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again recognized by Grilletta. He offers his gold, and seizes Grilletta's hand, to carry her off, but Sempronio interferes. Then the Turks begin to destroy all the pots and glasses and costly medicines, and when Sempronio objects, the false Pasha draws his dagger, but Mengone intervenes and induces the frightened old man to promise Grilletta to him, if he succeeds in saving him from the Turks. No sooner is the promise written and signed, than Grilletta tears off the Pasha's false beard and reveals Volpino, who retires baffled, while the false Turks drink the young couple's health at the cost of the two defeated suitors.
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second notary enters, saying that he has been sent by Mengone and claiming his due. The latter is Mengone himself, and Sempronio, not recognizing the two, bids them sit down. He dictates the marriage contract, in which Grilletta is said to marry Sempronio by her own free will; the two false notaries distort every word of old Sempronio's, and each puts his own name instead of the guardian's. When the contract is written, Sempronio takes one copy, Grilletta the other and the whole fraud is discovered. Volpino vanishes, but Mengone promises Grilletta to do his best in order to win her.
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order a drug. His real intention is to see Grilletta. He notices that Mengone loves her too, so he sends him out, in order to have Grilletta to himself. But she only mocks him, and on Mengone's return Volpino is forced to retire. Alone with Mengone, Grilletta encourages her timid lover, whom she likes, but just when he is about to take her hand Sempronio returns, furious to see them so intimate. He sends Mengone away to work and the young girl to her account books, while he buries himself once more in the papers.
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and offers to give him 10,000 ducats at once, if he will give him Grilletta for his wife. Sempronio is quite willing to accept the Sultan's proposal, but not to cede Grilletta. So he sends Mengone away to fetch a notary, who is to marry him to his ward without delay. The maiden wracks her brains on how to rouse her timid lover to action.
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Mengone has entered the service of the apothecary Sempronio, though he does not possess the slightest knowledge of chemistry. His love for Sempronio's ward Grilletta is the reason, and in the first scene he mixes drugs while making melancholy reflections on his lot, which has led him to a master who
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Mengone's effrontery emboldens Sempronio to marry Grilletta at once. He is however detained by Volpino, who comes to bribe him by an offer from the Sultan to go to Turkey as apothecary at court, war having broken out in that country. The wily young man insinuates that Sempronio will soon grow rich,
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Sempronio, hearing her sing sadly, suggests that she wants a husband and offers her his own worthy person. Grilletta accepts him, hoping to awaken Mengone's jealousy and rouse him to action. The notary comes, in whom Grilletta at once recognizes Volpino in disguise. He has hardly sat down, when a
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In the last scene Sempronio receives a letter from Volpino, telling him that the Pasha is to come with a suite of Turks to buy all his medicines at a high price, and to appoint him solemnly as the Sultan's apothecary. Volpino indeed arrives, with his attendants, all disguised as Turks, but he is
