverse. Indeed she contemplated going out of town in a day or two, and had ordered a new mantle which she intended to wear on the occasion." The coroner ruled her death
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During this period, Rossetti's most abundant and personal works were his pencil sketches of Siddal at home, most of which he entitled simply "Elizabeth Siddal". He portrayed Siddal in moments of leisure, such as reading, sitting, or in repose, or when painting or drawing. She also became the subject
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confessed that "Oh, we have all, when young, been in love with Miss Siddal." With the emerging fields of psychology and sexology, a reevaluation of Siddal in fiction, poems, and biographies occurred in the 1920s and 1930s. She became regarded as "a morbid, hysterical, suicidal woman clinging to her
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In 1852, Siddal began to study with
Rossetti. She started staying at his Chatham Place residence, sometimes with him and sometimes by herself. They subsequently became anti-social and absorbed in each other's affections. They coined affectionate nicknames for one another, such as "Guggums" or "Gug"
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During Siddal's career as an artist and poet from 1852 to 1861, she produced more than a hundred works. Unpublished during her lifetime, her poetry often dwelt on dark themes, lost love, or the impossibility of true love. Her small poetic output was nonetheless accomplished. Constance
Hassett wrote
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Siddal and
Rossetti married on Wednesday, 23 May 1860 at St. Clement's Church in Hastings. There were no family or friends present, only a couple of witnesses whom they had asked. When Siddal's health improved, they honeymooned in Paris and Boulogne in the latter half of 1860, then returned to the
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met Siddal in 1849, probably while they both modelled for
Deverell. Rossetti gave Siddal the nickname "Lizzie" when she entered the Pre-Raphaelite Brotherhood circle, and "the diminutive enhanced her youthful, dependent role". By 1851 or 1852, they became engaged. Siddal had also become Rossetti's
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to disinter her coffin to retrieve a handwritten book of
Rossetti's poems, which he had laid beside her head before burial. With the aid of a Dr. Llewelyn Williams and two others, Howell accomplished this in October 1869. Dr. Williams subsequently disinfected the book. Rossetti then published the
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there. She moved in with her cousin's family. A son of this family, Willie Ibbett, proposed to her, but she indicated that she was already engaged. However, by mid-1858, Siddal and
Rossetti appeared to be both done with their engagement and little is known about Siddal from that time until 1860.
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As Siddal came from a working-class family, Rossetti feared introducing her to his family. Siddal was the victim of harsh criticism from his sisters. The knowledge that his family would not approve contributed to Rossetti's delaying the marriage. Siddal appears to have believed, with some
654:. Upon returning home from teaching, Rossetti found Siddal unconscious in bed and could not revive her. The first doctor Rossetti called claimed that he was unable to save her, upon which Rossetti sent for another three doctors. A stomach pump was used, but to no avail. She died at 7:20
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266:, in south London. The remainder of the Siddall children were born in Southwark: Lydia, to whom she was particularly close; Mary, Clara, James and Henry. Elizabeth Eleanor Siddall "received an ordinary education, conformable to her condition in life" and first "read
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of much of Rossetti's poetry throughout their relationship and particularly after her death. Rossetti became obsessive in portraying Siddal. It has been estimated that there are thousands of Rossetti's drawings, paintings, and poems in which Siddal was a subject.
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A third account has Deverell accompanying his mother to the millinery where he noticed Siddal in the back of the shop. In any case, Deverell later described Siddal as "magnificently tall, with a lovely figure, and a face of the most delicate and finished
270:... by finding one or two poems of his on a piece of paper" that had been wrapped around some butter. Literary analysts have noted that her artwork sometimes used subjects from Tennyson's writings and that his writings may have influenced her poetry.
457:(see right) diverged from the Pre-Raphaelites' typical idealised beauty. As Anna Solomon wrote, "she depicts herself looking harsher, angrier and less attractive than the languid Siddal of the Pre-Raphaelite paintings." From 1855 to 1857, art critic
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that her "fecundity of invention and facility are quite wonderful, much greater than mine". Siddal seems to have inspired Rossetti, as he followed her in depicting the same subjects, and he reused her designs after her death.
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as accidental; however, there are suggestions that Rossetti found a suicide note, with the words "Please look after Harry" (her invalid brother, who may have had a slight intellectual disability), supposedly "pinned
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255:. Her parents were Charles Crooke Siddall, and Elizabeth Eleanor Evans, from a family of English and Welsh descent. She had two older siblings, Ann and Charles Robert. At the time of her birth, her father had a
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927:(2000). In it, a dying Lizzie drugged with laudanum has a last dream or vision in which the trio takes a train trip to a forest "where they each would see their true love". This story bears the same title as
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for several years for her health. At the time of her wedding, she was so frail and ill that she had to be carried to the church, despite it being a five-minute walk from where she was staying. She became
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and her long illness gave her access to laudanum to which she became addicted. By 1861, Siddal became pregnant, which ended with the birth of a stillborn daughter. The stillbirth left Siddal with
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wrote that "Her verses were as simple and moving as ancient ballads; her drawings were as genuine in their medieval spirit as much more highly finished and competent works of Pre-Raphaelite art."
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as "E. E. Siddal", the first time she had signed one of her works and an early instance of her shortened surname. By that same year, Rossetti had taken Siddal on as a student. He told his friend
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who is supposed to have instructed him to burn the note. Since suicide was illegal and considered immoral, it would have brought scandal on the family and barred Siddal from a Christian burial.
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themes, and she was the only woman who exhibited with the Pre-Raphaelites at an 1857 exhibition at No. 4 Russell Place, Fitzroy Square, London. That same year, Siddal studied at the
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that "Siddal's poetry ranges from the perfectly realized ballad narrative, to its opposite, the overheard lyric, and to something in between, the made-to-be heard monologue." Critic
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343:... she has grey eyes, and her hair is like dazzling copper, and shimmers with luster." Deverell subsequently employed Siddal as a model and introduced her to the Pre-Raphaelites.
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painting, he based Orsino on himself, Feste on his friend Dante Gabriel Rossetti and Viola/Cesario on Siddal. This was the first time Siddal sat as a model. According to
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Siddal became an artist in her own right and was the only woman to exhibit at an 1857 Pre-Raphaelite exhibition. Significant collections of her artworks can be found at
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569:. In a change of heart, Rossetti hurried to her side that April with a marriage license. Shortly before their marriage, Rossetti produced a famous portrait of Siddal,
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and his son was Willie Ibbett. Alyssa Grady identifies the writer of the letter to the editor, "The Death of Mrs. D. G. Rosetta," signed "W.I", as William Ibbitt.
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In Spring 1860, Siddal's family contacted Ruskin with the news that Siddal was gravely ill. Ruskin in turn informed Rossetti. Siddal was at the seaside resort of
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1045:'s works inspired by and portraying Siddal in conjunction with its Pre-Raphaellite collection that includes works by and a Rossetti portrait of Siddal.
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Cherry, Deborah; Pollock, Griselda (1984). "Woman as sign in Pre-Raphaelite literature: A Study of the Representation of Elizabeth Siddall".
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312:. Accounts differ on the circumstances of their meeting. One account is that she became acquainted with Deverell's father, who worked at the
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As with the other Pre-Raphaelites, Deverell took his inspiration directly from life rather than from an idealized classical figure. In his
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and "Dove", the latter one of Rossetti's names for Siddal. He also shortened the spelling of her surname to Siddal, dropping the second
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Chatham Place residence that they expanded into an adjoining house. Siddal became pregnant and appeared to be happier and healthier.
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At the suggestion of her future husband Dante Gabriel Rossetti, she shortened her surname to Siddal. She was also known by the
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5088:"My Ladys Soul": The Successes of Elizabeth Siddal & Jane Morris, & the Rise of the Pre-Raphaelite Sisterhood
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Johnson, Chloe (10 February 2010). "Presenting the Pre-Raphaelites: From Radio Reminiscences toDesperate Romantics".
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taint. This may, I suppose, have come from the father; for the mother was a healthy woman, living on til past ninety.
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In 1857, Siddal gave up her stipend from Ruskin and went to Sheffield, the birth place of her father, to attend the
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1835:""Strong Traivelling": Re-visions of Women's Subjectivity and Female Labor in the Ballad-work of Elizabeth Siddal"
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had dined together in a nearby hotel. After having taken Siddal home, Rossetti attended his weekly lecture at the
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2899:"The Passions of Artists and Models – Victorian Passions: Stories from the Mark Samuels Lasner Collection"
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Elizabeth Eleanor Siddall, named after her mother, was born on 25 July 1829, at the family's home at 7
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Donnelly, Brian (2020). "Dante Gabriel Rossetti, the Little Green Book, and the Dispute with Death".
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3177:"Rossetti paints us a (sometimes not so) pretty picture in exhibition devoted to artist's portraits"
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663:... on the breast of her night-shirt." Consumed with grief and guilt Rossetti allegedly went to see
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5347:"Woman as sign in Pre-Raphaelite literature: A Study of the Representation of Elizabeth Siddall"
2079:"Elizabeth Siddal and the Pre-Raphaelite women, Fibres - a play about asbestos, Women's cricket"
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The Quest of the Holy Grail, 1855, watercolour, conceived by Siddal, collaboration with Rossetti
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A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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4610:"See Freddy Carter and Hannah Onslow in 'The Doll Factory' which premieres on Paramount+ today"
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2949:"Portrait of Elizabeth Siddal Resting, Holding a Parasol (The J. Paul Getty Museum Collection)"
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A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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This sequence contained the poem "Without Her", a reflection on life once love has departed.
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taken to relieve the pain had grown into a necessity." Others suggest that she may have been
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and exclusive model, and he portrayed her in almost all his early artwork depicting women.
186:, and poet. Siddal was perhaps the most significant of the female models who posed for the
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2169:"Recovering Walter Howell Deverell: Image, Identity and Portraiture in Pre-Raphaelite Art"
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Pre-Raphaelite Girl Gang: fifty makers, shakers and heartbreakers from the Victorian era
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Siddal came to either embody or influence the Pre-Raphaelite ideals of feminine beauty.
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model to his friend Deverell, who was struggling with a large oil painting based on the
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The segment featured an interview with an author and a curator about Siddal before the
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Rossetti's relationship with Siddal has been the subject of television dramas, notably
909:, Siddal and Rossetti are the subjects of "How They Met Themselves", which is part of
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Rossetti's Portraits of Elizabeth Siddal: a catalogue of the drawings and watercolours
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The Paintings and Drawings of Dante Gabriel Rossetti (1828-1882): A Catalogue Raisonné
4703:"The Delaware Art Museum and Somerville Manning Gallery present Holly Trostle Brigham"
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or that her poor health was due to laudanum addiction or a combination of ailments.
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354:, Dante Gabriel's brother, "Deverell drew another Viola from her, in an etching for
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Hallamshire worthies characteristics and work of notable Sheffield men and women .
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Bradley, Laurel (1992). "Elizabeth Siddal: Drawn into the Pre-Raphaelite Circle".
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Shefer, Elaine (1985). "Deverell, Rossetti, Siddal, and "The Bird in the Cage"".
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2787:"Picasso Isn't The Only One: Artists Who Shared A Troubled Bond With Their Muse"
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Siddal overdosed on laudanum on 10 February 1862. She, Rossetti, and his friend
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4894:""Lady Affixing Pennant to a Knight's Spear", Elizabeth Eleanor Siddal, c.1856"
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227:. Sickly and melancholic during the last decade of her life, Siddal died of a
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2376:"Was Elizabeth Siddal the real brains behind the Pre-Raphaelite Brotherhood?"
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bought some of Siddal's works at auction in 1961. These works became part of
577:(1860). This painting is a close-up, vibrantly coloured depiction of Siddal.
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2835:"Dante Gabriel Rossetti: Elizabeth Siddal having her hair combed - Pictures"
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566:
463:
228:
6073:. Aldershot: Scolar Press in association with Ashmolean Museum, Oxford.
5575:. London; New York: Seeley and Company, Limited; Macmillan and Company.
4537:
3118:
1859:
1806:
6058:
5527:
5306:
4512:
4376:, MS Eng 769, Cambridge, MA, US: Houghton Library, Harvard University,
3094:
2558:
2408:"Muse and model or painter-poet? Elizabeth Siddal given fresh portrait"
1834:
1781:
873:
One of three surviving pages from the book of poems buried with Siddal.
