Knowledge (XXG)

Lola Versus Powerman and the Moneygoround, Part One

Source 📝

404: 469: 557: 544:) would not have played it. The lyrics in the gatefold sleeve of the original LP use the "cherry cola" line, though the album track contains the original stereo "Coca-Cola" version. A similar situation was encountered with the song "Apeman", concerning the line "the air pollution is a-foggin' up my eyes". "Fogging" was mistaken for "fucking", and consequently Ray Davies had to re-record this line prior to its single release. 3241: 714: 709: 704: 699: 694: 678: 673: 668: 663: 658: 442:. However, members of the band fell ill, and the tour was shuffled, resulting in the band playing only a few dates in America and Canada. A follow-up tour in 1970 met with similar results, with the group performing at only a select number of venues, with many dates cancelled. The down time between the tours allowed 514:
Keyboardist John Gosling was added to the Kinks' lineup in May. He auditioned on the final backing master track for "Lola", and was hired soon after. He was initially taken on solely for their upcoming US tour, but his post evolved into a more permanent position soon after. Gosling would remain with
42: 980:
and suggests that preliminary sessions may have occurred in late 1970/early 1971. It is unclear what songs would have appeared on this album, and it is unknown if any songs were even recorded, with the possible exception of some unreleased backing tracks. Almost certainly no songs were completed or
1001:, I sketched out how you become your worst nightmare, how the good man goes so far he becomes the evil person he always fought against. But we had to do another tour, we had the RCA deal, and we had other recording projects that we had to work towards, and it got lost, unfortunately. 778:
a lukewarm review, saying that "the melodies are still there, but in this context they sound corny rather than plaintive." The single "Lola" received positive reviews, and, due to its success, an interview with Ray Davies by
3088: 465:". The sessions for "Lola" were especially long, and the recording continued into late May. Davies would recall later how he achieved the signature clangy sound at the beginning of the track: 354:
was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album. It contained two hit
2025: 802:
of Allmusic gave the album a positive review, writing that "Davies never really delivers a cohesive story, but the record holds together because it's one of his strongest sets of songs."
723: 2775: 212: 163: 2337: 481:"I remember going into a music store on Shaftesbury Avenue in London when we were about to make 'Lola'. I said, 'I want to get a really good guitar sound on this record. I want a 2767: 2588: 2566: 2540: 369:
In October 2020, Sanctuary Records released a 3-disc 50th Anniversary set that includes 36 extra tracks that include B-sides, outtakes, new mixes and alternate versions.
541: 3285: 3217: 2871: 489:
that I bought for £150. I put them together on 'Lola' which is what makes that clangy sound: the combination of the Martin and the dobro with heavy compression."
827:" in 1966; the group would never again have another single reach this position in the UK. "Lola" was also successful in the US market, charting at #9 on the 2183: 3072: 813:
went virtually unnoticed by the record-buying public in the UK and failed to chart, despite the success of its lead single, "Lola", which topped the
521:. Dubbing for "Lola" was finished in June. Recording for the LP was completed by October, and it was mixed throughout the remainder of the month. 3280: 473: 2512: 2449: 2345: 3122: 2617: 908: 2938: 461:. Recording began in late April/early May. Some of the first songs recorded were "Lola", the outtake "The Good Life", "Powerman" and " 757:
was Davies "taking a cheeky nibble" at the pop music business; they continued that "The music's pure Kinks simplicity—but it works."
2668: 2487: 2468: 2426: 2407: 2384: 2039: 1534: 449:
The Kinks returned to England to start work on their new LP in spring 1970. The group used Morgan Studios, an independent studio in
344: 3064: 2125: 1971: 431: 976:
instead. Due to the fact that an official title to the follow-up album was never revealed, Hinman refers to the album simply as
2887: 1998: 889:
have been featured in multiple films across several languages. One of the most notable uses of songs from the album was when "
744:
called " Davies ... one of the finest writers in contemporary rock," and praised the record's British styles and originality.
3170: 3165: 3080: 2751: 439: 3290: 3115: 2954: 2847: 798:
rated it 3 out of 5 stars in its 1992 printing—however, the fourth edition (published in 2004) ranked it at only 2 stars.
587:
The album is a satirical look at the various facets of the music industry, including song publishers ("Denmark Street"),
2582: 2560: 2534: 2962: 3275: 3056: 2759: 970:, a sequel album was planned for release sometime in 1971, but was ultimately scrapped and the band opted to record 3144: 3139: 3048: 2807: 1054: 894: 508: 435: 17: 3270: 3223: 2855: 1173: 912: 890: 604: 517: 482: 3008: 2911: 2791: 2193: 181: 3187: 3178: 3024: 2610: 966:
the band discussed the possibility of it being released as a double album. According to Doug Hinman's book,
921: 799: 616: 377: 794:
is generally positive, albeit slightly less so. Initially given a positive review by the magazine in 1971,
3032: 2839: 2683: 2663: 1522: 903: 494: 420: 41: 1433:
Some CD editions separate the first 40 seconds of "The Contenders" as its own track titled "Introduction"
3160: 2526: 2160: 1205: 507:
appearances, and it would be featured in several music videos the Kinks made in the future, including "
1972:"Lola Versus Powerman and the Moneygoround, Part One – The Kinks – Songs, Reviews, Credits – AllMusic" 3265: 3016: 2743: 493:
The National Steel would play an integral part in many Kinks projects after that. In the 1972 song "
3096: 2930: 2799: 2031: 972: 740: 230: 3244: 3210: 3192: 3040: 2879: 2863: 2831: 2823: 2815: 2603: 1438: 686: 611:
is varied, contrasting gentle ballads like "Get Back in Line" and "A Long Way from Home" against
2508: 2483: 2464: 2445: 2422: 2403: 2380: 2035: 828: 533: 453:, London, which was a change for them. They would continue recording their albums there until 403: 2021: 2981: 2017: 1915: 1538: 985: 865: 771: 619:" and "Powerman", with "Denmark Street" and "The Moneygoround" paying homage to the English 600: 458: 336: 2552: 2002: 916: 824: 503: 138: 130: 944:
Ray Davies adapted the album into an autobiographical drama, with the help of co-writer
860:
The success of the singles and album allowed the Kinks to negotiate a new contract with
2946: 2438: 2129: 1572: 1542: 1257: 868:, and assume more creative and managerial control. The record also proved influential: 462: 355: 244: 81: 556: 446:, lead singer and songwriter of the group, to develop the band's next single, "Lola". 3259: 3197: 3182: 2711: 2396: 2188: 1831: 1546: 1470: 1225: 937: 780: 766: 363: 316: 274: 1995: 3203: 3174: 2895: 2504: 932: 898: 836: 819: 746: 343:. It marked the group's expansion to a five-piece with the addition of keyboardist 121: 2268: 2243: 1805: 852:
charts it peaked at #22, making it their most successful album since the mid-60s.
