396:"We were in some big shot's office one time, and whenever Jerry or Ritchie would make a comment or ask a question, the guy behind the desk would look at me and answer it. After a couple rounds of this I could see the hurt in the band's eyes...Well, they'd been with me through thick and thin, and I tried to let the powers that be know how I'd felt. 'We'd been hungry together,' I told them. 'My band is here for the long run.' 'Well, you don't bring your own cliques to Nashville,' they told me...I always wanted a live sound in the studio...I liked things that weren't perfect. It was okay for microphones to leak into each other like they do on a stage performance, and I wanted to hear Richie's foot drum loud and clear. I wanted to feel some excitement."
305:. In his memoir, Jennings wrote that the final meeting between the two parties in Chet Atkins' office hit a stalemate over $ 25,000 and nobody uttered a word for several minutes. Jennings, who needed to go to the bathroom, got up and left the office. On his way back from the bathroom Reshen met him in the hall. "You're a friggin' genius," Reshen exclaimed, "walking out like that! That sewed it up. Where'd you go?" "I had to take a piss," Jennings replied. "Well," said Reshen, "that was a $ 25,000 piss." As author Joe Nick Patoski observes in his book
275:, Jennings recalled that he approached RCA and asked for an advance on royalties, which they agreed to initially, but later came back with a lesser offer of $ 5,000 on the condition that Jennings sign with the label for another five years. Around this time, Jennings was visited by his long-time drummer Richie Albright, who was surprised at how depressed Jennings was and incensed at what he saw as a lack of respect from RCA. It was Albright who arranged a meeting with Neil Reshen, a business manager at the rock magazine
392:, the terminal country and folk music outsider, may have penned the title cut, it is Waylon's delivery as an anthem that bears in it all of the years of frustration at not being able to make the music he wanted to that is heard in the grain of its lyrics." Critical to this tough new sound was the Waylors, Jennings' backing band, which had been practically barred from his recording sessions in the past. In the audio version of his autobiography, Jennings recalled:
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327:, Jennings wound up with a deal that was unprecedented for a Nashville recording artist, including the freedom to produce his own records wherever he wanted, an advance that hovered around seventy-five thousand dollars, and an 8 percent royalty rate. With the artistic freedom he had been pining for, Jennings began recording
407:, the singer stated, "That's one of the big problems of country music. They don't want the country folks to know very much and they don't give 'em credit for knowin' very much. Country fans are as smart as anybody and it's an insult to 'em when a program director says, well, that song's too deep for our audience. Bullshit."
400:
Jennings musical transformation was equaled by his appearance on the album cover and sleeve: shrouded in darkness, he had grown a beard and wore a leather vest, typifying a look that would become synonymous with the outlaw country movement over the next several years. He also made no apologies for
367:
The third older cut was the Willie Nelson composition "Pretend I Never
Happened," a Ronny Light-produced single released several months earlier, reaching #6 on the country singles chart. The songwriters that Jennings turned to for his new LP, such as "progressive" country tunesmiths like Nelson,
29:
254:, he took stock of where he was in his life and career and seriously considered retiring. Although Jennings had enjoyed a respectable run on the country charts, he felt hemmed in creatively and fumed when RCA told him where and how to record. In the audio version of his autobiography
266:
was on my tail; and I was paying alimony to three wives. If I went on the road I lost money, if I stayed home I lost more. As for record sales, I never got ahead of...the packaging fees, and the overseas split, and the studio costs...You couldn't figure who owed what or
262:"Lyin' there, I started to thinkin' about what I'd won after ten years of bangin' around the honky tonks: my health was shot; I was close to a quarter of a million dollars in debt, and getting deeper in the hole whether I played shows or not; the
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227:, the album is considered an important milestone in the history of country music. It represented the first of Jennings' works produced and recorded by himself, following his fight for artistic freedom against the constraints of the
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The 2003 reissue of the album features three bonus tracks, "Laid Back
Country Picker", "The Last One To Leave Seattle" and "Big, Big Love". The first two were recorded during the
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sessions. Though all three songs were issued in West
Germany in 1985, none of them were issued in the US until this reissue. The title track was referenced by Jennings' son,
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384:." The album's revelation, however, was the title track, which unleashed a hard country sound that was unlike anything he had recorded before with RCA. As Thom Jurek of
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359:." With RCA's Ronny Light (who Waylon tolerated marginally better) producing, he recorded "Lay it Down" with studio musicians and one Waylor: pedal steel legend
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in the song "Little White Lines": "Got myself in a little mess, got busted down around
Abilene/I was goin' way too fast boys, feelin' lonesome, on'ry and mean".
