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296:. One of the first watercolours he sent to their exhibition was a portrait of a young woman in Renaissance clothing; its great success opened the door for a career as a portrait painter. His skill at capturing the moods of children gained him many commissions from upper middle class parents. He received so many commissions for portraits that at one time he contemplated giving up book illustration (see below).
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in the composition of battle scenes. Drawn with a strong line and clear, harmonious colors, his illustrations drew critical praise even though he himself was disappointed in the quality of the reproductions, which had been done by zincotype, a then-new photoengraving process. As one critic put it:
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Boutet de Monvel is still considered a master of the children's illustration genre for the originality of his work. His style has been praised for its lack of unnecessary detail, and it has been noted that his images provide "a revelation of a subject which the writer has treated only in a
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would become a painter. The need to support his family pushed him into commercial illustration. In 1881, he illustrated a children's reader, and this opened further commissions to illustrate children's books. He also began contributing illustrations to the children's magazine
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Boutet de Monvel's full-page illustrations have a nobility and grandeur akin to the great church frescoes of the
Renaissance. Their pleasingly flat rendering combined with a sophisticated use of design elements...owe a debt to the Japanese prints so popular in the artist's
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in 1913. Not long afterwards, the Manzi et Joyant
Gallery organised a retrospective of his work in Paris. Further retrospectives have followed, and a large traveling show was organized in the United States in 1987-88. Some of his work is held by museums.
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283:. However, the painting's royalist theme so angered Edmond Turquet, then the Deputy Secretary of State for Fine Art, that it was removed just before the private viewing and moved to the premises of the newspaper
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that was part of a commission for a new basilica in Donrémy. It was one of a set of five panels, but the other four were never finished, though a smaller-scale version was completed for senator
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1124:, an exhibition catalog from the Metropolitan Museum of Art (fully available online as PDF), which contains material on Louis-Maurice Boutet de Monvel (see index)
192:, the second of nine children; his father, Benjamin Boutet de Monvel (1820–1880), was a physics and chemistry professor. His maternal grandfather was the tenor
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in
Philadelphia. He went to Chicago for that exhibition but fell ill with a recurrence of a bronchial ailment contracted during the Franco-Prussian war.
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painter and his palette shifted towards orange and blue as its base colors. In the Paris salon of 1880, he showed one of his
Algerian paintings,
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Three trips to
Algeria (1876, 1878, 1880) had a strong influence on his style as he responded to the quality of the light. He became a
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was a huge success and brought him international recognition. In 1899, he participated in an exhibition organized by members of the
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Artists of the
Nineteenth Century and Their Works: A Handbook Containing Two Thousand and Fifty Biographical Sketches
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In 1876, he married Jeanne
Labaigue of Orléans, and their first child was born three years later. Their son
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that focused on graphic art. That same year his work was shown in the United States at venues such as the
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Through the
Looking Glass: Further Adventures and Misadventures in the Realm of Children's Literature
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He was an early member of the
Society of French Watercolourists, which had recently been founded by
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196:(1802–1839), and there were other artists in the family. He lived mainly in Paris as a child.
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928:. Buffalo Fine Arts Academy, Albright Art Gallery (Buffalo, N.Y.). 1920. pp. 55–57
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as a leading figure of the 19th century's golden era of children's book illustration.
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180:. He was a major figure in nineteenth-century children's book illustration.
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fragmentary and superficial manner." He has been ranked alongside
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that has been regarded as his masterpiece. The epic scenes for
219:, both major influences on his early work. He also worked with
906:. Stéphane-Jacques Addade website. Accessed 6 September 2017.
781:. Stéphane-Jacques Addade website. Accessed 6 September 2017.
506:, who studied with him informally over a number of years.
468:(Our Children: Scenes from the Country and the Town, 1887)
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In 1895 he published an illustrated children's history of
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Boutet de Monvel was a mentor of the Dutch illustrator
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of 1900, he received a gold medal for a panel entitled
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Clara Erskine Clement Waters, Laurence Hutton (1879).
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Boston: Little, Brown & Company, pp. 93–101.
1031:"From the Rare Book and Special Collections Division"
794:. from the Columbia Encyclopedia, Sixth Edition. 2008
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Paris Salon, bronze medal (1878); silver medal (1880)
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436:Vielles chansons et rondes pour les petits enfants
342:show the influence of two late-medieval painters:
1111:Works by or about Louis-Maurice Boutet de Monvel
438:(Old Songs and Rounds for Little Children, 1883)
825:. David R. Godine Publisher. pp. 223–224.
