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429:, New York City. His burial spot was originally marked by a magnificent marble monument, topped by an "Angel of Music" statue, which was irreparably damaged by vandals in 1959. In October 2012, after nearly fifteen years of fundraising by the Green-Wood Cemetery, a new "Angel of Music" statue, created by sculptors Giancarlo Biagi and Jill Burkee to replace the damaged one, was unveiled.
273:. Gottschalk rarely took on students and was skeptical of prodigies, but Carreño was an exception and he was determined that she would succeed. With his busy schedule, Gottschalk was only able to give her a handful of lessons, yet she would remember him fondly and performed his music for the rest of her days. A year after meeting Gottschalk, she performed for
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661:, with added lyrics, was recorded in April 1934 by trumpet player Abel Beauregard's dance band, the Orchestre Créole Matou from the French Caribbean Guadeloupe island. This is the first recording of this composition, as the first 'classical piano' recordings of Gottschalk's works were not recorded until 1956, by American pianist
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establish him as a genuinely
American composer, and not a mere imitator of the European written tradition; they were a major artistic statement as they carried a legacy of slave music in a romantic music context, and as such they were also precursors of jazz. They still stand as the first examples
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147:, to Edward Gottschalk and Aimée Marie Bruslé. He had six brothers and sisters, five of whom were half-siblings by his father's biracial mistress. His family lived for a time in a tiny cottage at Royal and Esplanade in the
190:, head of the piano faculty, commented that "America is a country of steam engines". Gottschalk eventually gained access to the musical establishment through family friends, but important early compositions like
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issued a multi-disc collection of his music, which was later reissued on CD. This included world premiere recordings of the original orchestrations of both symphonies and other works, which were conducted by
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recorded a selection of
Gottschalk's music on an 1865 Chickering concert grand in 1988 as part of The Smithsonian Collection of Recordings. The music of Gottschalk was used in the soundtrack for the
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newspaper as having "travelled 95,000 miles by rail and given 1,000 concerts". However, he was forced to leave the United States later that year because of an alleged affair with a student at the
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and are widely regarded as the earliest existing pieces of creole music in classical culture. In this context, some of
Gottschalk's work, such as the 13-minute
254:, or Puerto Rican peasantry, and is an antiquated way of writing this name. The theme of the composition is a march tune which may be based on a Puerto Rican
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served as the editor of a 1973 published collection of
Gottschalkâs piano music, and concurrently organized an exhibition of Gottschalk and his music at the
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339:. He returned to his native city only occasionally for concerts, but he always introduced himself as a New Orleans native. He composed the tarantella,
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665:. Other recordings related to the specific bamboula rhythm heard by Gottschalk in New Orleans' Congo Square and used on his famous 1845 composition
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Louis Moreau
Gottschalk Piano Music. Edward Gold, piano (Bösendorfer). Liner notes by Edward Gold. The Musical Heritage Society Inc. MHS 1629.
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to Church, who gave
Gottschalk a small (now unidentified) landscape painting. Gottschalk also possibly collaborated with Warren on his 1863
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for the booklet accompanying the recording "Gottschalk Piano Music" performed by Philip Martin on the
Hyperion label, "He died ... of
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Gottschalk's music was very popular during his lifetime and his earliest compositions created a sensation in Europe. Early pieces like
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In late 1855 and early 1856 Gottschalk made connections with several notable figures of the New York art world, including the sculptor
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Various pianists later recorded his piano music. The first important recordings of his orchestral music, including the symphony
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Gottschalk chose to travel to South
America, where he continued to give frequent concerts. During one of these concerts, at the
395:(translated from Portuguese as "Death"), although the actual collapse occurred just as he started to play his celebrated piece
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Louis Moreau
Gottschalk: Pioneering Pianist/Composer of the Americas (Catalogue of works, links to reference information)
151:. Louis later moved in with relatives at 518 Conti Street; his maternal grandmother Bruslé and his nurse Sally were both
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Irving Lowens/S. Frederick Starr: "Louis Moreau
Gottschalk", Grove Music Online, ed. L. Macy (Accessed June 28, 2007),
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L.M. Gottschalk's Farewell Concerts in America before departing for Havana and Mexico. January 26, 1865.