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was a new start for
Jennings, the singer chose to dust off a few older tracks, as Rich Kienzle recalls in the liner notes to the 2003 reissue:
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355:, a champion of overproduced, carefully worked out recordings. "Denver" later became the flipside of Waylon's hit single "
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had that rare gift and so does Waylon
Jennings." AllMusic calls it "the quintessential Waylon Jennings outlaw record."
217:, the third in a series of albums which were to establish Jennings as one of the most prominent representatives of the
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wrote, "There's nothing faddish or contrived or artificial about him. If he sings it, you can believe it.
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pro but as a new kind of country antihero - as much a part of the counter-culture, in his own way, as the
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20th
Century Masters – The Millennium Collection: The Best of Waylon Jennings
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country albums chart. In the LP's original liner notes, Chet Flippo of
754:"The Last One to Leave Seattle" (Waylon Jennings, Steve Norman) – 3:27
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said the album, "encouraged fans to think of
Jennings not as an old
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323:, have their own custom label, WGJ." According to the 2013 book
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his new, brasher sound; in a 1973 interview with Chet Flippo of
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By the spring of 1972, Jennings was burned out. Suffering from
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751:"Laid Back Country Picker" (Vince Matthews, Jim Casey) – 3:16
325:
Outlaw: Waylon, Willie, Kris, and the
Renegades of Nashville
250:
that he contracted while playing an Indian reservation in
414:
sessions, while "Big, Big Love" was recorded during the
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Glen Spreen - string arrangements on "You Can Have Her"
376:, reflected his new artistic freedom. He also covered
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Don't You Think This Outlaw Bit's Done Got Out of Hand
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Christgau's Record Guide: Rock Albums of the
Seventies
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David Roys, Mike Shockley, Roy Shockley - technicians
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890:Lea Jane Bernati, Ginger Holladay, Mary Holladay -
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1887:Mammas Don't Let Your Babies Grow Up to Be Cowboys
1880:The Wurlitzer Prize (I Don't Want to Get Over You)
293:at Jennings' recommendation, was unimpressed by
315:, where he had a relationship with label chief
1599:Luckenbach, Texas (Back to the Basics of Love)
906:Bill Vandervort, Les Ladd, Tom Pick - engineer
880:Brenton Banks, George Binkley, Lennie Haight,
1357:Too Dumb for New York City, Too Ugly for L.A.
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780:Billy Ray Reynolds, Chip Young, Jimmy Capps,
774:, David Kirby, Dale Sellers, Billy Sanford -
8:
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319:, but RCA let Waylon and his fourth wife,
27:
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2014:It Wasn't God Who Made Honky Tonk Angels
1706:I May Be Used (But Baby I Ain't Used Up)
1679:Lucille (You Won't Do Your Daddy's Will)
547:
16:1973 studio album by Waylon Jennings
1406:Goin' Down Rockin': The Last Recordings
925:
281:who handled the careers of jazz legend
933:Jennings, Waylon; Kaye, Lenny (1996).
1797:Which Way Do I Go (Now That I'm Gone)
441:
7:
1790:How Much Is It Worth to Live in L.A.
1371:Cowboys, Sisters, Rascals & Dirt
638:"Good Time Charlie's Got the Blues"
289:. Reshen, who would also sign with
2232:Albums with cover art by Mick Rock
2186:Waylon Albright "Shooter" Jennings
2035:Somewhere Between Ragged and Right
1571:Are You Sure Hank Done It This Way
271:In the authorized video biography
14:
1783:If Ole Hank Could Only See Us Now
874:Marvin Chantry, Gary Vanosdale -
462:
382:Good Time Charlie's Got the Blues
229:Nashville recording establishment
1894:(Sittin' On) The Dock of the Bay
1477:Only Daddy That'll Walk the Line
1445:Never Say Die: The Final Concert
994:– via robertchristgau.com.
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1463:Stop the World (And Let Me Off)
868:Byron Bach, David Vanderkooi -
2088:Waylon's Greatest Hits, Vol. 2
2000:There Ain't No Good Chain Gang
1955:Old 97's & Waylon Jennings
939:. Warner Brooks. p. 185.
757:"Big, Big Love" (Ray Carroll,
551:
221:movement. Like its successor,
193:is a studio album by American
1:
2147:The Waylors/Waymore's Outlaws
1672:Women Do Know How to Carry On
1634:I Ain't Living Long Like This
1592:Are You Ready for the Country
1266:What Goes Around Comes Around
1245:Are You Ready for the Country
1755:What You'll Do When I'm Gone
1484:The Days of Sand and Shovels
2060:The Best of Waylon Jennings
1578:Bob Wills Is Still the King
1564:Dreaming My Dreams with You
2248:
1009:. Canongate. p. 169.