869:
256:
77:
5490:
4513:""Dante's Inferno": Seeing Ken Russell Through Dante Gabriel Rossetti"
3536:
3534:
1752:
1750:
611:, but some historians believe an intestinal disorder was more likely.
6165:
1306:
1197:
Beatrice meeting Dante at a marriage feast, denies him her salutation
701:
on 17 February 1862 in the Rossetti family grave in the west side of
527:
Beatrice Meeting Dante at a Marriage Feast, Denies him her Salutation
262:
About 1831, the Siddall family moved to the less affluent borough of
6203:
6120:""Beyond Ophelia" – A Celebration of Lizzie Siddal, Artist and Poet"
6042:
5511:
5352:
Vision and Difference: Feminism, femininity and the histories of art
2542:
2284:"Tate exhibition spotlights overlooked female Pre-Raphaelite artist"
1639:. Sheffield, South Yorkshire, England. 15 February 1862. p. 3.
784:
Their home at 14 Chatham Place was demolished and is now covered by
5219:. Bell's miniature series of painters. London: G. Bell & Sons.
5178:. Vol. v. 2. East Aurora, NY: The Roycrofters. pp. 1–23.
2439:"The Rossettis: Inside Europe's most culturally influential family"
960:
517:
Beginning in 1853, Rossetti used Siddal as a model for a series of
868:
795:
682:
674:
553:
485:
428:
289:
277:
6139:
4168:"Beyond Ophelia: A Celebration of Lizzie Siddal, Artist and Poet"
2793:. 11 July 2019. 5/6 Elizabeth Siddal And Dante Gabriel Rossetti.
2147:
2145:
2143:
2141:
231:
overdose in 1862 during her second year of marriage to Rossetti.
5416:
The Lives of the Muses: nine women and the artists they inspired
4461:"Communication with the Dead: The Séance Diary of W.M. Rossetti"
2862:
2860:
631:
7036:
6222:
4641:"Elizabeth 'Lizzie' Siddal and the Famous Women Dinner Service"
3983:"Grave doubts: Dante Gabriel Rossetti and the exhumation poems"
1181:
Two Gentlemen of Verona, Valentine Rescuing Sylvia From Proteus
386:
Two Gentlemen of Verona, Valentine Rescuing Sylvia From Proteus
6029:
Shefer, Elaine (1988). "Elzabeth Siddal's "Lady of Shalott"".
5625:(23 September 2004). "Siddal, Elizabeth Eleanor (1829–1862)".
5711:. Manchester: Manchester University Press. pp. 143–195.
4796:
4794:
4792:
4790:
4788:
2597:"Who Was Elizabeth Siddal, Pre-Raphaelite Artist & Muse?"
539:(1864–1870), which he painted as a memorial after her death.
308:
in Cranbourne Alley, London, Siddal made the acquaintance of
3336:
Hektoen International - an Online Medical Humanities Journal
643:. By early 1862, she had become pregnant for a second time.
2980:"The Project Gutenberg eBook of Drawings of D. G. Rossetti"
1782:"Elizabeth Siddal's Poetry: A Problem and Some Suggestions"
1771:
1769:
360:." Elaine Shefer asserts that Deverell portrayed Siddal in
4561:
4559:
3332:"A picture of ill-health: the illness of Elizabeth Siddal"
1930:"Elizabeth Siddal's Sketch for "La Belle Dame sans merci""
5477:(3). The Burlington Magazine Publications Ltd.: 273–295.
5140:
Lizzie Siddal: The Tragedy of a Pre-Raphaelite Supermodel
3881:"Rossetti Family Grave in Highgate West Cemetery, London"
3016:"Smitten by the Casual Glance of a Pair of Sparking Eyes"
2658:
2656:
2654:
1558:"Dante Gabriel Rossetti, Head of Elizabeth Siddal (1855)"
732:
These became part of Rossetti's sonnet sequence entitled
182:(a spelling she adopted in 1853), was an English artist,
6104:"Poems by Elizabeth Eleanor Siddal (British, 1829-1862)"
705:. Later burials in the same grave are her mother-in-law
6144:
includes many portraits of Elizabeth Siddal by Rossetti
3540:
3304:
3264:
3262:
2674:
2641:
2341:
2339:
2179:(2). Australasian Victorian Studies Association: 1–23.
2151:
1756:
6138:. Birmingham Museums & Art Gallery. Archived from
3625:
3623:
2578:
2576:
1685:
1683:
533:(1855), and, perhaps his most famous portrait of her,
5172:"Dante Gabriel Rossetti and Elizabeth Eleanor Siddal"
4954:""Sir Patrick Spens", Elizabeth Eleanor Siddal, 1856"
4370:"Praise and prayer: manuscript [before 1862]"
3181:
The Art Newspaper - International art news and events
2524:
2522:
2520:
1395:
My Ladys Soul: The Poems of Elizabeth Eleanor Siddall
1127:, circa 1856, watercolour, gouache and metallic paint
5875:
Lasner, Mark Samuels; Lewis, Roger C., eds. (1978).
3423:
3421:
2723:"Women in Rossetti's Life and Art: Muses and Lovers"
1486:. Her first signed work in 1853 bears the signature
902:, ... and present her with a biography of her own."
249:
Saffron Hill, Hatton Garden, Ely Rents and Ely Place
7367:
7314:
7295:
7278:
7070:
6962:
6891:
6882:
I Am Half-Sick of Shadows, Said the Lady of Shalott
6534:
6302:
4459:Bullen, J. B.; White, Rosalind (22 February 2021).
2696:
Victoria and Albert Museum: Explore the Collections
178:(25 July 1829 – 11 February 1862), better known as
141:
123:
115:
104:
85:
59:
34:
6007:(play script), Toronto: Playwrights Canada Press,
5910:
5818:
5757:
5704:
5676:Artists and Writers in Revolt: The Pre-Raphaelites
5673:
5592:
5536:
5409:
5345:
5244:
5137:
5103:
5055:
5021:
4511:
3816:
3095:"Metaphor and Maternity: Dante Gabriel Rossetti's"
2374:
2003:. Sheffield, South Yorkshire, England. p. 2.
1994:
1833:
1780:
1630:
1030:, (1932–1934), commissioned by the art historian,
766:Where the long cloud, the long wood's counterpart,
27:Pre-Raphaelite model, artist, and poet (1829–1862)
768:Sheds doubled up darkness up the labouring hill.
753:Without her? Tears, ah me! For love's good grace,
743:There where the pool is blind of the moon's face.
4430:"The Sandman Reader XII: Conclusions & Misc"
3782:. Chicago: University of Chicago Press. p.
3020:Voces Novae Chapman University Historical Review
2757:"Elizabeth Siddal: A Life Overshadowed by Death"
2216:
2214:
2212:
2210:
2208:
2206:
1490:. Her legal surname name after her marriage was
1142:, 1857, watercolour, bodycolour, coloured chalks
841:Siddal was among the women featured in the 2019
808:A retrospective of Siddal's work was curated by
502:, and he stopped her from modelling for others.
3493:"Rossetti-Elizabeth Siddal Playing the Cythern"
2903:Library, Museums and Press – Online Exhibitions
2368:
2366:
2364:
2362:
2360:
2358:
1592:"7 Pre-Raphaelite Artworks by Elizabeth Siddal"
1016:Siddal is depicted on one of the plates in the
881:wrote that those fascinated by Siddal included
772:— Dante Gabriel Rossetti, "The House of Life",
758:What of the heart without her? Nay, poor heart,
738:
679:Siddal's grave in Highgate Cemetery (West side)
590:In Elizabeth Siddal's constitution there was a
588:
3818:"Did Rossetti really need to exhume his wife?"
3105:(4). West Virginia University Press: 467–486.
1988:
1986:
1846:(2). West Virginia University Press: 251–276.
1793:(4). West Virginia University Press: 443–470.
1632:"Death of a Lady from an Overdose of Laudanum"
1229:The First Anniversary of the Death of Beatrice
760:Of thee what word remains ere speech be still?
747:Of cloud-rack whence the moon has passed away.
523:The First Anniversary of the Death of Beatrice
7048:
6234:
5913:Women Artists and the Pre-Raphaelite Movement
5543:. Middletown, CT: Wesleyan University Press.
5058:Pre-Raphaelite drawings in the British Museum
4800:
3691:Encyclopedia of British writers, 19th century
3660:"The women of the Pre-Raphaelite Brotherhood"
3325:
3323:
3321:
3319:
3317:
2750:
2748:
751:Usurped by desolate night. Her pillowed place
745:Her dress without her? The tossed empty space
741:What of her glass without her? The blank grey
561:, Rossetti's 1860 marriage portrait of Siddal
8:
7116:Joan of Arc Kissing the Sword of Deliverance
6184:Chatfield, Stephanie E. (11 February 2008).
5176:Little Journeys to the Homes of Great Lovers
4017:– via Gale Literature Resource Center.
3009:
3007:
3005:
2814:
2812:
2692:"Elizabeth Siddal - Rossetti, Dante Gabriel"
1422:He & She & Angels Three: Three Poems
1397:. Brighton, U.K: Victorian Secrets Limited.
852:In 2023, the Tate Gallery had an exhibition
5285:(1). Oxford University Press (OUP): 64–82.
2867:Rossetti, Dante Gabriel (21 January 2018).
2470:"The First Pre-Raphaelite Group Exhibition"
2106:
1585:
1583:
1444:List of paintings by Dante Gabriel Rossetti
1342:Lady Affixing a Pennant to a Knight's Spear
990:. She was portrayed in a recurring role by
764:Steep ways and weary, without her thou art,
749:Her paths without her? Day's appointed sway
7555:Pre-Raphaelite Brotherhood artists' models
7055:
7041:
7033:
6421:Louisa Beresford, Marchioness of Waterford
6241:
6227:
6219:
5850:Lizzie Siddal: face of the Pre-Raphaelites
5680:. Philadelphia: Art Alliance. p. 46.
4672:"Charleston's Famous Women Dinner Service"
3847:
3780:Art in an age of civil struggle, 1848-1871
2223:"The tragedy of art's greatest supermodel"
2187:– via National Library of Australia.
2011:– via The British Newspaper Archive.
1393:— (2018). Trowbridge, Serena (ed.).
1363:(1856) – watercolour, Tate Gallery, London
1338:(1856) – watercolour, Tate Gallery, London
490:Rossetti's 1852 drawing of Siddal painting
198:painted Siddal, and she was the model for
42:
31:
6186:"Photographs of Elizabeth Siddal's Grave"
6164:Chatfield, Stephanie E. (27 March 2007).
5879:. Wolfville, N.S., Canada: Wombat Press.
5794:(in Portuguese). Lisboa: Relógio D'Água.
4275:
4077:"Blackfriars Almshouses - Bladder Street"
4059:
3610:
3056:
2173:Australasian Journal of Victorian Studies
1540:
697:Siddal was buried with her father-in-law
7397:Tristram and Isoude stained glass panels
6700:The Finding of the Saviour in the Temple
5707:The Poems of Elizabeth Siddal in Context
5471:The Burlington Magazine for Connoisseurs
5418:. London: Union Books. pp. 99–136.
5200:. New York: E.P. Dutton & Co., Inc.
5197:The Wife of Rossetti: Her Life and Death
4043:
4027:
3918:(1). Edinburgh University Press: 12–32.
3885:The Victorian Web (www,victorianweb.org)
3863:
3761:
3741:
3725:
3594:
3521:
3408:
3392:
3376:
3284:
3268:
3241:
3221:
3205:
2755:Evemy, Benjamin Blake (7 October 2022).
2345:
2041:
2021:
1896:
1737:
1721:
1705:
1689:
1670:
1382:(1857) – watercolour, private collection
1070:, 1853, pen, black ink, sepia and pencil
6108:ArtMagick Illustrated Poetry Collection
5760:Painting Women: Victorian Women Artists
5627:Oxford Dictionary of National Biography
4258:Ekkelenkamp, Mariëlle (15 March 2020).
4197:Trowbridge, Serena (28 February 2018).
