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in the mid-1930s, and was considered a country bumpkin by his contemporaries, because of his humble beginning. It was Grant's tailor who gave him his moniker by commenting, "I tell you, Rupert, you should call yourself Lord
Invader so when you go up to the city you be invadin' the capital." With a
180:(Winston O'Conner), who released it on the B-side of his 1953 single "Disaster with Police". It was covered by Conrad Eugene Mauge Jr, who recorded it in 1959 and was also often credited for writing it. The confusion probably stems from the introduction of the version by the
161:. Invader travelled to New York and sued, eventually winning compensation, although the final settlement allowed Amsterdam to retain his copyright. In the early 1940s, radio stations in the USA refused to play his own version on the grounds of its using the trademarked name,
184:, which mentions "Lord Invader and his Twelve Penetrators". At long last, Invader collected his money from his court case, and began to tour the U.S., later expanding to Britain and Europe. In the last half of 1958, he returned to New York City and continued recording for
165:, and its references to prostitution and alcohol. He stayed in New York for a few years because of the lengthy court case. During his tenure in New York City, he became a fixture in the local calypso scene and recorded many tracks for
169:. Eventually, he won his court case, but did not receive his settlement check for seven years, so he returned to Trinidad in the meantime. He opened a calypso club there and penned and recorded many original songs.
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to make records and promote calypso music. He wrote many calypsos; his most famous lyrics, "
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also have a number of CDs that
Invader recorded in the late 1950s in New York, including,
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40454), released in 2000, is a collection of
Invader's recordings across his whole career.
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He competed in many calypso competitions (including the very first
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There's a Brown Boy in the Ring and Other
Children's Calypso Songs
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boxed set all feature the same set of songs recorded in the
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