836:, Henry Strzelecki - piano
672:"Pretend I Never Happened"
570:"Lonesome, On'ry and Mean"
60:April 1970 – December 1972
1977:
1968:
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1843:
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1378:Waymore's Blues (Part II)
1364:Ol' Waylon Sings Ol' Hank
1126:Love of the Common People
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815:, Don Smith, Lee Miller,
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335:Recording and composition
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2116:Ultimate Waylon Jennings
2074:Heartaches by the Number
1713:Never Could Toe the Mark
1301:Never Could Toe the Mark
1210:Lonesome, On'ry and Mean
965:"Consumer Guide '70s: J"
936:Waylon: An Autobiography
496:Christgau's Record Guide
412:Lonesome, On'ry and Mean
341:Lonesome, On'ry and Mean
329:Lonesome, On'ry and Mean
238:shot the album's cover.
190:Lonesome, On'ry and Mean
165:Lonesome, On'ry and Mean
22:Lonesome, On'ry and Mean
1776:My Rough and Rowdy Days
1762:The Broken Promise Land
1491:Brown Eyed Handsome Man
1119:Waylon Sings Ol' Harlan
690:San Francisco Mabel Joy
508:Lonesome On'ry and Mean
205:in 1973. It was, after
2217:Waylon Jennings albums
2196:The Day the Music Died
1606:I've Always Been Crazy
1498:Under Your Spell Again
1392:Closing In on the Fire
1259:I've Always Been Crazy
1005:Kelefa Sanneh (2021).
708:"Sandy Sends Her Best"
273:Renegade Outlaw Legend
269:
71:, Nashville, Tennessee
2021:Leave Them Boys Alone
2010:The Wild Side of Life
1971:Collaboration singles
1811:Where Corn Don't Grow
1748:Will the Wolf Survive
1741:Working Without a Net
1734:Drinkin' and Dreamin'
1322:Will the Wolf Survive
1287:It's Only Rock + Roll
839:Billy Sanford - organ
285:and rock iconoclast
260:
1985:" with The Kimberlys
1913:Other collaborations
1901:Take It to the Limit
1864:Take It to the Limit
1438:Live from Austin, TX
975:Ticknor & Fields
853:, Richie Albright -
510:peaked at #8 on the
437:Professional ratings
422:, in his 2006 album
2158:Wanted! The Outlaws
2109:RCA Country Legends
2016:" with Jessi Colter
1850:Waylon & Willie
1837:Waylon & Willie
1686:Hold On, I'm Comin'
1662:Just to Satisfy You
1431:Never Say Die: Live
1203:Ladies Love Outlaws
1175:Singer of Sad Songs
1161:Just to Satisfy You
915:- cover photography
849:, Willie Ackerman,
438:
416:Ladies Love Outlaws
214:Ladies Love Outlaws
156:Ladies Love Outlaws
2227:RCA Records albums
2095:The Best of Waylon
1928:with The Kimberlys
1727:Waltz Me to Heaven
1550:I'm a Ramblin' Man
1508:Good Hearted Woman
1385:Right for the Time
1315:Sweet Mother Texas
1294:Waylon and Company
1238:Dreaming My Dreams
1196:Good Hearted Woman
1189:Cedartown, Georgia
862:, Charlie McCoy -
830:Hargus Pig Robbins
784:, Larry Whitmore,
730:Kris Kristofferson
724:Me and Bobby McGee
711:Billy Ray Reynolds
436:
432:Critical reception
370:Kris Kristofferson
208:Good Hearted Woman
2204:
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2067:Don't Think Twice
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2025:Hank Williams Jr.
1700:Hank Williams Jr.
1515:Sweet Dream Woman
1336:A Man Called Hoss
1217:Honky Tonk Heroes
1147:Only the Greatest
961:Christgau, Robert
946:978-0-446-51865-9
742:
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586:"Freedom to Stay"
527:Music journalist
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380:'s 1972 pop hit "
224:Honky Tonk Heroes
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174:Honky Tonk Heroes
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2165:We Are the World
1990:Suspicious Minds
1933:Leather and Lace
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1769:Rose in Paradise
1696:The Conversation
1522:You Can Have Her
1470:The Chokin' Kind
1231:The Ramblin' Man
1133:The One and Only
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656:You Can Have Her
618:"Gone to Denver"
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357:You Can Have Her
313:Columbia Records
258:, he reflected:
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2123:16 Biggest Hits
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1557:Rainy Day Woman
1455:Notable singles
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425:Electric Rodeo
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331:in late 1972.