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Sempronio relates that the plague is raging in Russia. The news that an old cousin of his has married his young ward is more interesting to him than all his drugs and pills; he intends to act likewise with Grilletta. This young lady has three suitors, one of whom, a rich young coxcomb, enters to
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Missing a map, he is obliged to leave the room: the young people take advantage of the situation, and when Sempronio, having lost his spectacles, goes to fetch them, Mengone grows bolder and kisses Grilletta. The old man returns at the supreme moment, and in a rage sends each to their room.
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An old man, Sempronio, is determined to marry a young woman, Grilletta, more for her money than for any other reason. Sempronio however has two rivals: his apprentice, Mengone, who has taken the job only to be near Grilletta, and Volpino, a young man about town.
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A love triangle between the poor apprentice Mengone, the rich and assured dandy Volpino, and the local apothecary's ward, Grilletta,
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buries himself in his newspapers instead of attending to his business, and allowing his apprentices get on as best they may.
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The opera has probably been performed more than all of Haydn's other operas put together. A German edition (as
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in the autumn of 1768. It was performed twice more during Haydn's lifetime, on 21 and 22 March 1770.
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The Standard Opera Glass – Containing the Detailed Plots of One Hundred and Thirty Celebrated Operas
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The opera is scored for two flutes, two oboes, bassoon, two horns, strings, continuo.
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It was composed and first performed to popular and critical acclaim at
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1978 – Attila Fülöp, István Rozsos, Magda Kalmár, Veronika Kincses –
162: 242: 453: 171:. The trouser role of Volpino reminds one of Cherubino in 616: 491: 91: 83: 73: 63: 21: 177:and the young lovers' use of disguises will call 401:The New Grove Dictionary of Music and Musicians 465: 31: 22: 8: 155:is a comedy of great warmth and ebullience. 472: 458: 450: 358:Synopsis adapted from: Annesley, Charles. 46: 18: 440:International Music Score Library Project 212: 623: 378: 376: 372: 7: 14: 215:Roles, voice types, premiere cast 626: 1: 342:Franz Liszt Chamber Orchestra 445:Haydn Opera page at Stanford 690: 659:Libretti by Carlo Goldoni 205:) was published in 1895. 45: 30: 404:(2nd ed.). London: 231:Conductor: Joseph Haydn 654:Italian-language operas 649:Operas by Joseph Haydn 270:Sempronio's apprentice 32: 23: 540:L'incontro improvviso 132:28/3, is a three-act 52:Portrait of Haydn by 16:Opera by Joseph Haydn 604:L'anima del filosofo 406:Macmillan Publishers 580:La fedeltĂ  premiata 556:Il mondo della luna 548:Philemon und Baucis 263:Maddalena Spangler 229:Premiere cast, 1768 217: 190:Performance history 572:L'isola disabitata 532:L'infedeltĂ  delusa 284:a young rich dandy 277:Leopoldo Dichtler 213: 174:Le nozze di Figaro 614: 613: 500:Der krumme Teufel 415:978-1-56159-239-5 384:Branscombe, Peter 299: 298: 295:Barbara Dichtler 238:an old apothecary 114: 113: 681: 631: 630: 622: 588:Orlando paladino 564:La vera costanza 474: 467: 460: 451: 438:: Scores at the 421: 419: 380: 344:, György Lehel ( 254:Sempronio's ward 