3989:(5681). NI Syndication Limited: 14–16.
3968:
3629:
3578:
2927:
2721:Jargalsaikhan, Bolor (28 August 2022).
2531:Art Institute of Chicago Museum Studies
1884:
1533:
1455:
1166:
1057:
755:And cold forgetfulness of night or day.
208:(1852). Early in her relationship with
6005:Clever as Paint: The Rossettis in Love
5977:. New York, N.Y: Thames & Hudson.
5877:Poems and Drawings of Elizabeth Siddal
5277:(1988). "Imagining Elizabeth Siddal".
2263:from the original on 11 September 2017
2197:
2111:exhibition and included an excerpt of
2057:
1658:
1647:– via British Newspaper Archive.
607:It was thought that she suffered from
6166:"Letters Written by Elizabeth Siddal"
5467:"Dante Rossetti and Elizabeth Siddal"
4964:from the original on 15 November 2021
4934:from the original on 19 December 2021
4904:from the original on 15 November 2021
4743:from the original on 19 December 2021
4465:The Journal of Pre-Raphaelite Studies
4199:"Exhibition review: 'Beyond Ophelia'"
3952:
3541:Rossetti, Rossetti & Hartley 1903
3463:
3305:Rossetti, Rossetti & Hartley 1903
2990:from the original on 12 February 2020
2675:Rossetti, Rossetti & Hartley 1903
2662:
2642:Rossetti, Rossetti & Hartley 1903
2625:
2582:
2282:Hughes, Rebecca Ann (15 April 2023).
2233:from the original on 22 December 2021
2152:Rossetti, Rossetti & Hartley 1903
2124:
2113:Plot 5779 Unearthing Elizabeth Siddal
1912:
1757:Rossetti, Rossetti & Hartley 1903
1367:Clerk Saunders (1857) – watercolour,
935:by Rossetti that both depict Siddal.
856:which included 17 of Siddal's works.
7:
6597:Our English Coasts ('Strayed Sheep')
4620:from the original on 4 December 2023
4524:(3). Salisbury University: 274–279.
4440:from the original on 2 December 2021
4409:from the original on 2 December 2021
4380:from the original on 2 December 2021
3891:from the original on 4 December 2021
3829:from the original on 13 October 2019
3475:
3447:
3427:
2839:Lowell Libson & Jonny Yarker Ltd
2818:
2314:"Elizabeth Eleanor Siddal 1829–1862"
2253:"The Story of Ophelia – Look Closer"
2221:Hawksley, Lucinda (3 January 2020).
2095:from the original on 1 December 2021
1213:Elizabeth Siddal - Study for Ophelia
1157:, unknown date, watercolor on pencil
762:A wayfarer by barren ways and chill,
720:In August 1869, Rossetti authorized
3693:. New York: Facts On File. p.
3645:
3175:Kennedy, Maev (22 September 2021).
2953:The J. Paul Getty Museum Collection
1322:(1853–54) – oil, private collection
615:wrote that "She suffered much from
421:
163:
7490:19th-century English women writers
7480:19th-century British women artists
6562:Christ in the House of His Parents
5825:. New York: Ticknor & Fields.
5390:10.1111/j.1467-8365.1984.tb00141.x
5354:. London and New York: Routledge.
5085:Grady, Alyssa (16 December 2020).
4773:from the original on 12 April 2023
4763:"Artist / Maker / Culture: Siddal"
4713:from the original on 15 March 2022
4682:from the original on 14 April 2023
4670:Lohmann, Silke (19 October 2021).
4651:from the original on 14 April 2023
4544:from the original on 12 April 2023
4491:from the original on 12 April 2023
4428:Christensen, D. S. (28 May 2017).
4209:from the original on 11 April 2023
4178:from the original on 11 April 2023
4147:from the original on 10 April 2023
4117:from the original on 10 April 2023
4087:from the original on 10 April 2023
3658:Prodger, Michael (24 April 2023).
3499:. 15 December 2004. Archived from
3358:from the original on 29 April 2023
2909:from the original on 30 April 2023
2797:from the original on 22 April 2023
2767:from the original on 22 April 2023
2733:from the original on 10 April 2023
2607:from the original on 14 April 2023
2468:Lanigan, Dennis T. (Spring 2008),
2449:from the original on 20 April 2023
2418:from the original on 10 April 2023
1971:from the original on 25 April 2023
1940:from the original on 25 April 2023
1606:from the original on 15 April 2023
1344:(1856) – watercolour, Tate Gallery
986:(2009) in which she was played by
976:(1975) in which she was played by
25:
6761:King Cophetua and the Beggar Maid
4928:Collections – Delaware Art Museum
4827:from the original on 2 April 2023
4701:Obenreder, Gail (14 March 2022).
4349:from the original on 3 April 2023
4318:from the original on 3 April 2023
4239:from the original on 9 April 2023
3144:Stewart, Doug (1 February 2007).
2879:from the original on 7 April 2023
2845:from the original on 7 April 2023
2477:Journal of Pre-Raphaelite Studies
2387:from the original on 7 April 2023
1996:"The Death of Mrs. D. G. Rosetta"
1866:from the original on 9 April 2023
1813:from the original on 9 April 2023
1649:Eliza Eleanor Rossetti's Obituary
1424:. London: Eric and Joan Stevens.
1245:Dante's Vision of Rachel and Leah
531:Dante's Vision of Rachel and Leah
127:
6211:
6136:"Pre-Raphaelite Online Resource"
5973:; Nunn, Pamela Gerrish (1999) .
5441:Rossetti, Dante Gabriel (1881).
5251:. New York: St. Martin's Press.
5062:. London: British Museum Press.
4853:. 9 January 2006. Archived from
4574:(1). Informa UK Limited: 67–92.
4337:Brooks, Richard (2 April 2023).
4264:Nineteenth-Century Art Worldwide
4166:McNay, Anna (24 December 2018).
4009:from the original on 22 May 2023
3093:Remoortel, Marianne van (2008).
2978:Wood, T. Martin (24 June 2014).
2595:Snow, Emily (16 November 2022).
2406:Wyver, Kate (7 September 2021).
1252:
1236:
1220:
1204:
1188:
1169:
1147:
1132:
1117:
1105:
1090:
1075:
1060:
7288:(with other artists, 1857–1859)
6149:"Portraits of Elizabeth Siddal"
5094:(Thesis). Iowa Research Online.
3981:Marsh, Jan (17 February 2012).
3815:Marsh, Jan (15 February 2012).
3670:from the original on 2 May 2023
3187:from the original on 5 May 2023
3156:from the original on 5 May 2023
3125:from the original on 5 May 2023
3038:from the original on 9 May 2023
2959:from the original on 7 May 2023
2702:from the original on 7 May 2023
2373:McLaren, Iona (24 March 2023).
2324:from the original on 8 May 2023
2294:from the original on 8 May 2023
1568:from the original on 4 May 2023
1348:Madonna and Child with an Angel
284:Twelfth Night, Act II, Scene IV
247:, at the time in the parish of
159:
7530:Female Pre-Raphaelite painters
7515:Drug-related deaths in England
6741:Pygmalion and the Image series
5945:The Legend of Elizabeth Siddal
4924:"Madonna and Child with Angel"
4137:"Elizabeth Siddal (1829-1862)"
3987:TLS. Times Literary Supplement
3689:Krueger, Christine L. (2003).
3330:Boyle, Emily (19 April 2019).
3014:Kong, Sharon (26 April 2018).
2437:Solomon, Anna (6 April 2023).
1959:Owens, Susan (25 April 2023).
1503:The father in this family was
630:Siddal travelled to Paris and
1:
7475:19th-century British painters
7100:Paolo and Francesca da Rimini
6611:Paolo and Francesca da Rimini
6110:. 7 June 2008. Archived from
5935:– via Internet Archive.
5852:. New York: Walker & Co.
5843:– via Internet Archive.
5782:– via Internet Archive.
5698:– via Internet Archive.
5617:– via Internet Archive.
5561:– via Internet Archive.
5436:– via Internet Archive.
5372:– via Internet Archive.
5269:– via Internet Archive.
5247:The Pre-Raphaelite Sisterhood
5208:– via Internet Archive.
5186:– via Internet Archive.
5162:– via Internet Archive.
5128:– via Internet Archive.
5080:– via Internet Archive.
5046:– via Internet Archive.
4994:. New York: Harry N. Abrams.
4869:"The Quest of the Holy Grail"
953:, in which she was played by
521:-themed paintings, including
49:
7505:Burials at Highgate Cemetery
7495:Accidental deaths in England
7485:19th-century British writers
6491:John Roddam Spencer Stanhope
6416:Robert Braithwaite Martineau
5975:Pre-Raphaelite Women Artists
5028:. New York: Schocken Books.
2873:The Art Institute of Chicago
1590:Snow, Emily (6 March 2023).
1282:(n.d.), J.S. Maas Collection
1163:Works with Siddal as a model
304:In 1849, while working at a
7084:The Girlhood of Mary Virgin
6210:(public domain audiobooks)
5629:. Oxford University Press.
5599:. Oxford: Clarendon Press.
5461:; Rossetti, Dante Gabriel;
5445:. London: Ellis and White.
5110:. Bath, U.K: Parragon Pub.
4817:"Lovers listening to Music"
1993:I., W. (18 February 1862).
1326:The Quest of the Holy Grail
1019:Famous Women Dinner Service
792:Exhibitions and collections
711:Christina Georgina Rossetti
693:a year after Siddal's death
314:Government School of Design
7596:
7580:Women of the Victorian era
7560:Pre-Raphaelite Brotherhood
7375:Pre-Raphaelite Brotherhood
6506:Algernon Charles Swinburne
6250:Pre-Raphaelite Brotherhood
6153:National Museums Liverpool
5848:Hawksley, Lucinda (2006).
5539:Rossetti and the Fair Lady
5344:; Cherry, Deborah (1988).
4821:National Trust Collections
4639:Tsar, Diana (April 2021).
4399:"Vertigo: Winter's Edge 3"
4277:10.29411/ncaw.2020.19.1.13
2537:(2). JSTOR: 136–145, 187.
2112:
907:Algernon Charles Swinburne
830:, donated by her husband,
648:Algernon Charles Swinburne
482:Relationship with Rossetti
419:
188:Pre-Raphaelite Brotherhood
7570:Romantic muses and models
6818:The Roses of Heliogabalus
6441:Valentine Cameron Prinsep
6259:
6204:Works by Elizabeth Siddal
5567:Stephens, Frederic George
5535:Sonstroem, David (1970).
5459:Rossetti, William Michael
5213:Marillier, H. C. (1906).
5144:. London: Andr ̌Deutsch.
5106:Essential Pre-Raphaelites
4801:Pollock & Cherry 1988
4733:"British Pre-Raphaelites"
4580:10.1080/14714780903509847
4568:Visual Culture in Britain
4518:Literature/Film Quarterly
4510:Gomez, Joseph A. (1973).
4368:Rossetti, Dante Gabriel,
4233:National Portrait Gallery
3823:Times Literary Supplement
3026:(3). Chapman University.
1350:(c. 1856) – watercolour,
1286:Lovers listening to Music
1100:, 1854, pen and brown ink
1098:Lovers Listening to Music
1041:hosted a 2022 exhibit of
925:Vertigo: Winter's Edge #3
847:National Portrait Gallery
602:, Dante Gabriel's brother
176:Elizabeth Eleanor Siddall
64:Elizabeth Eleanor Siddall
41:
7550:Polidori-Rossetti family
7346:William Michael Rossetti
7340:Maria Francesca Rossetti
6803:The Legend of Briar Rose
6632:The Awakening Conscience
6289:Frederic George Stephens
6284:William Michael Rossetti
5756:Cherry, Deborah (1993).
5279:History Workshop Journal
5024:The pre-Raphaelite dream
4260:"Pre-Raphaelite Sisters"
4229:"Pre-Raphaelite Sisters"
2167:Bryant, Barbara (2018).
1832:Ehnenn, Jill R. (2014).
