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Lorenzo was married twice, first to
Catarina Calcagni, and then to Maria Prato, of San Martino. He had three daughters, and a son called Quirino, who also studied painting. Lorenzo's second wife, and probably his children, died before he did, as in March 1527 he made over his property to his brother
42:, and is often assumed to have given him his earliest artistic education. In 1503 he is recorded as painting a picture for the convent of San Francesco in Correggio. Some frescoes representing scenes from
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Although lacking evidence from any surviving work, many writers have cast doubt on
Lorenzo's abilities as an artist, mainly on the basis of a humorous remark in a pamphlet by
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53:, were also traditionally ascribed to him. They remained visible until the mid-18th century, but by the late 19th century, no works by him were known to survive.
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68:(which had been used before about other painters) that "wishing to depict a lion, drew a goat, and wrote the title above it."
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189: This article incorporates text from a publication now in the
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in the palace of Count
Giberto in Correggio, painted in 1498 and signed
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Little is known of
Lorenzo as an artist. He was, however, the uncle of
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Antonio
Allegri da Correggio:His Life, his Friends, and his Time
206:. Vol. I (3rd ed.). London: George Bell & Sons.
22:(died 1527) was an Italian painter, working in the city of
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204:Bryan's Dictionary of Painters and Engravers (A–K)
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226:People from Correggio, Emilia-Romagna
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202:. In Graves, Robert Edmund (ed.).
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231:16th-century Italian painters
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159:Antonio Allegri da Correggio
40:Antonio Allegri da Correggio
173:. London: William Heineman.
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167:Ricci, Conrado (1896).
156:Meyer, Julius (1876).
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200:"Allegri, Lorenzo"
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