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186:. The tall hat and the fluted pilaster of the wall behind Ribblesdale, the clear silhouette of his long coat, and subtle changes that Sargent makes to the sitter's physiognomy – such as an elongated nose, and the head disproportionately small in comparison to the body – all emphasise Ribblesdale's thinness and height.
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Although
Sargent was already a popular society portraitist, the painting was not commissioned by the sitter. Rather, Sargent saw Ribblesdale speaking in public in 1894, and the artist approached Ribblesdale to propose painting his portrait. However, Sargent did not start the proposed portrait until
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in 1903. Ribblesdale found himself living up to the patrician reputation established by the painting, later saying that it "forced greatness upon me" as "wherever I go, I am recognised". The painting is sometimes known as "The
Ancestor", reflecting a soubriquet for Ribblesdale created by
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Lord
Ribblesdale presented the portrait to the National Gallery in 1916, in memory of his first wife Charlotte (née Tennant), and their two sons, Captain Thomas Lister and Lieutenant Charles Lister. Charlotte had died in 1911, Thomas was killed in action in the 1903–04
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in 2015, in which he praises its "angular, elongated format and black-and-white palette, like a super-size
Japanese print" as "Capturing the quintessence of understated aristocratic style … the portrait of an age as well as the man."
182:, with a black silk muffler knotted to his right side of his neck, and polished black boots. Over his yellow waistcoat, dark brown jacket and buff breeches, Ribblesdale is shrouded by a voluminous black
114:, completed in 1902. The full-length portrait depicts Lord Ribblesdale in his hunting clothes. It measures 258.4 cm × 143.5 cm (101.7 in × 56.5 in) and has been held by the
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197:. The composition – a full-length portrait of a man standing in a long Chesterfield coat with hand on hip against a vertically delineated background – echoes Sargent's 1894 painting of
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A preliminary oil sketch depicts
Ribblesdale standing on steps, before a column, but the final painting has him standing casually before the white panelling of Sargent's studio in
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in the First World War. Ribblesdale later remarried, but with no male heir, the barony became extinct on his death in 1925.
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as Master of the
Buckhounds, but the completed painting shows him more informally, in his more practical "
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in his grey-gloved left hand, with the other hand on his right hip. He is wearing a black
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258.4 cm × 143.5 cm (101.7 in × 56.5 in)
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on the death of his father in 1876 when he was aged 22. He supported the
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Sargent's original intention was to paint
Ribblesdale in formal
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The
Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant
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Mrs. Fiske Warren (Gretchen Osgood) and Her
Daughter Rachel
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as "my favourite painting" in an article published in
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floor against a white painted wall, holding a hunting
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372:"The lord on the board and the gilded rogue"
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343:"My favourite painting: David Starkey"
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258:List of works by John Singer Sargent
112:Thomas Lister, 4th Baron Ribblesdale
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134:in the House of Lords, served as a
223:The painting was exhibited at the
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146:and the National Gallery. He was
857:Paintings by John Singer Sargent
636:Mr. and Mrs. I. N. Phelps Stokes
572:Reapers Resting in a Wheat Field
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170:" clothes. He stands on a plain
148:Master of the Queen's Buckhounds
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769:General Officers of World War I
154:1899; he completed it in 1902.
16:Painting by John Singer Sargent
788:Splendid Mountain Watercolours
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604:Egyptian Woman with Earrings
819:Grand Central School of Art
814:Grand Central Art Galleries
588:Ellen Terry as Lady Macbeth
580:Portrait of Mrs. Cecil Wade
564:Carnation, Lily, Lily, Rose
392:"Lord Ribblesdale Portrait"
142:, and was a trustee of the
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628:Portrait of Léon Delafosse
721:The Hermit (Il solitario)
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144:National Portrait Gallery
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658:William M. Chase, N. A.
398:. Imperial War Museums
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118:in London since 1916.
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184:Chesterfield overcoat
100:, sometimes known as
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620:Mrs. Hugh Hammersley
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370:(15 December 2007).
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341:(10 November 2015).
227:in 1902, and at the
484:John Singer Sargent
246:Battle of Gallipoli
242:Somaliland campaign
199:W. Graham Robertson
150:from 1892 to 1895.
108:John Singer Sargent
40:John Singer Sargent
556:The Misses Vickers
425:"Lord Ribblesdale"
307:"Lord Ribblesdale"
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737:Tyrolese Interior
508:Dr. Pozzi at Home
128:Baron Ribblesdale
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432:. Retrieved
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400:. Retrieved
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348:Country Life
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314:. Retrieved
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211:Country Life
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164:court livery
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103:The Ancestor
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799:(1912–1914)
705:Alpine Pool
698: 1905
685:(1904–1906)
645:(1898–1908)
607:(1890–1891)
599:(1890–1891)
229:Paris Salon
191:Tite Street
158:Description
140:Royal court
841:Categories
690:Arab Woman
264:References
234:Edward VII
168:ratcatcher
122:Background
64:Dimensions
761:Synagogue
500:Paintings
86:Accession
780:Drawings
713:Cashmere
524:El Jaleo
252:See also
72:Location
807:Related
219:History
180:top hat
172:parquet
138:at the
791:(1870)
772:(1922)
764:(1919)
756:(1919)
753:Gassed
748:(1918)
740:(1915)
732:(1911)
724:(1908)
716:(1908)
708:(1907)
700:–1906)
677:(1903)
669:(1902)
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653:(1899)
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623:(1892)
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511:(1881)
434:7 June
429:Art UK
402:7 June
316:7 June
89:NG3044
80:London
54:Medium
36:Artist
436:2020
404:2020
318:2020
176:whip
49:1902
46:Year
110:of
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