1259:Dante Gabriel Rossetti,
1243:Dante Gabriel Rossetti,
1227:Dante Gabriel Rossetti,
1195:Dante Gabriel Rossetti,
893:. The artist and author
860:Works inspired by Siddal
715:William Michael Rossetti
600:William Michael Rossetti
352:William Michael Rossetti
7565:Pre-Raphaelite painters
7520:English artists' models
7418:Rossetti and His Circle
6988:Rossetti and His Circle
6929:Marie Spartali Stillman
6516:John William Waterhouse
6501:John Melhuish Strudwick
6496:Marie Spartali Stillman
6366:Charles Allston Collins
5821:Pre-Raphaelites in Love
5642:Walker, Kirsty (2018).
5583:– via HathiTrust.
5493:– via HathiTrust.
5336:– via HathiTrust.
5235:– via HathiTrust.
5225:2027/inu.39000009046280
1602:, by Elizabeth Siddal.
845:exhibition at London's
468:Sheffield School of Art
441:In 1853, Siddal signed
7510:Dante Gabriel Rossetti
7500:British women painters
7064:Dante Gabriel Rossetti
6590:The Light of the World
6526:William Lindsay Windus
6274:Dante Gabriel Rossetti
5703:Woolley, Anne (2021).
5635:10.1093/ref:odnb/37957
5572:Dante Gabriel Rossetti
5374:Originally published:
5314:Odom, William (1926).
4992:Dante Gabriel Rossetti
4374:Harvard Mirador Viewer
4081:British History Online
3778:Boime, Albert (2007).
2108:Pre-Raphaelite Sisters
1328:(1855) – watercolour,
1211:John Everett Millais,
874:
843:Pre-Raphaelite Sisters
805:
777:
694:
680:
641:post-partum depression
605:
562:
495:Dante Gabriel Rossetti
491:
438:
301:
294:John Everett Millais,
287:
210:Dante Gabriel Rossetti
148:Dante Gabriel Rossetti
7244:A Vision of Fiammetta
6735:A Vision of Fiammetta
6639:The Hireling Shepherd
6351:Georgiana Burne-Jones
5764:. London: Routledge.
5506:(3). JSTOR: 437–438.
5384:(2). Wiley: 206–227.
5320:Sheffield: Northend.
3924:10.3366/vic.2020.0364
2001:Sheffield Independent
1777:Hassett, Constance W.
1637:Sheffield Independent
1043:Holly Trostle Brigham
872:
799:
686:
678:
670:
652:Working Men's College
557:
489:
432:
293:
281:
7540:Painters from London
6853:Hylas and the Nymphs
6406:Edward Robert Hughes
6371:Frank Cadogan Cowper
6316:Lawrence Alma-Tadema
6269:John Everett Millais
6114:on 6 September 2012.
5907:Nunn, Pamela Gerrish
4616:. 27 November 2023.
4405:. 24 November 2021.
4172:Studio International
3887:. 28 December 2013.
3568:on 25 February 2020.
3497:arthistory.upenn.edu
3150:Smithsonian Magazine
3146:"Incurably Romantic"
2698:. 15 December 1999.
1961:"Out of the Shadows"
1564:. 17 December 2019.
1356:Wilmington, Delaware
824:Rosalie Glynn Grylls
671:After Siddal's death
585:Ill health and death
575:The Queen of Hearts
393:John Everett Millais
274:Pre-Raphaelite model
212:, Siddal became his
200:John Everett Millais
7545:People from Holborn
7525:English women poets
7442:Desperate Romantics
7286:Oxford Union murals
7236:The Blessed Damozel
7092:Ecce Ancilla Domini
7012:Desperate Romantics
6874:The Lady of Shalott
6810:The Lady of Shalott
6754:Cymon and Iphigenia
6721:The Shadow of Death
6673:Oxford Union murals
6618:The Last of England
6576:Ecce Ancilla Domini
6521:William James Webbe
6264:William Holman Hunt
6037:(1). JSTOR: 21–29.
6031:Woman's Art Journal
5646:. London: Unicorn.
5443:Ballads and sonnets
5326:2027/wu.89079714432
5291:10.1093/hwj/25.1.64
4960:. 11 January 2022.
4900:. 11 January 2022.
4851:rossettiarchive.org
4767:Delaware Art Museum
4737:Delaware Art Museum
4707:Broad Street Review
4203:Culture and Anarchy
3562:rossettiarchive.org
2077:(19 October 2019).
2060:, pp. 437–438.
1934:Delaware Art Museum
1887:, pp. 143–195.
1600:The Lady of Shalott
1352:Delaware Art Museum
1280:The Lady of Shalott
1177:William Holman Hunt
1085:, 1854, pen and ink
1068:The Lady of Shalott
1039:Delaware Art Museum
983:Desperate Romantics
923:, and published in
877:Writer and curator
786:Blackfriars Station
774:Ballads and Sonnets
687:Rossetti completed
443:The Lady of Shalott
376:William Holman Hunt
202:'s famous painting
196:William Holman Hunt
97:Blackfriars, London
7410:La Damoiselle élue
7352:Christina Rossetti
6782:Dante and Beatrice
6446:Christina Rossetti
6386:Henry Treffry Dunn
6346:Edward Burne-Jones
6321:George Price Boyce
5917:. London: Virago.
5817:Daly, Gay (1989).
5670:Williamson, Audrey
4552:– via JSTOR.
4107:"Elizabeth Siddal"
2791:The Economic Times
2087:. 43 minutes in.
1369:Fitzwilliam Museum
875:
806:
800:Elizabeth Siddal,
734:The House of Life.
695:
681:
637:severely depressed
563:
492:
439:
433:Elizabeth Siddal,
416:Artwork and poetry
302:
288:
259:-making business.
119:Elizabeth Rossetti
7452:
7451:
7445:(2009 miniseries)
7437:(1975 miniseries)
7334:Gabriele Rossetti
7188:Veronica Veronese
7148:Venus Verticordia
7078:List of paintings
7030:
7029:
6775:The Golden Stairs
6436:Joseph Noel Paton
6411:Frederic Leighton
6080:978-0-85967-885-8
6067:Surtees, Virginia
6014:978-0-88754-552-8
5984:978-0-500-28104-8
5954:978-0-7043-0170-2
5924:978-0-86068-065-9
5886:978-0-9690828-0-4
5859:978-0-8027-1550-0
5832:978-0-89919-450-9
5801:978-989-641-160-2
5771:978-0-415-06052-3
5718:978-1-5261-4384-6
5687:978-0-87982-022-0
5653:978-1-911604-63-1
5623:Surtees, Virginia
5606:978-0-19-817174-4
5589:Surtees, Virginia
5425:978-1-908526-43-4
5411:"Elizbeth Siddal"
5361:978-0-415-00722-1
5342:Pollock, Griselda
5258:978-0-312-63738-5
5151:978-1-78012-168-0
5134:Hawksley, Lucinda
5117:978-0-7525-4228-7
5100:Hawksley, Lucinda
5035:978-0-8052-0119-2
5001:978-0-8109-3784-0
4614:Anthea Represents
4434:STUDIO REMARKABLE
4141:Women's Art Tours
3793:978-0-226-06342-3
3704:978-1-4381-0870-4
2984:Project Gutenberg
2841:. 12 April 2012.
2727:DailyArt Magazine
2665:, pp. 64–82.
2259:. 2 August 2017.
1999:. To the editor.
1635:. Miscellaneous.
1404:978-1-906469-62-7
1361:Sir Patrick Spens
1155:Madonna and Child
1000:Elizabeth Macneal
834:, and her to the
703:Highgate Cemetery
322:William Allingham
282:Walter Deverell,
173:
172:
109:Highgate Cemetery
80:, London, England
16:(Redirected from
7587:
7392:Morris & Co.
7358:Gaetano Polidori
7328:Frances Polidori
7322:Elizabeth Siddal
7057:
7050:
7043:
7034:
6982:Morris & Co.
6899:Elizabeth Siddal
6796:The Magic Circle
6789:Love's Messenger
6546:
6471:Elizabeth Siddal
6461:Frederick Sandys
6376:Evelyn De Morgan
6341:Richard Burchett
6336:Lucy Madox Brown
6331:Ford Madox Brown
6243:
6236:
6229:
6220:
6215:
6214:
6200:
6198:
6196:
6190:LizzieSiddal.com
6180:
6178:
6176:
6170:LizzieSiddal.com
6160:
6159:on 7 April 2004.
6155:. Archived from
6143:
6131:
6126:. Archived from
6115:
6092:
6062:
6025:
5996:
5966:
5936:
5916:
5898:
5871:
5844:
5824:
5813:
5783:
5763:
5745:
5743:
5741:
5710:
5699:
5679:
5665:
5638:
5618:
5598:
5584:
5562:
5542:
5531:
5500:The Art Bulletin
5494:
5454:
5437:
5413:
5401:
5373:
5349:
5337:
5310:
5270:
5250:
5236:
5209:
5187:
5163:
5143:
5129:
5109:
5095:
5093:
5081:
5061:
5047:
5027:
5013:
4974:
4973:
4971:
4969:
4950:
4944:
4943:
4941:
4939:
4920:
4914:
4913:
4911:
4909:
4890:
4884:
4883:
4881:
4879:
4873:Rossetti Archive
4865:
4859:
4858:
4843:
4837:
4836:
4834:
4832:
4813:
4807:
4798:
4783:
4782:
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4723:
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4658:
4656:
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4627:
4625:
4606:
4600:
4599:
4563:
4554:
4553:
4551:
4549:
4515:
4507:
4501:
4500:
4498:
4496:
4456:
4450:
4449:
4447:
4445:
4425:
4419:
4418:
4416:
4414:
4395:
4389:
4388:
4387:
4385:
4365:
4359:
4358:
4356:
4354:
4334:
4328:
4327:
4325:
4323:
4314:. 29 June 2022.
4304:
4298:
4297:
4279:
4255:
4249:
4248:
4246:
4244:
4225:
4219:
4218:
4216:
4214:
4194:
4188:
4187:
4185:
4183:
4163:
4157:
4156:
4154:
4152:
4143:. 18 July 2020.
4133:
4127:
4126:
4124:
4122:
4103:
4097:
4096:
4094:
4092:
4073:
4067:
4057:
4051:
4041:
4035:
4025:
4019:
4018:
4016:
4014:
3978:
3972:
3966:
3960:
3950:
3944:
3943:
3912:Victoriographies
3907:
3901:
3900:
3898:
3896:
3877:
3871:
3861:
3855:
3845:
3839:
3838:
3836:
3834:
3820:
3812:
3806:
3805:
3775:
3769:
3759:
3753:
3739:
3733:
3723:
3717:
3716:
3686:
3680:
3679:
3677:
3675:
3655:
3649:
3648:, pp. 4, 7.
3643:
3637:
3627:
3618:
3608:
3602:
3592:
3586:
3576:
3570:
3569:
3564:. Archived from
3558:"Regina Cordium"
3554:
3548:
3538:
3529:
3519:
3513:
3512:
3510:
3508:
3503:on 25 March 2023
3489:
3483:
3473:
3467:
3461:
3455:
3445:
3439:
3425:
3416:
3406:
3400:
3390:
3384:
3374:
3368:
3367:
3365:
3363:
3327:
3312:
3302:
3296:
3282:
3276:
3266:
3257:
3239:
3233:
3219:
3213:
3203:
3197:
3196:
3194:
3192:
3172:
3166:
3165:
3163:
3161:
3141:
3135:
3134:
3132:
3130:
3099:Victorian Poetry
3090:
3084:
3054:
3048:
3047:
3045:
3043:
3011:
3000:
2999:
2997:
2995:
2975:
2969:
2968:
2966:
2964:
2945:
2939:
2925:
2919:
2918:
2916:
2914:
2895:
2889:
2888:
2886:
2884:
2864:
2855:
2854:
2852:
2850:
2831:
2825:
2816:
2807:
2806:
2804:
2802:
2783:
2777:
2776:
2774:
2772:
2752:
2743:
2742:
2740:
2738:
2718:
2712:
2711:
2709:
2707:
2688:
2682:
2672:
2666:
2660:
2649:
2639:
2633:
2623:
2617:
2616:
2614:
2612:
2592:
2586:
2580:
2571:
2570:
2526:
2515:
2514:
2513:
2511:
2506:on 27 April 2023
2505:
2499:, archived from
2474:
2465:
2459:
2458:
2456:
2454:
2434:
2428:
2427:
2425:
2423:
2403:
2397:
2396:
2394:
2392:
2378:
2370:
2353:
2343:
2334:
2333:
2331:
2329:
2320:. 10 June 2022.