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958:, 3d ed.: 2 (Kindle Locations 18177â18178). McFarland & Company, Inc., Publishers. Kindle Edition.
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Louis Moreau Gottschalk, pianiste itinérant (French dedicated website with scores and audio extracts)
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312:) and produced a series of large-scale canvases of South American subject. Gottschalk dedicated a
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and would go on to become a renowned concert pianist earning the nickname "Valkyrie of the Piano".
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After Gottschalk returned to the United States in 1853, he traveled extensively; a sojourn in
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remarked: "Give me your hand, my child; I predict that you will become the king of pianists."
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Only two years later, at the age of 13, Gottschalk left the United States and sailed to
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he heard on the island, so much so that he composed a work, probably in 1857, entitled
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on a Steinway piano and released by Erato Records in 1994. Beginning in the 1990s,
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1039:"The Smithsonian Collection of Recordings | Smithsonian Chamber Music Society"
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Many of his compositions were destroyed after his death, or are lost. Musicologist
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Three weeks later, on December 18, 1869, at the age of 40, he died at his hotel in
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603:, a selection of piano fantasies, caprices, meditations and paraphrases played by
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By the 1860s, Gottschalk had established himself as the best known pianist in the
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681: are included in each of the above releases. New Orleans singer and pianist
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In 1870, his remains were returned to the United States and were interred at the
1159:"In memory of Dr. John: An archival interview with the New Orleans music legend"
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304:. Like Gottschalk, Church had traveled extensively in Latin America (primarily
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were based on Gottschalk's memories of the music he heard during his youth in
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and performed by the Rampart Winds of the United States Air Force Academy Band
155:. He was therefore exposed to a variety of musical traditions, and played the
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372:. Gottschalk denied any wrongdoing, but never returned to the United States.
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of Louisiana Creole music in classical music culture. After a concert at the
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Biguine, Anthologie de la tradition musicale antillaise (1930-1954) Volume 4
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763:"Theatre in Context Collection | Alexander Street, part of Clarivate"
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Louis Moreau Gottschalk Collection at The Historic New Orleans Collection
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At the conclusion of that tour, he rested in New Jersey then returned to
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391:. Just before his collapse, he had finished playing his romantic piece
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1128:, a 1950 Haitian field recording by Harold Courlander, can be found on
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Art of the States: Louis Moreau Gottschalk (six works by the composer)
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331:. Although born and reared in New Orleans, he was a supporter of the
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Resting Places: The Burial Sites of More Than 14,000 Famous Persons
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establishment, making his informal public debut in 1840 at the new
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at Hyperion Records' official website. Retrieved 25 January 2023.
901:. Oxford and New York: Oxford University Press. pp. 355â356.
739:, Gottschalk's sister and a pianist and composer in her own right
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piano works. He spent most of his working career outside the
861:. New York and Oxford: Oxford University Press. p. 215.
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886:. New York and Oxford: Oxford University Press. p. 216.
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training was required to fulfill his musical ambitions. The
119:(May 8, 1829 â December 18, 1869) was an American composer,
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by Abel Beauregard's Orchestre Créole Matou is included on
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Louis Moreau Gottschalk pictured on an 1864 Publication of
540:) forms the basis of a highly popular 20th century piece "
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Souvenir de Porto Rico; Marche des gibaros, Op. 31 (RO250)
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Bamboula!: The Life and Times of Louis Moreau Gottschalk
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Bamboula!: The Life and Times of Louis Moreau Gottschalk
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Bamboula!: The Life and Times of Louis Moreau Gottschalk
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Bamboula! The life and times of Louis Moreau Gottschalk
913:"Gottschalk's positively farewell concerts in America"
733:, a contemporary ballet set to the music of Gottschalk
265:. There he continued to rest and took on a very young
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during 1854 was the beginning of a series of trips to
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recorded most of Gottschalk's extant piano music for
418:, the result of a ruptured abscess in the abdomen.")
970:"A Brooklyn Mystery Solved: Vandals Did It, in 1959"
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1357:Louis Moreau Gottschalk â MIDI files (piano works)
1009:Paula Morgan (2001). "Jackson, Richard (Hammel)".
296:, composer and musician George William Warren and
653:wrote a historical novel about Gottschalk titled
669:can be found on a 1950 Haitian voodoo recording
465:Gottschalk's "Tournament Galop" transcribed for
399:. Gottschalk never recovered from the collapse.