2498: 2989: 2727: 2678: 2658: 2645: 1513: 1211: 1102: 1060: 949: 945: 878: 861: 588: 412: 359: 324: 261: 126: 89: 834:
singles chart, staying on the charts for 14 weeks. It also peaked at #7 on the
468: 2719: 2688: 2653: 2638: 1528: 1499: 620: 596: 592: 443: 424: 416: 385: 332: 328: 143: 94: 2673: 2626: 2318: 1503: 927: 869: 612: 529: 498: 450: 312: 199: 150: 98: 54: 2221: 2216: 1737: 650: 2293: 1778: 948:, including new versions of songs from the album. This was broadcast on 2903: 2735: 1559: 340: 2338:"The Kinks – Lola Versus Powerman and the Moneygoround Part One/Percy" 876:
that he "especially liked" it, and cited the album as an influence on
984:
Ray Davies addressed the question of the unfinished sequel in a 2014
320: 1516: – backing vocals; electric and acoustic guitars; lead vocals 1442:
as a second disc, also with bonus tracks. The 2-disc set is titled
738:
was well-received throughout the British music press. A review in
486: 467: 402: 49: 532:" with the generic "cherry cola" for the mono single release, as 350:
Although it appeared during a transitional period for the Kinks,
774:
commented that "Lola" had been an "astounding single," but gave
2599: 2497:
Turner, Alwyn W. (2003). "The Kinks". In Buckley, Peter (ed.).
551: 537: 3089:
Waterloo Sunset: The Very Best of The Kinks & Ray Davies
2595: 1436:
The 2014 Deluxe edition included the Kinks' following album
323:
appraisal of the music industry, including song publishers,
764:
magazine commented that it was "the best Kinks album yet".
438:, was lifted in 1969, so the group's management arranged a 925:. "Apeman" has been featured in multiple films, including 1330:
2014 Sanctuary Records deluxe edition Disc 1 bonus tracks
760:
The album received generally positive reviews in the US.
2463:. London, UK: Continuum International Publishing Group. 2060: 2058: 528:
For "Lola", Ray Davies overdubbed the trademarked word "
434:
on performing in America, which had been in force since
1011:
All tracks are written by Ray Davies except where noted
568: 2027:
Christgau's Record Guide: Rock Albums of the Seventies
864:, construct their own London Studio, which they named 501:
feel for the record. Davies would play it on numerous
457:, when they switched to their newly purchased studio, 311:, is the eighth studio album by the English rock band 213:
Arthur (Or the Decline and Fall of the British Empire)
164:
Arthur (Or the Decline and Fall of the British Empire)
1738:"Lola Versus Powerman and the Moneygoround, Part One" 2461:
The Kinks are the Village Green Preservation Society
515:
the band until 1978, departing after the release of
249:
Lola Versus Powerman and the Moneygoround, Part One
3153: 3132: 3107: 3000: 2973: 2922: 2703: 2575:
Lola Versus Powerman and the Moneygoround, Part One
2549:
Lola Versus Powerman and the Moneygoround, Part One
2523:
Lola Versus Powerman and the Moneygoround, Part One
1731: 1729: 1727: 1725: 1723: 1721: 1444:
Lola versus Powerman and The Moneygoround and Percy
1342: 1334: 1287: 1279: 1163: 1152: 1030: 1019: 964:
Lola Versus Powerman and the Moneygoround, Part One
842:
Lola Versus Powerman and the Moneygoround, Part One
811:
Lola Versus Powerman and the Moneygoround, Part One
523:
Lola Versus Powerman and the Moneygoround, Part One
362:", which reached the top 10 in the US and UK, and " 296:
Lola Versus Powerman and the Moneygoround, Part One
243: 222:
Lola Versus Powerman and the Moneygoround, Part One
198: 173:
Lola Versus Powerman and the Moneygoround, Part One
149: 137: 120: 104: 88: 77: 69: 61: 48: 35:
Lola Versus Powerman and the Moneygoround, Part One
34: 18:
Lola versus Powerman and the Moneygoround, Part One
