Knowledge (XXG)

Looshaus

Source 📝

171:
display windows and furnishings sourced by Loos in England. Three mezzanine levels served by short flights of stairs housed reception and changing rooms above the main sales floor, as well as offices and the accounting department in the centre, and extending on two levels over rented commercial space on the two side streets, store rooms and work rooms for all the stages in the production of clothing. Customer areas were unified by mahogany-clad pillars, consistent marble flooring, and brass; the screened-off production areas were finished in exposed concrete. Two sets of stairs and two elevator shafts served the upper floors, including apprentice instruction and a private vocational school which shared the top floor.
275: 263: 287: 311: 299: 60: 323: 201:, with Ernst Epstein as construction manager. However, although the city had accepted the plans, in 1910 the unornamented upper storeys caused a scandal; construction was permitted to proceed only after Loos added window boxes with flowers to mitigate what one of many insulting articles in the press called their "inappropriate nakedness", and defended his design in a public meeting. It was finally completed in 1912. Reportedly, Emperor 76: 68: 52: 190:, a men's clothing company with an upper-class clientele, held a design competition for a building to house their sales, manufacturing, and office functions as well as Goldman's private apartment. The competition failed to produce a design that satisfied them, so in 1909 they gave the commission to Adolf Loos, who had been invited to submit a design but had not done so. The building was constructed by 225:& Salatsch business premises) was restored to its former state, which had been lost in the 1930s, and the upper floors were adapted as office space. This renovation was completed in October 1990. As early as 1989, the Looshaus was the venue, alongside the Albertina and the Wien Museum, for the exhibition "Adolf Loos" (02.12.1989-25.02.1990), which was also curated by Burkhardt Rukschcio. 624: 224:
bought it and thoroughly renovated it, restoring the commercial levels to their original appearance. The renovation was carried out under the direction of the architect, publicist and Loos researcher Burkhardt Rukschcio. In the process, the public area of the house in particular (the former Goldman
170:
building in Vienna; this form of construction made possible large interior spaces and rational grouping of the manufacturing and sales areas, and Loos also used varied ceiling heights to save space. The street-level salesroom was divided by four interior columns into distinct areas, and had oval
250:
In 2022, Rudolf Klingohr produced a TV documentary "Das Looshaus - Die Rettung eines Baujuwels" (The Looshaus - The Rescue of an Architectural Jewel), which once again summarised the history of the conversion in detail.
488: 552: 274: 262: 286: 657: 322: 667: 310: 298: 560: 574: 131:, it is far from purely utilitarian. In particular, it makes use of sumptuous materials. The lower, commercial section of the façade is clad in green 662: 518: 471: 415: 356: 221: 213: 534: 236:
for exhibitions and conferences showcasing Austrian design, opened in the basement of the Looshaus. The winners of the biennial
144: 205:
disliked the Looshaus so much that he ordered the curtains on the windows of the Hofburg facing the square to remain closed.