2310:
2304:
2303:
2301:
2299:
2279:
2273:
2272:
2270:
2268:
2249:
2243:
2242:
2240:
2238:
2218:
2201:
2195:
2189:
2188:
2164:
2158:
2149:
2136:
2122:
2116:
2104:
2102:
2100:
2067:
2061:
2055:
2049:
2039:
2033:
2019:
2013:
2012:
1998:
1990:
1981:
1980:
1978:
1976:
1956:
1950:
1949:
1947:
1945:
1936:. 17 June 2020.
1926:
1920:
1910:
1904:
1894:
1888:
1882:
1876:
1875:
1873:
1871:
1840:Victorian Poetry
1837:
1829:
1823:
1822:
1820:
1818:
1787:Victorian Poetry
1784:
1773:
1764:
1754:
1745:
1735:
1729:
1719:
1713:
1703:
1697:
1687:
1678:
1668:
1662:
1656:
1650:
1648:
1634:
1627:
1616:
1615:
1613:
1611:
1587:
1578:
1577:
1575:
1573:
1554:
1548:
1538:
1521:
1516:, an artist and
1515:
1512:
1501:
1495:
1460:
1433:
1420:— (1979).
1416:
1336:The Haunted Wood
1303:Ashmolean Museum
1261:Elizabeth Siddal
1256:
1240:
1224:
1208:
1192:
1173:
1151:
1136:
1121:
1109:
1094:
1079:
1064:
1005:The Doll Factory
966:and Rossetti by
965:
962:
895:Charles Ricketts
707:Frances Rossetti
665:Ford Madox Brown
662:
657:
603:
447:Ford Madox Brown
425:
388:(1850 or 1851).
384:(1849–1850) and
342:
243:Charles Street,
242:
225:Ashmolean Museum
180:Elizabeth Siddal
167:
165:
161:
116:Other names
92:
89:11 February 1862
73:
71:
54:
51:
46:
36:Elizabeth Siddal
32:
21:
7595:
7594:
7590:
7589:
7588:
7586:
7585:
7584:
7575:Victorian poets
7455:
7454:
7453:
7448:
7434:The Love School
7426:Dante's Inferno
7363:
7310:
7291:
7274:
7156:Pia de' Tolomei
7066:
7061:
7031:
7026:
7004:The Love School
6996:Dante's Inferno
6958:
6904:Fanny Cornforth
6887:
6867:The Love Potion
6547:
6544:
6542:
6541:
6539:
6537:
6530:
6481:Rebecca Solomon
6431:Alexander Munro
6381:Walter Deverell
6309:
6307:
6305:
6298:
6279:James Collinson
6255:
6247:
6212:
6194:
6192:
6183:
6174:
6172:
6163:
6147:
6142:on 29 May 2009.
6134:
6130:on 25 May 2022.
6118:
6102:
6099:
6081:
6065:
6043:10.2307/1358359
6028:
6015:
5999:
5985:
5969:
5955:
5947:. Quartet Bks.
5939:
5925:
5901:
5887:
5874:
5860:
5847:
5833:
5816:
5802:
5786:
5772:
5755:
5752:
5750:Further reading
5739:
5737:
5719:
5702:
5688:
5668:
5654:
5641:
5621:
5607:
5587:
5565:
5551:
5534:
5512:10.2307/3050961
5497:
5463:Hartley, Harold
5457:
5440:
5426:
5406:Prose, Francine
5404:
5375:
5362:
5340:
5313:
5273:
5259:
5239:
5212:
5190:
5168:Hubbard, Elbert
5166:
5152:
5132:
5118:
5098:
5091:
5084:
5070:
5050:
5036:
5016:
5002:
4986:
4983:
4978:
4977:
4967:
4965:
4952:
4951:
4947:
4937:
4935:
4922:
4921:
4917:
4907:
4905:
4892:
4891:
4887:
4877:
4875:
4867:
4866:
4862:
4857:on 18 May 2022.
4845:
4844:
4840:
4830:
4828:
4815:
4814:
4810:
4799:
4786:
4776:
4774:
4761:
4760:
4756:
4746:
4744:
4731:
4730:
4726:
4716:
4714:
4700:
4699:
4695:
4685:
4683:
4676:London Art Week
4669:
4668:
4664:
4654:
4652:
4638:
4637:
4633:
4623:
4621:
4608:
4607:
4603:
4565:
4564:
4557:
4547:
4545:
4509:
4508:
4504:
4494:
4492:
4458:
4457:
4453:
4443:
4441:
4427:
4426:
4422:
4412:
4410:
4397:
4396:
4392:
4383:
4381:
4367:
4366:
4362:
4352:
4350:
4336:
4335:
4331:
4321:
4319:
4308:"The Rossettis"
4306:
4305:
4301:
4257:
4256:
4252:
4242:
4240:
4227:
4226:
4222:
4212:
4210:
4196:
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4191:
4181:
4179:
4165:
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4160:
4150:
4148:
4135:
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4120:
4118:
4105:
4104:
4100:
4090:
4088:
4075:
4074:
4070:
4058:
4054:
4042:
4038:
4026:
4022:
4012:
4010:
3980:
3979:
3975:
3967:
3963:
3951:
3947:
3909:
3908:
3904:
3894:
3892:
3879:
3878:
3874:
3862:
3858:
3848:Williamson 1976
3846:
3842:
3832:
3830:
3814:
3813:
3809:
3794:
3777:
3776:
3772:
3760:
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3329:
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3315:
3303:
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3283:
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3216:
3204:
3200:
3190:
3188:
3174:
3173:
3169:
3159:
3157:
3143:
3142:
3138:
3128:
3126:
3092:
3091:
3087:
3055:
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3041:
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3013:
3012:
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2993:
2991:
2977:
2976:
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2960:
2947:
2946:
2942:
2926:
2922:
2912:
2910:
2897:
2896:
2892:
2882:
2880:
2869:"Beata Beatrix"
2866:
2865:
2858:
2848:
2846:
2833:
2832:
2828:
2817:
2810:
2800:
2798:
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2608:
2594:
2593:
2589:
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2543:10.2307/4101558
2528:
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2219:
2204:
2196:
2192:
2166:
2165:
2161:
2150:
2139:
2123:
2119:
2098:
2096:
2069:
2068:
2064:
2056:
2052:
2040:
2036:
2020:
2016:
1992:
1991:
1984:
1974:
1972:
1965:Literary Review
1958:
1957:
1953:
1943:
1941:
1928:
1927:
1923:
1911:
1907:
1895:
1891:
1883:
1879:
1869:
1867:
1831:
1830:
1826:
1816:
1814:
1775:
1774:
1767:
1755:
1748:
1736:
1732:
1720:
1716:
1704:
1700:
1688:
1681:
1669:
1665:
1657:
1653:
1629:
1628:
1619:
1609:
1607:
1589:
1588:
1581:
1571:
1569:
1556:
1555:
1551:
1539:
1535:
1530:
1525:
1524:
1507:
1502:
1498:
1461:
1457:
1452:
1440:
1419:
1405:
1392:
1389:
1316:
1290:Wightwick Manor
1276:
1271:
1264:
1257:
1248:
1241:
1232:
1225:
1216:
1209:
1200:
1193:
1184:
1174:
1165:
1158:
1152:
1143:
1137:
1128:
1122:
1113:
1110:
1101:
1095:
1086:
1080:
1071:
1065:
1056:
1054:Works by Siddal
1051:
1014:
973:The Love School
957:
946:Dante's Inferno
941:
867:
862:
832:Geoffrey Mander
828:Wightwick Manor
812:in 1991 at the
794:
782:
770:
767:
765:
763:
761:
759:
757:
756:
754:
752:
750:
748:
746:
744:
742:
673:
660:
655:
604:
598:
587:
498:main model and
484:
427:
423:
422:Selected works
418:
378:painted her in
369:The Grey Parrot
340:
310:Walter Deverell
276:
240:
237:
221:Wightwick Manor
192:Walter Deverell
169:
157:
153:
150:
100:
94:
90:
81:
75:
69:
67:
66:
65:
55:
52:
37:
28:
23:
22:
15:
12:
11:
5:
7593:
7591:
7583:
7582:
7577:
7572:
7567:
7562:
7557:
7552:
7547:
7542:
7537:
7532:
7527:
7522:
7517:
7512:
7507:
7502:
7497:
7492:
7487:
7482:
7477:
7472:
7467:
7457:
7456:
7450:
7449:
7447:
7446:
7438:
7430:
7422:
7414:
7413:(1893 cantata)
7406:
7404:Great Bookcase
7401:
7400:
7399:
7389:
7384:
7377:
7371:
7369:
7365:
7364:
7362:
7361:
7355:
7349:
7343:
7337:
7331:
7325:
7318:
7316:
7312:
7311:
7309:
7308:
7299:
7297:
7293:
7292:
7290:
7289:
7282:
7280:
7276:
7275:
7273:
7272:
7264:
7256:
7248:
7240:
7232:
7224:
7216:
7208:
7204:La Ghirlandata
7200:
7192:
7184:
7176:
7168:
7167:(c. 1864–1870)
7160:
7152:
7144:
7136:
7128:
7120:
7112:
7104:
7096:
7088:
7080:
7074:
7072:
7068:
7067:
7062:
7060:
7059:
7052:
7045:
7037:
7028:
7027:
7025:
7024:
7016:
7008:
7000:
6992:
6984:
6979:
6974:
6966:
6964:
6960:
6959:
6957:
6956:
6951:
6946:
6941:
6936:
6931:
6926:
6921:
6916:
6911:
6906:
6901:
6895:
6893:
6889:
6888:
6886:
6885:
6878:
6870:
6863:
6856:
6849:
6842:
6835:
6828:
6821:
6814:
6806:
6799:
6792:
6785:
6778:
6771:
6764:
6757:
6750:
6743:
6738:
6731:
6724:
6717:
6710:
6703:
6696:
6693:Mary Magdalene
6689:
6682:
6675:
6670:
6663:
6656:
6649:
6642:
6635:
6628:
6621:
6614:
6607:
6600:
6593:
6586:
6579:
6572:
6565:
6558:
6550:
6548:
6535:
6532:
6531:
6529:
6528:
6523:
6518:
6513:
6508:
6503:
6498:
6493:
6488:
6486:Simeon Solomon
6483:
6478:
6473:
6468:
6463:
6458:
6453:
6448:
6443:
6438:
6433:
6428:
6426:William Morris
6423:
6418:
6413:
6408:
6403:
6398:
6393:
6388:
6383:
6378:
6373:
6368:
6363:
6358:
6356:James Campbell
6353:
6348:
6343:
6338:
6333:
6328:
6323:
6318:
6312:
6310:
6303:
6300:
6299:
6297:
6296:
6294:Thomas Woolner
6291:
6286:
6281:
6276:
6271:
6266:
6260:
6257:
6256:
6248:
6246:
6245:
6238:
6231:
6223:
6217:
6216:
6201:
6181:
6161:
6145:
6132:
6124:National Trust
6116:
6098:
6097:External links
6095:
6094:
6093:
6079:
6063:
6026:
6013:
6001:Morrissey, Kim
5997:
5983:
5967:
5953:
5937:
5923:
5899:
5885:
5872:
5858:
5845:
5831:
5814:
5800:
5788:Correia, Hélia
5784:
5770:
5751:
5748:
5747:
5746:
5717:
5700:
5686:
5666:
5652:
5639:
5619:
5605:
5585:
5563:
5549:
5532:
5495:
5455:
5438:
5424:
5402:
5360:
5338:
5311:
5271:
5257:
5237:
5210:
5188:
5164:
5150:
5130:
5116:
5096:
5082:
5068:
5048:
5034:
5018:Gaunt, William
5014:
5000:
4982:
4979:
4976:
4975:
4945:
4915:
4885:
4860:
4847:"Pippa Passes"
4838:
4808:
4784:
4754:
4724:
4693:
4662:
4631:
4601:
4555:
4502:
4451:
4420:
4390:
4360:
4329:
4299:
4250:
4220:
4189:
4158:
4128:
4098:
4068:
4060:Marillier 1906
4052:
4036:
4020:
3973:
3961:
3945:
3902:
3872:
3856:
3840:
3807:
3792:
3770:
3754:
3734:
3718:
3703:
3681:
3650:
3638:
3619:
3611:Marillier 1906
3603:
3587:
3571:
3549:
3530:
3514:
3484:
3468:
3456:
3440:
3417:
3401:
3385:
3369:
3313:
3297:
3277:
3258:
3234:
3214:
3198:
3167:
3136:
3085:
3057:Sonstroem 1970
3049:
3001:
2986:. p. xx.
