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to adopt a more lighthearted rendering of mythological subjects than was current in the
Flemish Baroque canon. Their mythological scenes looked more like elegant genre scenes with figures placed in rich landscapes than the violent and complex compositions of Rubens and his entourage. This elegant
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Although
Lodewijk van Schoor was registered as a painter when he registered at the Antwerp Guild of Saint Luke, he is now principally known as a designer for the tapestry workshops in Brussels and no paintings have been confidently attributed to him. His signature 'L. van Schoor inv. et pinx.' was
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attributed to the workshop of Jan Frans van der Hecke from the 17th century exists in a version with a classical architectural setting or a landscape background. Van Schoor typically depicted female personages in stately poses either seated or walking solemnly before or through majestic porches
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Very little is known about the life and training of
Lodewijk van Schoor. His origins likely lie in Brussels since he needed to get special dispensation from the Antwerp magistrate when he established himself in Antwerp in April 1696. He was registered as a master in the Brussels
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in
Antwerp and Brussels is documented in 1663 and 1673. These designs were used by the tapestry workshops in Brussels and Antwerp as models. The French classicising style of these models influenced artists like Lodewijk van Schoor and
38:(?) – buried 7 September 1702, Antwerp) was a Flemish painter, draughtsman and designer of tapestries. Van Schoor was one of the major figures of Flemish tapestry design in the late 17th and early 18th century, together with
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Thomas P. Campbell, Pascal-François
Bertrand, Jeri Bapasola, 'Tapestry in the Baroque: Threads of Splendor', Metropolitan Museum of Art (New York, N.Y.), Metropolitan Museum of Art, 1 Jan 2007, pp. 273, 487, 495,
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These series designed by van Schoor could be ordered in various quantities and sizes and adapted to particular preferences and specifications of the patrons. For instance, a tapestry of
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437:"A Brussels Allegorical Tapestry of Earth, after a design by Lodewijk van Schoor, attributed to the workshop of Jan Frans van der Hecke late 17th century] at Sotheby's"
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Passeurs, mediadores culturales y agentes de la primera globalización en el Mundo Ibérico, siglos XVI-XIX: actas del
Congreso Internacional Las Cuatro Partes del Mundo
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style was important for the survival of the tapestry industry in
Brussels, Antwerp and Oudenaarde, which had to contend with stiff competition of the French state-run
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woven in various series of tapestries produced at the
Brussels tapestry workshops. He may have painted altarpieces as may be deduced from a drawing preserved at the
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Van Schoor designed various tapestry series dealing with allegorical subjects, which were intended to serve as a fairly neutral decoration. He made series of the
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A contextual study of
Brussels tapestry, 1670-1770: the dye works and tapestry workshop of Urbanus Leyniers (1674-1747)
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The cartoons he made for the tapestry workshops were often a collaborative effort with other artists such as
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Ph. Rombouts and Th. van Lerius, De liggeren en andere historische archieven der
Antwerpsche sint Lucasgilde
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Name variations: Louis van Schoor, Ludwig van Schoor, Ludovicus van Schoor, Loddewicckus van Schoor
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217:. Van Schoor was typically responsible for the figures and the other artists for the landscapes.
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Tapestry: Victoria (from the series "The Four Parts of the World, and other subjects)"
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He died in Antwerp where he was buried in the St James Church on 7 September 1702.
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He is firmly recorded in Antwerp where he registered as a master in the local
423:; Solange Alberro Instituto Francés de Estudios Andinos, IFEA, 2005, p. 881
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166:. Before 1700 van Schoor designed various sets of tapestries including
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inspired a series on the similar theme designed by the Italian artist
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Verdures with Small Figures Depicting the Story of Dido and Aeneas
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Ontwerp voor een altaar gewijd aan de heilige Barbara
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in the year 1695–1696. He was in Antwerp a master of
328:Jan Baptiste de Vree (Wree) and Ludwig van Schoor,
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Het Vlaamse wandtapijt van de 15de tot de 18de eeuw
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16:Flemish painter and draughtsman (c. 1645–1702)
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292:Geschiedenis der Antwerpsche schilderschool
390:A Companion to Renaissance and Baroque Art
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312:Volume 2, Antwerp, 1864, p. 581, on
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26:The Apotheosis of Good Government
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158:(2 months per tapestry), the
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378:Museum of Fine Arts, Boston
188:Giovanni Camillo Sagrestani
172:Story of Narcissus and Echo
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486:at Wikimedia Commons
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372:2 April 2015 at the
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484:Lodewijk van Schoor
351:Landscape with Tree
202:opening to a park.
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64:Guild of Saint Luke
57:Guild of Saint Luke
32:Lodewijk van Schoor
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443:on 15 October 2017
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482:Media related to
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199:Elements
178:and the
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152:Seasons
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195:Earth
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