59: 672: 217: 128: 242: 237: 202: 21: 220:; it was somewhat unsuccessfully restored in the 1950s and in the 1960s housed a furniture shop. In 1987 the 578: 180: 191: 638: 628: 185: 167: 196: 139:, in striking contrast with the simple plaster of the upper, residential section. A colonnade of 514: 467: 411: 352: 120: 96: 380: 132: 124: 538: 75: 67: 51: 108: 88: 651: 156: 593: 140: 92: 233: 208:
Under the Nazis, the commercial levels of the Looshaus were converted into an
148: 104: 36: 23: 623: 152: 436: 136: 100: 147:
on the same square. The upper storeys are unornamented except for
74: 66: 58: 50: 209: 151:; according to legend, these were intended to allude to the 107:
and completed in 1912, it is considered a major building of
537:(press release) (in German). Raiffeisenbank. Archived from 71:
Main staircase: skylight of painted glass tiles and mirrors
634: 119:
The modernist design of the Looshaus contrasts with both
513:(Exhibition Catalogue ed.). Vienna: Löcker Verlag. 280:
Interior Looshaus Meeting corner on the 1st floor 1990s
489:"Press conference on the completion of the renovation" 487:
Zupancic, Alfred; Rukschcio, Burkhardt (1990-10-23).
143:
columns was intended to allude to the portico of the
179:
Emanuel Aufricht and Leopold Goldman, the owners of
159:
in form; the Looshaus is opposite its north façade (
351:(in German). Vienna: Brandstätter. pp. 51–52. 349:Wiener Steinwanderwege. Die Geologie der Großstadt 268:Interior view after renovation ground floor 1990s 212:showroom. In 1944 the building was affected by a 491:. ORF (Austrian Television). ORF Mittagsjournal 462:Rukschcio, Burkhardt; Schachel, Roland (1982). 347:Seemann, Robert; Summesberger, Herbert (1998). 559:(sponsored notice) (in German). Archived from 292:Interior Looshaus Ground floor/1st floor 1990s 410:(in German). Darmstadt: Primus. p. 136. 216:on an adjacent building. In 1947 it became a 8: 594:"Das Looshaus - Die Rettung eines Baujuwels" 87:is a commercial and residential building at 577:(in German). DesignAustria. Archived from 328:Interior Looshaus Counter cupboard detail 658:Buildings and structures in Innere Stadt 431: 429: 427: 339: 258: 668:Commercial buildings completed in 1912 379:Mössmer, Michael (30 November 2009). 16:Multi-use building in Vienna, Austria 7: 575:"Adolf Loos Staatspreis Design 2007" 374: 372: 370: 368: 63:Colonnade and mezzanine bay windows 14: 316:Interior Looshaus 1st floor 1990s 304:Interior Looshaus 1st floor 1990s 622: 321: 309: 297: 285: 273: 261: 55:The Looshaus from Michaelerplatz 663:Residential buildings in Vienna 166:The Looshaus was a pioneering 1: 509:Rukschcio, Burkhardt (1989). 466:. Vienna/Salzburg: Residenz. 238:Adolf Loos Staatspreis Design 464:Adolf Loos, Leben & Werk 387:(in German). pp. 70–76 381:"Das Haus ohne Augenbrauen" 123:and the floral ornament of 689: 598:ORF (Austrian Television) 232:, a facility designed by 127:architecture. Although 406:Wolf, Norbert (2012). 181:Goldman & Salatsch 80: 72: 64: 56: 553:"Designzone Looshaus" 535:"Designzone Looshaus" 408:Architektur verstehen 247:are exhibited there. 78: 70: 62: 54: 37:48.20833°N 16.36667°E 673:Adolf Loos buildings 641:on 28 February 2022 631:at Wikimedia Commons 228:In the early 2000s, 145:St. Michael's Church 581:on 6 February 2007. 557:Kulturkontakt.or.at 541:on 26 October 2001. 230:Designzone Looshaus 192:Pittel+Brausewetter 168:reinforced concrete 33: /  592:Klingohr, Rudolf. 563:on 29 August 2004. 