218: 216: 103: 101: 57: 50: 37: 26: 19: 689: 688: 684: 683: 682: 680: 679: 678: 639: 638: 637: 625: 617: 615: 610: 487: 478: 430: 425: 424: 416: 382: 381: 374: 369: 355: 337: 304: 247:Carlo Friberth 230: 214: 211: 192: 110: 109: 104: 99: 97: 59: 53: 17: 12: 11: 5: 687: 685: 677: 676: 671: 666: 661: 656: 651: 641: 640: 636: 635: 612: 611: 609: 608: 600: 592: 584: 576: 568: 560: 552: 544: 536: 528: 520: 512: 504: 495: 493: 489: 488: 479: 477: 476: 469: 462: 454: 448: 447: 442: 429: 428:External links 426: 423: 422: 414: 392:Sadie, Stanley 371: 370: 368: 365: 364: 363: 354: 351: 350: 349: 336: 333: 303: 300: 297: 296: 293: 286: 279: 278: 275: 272: 265: 264: 261: 256: 249: 248: 245: 240: 233: 232: 227: 222: 210: 207: 191: 188: 180:Così fan tutte 112: 111: 105: 95: 93: 89: 88: 85: 81: 80: 75: 71: 70: 68:The Apothecary 65: 61: 60: 51: 43: 42: 28: 27: 15: 13: 10: 9: 6: 4: 3: 2: 686: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 646: 644: 634: 629: 624: 620: 606: 605: 601: 598: 597: 593: 590: 589: 585: 582: 581: 577: 574: 573: 569: 566: 565: 561: 558: 557: 553: 550: 549: 545: 542: 541: 537: 534: 533: 529: 526: 525: 524:Le pescatrici 521: 518: 517: 513: 510: 509: 505: 502: 501: 497: 496: 494: 490: 486: 482: 475: 470: 468: 463: 461: 456: 455: 452: 446: 443: 441: 437: 436: 432: 431: 427: 417: 411: 407: 403: 402: 397: 396:Tyrrell, John 393: 389: 385: 379: 377: 373: 366: 361: 357: 356: 352: 347: 343: 339: 338: 334: 332: 328: 324: 320: 316: 312: 308: 301: 294: 291: 287: 285: 281: 280: 276: 273: 271: 267: 266: 262: 260: 257: 255: 251: 250: 246: 244: 241: 239: 235: 234: 228: 226: 223: 220: 219: 208: 206: 204: 203:Der Apotheker 199: 197: 189: 187: 184: 182: 181: 176: 175: 170: 169: 164: 160: 156: 154: 149: 147: 146:Carlo Goldoni 143: 139: 135: 131: 127: 126: 120: 119: 108: 94: 90: 86: 82: 79: 78:Carlo Goldoni 76: 72: 69: 66: 62: 56: 49: 44: 41: 36: 35: 29: 25: 20: 602: 594: 586: 578: 570: 562: 554: 546: 538: 530: 522: 515: 514: 508:La canterina 506: 498: 485:Joseph Haydn 434: 399: 387: 359: 329: 325: 321: 317: 313: 309: 305: 283: 269: 253: 237: 202: 200: 193: 185: 178: 172: 168:Don Giovanni 166: 158: 157: 152: 150: 138:Joseph Haydn 122: 117: 116: 115: 67: 55:Thomas Hardy 40:Joseph Haydn 674:1768 operas 664:Opera buffa 516:Lo speziale 435:Lo speziale 388:Lo speziale 290:en travesti 252:Grilletta, 236:Sempronio, 161:prefigures 159:Lo speziale 153:Lo speziale 134:opera buffa 118:Lo speziale 64:Translation 34:Opera buffa 24:Lo speziale 643:Categories 367:References 346:Hungaroton 335:Recordings 225:Voice type 196:Eszterháza 125:Apothecary 107:Eszterháza 74:Librettist 386:(2001). " 288:soprano ( 282:Volpino, 268:Mengone, 183:to mind. 140:, with a 58:, in 1791 398:(eds.). 302:Synopsis 142:libretto 92:Premiere 84:Language 353:Sources 259:soprano 98: ( 87:Italian 669:Operas 619:Portal 607:(1791) 599:(1784) 596:Armida 591:(1782) 583:(1781) 575:(1779) 567:(1779) 559:(1777) 551:(1776) 543:(1775) 535:(1773) 527:(1770) 519:(1768) 511:(1766) 503:(1753) 492:Operas 481:Operas 412:  390:". In 274:tenor 163:Mozart 633:Opera 243:tenor 221:Role 209:Roles 410:ISBN 130:Hob. 123:The 100:1768 96:1768 483:by 144:by 136:by 128:), 38:by 645:: 408:. 394:; 375:^ 292:) 148:. 621:: 473:e 466:t 459:v 420:‎ 418:. 348:) 121:( 102:)

Index

Opera buffa
Joseph Haydn

Thomas Hardy
Carlo Goldoni
Eszterháza
Apothecary
Hob.
opera buffa
Joseph Haydn
libretto
Carlo Goldoni
Mozart
Don Giovanni
Le nozze di Figaro
Così fan tutte
Eszterháza
Voice type
tenor
soprano
en travesti
Franz Liszt Chamber Orchestra
Hungaroton


Branscombe, Peter
Sadie, Stanley
Tyrrell, John
The New Grove Dictionary of Music and Musicians
Macmillan Publishers

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