2437: 2395: 2155: 2153: 2151: 2149: 2147: 823:. "Lola" became the Kinks' biggest success since " 3218:Give the People What We Want: Songs of The Kinks 882:, another album critical of the music industry. 595:and the hit-making machine ("Top of the Pops"), 380:as "a wildly unfocused but nonetheless dazzling 2587:: CS1 maint: others in cite AV media (notes) ( 2565:: CS1 maint: others in cite AV media (notes) ( 2539:: CS1 maint: others in cite AV media (notes) ( 497:", Ray Davies would use the guitar to create a 479: 407:The Kinks, around the time of the recording of 1799: 1797: 1795: 1490:According to the band biographer Doug Hinman: 655: 2611: 2244:"The Darjeeling Limited (2007) – Soundtracks" 1942: 1940: 1938: 1936: 1844: 1842: 1840: 1623:All positions sourced to except where noted. 8: 2480:The Complete Guide to the Music of The Kinks 1894: 1892: 1890: 1888: 1886: 1884: 1502: – lead vocals; acoustic, electric and 897:", and "Powerman" were featured in the 2007 691: 485:.' And in the corner they had this old 1938 2269:"Les amants réguliers (2005) – Soundtracks" 2618: 2604: 2596: 2421:. Milwaukee, WI: Hal Leonard Corporation. 907:; these tracks were later included on the 630: 366:", which peaked at number five in the UK. 40: 31: 2577:(CD reissue). The Kinks. Sanctuary. 2004. 1871: 1869: 1773: 1771: 1769: 1767: 1765: 1763: 1761: 1759: 1757: 1755: 1625: 1587: 1454: 1328: 1273: 1146: 1013: 997:was good versus evil, obviously, and in 3286:Albums recorded at Morgan Sound Studios 2419:The Kinks: All Day and All of the Night 2319:"BBC Radio 4 - Drama, Lola vs Powerman" 1705: 968:The Kinks: All Day and All of the Night 2580: 2558: 2532: 2358: 2088: 2064: 1958: 1946: 1898: 1875: 1860: 1848: 1712: 1417:"Got to Be Free" (alternative version) 1406:"Apeman" (alternative version, stereo) 2012: 2010: 1927: 1307:"Apeman" (stereo alternative version) 1275:1998 and 2004 CD reissue bonus tracks 636: 7: 2294:"Club Paradise (1986) – Soundtracks" 1362:"The Contenders" (instrumental demo) 817:charts in the UK, and reached #2 on 603:("The Moneygoround") and the road (" 3123:A Hole in the Sock of (Dave Davies) 2440:Ray Davies: Not Like Everybody Else 1395:"This Time Tomorrow" (instrumental) 657: 73:April–May and August–September 1970 2768:Village Green Preservation Society 1914:, "Scattered" music video, 1992 – 783:was featured as a cover story for 525:was released on 27 November 1970. 315:, released on 27 November 1970. A 29:1970 studio album by the Kinks 25: 2298:IMDB, the Internet Movie Database 2273:IMDB, the Internet Movie Database 2248:IMDB, the Internet Movie Database 2217:"The Last DJ [Bonus DVD]" 2113:The New Rolling Stone Album Guide 693: 3240: 3239: 3065:The Kinks Are Well Respected Men 2402:. New York, NY: Overlook Press. 2336:Gill, Andy (29 September 2014). 2051:– via robertchristgau.com. 790:Modern critical opinion towards 712: 707: 702: 697: 692: 676: 671: 666: 661: 656: 555: 432:American Federation of Musicians 2128:. Rolling Stone. Archived from 1779:"International Chart Positions" 2872:Give the People What They Want 2161:"The Kinks: Charts and Awards" 1335: 1280: 1153: 1020: 1: 3281:Albums produced by Ray Davies 3116:Four More Respected Gentlemen 2482:. London, UK: Omnibus Press. 2101:The Rolling Stone Album Guide 909:accompanying soundtrack album 391:A second part never followed 1692: 1689: 1686: 1683: 1680: 1669: 1666: 1663: 1660: 1657: 1611: 1603: 1571:Mike Bobak – 1384:"Lola" (alternative version) 3057:Come Dancing with The Kinks 1558:Ken Jones – 411:; from left: John Gosling, 3307: 3049:The Great Lost Kinks Album 2379:. New York, NY: Hyperion. 591:("Get Back in Line"), the 542:public service broadcaster 299:, commonly abbreviated to 280:Released: 20 November 1970 3235: 2633: 2551:(CD reissue). The Kinks. 2525:(CD reissue). The Kinks. 2444:. London, UK: Routledge. 2001:30 September 2007 at the 1413: 1402: 1391: 1380: 1369: 1358: 1347: 1339: 1314: 1303: 1292: 1284: 1252: 1238: 1220: 1200: 1186: 1168: 1160: 1157: 1129: 1115: 1097: 1083: 1069: 1049: 1035: 1027: 1024: 644: 641: 288: 254: 206: 194: 157: 39: 3009:The Kinks Greatest Hits! 2503:(3rd ed.). London: 2184:"Tom Petty's Last Dance" 2079:Magazine, 7 January 1971 2022:"Consumer Guide '70s: K" 1518:("Strangers" and "Rats") 1296:"Lola" (mono single mix) 724:Christgau's Record Guide 399:Background and recording 376:is varied, described by 3073:The Ultimate Collection 2963:BBC Sessions: 1964–1977 2808:Everybody's in Show-Biz 2500:The Rough Guide to Rock 915:" appeared in the 2005 800:Stephen Thomas Erlewine 378:Stephen Thomas Erlewine 3033:Then Now and Inbetween 2840:Schoolboys in Disgrace 2478:Rogan, Johnny (1998). 2436:Kitts, Thomas (2007). 1190:"A Long Way from Home" 1003: 962:Before the release of 904:The Darjeeling Limited 806:Commercial performance 495:Supersonic Rocket Ship 491: 477: 430:The Kinks' ban by the 427: 384:", containing some of 267:Released: 12 June 1970 2459:Miller, Andy (2003). 