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Louis Mérante

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196: 20: 188:. The painting marked the beginning of Dégas' long infatuation with the ballet, but though he had sketched the individual dancers, and the practice room in the company's old premises in the 293: 376: 366: 306: 265: 162:. But other ballets, with a mime libretto whose authors normally shared credit with Mérante, are perhaps an irretrievably lost part of ballet history: 184:
included the figure of Mérante, in an immaculate white suit, with the traditional baton for beating time on the floorboards, in his 1872 painting
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in 1857-1863), whose father Joseph Richard was a French ballet dancer who had come to Russia in 1823 with his niece (or sister)
341: 336: 331: 300: 146: 119:, a ballet-pantomime that premiered November 26, 1877 and had as librettists for the mimed action the team of 269: 229: 178:
and Mérante, to music by Th. de Lajarte, and others, produced season after season for the Opéra Garnier.
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until its destruction by fire in 1873, and subsequently the first Ballet Master at the company's new
151: 221: 159: 43: 26: 225: 212: 189: 155: 128: 124: 47: 96:, with whom he figured on the six-member select jury of the first annual competition for the 245: 72:, he is one of the three choreographers who defined the French ballet tradition during the 175: 97: 60: 158:
has been revived with new choreography, as a showpiece for the youngest dancers of the
105: 81: 55: 51: 192:, with its great arched mirror, he was not permitted to attend a rehearsal in person. 320: 132: 120: 93: 233: 69: 200: 181: 38:(23 July 1828–Courbevoie, 17 July 1887) was a dancer and choreographer, the 131:
and had recently delivered a libretto on a similarly Spanish theme to
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Ballet dancer, teacher and choreographer (Paris Opera)
24:Louis Mérante as Djémil in the Saint-Léon/Delibes 207:, which shows the Balletmaster rehearsing in the 42:(First Balletmaster/Chief Choreographer) of the 205:Foyer de Danse à l'Opéra de la rue Le Peletier 301:Concours Annuel du Corps de ballet de l'Opéra 8: 257: 220:Wife (in 1861): the Russian ballerina 92:Born in Paris, Mérante was a pupil of 377:Paris Opera Ballet artistic directors 7: 367:19th-century French ballet dancers 104:, as well as the former ballerina 14: 266:"B.co Pierre Lacotte Interview" 1: 307:Interview with Pierre Lacotte 170:, choreographed by Mérante; 61:Sylvia, ou la nymphe de Diane 127:, who provided librettos to 80:according to choreographer 393: 372:Paris Opera Ballet étoiles 327:French male ballet dancers 174:, "ballet-arlequinade" by 166:, "ballet fantastique" by 347:French ballet librettists 362:Ballets by Louis Mérante 203:included Mérante in his 36:Louis Alexandre Mérante 217: 172:Les Jumeaux de Bergame 115:Mérante choreographed 108:, its guiding spirit. 102:Conservatoire de danse 32: 342:French choreographers 337:Ballet choreographers 332:French ballet masters 303:(pdf file; in French) 198: 150:, after the fable by 22: 74:Second French Empire 230:Félicité Hullin Sor 218: 160:Paris Opera Ballet 44:Paris Opera Ballet 33: 213:Salle Le Peletier 209:Foyer de la Danse 190:Salle Le Peletier 186:Le foyer de danse 66:Arthur Saint-Léon 48:Salle Le Peletier 384: 281: 280: 278: 277: 268:. Archived from 262: 232:and her husband 147:Les Deux Pigeons 40:Maître de Ballet 392: 391: 387: 386: 385: 383: 382: 381: 317: 316: 311:Ballet Magazine 290: 285: 284: 275: 273: 264: 263: 259: 254: 242: 222:Zinaida Richard 216: 176:Charles Nuitter 168:François Coppée 98:Corps de ballet 90: 31: 17: 12: 11: 5: 390: 388: 380: 379: 374: 369: 364: 359: 354: 349: 344: 339: 334: 329: 319: 318: 315: 314: 304: 298: 289: 288:External links 286: 283: 282: 256: 255: 253: 250: 249: 248: 241: 238: 199: 156:André Messager 154:, to music by 125:Ludovic Halévy 106:Marie Taglioni 89: 86: 82:Pierre Lacotte 78:Third Republic 52:Palais Garnier 23: 15: 13: 10: 9: 6: 4: 3: 2: 389: 378: 375: 373: 370: 368: 365: 363: 360: 358: 355: 353: 350: 348: 345: 343: 340: 338: 335: 333: 330: 328: 325: 324: 322: 312: 308: 305: 302: 299: 297: 296: 292: 291: 287: 272:on 2006-12-06 271: 267: 261: 258: 251: 247: 244: 243: 239: 237: 235: 231: 227: 223: 214: 210: 206: 202: 197: 193: 191: 187: 183: 179: 177: 173: 169: 165: 161: 157: 153: 149: 148: 142: 140: 139: 134: 133:Georges Bizet 130: 126: 122: 121:Henri Meilhac 118: 114: 109: 107: 103: 99: 95: 94:Lucien Petipa 87: 85: 83: 79: 75: 71: 67: 64:(1876). With 63: 62: 57: 53: 49: 45: 41: 37: 30:, Paris, 1866 29: 28: 21: 310: 294: 274:. Retrieved 270:the original 260: 234:Fernando Sor 224:(Mlle Zina, 219: 208: 204: 185: 180: 171: 164:La Korrigane 163: 145: 144:His ballet, 143: 136: 116: 112: 110: 101: 91: 70:Jules Perrot 59: 39: 35: 34: 25: 357:1887 deaths 352:1828 births 313:August 2000 295:Le Fandango 201:Edgar Degas 182:Edgar Degas 152:La Fontaine 117:Le Fandango 56:Léo Delibes 321:Categories 276:2006-11-28 252:References 111:Following 129:Offenbach 88:Biography 27:La Source 240:See also 76:and the 211:of the 46:at the 226:étoile 215:, 1872 138:Carmen 113:Sylvia 309:from 246:Leap! 123:and 68:and 323:: 236:. 141:. 84:. 58:' 279:. 135:—

Index


La Source
Paris Opera Ballet
Salle Le Peletier
Palais Garnier
Léo Delibes
Sylvia, ou la nymphe de Diane
Arthur Saint-Léon
Jules Perrot
Second French Empire
Third Republic
Pierre Lacotte
Lucien Petipa
Corps de ballet
Marie Taglioni
Henri Meilhac
Ludovic Halévy
Offenbach
Georges Bizet
Carmen
Les Deux Pigeons
La Fontaine
André Messager
Paris Opera Ballet
François Coppée
Charles Nuitter
Edgar Degas
Salle Le Peletier

Edgar Degas

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