2970:
2940:
2920:
2890:
2856:
2826:
2808:
2778:
2744:
2713:
2683:
2667:
2650:
2634:
2618:
2587:
2585:, pp. 72.
2572:
2516:
2460:
2429:
2398:
2354:
2335:
2305:
2274:
2244:
2202:
2200:, p. 437.
2190:
2159:
2137:
2117:
2075:Smith, Allison
2062:
2050:
2034:
2014:
1982:
1951:
1921:
1905:
1889:
1877:
1824:
1765:
1746:
1730:
1714:
1698:
1679:
1663:
1651:
1617:
1579:
1549:
1541:Sonstroem 1970
1532:
1531:
1529:
1526:
1523:
1522:
1505:William Ibbett
1496:
1454:
1453:
1451:
1448:
1447:
1446:
1439:
1436:
1435:
1434:
1417:
1403:
1388:
1385:
1384:
1383:
1377:
1364:
1358:
1345:
1339:
1333:
1323:
1315:
1312:
1311:
1310:
1296:
1283:
1275:
1272:
1270:
1269:Selected works
1267:
1266:
1265:
1258:
1251:
1249:
1242:
1235:
1233:
1226:
1219:
1217:
1210:
1203:
1201:
1194:
1187:
1185:
1183:, 1850 or 1851
1175:
1168:
1164:
1161:
1160:
1159:
1153:
1146:
1144:
1140:Clerk Saunders
1138:
1131:
1129:
1123:
1116:
1114:
1111:
1104:
1102:
1096:
1089:
1087:
1081:
1074:
1072:
1066:
1059:
1055:
1052:
1050:
1047:
1013:
1010:
998:adaptation of
978:Patricia Quinn
940:
937:
866:
863:
861:
858:
836:National Trust
814:Ruskin Gallery
793:
790:
781:
778:
739:
722:Charles Howell
672:
669:
613:Elbert Hubbard
596:
586:
583:
571:Regina Cordium
559:Regina Cordium
483:
480:
453:Siddal's 1854
417:
414:
318:Somerset House
275:
272:
253:central London
236:
233:
171:
170:
155:
151:
146:
145:
143:
139:
138:
137:
136:
135:artist's model
133:
130:
125:
121:
120:
117:
113:
112:
106:
102:
101:
95:
93:(aged 32)
87:
83:
82:
76:
63:
61:
57:
56:
47:
39:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
7592:
7581:
7578:
7576:
7573:
7571:
7568:
7566:
7563:
7561:
7558:
7556:
7553:
7551:
7548:
7546:
7543:
7541:
7538:
7536:
7533:
7531:
7528:
7526:
7523:
7521:
7518:
7516:
7513:
7511:
7508:
7506:
7503:
7501:
7498:
7496:
7493:
7491:
7488:
7486:
7483:
7481:
7478:
7476:
7473:
7471:
7468:
7466:
7463:
7462:
7460:
7444:
7443:
7439:
7436:
7435:
7431:
7428:
7427:
7423:
7420:
7419:
7415:
7412:
7411:
7407:
7405:
7402:
7398:
7395:
7394:
7393:
7390:
7388:
7385:
7383:
7382:
7378:
7376:
7373:
7372:
7370:
7366:
7360:(grandfather)
7359:
7356:
7353:
7350:
7347:
7344:
7341:
7338:
7335:
7332:
7329:
7326:
7323:
7320:
7319:
7317:
7313:
7306:
7305:
7301:
7300:
7298:
7294:
7287:
7284:
7283:
7281:
7277:
7270:
7269:
7265:
7262:
7261:
7257:
7254:
7253:
7252:The Day Dream
7249:
7246:
7245:
7241:
7238:
7237:
7233:
7230:
7229:
7225:
7222:
7221:
7217:
7214:
7213:
7209:
7206:
7205:
7201:
7198:
7197:
7193:
7190:
7189:
7185:
7182:
7181:
7177:
7174:
7173:
7172:Dante's Dream
7169:
7166:
7165:
7164:Beata Beatrix
7161:
7158:
7157:
7153:
7150:
7149:
7145:
7142:
7141:
7137:
7134:
7133:
7129:
7126:
7125:
7121:
7118:
7117:
7113:
7110:
7109:
7108:Bocca Baciata
7105:
7102:
7101:
7097:
7094:
7093:
7089:
7086:
7085:
7081:
7079:
7076:
7075:
7073:
7069:
7065:
7058:
7053:
7051:
7046:
7044:
7039:
7038:
7035:
7023:
7021:
7017:
7015:
7014:(2009 series)
7013:
7009:
7007:
7006:(1975 series)
7005:
7001:
6999:
6997:
6993:
6990:
6989:
6985:
6983:
6980:
6978:
6975:
6973:
6972:
6968:
6967:
6965:
6961:
6955:
6952:
6950:
6947:
6945:
6942:
6940:
6939:Maria Zambaco
6937:
6935:
6934:Alexa Wilding
6932:
6930:
6927:
6925:
6922:
6920:
6917:
6915:
6912:
6910:
6907:
6905:
6902:
6900:
6897:
6896:
6894:
6890:
6884:
6883:
6879:
6877:
6875:
6871:
6869:
6868:
6864:
6862:
6861:
6857:
6855:
6854:
6850:
6848:
6847:
6843:
6841:
6840:
6836:
6834:
6833:
6829:
6827:
6826:
6822:
6820:
6819:
6815:
6813:
6811:
6807:
6805:
6804:
6800:
6798:
6797:
6793:
6791:
6790:
6786:
6784:
6783:
6779:
6777:
6776:
6772:
6770:
6769:
6768:The Day Dream
6765:
6763:
6762:
6758:
6756:
6755:
6751:
6749:
6748:
6744:
6742:
6739:
6737:
6736:
6732:
6730:
6729:
6725:
6723:
6722:
6718:
6716:
6715:
6714:Beata Beatrix
6711:
6709:
6708:
6707:Morgan le Fay
6704:
6702:
6701:
6697:
6695:
6694:
6690:
6688:
6687:
6683:
6681:
6680:
6676:
6674:
6671:
6669:
6668:
6667:Bocca Baciata
6664:
6662:
6661:
6660:Autumn Leaves
6657:
6655:
6654:
6650:
6648:
6647:
6643:
6641:
6640:
6636:
6634:
6633:
6629:
6627:
6626:
6622:
6620:
6619:
6615:
6613:
6612:
6608:
6606:
6605:
6604:The Scapegoat
6601:
6599:
6598:
6594:
6592:
6591:
6587:
6585:
6584:
6580:
6578:
6577:
6573:
6571:
6570:
6566:
6564:
6563:
6559:
6557:
6556:
6552:
6551:
6549:
6533:
6527:
6524:
6522:
6519:
6517:
6514:
6512:
6509:
6507:
6504:
6502:
6499:
6497:
6494:
6492:
6489:
6487:
6484:
6482:
6479:
6477:
6476:James Smetham
6474:
6472:
6469:
6467:
6466:Thomas Seddon
6464:
6462:
6459:
6457:
6454:
6452:
6449:
6447:
6444:
6442:
6439:
6437:
6434:
6432:
6429:
6427:
6424:
6422:
6419:
6417:
6414:
6412:
6409:
6407:
6404:
6402:
6401:Arthur Hughes
6399:
6397:
6396:Henry Holiday
6394:
6392:
6389:
6387:
6384:
6382:
6379:
6377:
6374:
6372:
6369:
6367:
6364:
6362:
6359:
6357:
6354:
6352:
6349:
6347:
6344:
6342:
6339:
6337:
6334:
6332:
6329:
6327:
6324:
6322:
6319:
6317:
6314:
6313:
6311:
6301:
6295:
6292:
6290:
6287:
6285:
6282:
6280:
6277:
6275:
6272:
6270:
6267:
6265:
6262:
6261:
6258:
6254:
6251:
6244:
6239:
6237:
6232:
6230:
6225:
6224:
6221:
6209:
6205:
6202:
6191:
6187:
6182:
6171:
6167:
6162:
6158:
6154:
6150:
6146:
6141:
6137:
6133:
6129:
6125:
6121:
6117:
6113:
6109:
6105:
6101:
6100:
6096:
6090:
6086:
6082:
6076:
6072:
6068:
6064:
6060:
6056:
6052:
6048:
6044:
6040:
6036:
6032:
6027:
6024:
6020:
6016:
6010:
6006:
6002:
5998:
5994:
5990:
5986:
5980:
5976:
5972:
5968:
5964:
5960:
5956:
5950:
5946:
5942:
5938:
5934:
5930:
5926:
5920:
5915:
5914:
5908:
5904:
5900:
5896:
5892:
5888:
5882:
5878:
5873:
5869:
5865:
5861:
5855:
5851:
5846:
5842:
5838:
5834:
5828:
5823:
5822:
5815:
5811:
5807:
5803:
5797:
5793:
5789:
5785:
5781:
5777:
5773:
5767:
5762:
5761:
5754:
5753:
5749:
5736:
5732:
5728:
5724:
5720:
5714:
5709:
5708:
5701:
5697:
5693:
5689:
5683:
5678:
5677:
5671:
5667:
5663:
5659:
5655:
5649:
5645:
5640:
5636:
5632:
5628:
5624:
5620:
5616:
5612:
5608:
5602:
5597:
5596:
5590:
5586:
5582:
5578:
5574:
5573:
5568:
5564:
5560:
5556:
5552:
5550:0-8195-4019-6
5546:
5541:
5540:
5533:
5529:
5525:
5521:
5517:
5513:
5509:
5505:
5501:
5496:
5492:
5488:
5484:
5480:
5476:
5472:
5468:
5464:
5460:
5456:
5452:
5448:
5444:
5439:
5435:
5431:
5427:
5421:
5417:
5412:
5407:
5403:
5399:
5395:
5391:
5387:
5383:
5379:
5371:
5367:
5363:
5357:
5353:
5348:
5343:
5339:
5335:
5331:
5327:
5323:
5319:
5318:
5312:
5308:
5304:
5300:
5296:
5292:
5288:
5284:
5280:
5276:
5272:
5268:
5264:
5260:
5254:
5249:
5248:
5242:
5238:
5234:
5230:
5226:
5222:
5218:
5217:
5211:
5207:
5203:
5199:
5198:
5193:
5189:
5185:
5181:
5177:
5173:
5169:
5165:
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5157:
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5147:
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5141:
5135:
5131:
5127:
5123:
5119:
5113:
5108:
5107:
5101:
5097:
5090:
5089:
5083:
5079:
5075:
5071:
5069:0-7141-2603-9
5065:
5060:
5059:
5053:
5052:Gere, John A.