2417:Hinman, Doug (2004). 2375:Davies, Dave (1996). 1828:Who Let the Kinks In? 1566:Additional production 995:Lola Versus Powerman… 992: 471: 406: 3291:1970s concept albums 3017:Well Respected Kinks 2784:Lola Versus Powerman 2744:The Kink Kontroversy 2507:. pp. 560–561. 2394:Davies, Ray (1995). 2361:, pp. 142, 147. 2032:Ticknor & Fields 922:Les amants réguliers 887:Lola Versus Powerman 856:Aftermath and legacy 792:Lola Versus Powerman 776:Lola Versus Powerman 755:Lola Versus Powerman 753:s interpretation of 736:Lola Versus Powerman 632:Professional ratings 609:Lola Versus Powerman 409:Lola Versus Powerman 388:'s strongest songs. 374:Lola Versus Powerman 352:Lola Versus Powerman 302:Lola Versus Powerman 3108:Unreleased projects 3097:The Essential Kinks 2931:Live at Kelvin Hall 2800:Muswell Hillbillies 2693:Gordon John Edwards 2583:cite AV media notes 2561:cite AV media notes 2535:cite AV media notes 2348:on 30 October 2015. 2325:. 11 December 2021. 2215:Erlewine, Stephen. 2103:(1992), pp. 401-402 1826:Alterman, Loraine. 1804:Erlewine, Stephen. 1736:Erlewine, Stephen. 1553:Additional musician 1525: – bass guitar 1506:guitars; harmonica 1331: 1276: 1149: 1016: 973:Muswell Hillbillies 815:New Musical Express 741:New Musical Express 633: 440:North American tour 231:Muswell Hillbillies 3276:Pye Records albums 3193:The Kast Off Kinks 3171:Session performers 3041:The Kink Kronikles 2880:State of Confusion 2824:Preservation Act 2 2816:Preservation Act 1 2196:on 3 November 2007 2132:on 23 October 2007 1878:, pp. 132–145 1851:, pp. 132–140 1834:, 18 December 1969 1329: 1274: 1174:This Time Tomorrow 1147: 1133:"The Moneygoround" 1087:"Get Back in Line" 1014: 952:in December 2021. 913:This Time Tomorrow 891:This Time Tomorrow 787:in November 1970. 631: 627:Critical reception 605:This Time Tomorrow 567:. You can help by 478: 436:their 1965 US tour 428: 3253: 3252: 2514:978-1-84353-105-0 2451:978-0-415-97769-2 2018:Christgau, Robert 1697: 1696: 1616: 1615: 1483: 1482: 1424: 1423: 1325: 1324: 1318:"Powerman" (demo) 1270: 1269: 1143: 1142: 1119:"Top of the Pops" 733: 732: 601:business managers 585: 584: 534:product placement 337:business managers 292: 291: 239: 238: 190: 189: 16:(Redirected from 3298: 3271:The Kinks albums 3243: 3242: 3154:Related articles 2982:Kinksize Session 2939:One for the Road 2620: 2613: 2606: 2597: 2592: 2586: 2578: 2570: 2564: 2556: 2544: 2538: 2530: 2518: 2493: 2474: 2455: 2443: 2432: 2413: 2401: 2390: 2362: 2356: 2350: 2349: 2344:. Archived from 2333: 2327: 2326: 2315: 2309: 2308: 2306: 2304: 2290: 2284: 2283: 2281: 2279: 2265: 2259: 2258: 2256: 2254: 2240: 2234: 2233: 2231: 2229: 2212: 2206: 2205: 2203: 2201: 2192:. Archived from 2179: 2173: 2172: 2170: 2168: 2157: 2142: 2141: 2139: 2137: 2122: 2116: 2110: 2104: 2098: 2092: 2086: 2080: 2074: 2068: 2062: 2053: 2052: 2050: 2048: 2014: 2005: 1993: 1987: 1986: 1984: 1982: 1968: 1962: 1956: 1950: 1944: 1931: 1925: 1919: 1916:Columbia Records 1908: 1902: 1896: 1879: 1873: 1864: 1858: 1852: 1846: 1835: 1824: 1818: 1817: 1815: 1813: 1801: 1790: 1789: 1787: 1785: 1775: 1750: 1749: 1747: 1745: 1733: 1716: 1710: 1626: 1588: 1539:baby grand piano 1519: 1509: 1508:(The Contenders) 1455: 1337: 1332: 1282: 1277: 1155: 1150: 1073:"Denmark Street" 1039:"The Contenders" 1022: 1017: 772:Robert Christgau 752: 717: 716: 715: 711: 710: 706: 705: 701: 700: 696: 695: 681: 680: 679: 675: 674: 670: 669: 665: 664: 660: 659: 634: 580: 577: 559: 552: 536:rules meant the 476:resonator guitar 341:life on the road 281: 278: 268: 265: 208: 207: 159: 158: 116: 115: 111: 65:27 November 1970 44: 32: 21: 3306: 3305: 3301: 3300: 3299: 3297: 3296: 3295: 3256: 3255: 3254: 3249: 3231: 3225:Sunny Afternoon 3149: 3128: 3103: 3025:Sunny Afternoon 2996: 2969: 2918: 2739:(1965; US-only) 2723:(1965; US-only) 2699: 2629: 2624: 2579: 2573: 2557: 2547: 2531: 2521: 2515: 2496: 2490: 2477: 2471: 2458: 2452: 2435: 2429: 2416: 2410: 2393: 2387: 2374: 2371: 2366: 2365: 2357: 2353: 2335: 2334: 2330: 2317: 2316: 2312: 2302: 2300: 2292: 2291: 2287: 2277: 2275: 2267: 2266: 2262: 2252: 2250: 2242: 2241: 2237: 2227: 2225: 2214: 2213: 2209: 