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201:, released on
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2081:Greatest Hits
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2039:John Anderson
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2018:
2015:
2011:
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1585:Can't You See
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1083:Studio albums
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1016:9781838855932
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851:Larrie Londin
848:
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826:
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818:
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811:Bobby Dyson,
810:
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795:
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790:Charlie McCoy
787:
786:Randy Scruggs
783:
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676:Willie Nelson
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645:
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642:Danny O'Keefe
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604:
602:"Lay It Down"
601:
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569:
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549:
543:Track listing
542:
540:
538:
534:
530:
529:Kelefa Sanneh
525:
523:
522:Hank Williams
519:
518:Rolling Stone
515:
514:
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442:Review scores
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413:
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404:Rolling Stone
395:
394:
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391:
387:
383:
379:
378:Danny O'Keefe
375:
371:
362:
358:
354:
350:
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345:
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342:
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322:
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308:Willie Nelson
304:
300:
299:Jerry Bradley
296:
292:
291:Willie Nelson
288:
284:
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241:
239:
237:
234:Photographer
232:
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196:
195:country music
192:
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63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
2181:Jessi Colter
2156:
2128:
2121:
2114:
2107:
2100:
2093:
2086:
2079:
2072:
2065:
2058:
2052:Compilations
1994:Jessi Colter
1970:
1953:
1942:
1938:Jessi Colter
1931:
1925:Country-Folk
1923:
1912:
1869:
1862:
1855:
1848:
1836:
1627:Come With Me
1502:Jessi Colter
1443:
1436:
1429:
1422:
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1383:
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1369:
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1355:
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1187:
1180:
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1159:
1152:
1145:
1138:
1131:
1124:
1117:
1110:
1105:Leavin' Town
1103:
1098:Folk-Country
1096:
1089:
1007:Major Labels
1006:
1000:
990:February 27,
988:. Retrieved
968:
955:
935:
928:
847:Buddy Harman
834:David Briggs
807:steel guitar
799:Ralph Mooney
759:Wynn Stewart
746:Bonus tracks
526:
517:
511:
507:
506:
494:
423:
415:
411:
409:
402:
399:
366:
361:Ralph Mooney
340:
338:
328:
324:
321:Jessi Colter
306:
276:
272:
270:
261:
255:
245:
233:
222:
212:
206:
189:
188:
187:
172:
164:
163:
154:
37:Studio album
2222:1973 albums
2191:Buddy Holly
2029:Ernest Tubb
2004:Johnny Cash
1949:Johnny Cash
1871:Clean Shirt
1424:Waylon Live
1416:Live albums
1343:Full Circle
772:Fred Carter
734:Fred Foster
622:Johnny Cash
606:Gene Thomas
590:Will Hoover
574:Steve Young
390:Steve Young
353:Danny Davis
349:Johnny Cash
317:Clive Davis
303:Chet Atkins
287:Frank Zappa
283:Miles Davis
133:Danny Davis
125:Ronny Light
2211:Categories
1690:Jerry Reed
1252:Ol' Waylon
1140:Hangin' On
984:089919026X
920:References
860:Don Brooks
803:Pete Drake
252:New Mexico
242:Background
203:RCA Victor
145:chronology
110:RCA Victor
69:RCA Victor
52:March 1973
1878:Singles:"
1818:The Eagle
1543:This Time
1350:The Eagle
1273:Music Man
1224:This Time
913:Mick Rock
901:Technical
864:harmonica
766:Personnel
661:Bill Cook
559:Writer(s)
533:Nashville
513:Billboard
339:Although
295:Nashville
248:hepatitis
236:Mick Rock
2176:Old Dogs
1960:Old 97's
1847:Albums:
963:(1981).
761:) – 2:26
626:Red Lane
456:Allmusic
386:AllMusic
117:Producer
57:Recorded
49:Released
39: by
2140:Related
2037:" with
2023:" with
2002:" with
1992:" with
1720:America
1698:" with
1688:" with
1664:" with
1500:" with
1074:Singles
537:hippies
197:artist
178:(1973)
169:(1973)
160:(1972)
1944:Heroes
1620:Amanda
1168:Waylon
1154:Jewels
1069:Albums
1013:
981:
943:
892:vocals
886:violin
562:Length
450:Rating
447:Source
264:I.R.S.
256:Waylon
88:Length
65:Studio
1958:with
1947:with
1936:with
1804:Wrong
1655:Shine
1641:Clyde
876:viola
870:cello
855:drums
556:Title
278:Creem
267:why."
105:Label
77:Genre
2027:and
1857:WWII
1011:ISBN
992:2019
979:ISBN
941:ISBN
825:bass
738:4:41
714:2:37
700:3:51
680:3:05
664:2:44
646:3:24
630:2:32
610:3:19
594:3:13
578:3:41
488:link
372:and
301:and
211:and
719:10.
552:No.
539:".
2213::
977:.
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967:.
884:-
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231:.
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2008:"
1998:"
1988:"
1981:"
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1050:e
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1019:.
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501:B
95::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