5049:
5045:
5041:
5037:
5031:
5026:
5025:
5019:
5015:
5011:
5007:
5003:
4997:
4993:
4989:
4985:
4984:
4980:
4963:
4959:
4955:
4949:
4946:
4933:
4929:
4925:
4919:
4916:
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4899:
4895:
4889:
4886:
4874:
4870:
4864:
4861:
4856:
4852:
4848:
4842:
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4818:
4812:
4809:
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4797:
4795:
4793:
4791:
4789:
4785:
4772:
4768:
4764:
4758:
4755:
4742:
4738:
4734:
4728:
4725:
4712:
4708:
4704:
4697:
4694:
4681:
4677:
4673:
4666:
4663:
4650:
4646:
4642:
4635:
4632:
4619:
4615:
4611:
4605:
4602:
4597:
4593:
4589:
4585:
4581:
4577:
4573:
4569:
4562:
4560:
4556:
4543:
4539:
4535:
4531:
4527:
4523:
4519:
4514:
4506:
4503:
4490:
4486:
4482:
4478:
4474:
4470:
4466:
4462:
4455:
4452:
4439:
4435:
4431:
4424:
4421:
4408:
4404:
4400:
4394:
4391:
4379:
4375:
4371:
4364:
4361:
4348:
4344:
4340:
4333:
4330:
4317:
4313:
4309:
4303:
4300:
4295:
4291:
4287:
4283:
4278:
4273:
4269:
4265:
4261:
4254:
4251:
4238:
4234:
4230:
4224:
4221:
4208:
4204:
4200:
4193:
4190:
4177:
4173:
4169:
4162:
4159:
4146:
4142:
4138:
4132:
4129:
4116:
4112:
4108:
4102:
4099:
4086:
4082:
4078:
4072:
4069:
4065:
4061:
4056:
4053:
4049:
4045:
4044:Hawksley 2004
4040:
4037:
4033:
4029:
4028:Rossetti 1881
4024:
4021:
4008:
4004:
4000:
3996:
3992:
3988:
3984:
3977:
3974:
3970:
3965:
3962:
3958:
3954:
3949:
3946:
3941:
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3925:
3921:
3917:
3913:
3906:
3903:
3890:
3886:
3882:
3876:
3873:
3869:
3865:
3864:Hawksley 2004
3860:
3857:
3853:
3849:
3844:
3841:
3828:
3824:
3819:
3811:
3808:
3803:
3799:
3795:
3789:
3785:
3781:
3774:
3771:
3767:
3763:
3762:Hawksley 2004
3758:
3755:
3751:
3747:
3743:
3742:Hawksley 2004
3738:
3735:
3731:
3727:
3726:Hawksley 2004
3722:
3719:
3714:
3710:
3706:
3700:
3696:
3692:
3685:
3682:
3669:
3665:
3664:New Statesman
3661:
3654:
3651:
3647:
3642:
3639:
3635:
3631:
3626:
3624:
3620:
3616:
3612:
3607:
3604:
3600:
3596:
3595:Hawksley 2004
3591:
3588:
3584:
3580:
3575:
3572:
3567:
3563:
3559:
3553:
3550:
3546:
3542:
3537:
3535:
3531:
3527:
3523:
3522:Hawksley 2004
3518:
3515:
3502:
3498:
3494:
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3485:
3481:
3477:
3472:
3469:
3465:
3460:
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3453:
3449:
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3441:
3437:
3433:
3429:
3424:
3422:
3418:
3414:
3410:
3409:Hawksley 2004
3405:
3402:
3398:
3394:
3393:Hawksley 2004
3389:
3386:
3382:
3378:
3377:Hawksley 2004
3373:
3370:
3357:
3353:
3349:
3345:
3341:
3337:
3333:
3326:
3324:
3322:
3320:
3318:
3314:
3310:
3306:
3301:
3298:
3294:
3290:
3286:
3285:Hawksley 2004
3281:
3278:
3274:
3270:
3269:Hawksley 2004
3265:
3263:
3259:
3255:
3251:
3247:
3243:
3242:Hawksley 2004
3238:
3235:
3231:
3227:
3223:
3222:Hawksley 2004
3218:
3215:
3211:
3207:
3206:Hawksley 2001
3202:
3199:
3186:
3182:
3178:
3171:
3168:
3155:
3151:
3147:
3140:
3137:
3124:
3120:
3116:
3112:
3108:
3104:
3100:
3096:
3089:
3086:
3082:
3078:
3074:
3070:
3066:
3062:
3058:
3053:
3050:
3037:
3033:
3029:
3025:
3021:
3017:
3010:
3008:
3006:
3002:
2989:
2985:
2981:
2974:
2971:
2958:
2954:
2950:
2944:
2941:
2937:
2933:
2929:
2924:
2921:
2908:
2904:
2900:
2894:
2891:
2878:
2874:
2870:
2863:
2861:
2857:
2844:
2840:
2836:
2830:
2827:
2824:
2820:
2815:
2813:
2809:
2796:
2792:
2788:
2782:
2779:
2766:
2762:
2758:
2751:
2749:
2745:
2732:
2728:
2724:
2717:
2714:
2701:
2697:
2693:
2687:
2684:
2680:
2676:
2671:
2668:
2664:
2659:
2657:
2655:
2651:
2647:
2643:
2638:
2635:
2631:
2627:
2622:
2619:
2606:
2602:
2598:
2591:
2588:
2584:
2579:
2577:
2573:
2568:
2564:
2560:
2556:
2552:
2548:
2544:
2540:
2536:
2532:
2525:
2523:
2521:
2517:
2502:
2498:
2494:
2490:
2486:
2482:
2478:
2471:
2464:
2461:
2448:
2444:
2443:Luxury London
2440:
2433:
2430:
2417:
2413:
2409:
2402:
2399:
2386:
2382:
2381:The Telegraph
2377:
2369:
2367:
2365:
2363:
2361:
2359:
2355:
2351:
2347:
2346:Hawksley 2004
2342:
2340:
2336:
2323:
2319:
2315:
2309:
2306:
2293:
2289:
2285:
2278:
2275:
2262:
2258:
2254:
2248:
2245:
2232:
2228:
2224:
2217:
2215:
2213:
2211:
2209:
2207:
2203:
2199:
2194:
2191:
2186:
2182:
2178:
2174:
2170:
2163:
2160:
2157:
2153:
2148:
2146:
2144:
2142:
2138:
2134:
2130:
2126:
2121:
2118:
2114:
2110:
2109:
2094:
2090:
2086:
2085:
2080:
2076:
2072:
2066:
2063:
2059:
2054:
2051:
2047:
2043:
2042:Stephens 1894
2038:
2035:
2031:
2027:
2023:
2022:Hawksley 2004
2018:
2015:
2010:
2006:
2002:
1997:
1989:
1987:
1983:
1970:
1966:
1962:
1955:
1952:
1939:
1935:
1931:
1925:
1922:
1918:
1914:
1909:
1906:
1902:
1898:
1897:Hawksley 2004
1893:
1890:
1886:
1881:
1878:
1865:
1861:
1857:
1853:
1849:
1845:
1841:
1836:
1828:
1825:
1812:
1808:
1804:
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1796:
1792:
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1783:
1778:
1772:
1770:
1766:
1762:
1758:
1753:
1751:
1747:
1743:
1739:
1738:Hawksley 2004
1734:
1731:
1727:
1723:
1722:Hawksley 2004
1718:
1715:
1711:
1707:
1706:Hawksley 2004
1702:
1699:
1695:
1691:
1690:Hawksley 2004
1686:
1684:
1680:
1676:
1672:
1671:Hawksley 2004
1667:
1664:
1661:, p. 24.
1660:
1655:
1652:
1646:
1642:
1638:
1633:
1626:
1624:
1622:
1618:
1605:
1601:
1597:
1593:
1586:
1584:
1580:
1567:
1563:
1559:
1553:
1550:
1546:
1542:
1537:
1534:
1527:
1519:
1518:silver-chaser
1513:
1506:
1500:
1497:
1493:
1489:
1485:
1481:
1477:
1473:
1469:
1465:
1459:
1456:
1449:
1445:
1442:
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1431:
1427:
1423:
1418:
1414:
1410:
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1400:
1396:
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1390:
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1378:
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1365:
1362:
1359:
1357:
1353:
1349:
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1337:
1334:
1331:
1327:
1324:
1321:
1320:Self Portrait
1318:
1317:
1313:
1308:
1304:
1300:
1297:
1295:
1294:West Midlands
1291:
1287:
1284:
1281:
1278:
1277:
1273:
1268:
1262:
1255:
1250:
1246:
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1186:
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1108:
1103:
1099:
1093:
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1084:
1078:
1073:
1069:
1063:
1058:
1053:
1048:
1046:
1044:
1040:
1035:
1033:
1032:Kenneth Clark
1029:
1025:
1021:
1020:
1011:
1009:
1007:
1006:
1001:
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993:
992:Hannah Onslow
989:
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969:
963:
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948:
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930:
926:
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921:Michael Zulli
918:
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913:
908:
903:
901:
896:
892:
891:Arthur Symons
888:
884:
880:
871:
864:
859:
857:
855:
854:The Rossettis
850:
848:
844:
839:
837:
833:
829:
825:
821:
819:
815:
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803:
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700:
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690:Beata Beatrix
685:
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653:
649:
644:
642:
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633:
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626:
622:
618:
614:
610:
601:
595:
593:
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560:
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548:school of art
544:
540:
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536:Beata Beatrix
532:
528:
524:
520:
515:
511:
509:
503:
501:
496:
488:
481:
479:
477:
476:William Gaunt
471:
469:
465:
460:
456:
455:self-portrait
451:
448:
444:
436:
435:self-portrait
431:
426:
415:
413:
410:
408:
404:
400:
399:
394:
389:
387:
383:
382:
377:
373:
371:
370:
365:
364:
359:
358:
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349:
348:Twelfth Night
344:
336:
334:
333:
332:Twelfth Night
328:
323:
319:
315:
311:
307:
299:
298:
292:
285:
280:
273:
271:
269:
265:
260:
258:
254:
250:
246:
245:Hatton Garden
234:
232:
230:
226:
222:
217:
215:
211:
207:
206:
201:
197:
193:
189:
185:
181:
177:
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144:
140:
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128:
126:
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118:
114:
110:
107:
103:
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18:Lizzie Siddal
7440:
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7387:Hogarth Club
7379:
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7304:Ligeia Siren
7302:
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7218:
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7180:Water Willow
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7106:
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6969:
6954:Ruth Herbert
6944:Dorothy Dene
6919:Annie Miller
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6839:Flaming June
6837:
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6545:post-period)
6543:(period and
6511:Henry Wallis
6470:
6391:William Dyce
6361:John Collier
6306:artists and
6193:. Retrieved
6189:
6173:. Retrieved
6169:
6157:the original
6152:
6140:the original
6128:the original
6123:
6112:the original
6107:
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6034:
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5944:
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5738:. Retrieved
5727:j.ctv1h45mnp
5706:
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5470:
5465:(May 1903).