2199: 2197: 2182:Strauss, Neil. 2181: 2180: 2176: 2166: 2164: 2159: 2158: 2145: 2135: 2133: 2124: 2123: 2119: 2111: 2107: 2099: 2095: 2087: 2083: 2075: 2071: 2063: 2056: 2046: 2044: 2042: 2016: 2015: 2008: 2003:Wayback Machine 1994: 1990: 1980: 1978: 1970: 1969: 1965: 1957: 1953: 1945: 1934: 1926: 1922: 1909: 1905: 1897: 1882: 1874: 1867: 1859: 1855: 1847: 1838: 1825: 1821: 1811: 1809: 1803: 1802: 1793: 1783: 1781: 1777: 1776: 1753: 1743: 1741: 1735: 1734: 1719: 1711: 1707: 1702: 1621: 1595: 1586: 1581: 1517: 1507: 1488: 1453: 1425: 1373:"The Good Life" 1326: 1271: 1144: 1008: 960: 917:Philippe Garrel 858: 844:reached #35 on 825:Sunny Afternoon 808: 750: 713: 708: 703: 698: 677: 672: 667: 662: 629: 607:"). Musically, 581: 575: 572: 565:needs expansion 550: 504:Top of the Pops 401: 284: 279: 272: 271: 266: 259: 258: 234: 225: 216: 185: 176: 167: 113: 109: 108: 57: 30: 23: 22: 15: 12: 11: 5: 3304: 3302: 3294: 3293: 3288: 3283: 3278: 3273: 3268: 3258: 3257: 3251: 3250: 3248: 3247: 3236: 3233: 3232: 3230: 3229: 3221: 3214: 3207: 3200: 3195: 3190: 3185: 3168: 3163: 3157: 3155: 3151: 3150: 3148: 3147: 3142: 3136: 3134: 3130: 3129: 3127: 3126: 3119: 3111: 3109: 3105: 3104: 3102: 3101: 3093: 3085: 3077: 3069: 3061: 3053: 3045: 3037: 3029: 3021: 3013: 3004: 3002: 2998: 2997: 2995: 2994: 2986: 2977: 2975: 2971: 2970: 2968: 2967: 2959: 2951: 2947:Live: The Road 2943: 2935: 2926: 2924: 2920: 2919: 2917: 2916: 2908: 2900: 2892: 2884: 2876: 2868: 2860: 2852: 2844: 2836: 2828: 2820: 2812: 2804: 2796: 2788: 2780: 2772: 2764: 2760:Something Else 2756: 2748: 2740: 2732: 2724: 2716: 2707: 2705: 2701: 2700: 2698: 2697: 2694: 2691: 2686: 2681: 2676: 2671: 2666: 2661: 2656: 2650: 2649: 2642: 2634: 2631: 2630: 2625: 2623: 2622: 2615: 2608: 2600: 2594: 2593: 2571: 2545: 2519: 2513: 2494: 2488: 2475: 2469: 2456: 2450: 2433: 2427: 2414: 2408: 2391: 2385: 2370: 2367: 2364: 2363: 2351: 2328: 2310: 2285: 2260: 2235: 2207: 2174: 2143: 2117: 2115:(1992), p. 458 2105: 2093: 2081: 2069: 2067:, p. 147. 2054: 2040: 2006: 1996:Blender review 1988: 1963: 1961:, pp. 145 1951: 1932: 1920: 1903: 1880: 1865: 1853: 1836: 1819: 1791: 1751: 1717: 1715:, p. 561. 1704: 1703: 1701: 1698: 1695: 1694: 1691: 1688: 1685: 1682: 1679: 1676: 1672: 1671: 1668: 1665: 1662: 1659: 1656: 1653: 1649: 1648: 1645: 1642: 1639: 1636: 1633: 1630: 1620: 1617: 1614: 1613: 1610: 1606: 1605: 1602: 1598: 1597: 1592: 1585: 1582: 1580: 1577: 1576: 1575: 1563: 1562: 1550: 1549: 1543:electric piano 1532: 1526: 1520: 1511: 1487: 1484: 1481: 1480: 1477: 1474: 1466: 1465: 1462: 1459: 1452: 1449: 1448: 1447: 1434: 1422: 1421: 1418: 1415: 1411: 1410: 1407: 1404: 1400: 1399: 1396: 1393: 1389: 1388: 1385: 1382: 1378: 1377: 1374: 1371: 1367: 1366: 1363: 1360: 1356: 1355: 1352: 1349: 1345: 1344: 1341: 1338: 1327: 1323: 1322: 1319: 1316: 1312: 1311: 1308: 1305: 1301: 1300: 1297: 1294: 1290: 1289: 1286: 1283: 1272: 1268: 1267: 1264: 1261: 1258:Got to Be Free 1254: 1250: 1249: 1246: 1243: 1240: 1236: 1235: 1232: 1229: 1222: 1218: 1217: 1214: 1209: 1202: 1198: 1197: 1194: 1191: 1188: 1184: 1183: 1180: 1177: 1170: 1166: 1165: 1162: 1159: 1156: 1145: 1141: 1140: 1137: 1134: 1131: 1127: 1126: 1123: 1120: 1117: 1113: 1112: 1109: 1106: 1099: 1095: 1094: 1091: 1088: 1085: 1081: 1080: 1077: 1074: 1071: 1067: 1066: 1063: 1058: 1051: 1047: 1046: 1043: 1040: 1037: 1033: 1032: 1029: 1026: 1023: 1009: 1007: 1004: 959: 954: 911:. In France, " 857: 854: 807: 804: 731: 730: 727: 719: 718: 689: 683: 682: 653: 647: 646: 643: 639: 638: 628: 625: 583: 582: 562: 560: 549: 546: 474:National Steel 463:Got to Be Free 400: 397: 290: 289: 286: 285: 283: 282: 269: 255: 252: 251: 241: 240: 237: 236: 227: 218: 204: 203: 196: 195: 192: 191: 188: 187: 178: 169: 155: 154: 147: 146: 141: 135: 134: 124: 118: 117: 106: 102: 101: 92: 86: 85: 79: 75: 74: 71: 67: 66: 63: 59: 58: 53: 46: 45: 37: 36: 28: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3303: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3269: 3267: 3264: 3263: 3261: 3246: 3238: 3237: 3234: 3228: 3226: 3222: 3220: 3219: 3215: 3213: 3212: 3208: 3206: 3205: 3201: 3199: 3196: 3194: 3191: 3189: 3186: 3184: 3183:Nicky Hopkins 3180: 3176: 3172: 3169: 3167: 3164: 3162: 3159: 3158: 3156: 3152: 3146: 3143: 3141: 3138: 