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270:) known as the ICP, and he also established the Institute's Graphic Arts Workshop. During the decade of the 1960s Homar began use the techniques of graphic printmaking, particularly in silkscreen. In 1975, he established his own printing studio, and among his many works are the posters he designed in 1979, for the
266:" (Puerto Rican Arts Center, or CAP). He was later named the director of the Graphics Studio of the Graphic Art Division of Puerto Rico's Department of Community Education (DivEdCo). This is when he created most of his works of art. Homar designed the logo of the "Instituto de Cultura Puertorriqueña " (
226:. Homar then served in an Army Intelligence Unit where he learned cartography while working for the Second Amphibious Combat Engineers Brigade. He also published military sketches in numerous American journals. When he returned from the war, he enrolled in the School of the
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in 1936 in New York as an apprentice designer of jewelry. During this period of his life he studied engraving, drawing and history of design. Furthermore, the income from his position at
Cartier allowed Homar to take night classes in painting, design and typography at
182:. His father, Lorenzo Homar Sr., was a film promoter and his mother, Margarita Gelabert, a pianist. Although he attended grammar school in San Juan, in 1928 due to financial difficulties, his family is forced to move to
565:"España inmortal: Lorenzo Homar's Prints for Cultural Institutions in Puerto Rico"; A Journal of Caribbean Arts and Letters; Author: Michael A. Brown; Volume=v.1; Number=n.2 Spring-Summer 2001; pages=155–159.
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125:(September 10, 1913 – February 16, 2004) was a Puerto Rican printmaker, painter, and calligrapher whose artwork stretches to three main workshops:
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proclaimed him a
Doctorate "Honoris Causa" and the Puerto Rican Institute of Culture presented him with the National Medal of Honor in 2003.
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579:"Mente, Mirada, Mano: Visiones y Revisiones de La Obra de Lorenzo Homar"; by Efraín Barradas; Publisher: Ediciones Huracan;
545:"Mente, Mirada, Mano: Visiones y Revisiones de La Obra de Lorenzo Homar"; by Efraín Barradas; Publisher: Ediciones Huracan;
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On
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Homar returned to Puerto Rico in 1950, where together with other artists, such as
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entreprises, MAPPING CONTROL géolocalisation de véhicules particuliers et.
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in 1946. While there, he was able to meet and learn from such artists as
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Homar designed the logo of the "Instituto de
Cultura Puertorriqueña " (
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Among Homar's military decorations and medals were the following:
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When the United States entered World War II, Homar joined the
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Puerto Rican
Institute of Culture's National Medal of Honor
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where he learned the art of drawing under the guidance of
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442:"Biografía de Lorenzo Homar-Obras"
171:Lorenzo Homar was born in 1913 in
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298:Military awards and recognitions
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522:"Lorenzo Homar | 'Plenas'"
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324:Asiatic-Pacific Campaign Medal
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326:with two Bronze Service Stars
264:Centro de Arte Puertorriqueño
128:Centro de Arte Puertorriqueño
686:United States Army soldiers
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611:"Poster 130, Lorenzo Homar"
347:Philippine Liberation Medal
242:Early Career in Puerto Rico
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336:World War II Victory Medal
288:Metropolitan Museum of Art
222:for which he received the
415:"Lorenzo Homar Biography"
292:University of Puerto Rico
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609:Rodondo, Roberto (ed.).
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272:VIII Pan American Games
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123:Lorenzo Homar Gelabert
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56:San Juan, Puerto Rico
510:Princeton University
252:Felix Rodriguez Baez
284:Ponce Museum of Art
238:and Gabor Peterdi.
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375:Puerto Rico portal
224:Purple Heart Medal
52:September 10, 1913
413:Méndez, Serafin.
197:Homar joined the
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353:Later years
220:Philippines
167:Early years
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103:Movement
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113:Awards
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