242:In 1873 he exhibited for the first time at the
111:watercolors, illustrations for children's books
1051:. Vintage Book Illustrations. January 30, 2012
462:Nos enfants, scènes de la ville et des champs
8:
442:Chansons de France pour les petits français
274:The Rabble's Apotheosis, or the Triumph of
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779:"Civil status: Maurice Boutet de Monvel"
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161:(18 October 1850 – 16 March 1913) was a
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430:Selected books illustrated by de Monvel
733:The Crowning at Rheims of the Dauphin
622:A commissioned child's portrait (1887)
543:Poster for a toothpaste, published in
523:' hair to that of Joan of Arc's hair.
904:"Biography: Maurice Boutet de Monvel"
377:Pennsylvania Academy of the Fine Arts
320:would become a writer, and their son
7:
1003:. Houghton Mifflin. pp. 75–76.
701:The Maid in Armor on Horseback from
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458:(The Farce of Master Pathelin, 1887)
250:. He won a bronze medal in 1878 for
1173:French children's book illustrators
1000:Children's Books and Their Creators
279:at an exhibition organized by the
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792:"Louis Maurice Boutet de Monvel"
749:The Trial of Joan of Arc from
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685:Her Appeal to the Dauphin from
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1121:Pierre Bonnard, the Graphic Art
254:and a silver medal in 1880 for
246:, showing a painting entitled
159:Louis-Maurice Boutet de Monvel
48:Louis-Maurice Boutet de Monvel
30:Louis-Maurice Boutet de Monvel
1:
1073:Dowdes, William Howe (1900).
1049:"Henriette Willebeek Le Mair"
717:The Turmoil of Conflict from
477:(Fables of La Fontaine, 1888)
256:The Lesson Before the Sabbath
188:Boutet de Monvel was born in
1163:20th-century French painters
1153:19th-century French painters
955:. Houghton, Osgood. p.
590:Illustration for the song "
504:Henriette Willebeek le Mair
455:La Farce de maître Pathelin
396:Joan at the Court of Chinon
373:Museum of Fine Arts, Boston
346:in the use of modeling and
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1088:. Éd. de l'Amateur, 2001.
1084:Addade, Stéphane-Jacques.
902:Addade, Stéphane-Jacques.
777:Addade, Stéphane-Jacques.
667:La vision et l'inspiration
636:Vielles Chansons et Rondes
203:in early 1870. During the
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1168:20th-century male artists
331:, continuing until 1890.
281:Society of French Artists
233:, oil on canvas,1877–1878
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1086:Bernard Boutet de Monvel
606:Double-page spread from
558:Poster for the operetta
545:Les Maîtres de l'Affiche
402:, who donated it to the
386:Boutet de Monvel at work
369:Art Institute of Chicago
184:Early life and education
19:Not to be confused with
819:Selma G. Lanes (2006).
404:Corcoran Gallery of Art
211:, where he worked with
199:He began attending the
87:painter and illustrator
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272:In 1885, he exhibited
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21:Louis Boutet de Monvel
1079:Twelve Great Artists.
997:Anita Silvey (1995).
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1158:French male painters
1148:Artists from Orléans
267:On the High Plateaus
1075:"Boutet de Monvel."
592:Au Clair de la Lune
493:(Joan of Arc, 1895)
448:Quand j'Ă©tais petit
205:Franco-Prussian War
172:best known for his
650:series (1895-1913)
560:La Petite Poucette
498:In popular culture
424:Randolph Caldecott
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365:Viennese Secession
309:
303:Illustration from
252:The Good Samaritan
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1106:Project Gutenberg
1010:978-0-395-65380-7
832:978-1-56792-318-6
213:Gustave Boulanger
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75:(1913-03-16)
1143:1913 deaths
1138:1850 births
1090:(in French)
1035:hdl.loc.gov
753:(1909-1910)
576:Nos enfants
474:La Fontaine
409:He died in
361:Joan of Arc
340:Joan of Arc
336:Joan of Arc
170:illustrator
120:Joan of Arc
92:Nationality
1132:Categories
1016:2008-10-25
962:2008-10-25
932:2008-10-25
838:2008-10-25
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762:References
634:Page from
472:Fables de
375:, and the
248:Temptation
84:Occupation
53:1850-10-18
562:, c. 1891
286:Le Figaro
263:plein air
238:Paintings
100:Education
594:" (1883)
143:Children
1113:at the
527:Gallery
481:Xavière
411:Nemours
390:At the
322:Bernard
190:Orléans
166:painter
151:Bernard
60:Orléans
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737:(1907)
721:(1913)
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689:(1906)
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371:, the
307:(1896)
163:French
135:Spouse
122:(1895)
95:French
64:France
669:from
318:Roger
244:Salon
147:Roger
108:Genre
1077:In:
1057:2016
1005:ISBN
827:ISBN
422:and
356:day.
215:and
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168:and
70:Died
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