3137: 3135: 3133:Concert tours 3131: 3125: 3124: 3120: 3118: 3117: 3113: 3112: 3110: 3106: 3099: 3098: 3094: 3091: 3090: 3086: 3083: 3082: 3078: 3075: 3074: 3070: 3067: 3066: 3062: 3059: 3058: 3054: 3051: 3050: 3046: 3043: 3042: 3038: 3035: 3034: 3030: 3027: 3026: 3022: 3019: 3018: 3014: 3011: 3010: 3006: 3005: 3003: 2999: 2992: 2991: 2987: 2984: 2983: 2979: 2978: 2976: 2972: 2965: 2964: 2960: 2957: 2956: 2952: 2949: 2948: 2944: 2941: 2940: 2936: 2933: 2932: 2928: 2927: 2925: 2921: 2914: 2913: 2909: 2906: 2905: 2901: 2898: 2897: 2893: 2890: 2889: 2888:Word of Mouth 2885: 2882: 2881: 2877: 2874: 2873: 2869: 2866: 2865: 2861: 2858: 2857: 2853: 2850: 2849: 2845: 2842: 2841: 2837: 2834: 2833: 2829: 2826: 2825: 2821: 2818: 2817: 2813: 2810: 2809: 2805: 2802: 2801: 2797: 2794: 2793: 2789: 2786: 2785: 2781: 2778: 2777: 2773: 2770: 2769: 2765: 2762: 2761: 2757: 2754: 2753: 2749: 2746: 2745: 2741: 2738: 2737: 2733: 2730: 2729: 2725: 2722: 2721: 2717: 2714: 2713: 2709: 2708: 2706: 2704:Studio albums 2702: 2695: 2692: 2690: 2687: 2685: 2682: 2680: 2677: 2675: 2672: 2670: 2667: 2665: 2662: 2660: 2657: 2655: 2652: 2651: 2648: 2647: 2643: 2641: 2640: 2636: 2635: 2632: 2628: 2621: 2616: 2614: 2609: 2607: 2602: 2601: 2598: 2590: 2584: 2576: 2572: 2568: 2562: 2554: 2550: 2546: 2542: 2536: 2528: 2524: 2520: 2516: 2510: 2506: 2502: 2501: 2495: 2491: 2489:0-7119-6314-2 2485: 2481: 2476: 2472: 2470:0-8264-1498-2 2466: 2462: 2457: 2453: 2447: 2442: 2441: 2434: 2430: 2428:0-87930-765-X 2424: 2420: 2415: 2411: 2409:0-87951-611-9 2405: 2400: 2399: 2392: 2388: 2386:0-7868-8269-7 2382: 2378: 2373: 2372: 2368: 2360: 2355: 2352: 2347: 2343: 2339: 2332: 2329: 2324: 2320: 2314: 2311: 2299: 2295: 2289: 2286: 2274: 2270: 2264: 2261: 2249: 2245: 2239: 2236: 2224: 2223: 2218: 2211: 2208: 2195: 2191: 2190: 2189:Rolling Stone 2185: 2178: 2175: 2162: 2156: 2154: 2152: 2150: 2148: 2144: 2131: 2127: 2121: 2118: 2114: 2109: 2106: 2102: 2097: 2094: 2091:, p. 131 2090: 2085: 2082: 2078: 2077:Rolling Stone 2073: 2070: 2066: 2061: 2059: 2055: 2043: 2041:0-89919-026-X 2037: 2033: 2029: 2028: 2023: 2019: 2013: 2011: 2007: 2004: 2000: 1997: 1992: 1989: 1977: 1973: 1967: 1964: 1960: 1955: 1952: 1949:, p. 141 1948: 1943: 1941: 1939: 1937: 1933: 1930:, p. 141 1929: 1924: 1921: 1917: 1913: 1907: 1904: 1901:, p. 140 1900: 1895: 1893: 1891: 1889: 1887: 1885: 1881: 1877: 1872: 1870: 1866: 1863:, p. 137 1862: 1857: 1854: 1850: 1845: 1843: 1841: 1837: 1833: 1832:Rolling Stone 1829: 1823: 1820: 1807: 1800: 1798: 1796: 1792: 1780: 1774: 1772: 1770: 1768: 1766: 1764: 1762: 1760: 1758: 1756: 1752: 1739: 1732: 1730: 1728: 1726: 1724: 1722: 1718: 1714: 1709: 1706: 1699: 1677: 1674: 1673: 1654: 1651: 1650: 1646: 1643: 1640: 1637: 1634: 1631: 1628: 1627: 1624: 1618: 1608: 1607: 1600: 1599: 1593: 1591:Chart (1970) 1590: 1589: 1584:Weekly charts 1583: 1578: 1574: 1570: 1569: 1568: 1567: 1561: 1557: 1556: 1555: 1554: 1548: 1547:Hammond organ 1544: 1540: 1536: 1533: 1531: – drums 1530: 1527: 1524: 1521: 1515: 1512: 1505: 1501: 1498: 1497: 1496: 1495: 1491: 1485: 1478: 1475: 1472: 1471:Berkeley Mews 1468: 1467: 1463: 1460: 1457: 1456: 1450: 1445: 1441: 1440: 1435: 1432: 1431: 1430: 1429: 1419: 1416: 1412: 1408: 1405: 1401: 1397: 1394: 1390: 1386: 1383: 1379: 1375: 1372: 1368: 1364: 1361: 1357: 1353: 1350: 1346: 1333: 1320: 1317: 1313: 1309: 1306: 1302: 1298: 1295: 1291: 1278: 1265: 1262: 1259: 1255: 1251: 1247: 1244: 1241: 1237: 1233: 1230: 1227: 1223: 1219: 1215: 1213: 1210: 1207: 1203: 1199: 1195: 1192: 1189: 1185: 1181: 1178: 1175: 1171: 1167: 1151: 1138: 1135: 1132: 1128: 1124: 1121: 1118: 1114: 1110: 1107: 1104: 1100: 1096: 1092: 1089: 1086: 1082: 1078: 1075: 1072: 1068: 1064: 1062: 1059: 1056: 1052: 1048: 1044: 1041: 1038: 1034: 1018: 1012: 1006:Track listing 1005: 1002: 1000: 996: 991: 989: 988: 982: 979: 975: 974: 969: 965: 958: 955: 953: 951: 947: 942: 940: 939: 938:Club Paradise 934: 930: 929: 924: 923: 918: 914: 910: 906: 905: 900: 896: 892: 888: 883: 881: 880: 875: 874:Rolling Stone 871: 867: 863: 855: 853: 851: 848:, and on the 847: 843: 839: 838: 833: 831: 826: 822: 821: 816: 812: 805: 803: 801: 797: 796:Rolling Stone 793: 788: 786: 785:Rolling Stone 782: 781:Jonathan Cott 777: 773: 769: 768: 767:Village Voice 