385:Österreich Journal 218:protected monument 155:by resembling the 109:Viennese Modernism 81: 73: 65: 57: 42:48.20833; 16.36667 637:, Raffeisenbank, 627:Media related to 680: 644: 626: 610: 609: 607: 605: 589: 583: 582: 571: 565: 564: 549: 543: 542: 531: 525: 524: 506: 500: 499: 497: 496: 484: 478: 477: 459: 453: 452: 450: 448: 433: 422: 421: 403: 397: 396: 394: 392: 376: 363: 362: 344: 325: 313: 301: 289: 277: 265: 246: 200: 189: 133:Cipollino marble 48: 47: 45: 44: 43: 38: 34: 31: 30: 29: 26: 688: 687: 683: 682: 681: 679: 678: 677: 648: 647: 642: 635:Adolf Loos-Haus 619: 614: 613: 603: 601: 591: 590: 586: 573: 572: 568: 551: 550: 546: 533: 532: 528: 521: 508: 507: 503: 494: 492: 486: 485: 481: 474: 461: 460: 456: 446: 444: 435: 434: 425: 418: 405: 404: 400: 390: 388: 378: 377: 366: 359: 346: 345: 341: 336: 329: 326: 317: 314: 305: 302: 293: 290: 281: 278: 269: 266: 257: 240: 194: 183: 177: 117: 41: 39: 35: 32: 27: 24: 22: 20: 19: 17: 12: 11: 5: 686: 684: 676: 675: 670: 665: 660: 650: 649: 646: 645: 632: 618: 617:External links 615: 612: 611: 584: 566: 544: 526: 519: 501: 479: 472: 454: 423: 416: 398: 364: 357: 338: 337: 335: 332: 331: 330: 327: 320: 318: 315: 308: 306: 303: 296: 294: 291: 284: 282: 279: 272: 270: 267: 260: 256: 253: 222:Raiffeisenbank 176: 173: 161:Michaelertrakt 116: 113: 103:. Designed by 89:Michaelerplatz 15: 13: 10: 9: 6: 4: 3: 2: 685: 674: 671: 669: 666: 664: 661: 659: 656: 655: 653: 640: 636: 633: 630: 625: 621: 620: 616: 599: 595: 588: 585: 580: 576: 570: 567: 562: 558: 554: 548: 545: 540: 536: 530: 527: 522: 520:3-8540-9166-4 516: 512: 505: 502: 490: 483: 480: 475: 473:3-7017-0288-8 469: 465: 458: 455: 442: 441:Planet Vienna 438: 432: 430: 428: 424: 419: 417:9783863123284 413: 409: 402: 399: 386: 382: 375: 373: 371: 369: 365: 360: 358:3-85447-787-2 354: 350: 343: 340: 333: 324: 319: 312: 307: 300: 295: 288: 283: 276: 271: 264: 259: 255:Photo gallery 254: 252: 248: 244: 239: 235: 231: 226: 223: 219: 215: 211: 206: 204: 198: 193: 187: 182: 174: 172: 169: 164: 162: 158: 157:Archducal hat 154: 150: 146: 142: 138: 134: 130: 129:functionalist 126: 122: 114: 112: 110: 106: 102: 98: 94: 90: 86: 77: 69: 61: 53: 49: 46: 602:. Retrieved 597: 587: 579:the original 569: 561:the original 556: 547: 539:the original 529: 510: 504: 493:. Retrieved 482: 463: 457: 445:. Retrieved 440: 407: 401: 389:. Retrieved 384: 348: 342: 249: 229: 227: 207: 203:Franz Joseph 178: 165: 160: 149:window boxes 125:Secessionist 118: 84: 82: 18: 643:(in German) 447:1 September 443:(in German) 391:1 September 241: [ 214:bomb strike 195: [ 184: [ 121:historicism 93:Herrengasse 91:3, between 40: / 652:Categories 604:3 November 511:Adolf Loos 495:2022-11-03 437:"Looshaus" 334:References 234:Paolo Piva 105:Adolf Loos 28:16°22′00″E 25:48°12′30″N 97:Kohlmarkt 79:Mezzanine 639:archived 629:Looshaus 115:Building 85:Looshaus 175:History 153:Hofburg 517:  470:  414:  355:  141:Tuscan 137:Euboea 101:Vienna 600:. ORF 245:] 199:] 188:] 135:from 99:, in 606:2022 515:ISBN 468:ISBN 449:2022 412:ISBN 393:2022 353:ISBN 210:Opel 95:and 83:The 163:). 654:: 596:. 555:. 439:. 426:^ 383:. 367:^ 243:de 197:de 186:de 111:. 608:. 523:. 498:. 476:. 451:. 420:. 395:. 361:.

Index

48°12′30″N 16°22′00″E / 48.20833°N 16.36667°E / 48.20833; 16.36667




Michaelerplatz
Herrengasse
Kohlmarkt
Vienna
Adolf Loos
Viennese Modernism
historicism
Secessionist
functionalist
Cipollino marble
Euboea
Tuscan
St. Michael's Church
window boxes
Hofburg
Archducal hat
reinforced concrete
Goldman & Salatsch
de
Pittel+Brausewetter
de
Franz Joseph
Opel
bomb strike
protected monument

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.