5442:
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5215:
5196:
5192:Hunt, Violet
5175:
5139:
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5087:
5057:
5023:
4991:
4988:Ash, Russell
4966:. Retrieved
4957:
4948:
4936:. Retrieved
4927:
4918:
4906:. Retrieved
4897:
4888:
4876:. Retrieved
4872:
4863:
4855:the original
4850:
4841:
4829:. Retrieved
4820:
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4775:. Retrieved
4766:
4757:
4745:. Retrieved
4736:
4727:
4715:. Retrieved
4706:
4696:
4684:. Retrieved
4675:
4665:
4653:. Retrieved
4644:
4634:
4622:. Retrieved
4613:
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4567:
4546:. Retrieved
4521:
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4493:. Retrieved
4468:
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4442:. Retrieved
4433:
4423:
4411:. Retrieved
4402:
4393:
4382:, retrieved
4373:
4363:
4351:. Retrieved
4343:The Guardian
4342:
4332:
4320:. Retrieved
4311:
4302:
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4253:
4241:. Retrieved
4232:
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4211:. Retrieved
4202:
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4180:. Retrieved
4171:
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4149:. Retrieved
4140:
4131:
4119:. Retrieved
4110:
4101:
4089:. Retrieved
4080:
4071:
4055:
4039:
4023:
4011:. Retrieved
3986:
3976:
3969:Surtees 2004
3964:
3948:
3915:
3911:
3905:
3893:. Retrieved
3884:
3875:
3859:
3843:
3831:. Retrieved
3822:
3810:
3779:
3773:
3757:
3737:
3721:
3690:
3684:
3672:. Retrieved
3663:
3653:
3641:
3630:Hubbard 1906
3606:
3590:
3579:Surtees 1971
3574:
3566:the original
3561:
3552:
3517:
3505:. Retrieved
3501:the original
3496:
3487:
3471:
3459:
3443:
3404:
3388:
3372:
3360:. Retrieved
3335:
3300:
3280:
3237:
3217:
3201:
3189:. Retrieved
3180:
3170:
3158:. Retrieved
3149:
3139:
3127:. Retrieved
3102:
3098:
3088:
3052:
3040:. Retrieved
3023:
3019:
2992:. Retrieved
2983:
2973:
2961:. Retrieved
2952:
2943:
2928:Surtees 1971
2923:
2911:. Retrieved
2902:
2893:
2881:. Retrieved
2872:
2847:. Retrieved
2838:
2829:
2799:. Retrieved
2790:
2781:
2769:. Retrieved
2760:
2735:. Retrieved
2726:
2716:
2704:. Retrieved
2695:
2686:
2670:
2637:
2621:
2609:. Retrieved
2601:TheCollector
2600:
2590:
2534:
2530:
2508:, retrieved
2501:the original
2480:
2476:
2463:
2451:. Retrieved
2442:
2432:
2420:. Retrieved
2412:The Guardian
2411:
2401:
2389:. Retrieved
2380:
2326:. Retrieved
2317:
2308:
2296:. Retrieved
2287:
2277:
2265:. Retrieved
2256:
2247:
2235:. Retrieved
2226:
2193:
2176:
2172:
2162:
2120:
2107:
2097:. Retrieved
2084:Womans' Hour
2083:
2065:
2053:
2037:
2017:
2000:
1973:. Retrieved
1964:
1954:
1942:. Retrieved
1933:
1924:
1908:
1892:
1885:Woolley 2021
1880:
1868:. Retrieved
1843:
1839:
1827:
1815:. Retrieved
1790:
1786:
1733:
1717:
1701:
1666:
1654:
1636:
1608:. Retrieved
1599:
1596:TheCollector
1595:
1570:. Retrieved
1561:
1552:
1536:
1499:
1491:
1488:E. E. Siddal
1487:
1483:
1479:
1475:
1471:
1467:
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1330:Tate Gallery
1325:
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1299:Pippa Passes
1298:
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1279:
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1097:
1083:Pippa Passes
1082:
1067:
1036:
1028:Duncan Grant
1024:Vanessa Bell
1017:
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1003:
981:
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955:Judith Paris
944:
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771:
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725:contents in
719:
713:(1895), and
696:
688:
645:
629:
609:tuberculosis
606:
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174:
105:Burial place
91:(1862-02-11)
74:25 July 1829
29:
7470:1862 deaths
7465:1829 births
7429:(1967 film)
7421:(1922 book)
7271:(1854–1881)
7263:(1876–1881)
7239:(1875–1878)
7228:A Sea-Spell
7220:Roman Widow
7199:(1866–1873)
7196:Lady Lilith
7151:(1864–1868)
7132:Monna Vanna
7127:(1865–1866)
7124:The Beloved
7022:(2014 film)
6998:(1967 film)
6991:(1922 book)
6949:Fanny Eaton
6924:Jane Morris
6914:Sophie Gray
6860:Lady Godiva
6747:The Beloved
6686:Roman Widow
6679:Lady Lilith
6538:well-known
6456:Emma Sandys
6451:John Ruskin
6304:Associated
6253:(paintings)
5378:Art History
4938:19 December
4823:. 1287930.
4747:19 December
3955:, pp.
3764:, pp.
3744:, pp.
3728:, pp.
3524:, pp.
3450:, pp.
3430:, pp.
3287:, pp.
3271:, pp.
3244:, pp.
3224:, pp.
3059:, pp.
2930:, pp.
2267:22 December
2237:22 December
2227:BBC Culture
2198:Shefer 1985
2127:, pp.
2089:BBC Radio 4
2058:Shefer 1985
2024:, pp.
1659:Walker 2018
1508: [
1464:diminutives
1125:Holy Family
968:Oliver Reed
958: [
951:Ken Russell
949:(1967), by
919:, drawn by
917:Neil Gaiman
912:The Sandman
905:Along with
887:Oscar Wilde
592:consumptive
459:John Ruskin
327:Shakespeare
124:Occupations
53: 1860
7459:Categories
7212:Proserpine
7140:Monna Rosa
7020:Effie Gray
6909:Effie Gray
6728:Proserpine
6646:April Love
6326:John Brett
5971:Marsh, Jan
5941:Marsh, Jan
5933:1245994634
5903:Marsh, Jan
5735:1240583004
5696:1147716120
5662:1022077892
5615:1150993415
5370:1195474796
5275:Marsh, Jan
5267:1036826434
5241:Marsh, Jan
5206:1128025191
5160:1280842323
5126:1149023802
5044:1256500687
4803:, p.
4645:Charleston
4624:4 December
4485:9027966701
4444:2 December
4413:2 December
4384:2 December
4062:, p.
4046:, p.
4030:, p.
3953:Prose 2013
3895:3 December
3866:, p.
3850:, p.
3833:13 October
3632:, p.
3613:, p.
3597:, p.
3581:, p.
3543:, p.
3478:, p.
3464:Grady 2020
3411:, p.
3395:, p.
3379:, p.
3307:, p.
3208:, p.
3032:9788824049
2821:, p.
2677:, p.
2663:Marsh 1988
2644:, p.
2628:, p.
2626:Gaunt 1972
2583:Marsh 1988
2567:5546369860
2348:, p.
2185:1076617862
2154:, p.
2125:Marsh 1985
2071:Marsh, Jan
2044:, p.
1915:, p.
1913:Prose 2013
1899:, p.
1759:, p.
1740:, p.
1724:, p.
1708:, p.
1692:, p.
1673:, p.
1543:, p.
1528:References
1413:1054934095
1380:Lady Clare
996:Paramount+
988:Amy Manson
939:Television
933:a painting
915:series by
865:Literature
802:Lady Clare
619:, and the
420:See also:
316:, then at
235:Early life
70:1829-07-25
7348:(brother)
7260:Mnemosyne
7159:(c. 1868)
7071:Paintings
6051:0270-7993
5963:982668463
5841:581354842
5810:609530931
5780:620935614
5581:936902691
5559:644149662
5520:0004-3079
5483:0951-0788
5434:853507390
5398:0141-6790
5334:681405561
5299:1477-4569
5233:679722444
5184:607457460
5102:(2001) .
5078:767691441
5020:(1972) .
4596:194023142
4588:1471-4787
4530:0090-4260
4477:0271-1435
4403:DCU Guide
4294:216478471
4286:1543-1002
4003:779961123
3995:0307-661X
3940:216331992
3932:2044-2416
3802:304458512
3713:241299826
3476:Hunt 1932
3448:Odom 1926
3428:Hunt 1932
3352:621429987
3344:2155-3017
3111:0042-5206
2819:Gere 1994
2761:MutualArt
2551:0069-3235
2497:229860172
2489:1060-149X
2009:610063112
1852:0042-5206
1799:0042-5206
1645:610063112
1375:, England
1373:Cambridge
1314:Paintings
1309:, England
1263:, 1850–65
929:a drawing
883:Swinburne
879:Jan Marsh
818:Sheffield
810:Jan Marsh
617:neuralgia
407:pneumonia
339:modelling
306:millinery
300:(1851–52)
264:Southwark
184:art model
99:, England
7381:The Germ
7354:(sister)
7342:(sister)
7336:(father)
7330:(mother)
7296:Drawings
6971:The Germ
6208:LibriVox
6089:24697778
6069:(1991).
6023:38431611
6003:(1998),
5993:41493673
5943:(1992).
5909:(1989).
5868:71053778
5790:(2010).
5672:(1976).
5591:(1971).
5569:(1894).
5451:20712955
5408:(2013).
5243:(1985).
5216:Rossetti
5194:(1932).
5170:(1906).
5136:(2004).
5054:(1994).
5010:32236211
4990:(1995).
4962:Archived
4932:Archived
4902:Archived
4825:Archived
4777:11 April
4771:Archived
4741:Archived
4717:12 April
4711:Archived
4686:14 April
4680:Archived
4655:14 April
4649:Archived
4618:Archived
4548:12 April
4542:Archived
4538:43795436
4495:12 April
4489:Archived
4471:: 4–11.
4438:Archived
4407:Archived
4378:archived
4347:Archived
4316:Archived
4237:Archived
4213:11 April
4207:Archived
4182:11 April
4176:Archived
4151:10 April
4145:Archived
4121:10 April
4115:Archived
4091:10 April
4085:Archived
4007:Archived
3889:Archived
3827:Archived
3668:Archived
3646:Ash 1995
3362:29 April
3356:Archived
3185:Archived
3154:Archived
3123:Archived
3119:40347045
3036:Archived
2988:Archived
2957:Archived
2913:26 April
2907:Archived
2877:Archived
2843:Archived
2801:22 April
2795:Archived
2771:22 April
2765:Archived
2737:10 April
2731:Archived
2700:Archived
2611:14 April
2605:Archived
2510:15 April
2483:: 9–19,
2453:20 April
2447:Archived
2422:14 April
2416:Archived
2385:Archived
2322:Archived
2292:Archived
2288:euronews
2261:Archived
2231:Archived
2093:Archived
1975:25 April
1969:Archived
1944:25 April
1938:Archived
1864:Archived
1860:43592688
1811:Archived
1807:40002261
1779:(1997).
1610:15 April
1604:Archived
1566:Archived
1492:Rossetti
1466:such as
1438:See also
1332:, London
1301:(1854),
1288:(1954),
1274:Drawings
1008:(2023).
729:(1870).
717:(1919).
709:(1886),
699:Gabriele
625:anorexic
621:laudanum
597:—
567:Hastings
529:(1851),
525:(1852),
464:medieval
357:The Germ
268:Tennyson
229:laudanum
223:and the
111:, London
48:Siddal,
7368:Related
6963:Related
6583:Mariana
6555:Ophelia
6308:figures
6195:4 April
6175:4 April
6059:1358359
5895:5389659
5792:Adoecer
5740:9 April
5528:3050961
5307:4288819
4981:Sources
4968:4 April
4908:4 April
4878:4 April
4831:4 March
4353:4 April
4322:4 April
4243:9 April
4111:Orlando
3957:102–103
3730:182–183
2883:7 April
2849:7 April
2559:4101558
2391:7 April
2099:9 April
1870:9 April
1817:9 April
1480:Guggums
1472:the Sid
1430:6043505
1049:Gallery
994:in the
424:section
398:Ophelia
297:Ophelia
257:cutlery
205:Ophelia
168:
156:
152:
78:Holborn
7324:(wife)
7315:Family
7307:(1873)
7279:Murals
7255:(1880)
7247:(1880)
7231:(1877)
7223:(1874)
7215:(1874)
7207:(1873)
7191:(1872)
7183:(1871)
7175:(1871)
7143:(1867)
7135:(1866)
7119:(1863)
7111:(1859)
7103:(1855)
7095:(1850)
7087:(1849)
6892:Models
6876:(Hunt)
6825:Lilith
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1482:, and
1468:Lizzie
1428:
1411:
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1387:Poetry
1307:Oxford
1247:, 1855
1231:, 1853
1215:, 1852
1199:, 1852
980:; and
889:, and
804:, 1857
780:Legacy
661:
656:
437:, 1854
341:
286:, 1850
241:
162:
142:Spouse
129:Artist
7535:Muses
7268:Found
6653:Found
6540:works
6536:Some
6055:JSTOR
5723:JSTOR
5524:JSTOR
5487:JSTOR
5303:JSTOR
5092:(PDF)
4592:S2CID
4534:JSTOR
4290:S2CID
4270:(1).
4013:4 May
3936:S2CID
3674:2 May
3507:6 May
3191:4 May
3160:4 May
3129:4 May
3115:JSTOR
3042:6 May
2994:7 May
2963:7 May
2706:7 May
2555:JSTOR
2504:(PDF)
2473:(PDF)
2328:8 May
2298:8 May
1856:JSTOR
1803:JSTOR
1598:. 6.
1572:4 May
1514:]
1450:Notes
964:]
727:Poems
519:Dante
363:A Pet
329:play
166:)
158:(
154:
6846:Hope
6625:Work
6197:2023
6177:2023
6085:OCLC
6075:ISBN
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1562:COVE
1484:Dove
1426:OCLC
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1399:ISBN
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632:Nice
500:muse
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391:For
366:and
214:muse
194:and
164:1860
132:poet
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6832:Eos
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