763: 762:Rolling Stone 758: 756: 749: 748: 743: 742: 737: 728: 726: 725: 721: 720: 690: 688: 685: 684: 654: 652: 649: 648: 640: 637:Review scores 635: 626: 624: 622: 618: 614: 610: 606: 602: 598: 594: 590: 579: 570: 566: 563:This section 561: 558: 554: 553: 547: 545: 543: 539: 535: 531: 526: 524: 520: 519: 512: 510: 506: 505: 500: 496: 490: 488: 484: 475: 470: 466: 464: 460: 456: 452: 447: 445: 441: 437: 433: 426: 422: 418: 414: 410: 405: 398: 396: 394: 389: 387: 383: 382:tour de force 379: 375: 370: 367: 365: 361: 357: 353: 348: 346: 342: 338: 334: 330: 326: 322: 318: 317:concept album 314: 310: 309: 304: 303: 298: 297: 287: 276: 270: 263: 257: 256: 253: 250: 246: 242: 233: 232: 228: 224: 223: 219: 215: 214: 210: 209: 205: 202:US chronology 201: 197: 193: 184: 183: 179: 175: 174: 170: 166: 165: 161: 160: 156: 153:UK chronology 152: 148: 145: 142: 140: 136: 132: 128: 125: 123: 119: 107: 103: 100: 96: 93: 91: 87: 83: 80: 76: 72: 68: 64: 60: 56: 51: 47: 43: 38: 33: 27: 19: 3224: 3216: 3209: 3202: 3179:Bobby Graham 3175:Clem Cattini 3166:Band members 3145:1965 US tour 3140:1965 UK tour 3121: 3114: 3095: 3087: 3081:Picture Book 3079: 3071: 3063: 3055: 3047: 3039: 3031: 3023: 3015: 3007: 3001:Compilations 2988: 2980: 2961: 2953: 2945: 2937: 2929: 2910: 2902: 2896:Think Visual 2894: 2886: 2878: 2870: 2862: 2854: 2846: 2838: 2830: 2822: 2814: 2806: 2798: 2790: 2783: 2782: 2774: 2766: 2758: 2752:Face to Face 2750: 2742: 2734: 2726: 2718: 2710: 2669:John Gosling 2644: 2637: 2574: 2548: 2522: 2505:Rough Guides 2499: 2479: 2460: 2439: 2418: 2397: 2376: 2354: 2346:the original 2341: 2331: 2322: 2313: 2301:. Retrieved 2297: 2288: 2276:. Retrieved 2272: 2263: 2251:. Retrieved 2247: 2238: 2226:. Retrieved 2220: 2210: 2198:. Retrieved 2194:the original 2187: 2177: 2165:. Retrieved 2134:. Retrieved 2130:the original 2120: 2112: 2108: 2100: 2096: 2084: 2076: 2072: 2045:. Retrieved 2026: 1991: 1979:. Retrieved 1975: 1966: 1954: 1923: 1911: 1906: 1856: 1827: 1822: 1810:. Retrieved 1782:. Retrieved 1742:. Retrieved 1708: 1647:New Zealand 1632:Single Title 1622: 1565: 1564: 1552: 1551: 1535:John Gosling 1493: 1492: 1489: 1443: 1437: 1427: 1426: 1010: 998: 994: 993: 986: 983: 977: 971: 967: 963: 961: 956: 943: 936: 933:Harold Ramis 926: 920: 902: 899:Wes Anderson 886: 885:Tracks from 884: 877: 873: 859: 850:Record World 849: 845: 841: 837:Record World 835: 829: 820:Melody Maker 818: 814: 810: 809: 795: 791: 789: 784: 775: 765: 761: 759: 754: 747:Melody Maker 745: 739: 735: 734: 722: 615:songs like " 608: 586: 573: 569:adding to it 564: 527: 522: 516: 513: 502: 492: 480: 455:Preservation 454: 448: 429: 408: 392: 390: 381: 373: 371: 368: 351: 349: 345:John Gosling 307: 306: 305:, or simply 301: 300: 295: 294: 293: 248: 229: 221: 220: 211: 180: 172: 171: 162: 50:Studio album 26: 3266:1970 albums 3211:Do It Again 3161:Discography 2990:Kwyet Kinks 2958:(1994/1996) 2955:To the Bone 2923:Live albums 2848:Sleepwalker 2728:Kinda Kinks 2684:Ian Gibbons 2679:Jim Rodford 2664:John Dalton 2659:Pete Quaife 2646:Dave Davies 2359:Hinman 2004 2089:Hinman 2004 2065:Hinman 2004 2047:28 February 1959:Hinman 2004 1947:Hinman 2004 1910:The Kinks: 1899:Hinman 2004 1876:Hinman 2004 1861:Hinman 2004 1849:Hinman 2004 1806:"The Kinks" 1713:Turner 2003 1641:Netherlands 1523:John Dalton 1514:Dave Davies 1479:Ray Davies 1212:Dave Davies 1061:Dave Davies 990:interview: 950:BBC Radio 4 946:Paul Sirett 931:(2004) and 879:The Last DJ 862:RCA Records 623:tradition. 597:accountants 511:" in 1992. 421:John Dalton 413:Dave Davies 333:accountants 3260:Categories 2864:Low Budget 2832:Soap Opera 2720:Kinks-Size 2696:Mark Haley 2689:Bob Henrit 2654:Mick Avory 2639:Ray Davies 2167:1 December 2163:. Allmusic 2136:1 December 1928:Rogan 1998 1812:1 December 1808:. Allmusic 1784:1 December 1744:1 December 1740:. Allmusic 1700:References 1601:Australia 1529:Mick Avory 1510:, producer 1500:Ray Davies 1242:"Powerman" 999:Volume Two 981:mastered. 