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display windows and furnishings sourced by Loos in
England. Three mezzanine levels served by short flights of stairs housed reception and changing rooms above the main sales floor, as well as offices and the accounting department in the centre, and extending on two levels over rented commercial space on the two side streets, store rooms and work rooms for all the stages in the production of clothing. Customer areas were unified by mahogany-clad pillars, consistent marble flooring, and brass; the screened-off production areas were finished in exposed concrete. Two sets of stairs and two elevator shafts served the upper floors, including apprentice instruction and a private vocational school which shared the top floor.
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225:& Salatsch business premises) was restored to its former state, which had been lost in the 1930s, and the upper floors were adapted as office space. This renovation was completed in October 1990. As early as 1989, the Looshaus was the venue, alongside the Albertina and the Wien Museum, for the exhibition "Adolf Loos" (02.12.1989-25.02.1990), which was also curated by Burkhardt Rukschcio.
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bought it and thoroughly renovated it, restoring the commercial levels to their original appearance. The renovation was carried out under the direction of the architect, publicist and Loos researcher
Burkhardt Rukschcio. In the process, the public area of the house in particular (the former Goldman
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building in Vienna; this form of construction made possible large interior spaces and rational grouping of the manufacturing and sales areas, and Loos also used varied ceiling heights to save space. The street-level salesroom was divided by four interior columns into distinct areas, and had oval
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In 2022, Rudolf
Klingohr produced a TV documentary "Das Looshaus - Die Rettung eines Baujuwels" (The Looshaus - The Rescue of an Architectural Jewel), which once again summarised the history of the conversion in detail.
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for exhibitions and conferences showcasing
Austrian design, opened in the basement of the Looshaus. The winners of the biennial
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disliked the
Looshaus so much that he ordered the curtains on the windows of the Hofburg facing the square to remain closed.
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Under the Nazis, the commercial levels of the
Looshaus were converted into an
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on the same square. The upper storeys are unornamented except for
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and completed in 1912, it is considered a major building of
537:(press release) (in German). Raiffeisenbank. Archived from
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Main staircase: skylight of painted glass tiles and mirrors
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The modernist design of the
Looshaus contrasts with both
513:(Exhibition Catalogue ed.). Vienna: Löcker Verlag.
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Interior
Looshaus Meeting corner on the 1st floor 1990s
489:"Press conference on the completion of the renovation"
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Zupancic, Alfred; Rukschcio, Burkhardt (1990-10-23).
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columns was intended to allude to the portico of the
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Emanuel
Aufricht and Leopold Goldman, the owners of
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in form; the
Looshaus is opposite its north façade (
351:(in German). Vienna: Brandstätter. pp. 51–52.
349:Wiener Steinwanderwege. Die Geologie der Großstadt
268:Interior view after renovation ground floor 1990s
212:showroom. In 1944 the building was affected by a
491:. ORF (Austrian Television). ORF Mittagsjournal
462:Rukschcio, Burkhardt; Schachel, Roland (1982).
347:Seemann, Robert; Summesberger, Herbert (1998).
559:(sponsored notice) (in German). Archived from
292:Interior Looshaus Ground floor/1st floor 1990s
410:(in German). Darmstadt: Primus. p. 136.
216:on an adjacent building. In 1947 it became a
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594:"Das Looshaus - Die Rettung eines Baujuwels"
87:is a commercial and residential building at
577:(in German). DesignAustria. Archived from
328:Interior Looshaus Counter cupboard detail
658:Buildings and structures in Innere Stadt
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668:Commercial buildings completed in 1912
379:Mössmer, Michael (30 November 2009).
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575:"Adolf Loos Staatspreis Design 2007"
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63:Colonnade and mezzanine bay windows
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55:The Looshaus from Michaelerplatz
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509:Rukschcio, Burkhardt (1989).
466:. Vienna/Salzburg: Residenz.
238:Adolf Loos Staatspreis Design
464:Adolf Loos, Leben & Werk
387:(in German). pp. 70–76
381:"Das Haus ohne Augenbrauen"
123:and the floral ornament of
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406:Wolf, Norbert (2012).
181:Goldman & Salatsch
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553:"Designzone Looshaus"
535:"Designzone Looshaus"
408:Architektur verstehen
247:are exhibited there.
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37:48.20833°N 16.36667°E
673:Adolf Loos buildings
641:on 28 February 2022
631:at Wikimedia Commons
228:In the early 2000s,
145:St. Michael's Church
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557:Kulturkontakt.or.at
541:on 26 October 2001.
230:Designzone Looshaus
192:Pittel+Brausewetter
168:reinforced concrete
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592:Klingohr, Rudolf.
563:on 29 August 2004.
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218:protected monument
155:by resembling the
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121:historicism
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91:3, between
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652:Categories
604:3 November
511:Adolf Loos
495:2022-11-03
437:"Looshaus"
334:References
234:Paolo Piva
105:Adolf Loos
28:16°22′00″E
25:48°12′30″N
97:Kohlmarkt
79:Mezzanine
639:archived
629:Looshaus
115:Building
85:Looshaus
175:History
153:Hofburg
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141:Tuscan
137:Euboea
101:Vienna
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