621:music hall 444:Ray Davies 425:Ray Davies 417:Mick Avory 386:Ray Davies 372:Musically 319:, it is a 144:Ray Davies 3227:(musical) 2674:Andy Pyle 2627:The Kinks 1981:9 October 1644:Australia 1596:position 1504:resonator 1494:The Kinks 1486:Personnel 1351:"Anytime" 1161:Writer(s) 1055:Strangers 1028:Writer(s) 928:Mondovino 895:Strangers 870:Tom Petty 846:Billboard 830:Billboard 613:hard rock 576:June 2022 540:(being a 530:Coca-Cola 509:Scattered 499:Caribbean 451:Willesden 321:satirical 313:the Kinks 200:The Kinks 151:The Kinks 55:the Kinks 3245:Category 2222:Allmusic 2020:(1981). 1999:Archived 1976:AllMusic 1678:"Apeman" 1573:engineer 1537: – 1148:Side two 1015:Side one 978:Part Two 957:Part Two 941:(1986). 840:charts. 651:Allmusic 393:Part One 139:Producer 84:, London 70:Recorded 62:Released 52: by 2904:UK Jive 2856:Misfits 2736:Kinkdom 2555:. 2004. 2553:Reprise 2529:. 1998. 2369:Sources 2303:7 April 2278:7 April 2253:7 April 2228:4 April 2200:4 April 1619:Singles 1560:maracas 1476:"Lola" 1464:Writer 1461:Single 1451:B-sides 832:Hot 100 770:critic 687:Blender 518:Misfits 356:singles 245:Singles 235:(1971) 226:(1971) 217:(1969) 186:(1971) 177:(1970) 168:(1969) 131:Reprise 129:(UK) · 3198:Argent 3100:(2014) 3092:(2012) 3084:(2008) 3076:(2002) 3068:(1987) 3060:(1986) 3052:(1973) 3044:(1972) 3036:(1969) 3028:(1967) 3020:(1966) 3012:(1966) 2993:(1965) 2985:(1964) 2966:(2001) 2950:(1988) 2942:(1980) 2934:(1968) 2915:(1993) 2912:Phobia 2907:(1989) 2899:(1986) 2891:(1984) 2883:(1983) 2875:(1981) 2867:(1979) 2859:(1978) 2851:(1977) 2843:(1975) 2835:(1975) 2827:(1974) 2819:(1973) 2811:(1972) 2803:(1971) 2795:(1971) 2787:(1970) 2779:(1969) 2776:Arthur 2771:(1968) 2763:(1967) 2755:(1966) 2747:(1965) 2731:(1965) 2715:(1964) 2527:Castle 2511:  2486:  2467:  2448:  2425:  2406:  2383:  2126:"Lola" 2038:  1912:Phobia 1655:"Lola" 1579:Charts 1343:Length 1288:Length 1263:  1245:  1231:  1226:Apeman 1193:  1179:  1164:Length 1136:  1122:  1108:  1090:  1076:  1042:  1031:Length 645:Rating 642:Source 589:unions 548:Themes 483:Martin 364:Apeman 339:, and 327:, the 325:unions 275:Apeman 105:Length 82:Morgan 78:Studio 3204:X-Ray 2792:Percy 2712:Kinks 2398:X-Ray 2342:Uncut 1458:Song 1439:Percy 1428:Notes 1340:Title 1285:Title 1158:Title 1025:Title 987:Uncut 919:film 901:film 872:told 751:' 593:press 487:dobro 329:press 247:from 182:Percy 122:Label 90:Genre 3188:Konk 2589:link 2567:link 2541:link 2509:ISBN 2484:ISBN 2465:ISBN 2446:ISBN 2423:ISBN 2404:ISBN 2381:ISBN 2377:Kink 2305:2010 2280:2010 2255:2010 2230:2010 2202:2010 2169:2009 2138:2009 2049:2019 2036:ISBN 1983:2018 1814:2009 1786:2009 1746:2009 1675:1970 1652:1970 1629:Year 1594:Peak 1420:2:03 1409:3:42 1398:3:19 1387:5:28 1376:3:16 1365:3:01 1354:3:33 1321:4:23 1310:3:41 1299:4:08 1266:3:00 1248:4:16 1234:3:52 1216:2:40 1206:Rats 1196:2:27 1182:3:22 1139:1:42 1125:3:40 1111:4:01 1103:Lola 1093:3:04 1079:2:00 1065:3:20 1045:2:42 893:", " 866:Konk 617:Rats 599:and 459:Konk 360:Lola 308:Lola 262:Lola 133:(US) 95:Rock 2974:EPs 2323:BBC 1612:35 1609:US 1604:24 1414:20. 1403:19. 1392:18. 1381:17. 1370:16. 1359:15. 1348:14. 1336:No. 1315:16. 1304:15. 1293:14. 1281:No. 1253:13. 1239:12. 1221:11. 1201:10. 1154:No. 1021:No. 571:. 538:BBC 358:: " 127:Pye 99:pop 3262:: 3181:, 3177:, 3173:: 2585:}} 2581:{{ 2563:}} 2559:{{ 2537:}} 2533:{{ 2340:. 2321:. 2296:. 2271:. 2246:. 2219:. 2186:. 2146:^ 2057:^ 2034:. 2030:. 2024:. 2009:^ 1974:. 1935:^ 1883:^ 1868:^ 1839:^ 1830:. 1794:^ 1754:^ 1720:^ 1693:5 1687:14 1684:45 1670:1 1638:US 1635:UK 1545:, 1541:, 1473:" 1187:9. 1169:8. 1130:7. 1116:6. 1098:5. 1084:4. 1070:3. 1050:2. 1036:1. 935:' 729:B− 472:A 423:, 419:, 415:, 395:. 347:. 335:, 331:, 114:25 110:40 97:· 2619:e 2612:t 2605:v 2591:) 2569:) 2543:) 2517:. 2492:. 2473:. 2454:. 2431:. 2412:. 2389:. 2307:. 2282:. 2257:. 2232:. 2204:. 2171:. 2140:. 1985:. 1918:. 1816:. 1788:. 1748:. 1690:5 1681:5 1667:4 1664:1 1661:9 1658:2 1469:" 1446:. 1260:" 1256:" 1228:" 1224:" 1208:" 1204:" 1176:" 1172:" 1105:" 1101:" 1057:" 1053:" 578:) 574:( 277:" 273:" 264:" 260:" 112:: 20:)

Index

Lola versus Powerman and the Moneygoround, Part One

Studio album
the Kinks
Morgan
Genre
Rock
pop
Label
Pye
Reprise
Producer
Ray Davies
The Kinks
Arthur (Or the Decline and Fall of the British Empire)
Percy
The Kinks
Arthur (Or the Decline and Fall of the British Empire)
Muswell Hillbillies
Singles
Lola
Apeman
the Kinks
concept album
satirical
unions
press
accountants
business managers
life on the road

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.