406:, Rio de Janeiro, probably from an overdose of
215:, too, recognised Gottschalk's extreme talent.
159:from an early age. He was soon recognized as a
521:, retains value. Gottschalk also utilized the
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1219:Louis Moreau Gottschalk, a dedicated website
1207:English Works List on French dedicated site
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387:, on November 24, 1869, he collapsed from
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1664:American people of British-Jewish descent
1276:by Isidore Singer and Joseph Sohn (1906).
1264:International Music Score Library Project
800:Gottschalk, Louis Moreau (11 June 2006).
16:American composer and pianist (1829â1869)
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1112:set with booklet notes by musicologist
1104:The first classical piano recording of
1025:10.1093/gmo/9781561592630.article.47105
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1407:Symphony No. 1 "La nuit des tropiques"
1260:Free scores by Louis Moreau Gottschalk
1244:Web Archives (archived 2009-07-18)
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1249:âDiary of a âOne-Man Grateful Deadâ,â
7:
1629:19th-century American male musicians
1142:Rezos Congos (Bamboula, Conga Music)
675:Rezos Congos (Bamboula, Conga Music)
242:period. He was quite taken with the
1699:Jewish American classical composers
917:The Library Company of Philadelphia
835:"Louis Moreau Gottschalk Biography"
657:in 1963. A version of Gottschalk's
360:In May 1865, he was mentioned in a
1684:Classical musicians from Louisiana
1078:, vol. 88, 1963, p. 3691
673:; And on the 1962 Cuban folk tune
178:, as he and his father realized a
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1669:American people of French descent
1654:American male classical composers
1659:American male classical pianists
1619:19th-century classical composers
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477:Problems playing this file? See
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1624:19th-century classical pianists
1609:19th-century American composers
931:"Louis Moreau Gottschalk Facts"
599:In 1984, Nimbus Records issued
1679:Burials at Green-Wood Cemetery
1649:American expatriates in France
1639:American expatriates in Brazil
1614:19th-century American pianists
1344:, piano and clarinetâ restful
806:. Princeton University Press.
238:debut and at the start of his
230:. Gottschalk also traveled to
1:
697:was inspired by Gottschalk's
532:. A melody from Gottschalk's
318:The Andes, Marche di Bravoura
1644:American expatriates in Cuba
1110:Slavery in America 1914-1972
968:Barron, James (3 May 2010).
897:Starr, S. Frederick (1995).
882:Starr, S. Frederick (1995).
857:Starr, S. Frederick (1995).
790:. Oxford, NY, pp. 22 et seq.
410:. (According to an essay by
1674:American Romantic composers
1634:American classical pianists
1126:Baboule Dance (three drums)
1106:Bamboula (Danse Des NĂšgres)
1043:Smithsonianchambermusic.org
984:"Welcome, "Angel of Music""
786:Starr, S. Frederick, 1995.
677:. Comments by musicologist
671:Baboule Dance (three drums)
192:Bamboula (Danse Des NĂšgres)
1725:
1709:Musicians from New Orleans
1496:Great Galloping Gottschalk
1307: (archived 2005-10-22)
1274:âGottschalk, Louis Moreauâ
767:Search.alexanderstreet.com
730:Great Galloping Gottschalk
250:. "Gibaros" refers to the
18:
1522:
1509:Clara Gottschalk Peterson
1146:Cuba - SanterĂa 1939-1962
737:Clara Gottschalk Peterson
694:Goin' Back to New Orleans
525:theme as a melody in his
35:
377:Teatro Lyrico Fluminense
47:(late 1850sâearly 1860s)
19:Not to be confused with
1704:Louisiana Creole people
1393:Louis Moreau Gottschalk
1229:Louis Moreau Gottschalk
1189:(subscription required)
1148:(Frémeaux et Associés).
1132:(Frémeaux et Associés).
1095:(Frémeaux et Associés).
1017:Oxford University Press
1015:. Oxford Music Online.
581:Utah Symphony Orchestra
557:New York Public Library
366:Oakland Female Seminary
153:Saint Dominican Creoles
143:Gottschalk was born in
117:Louis Moreau Gottschalk
57:Louis Moreau Gottschalk
30:Louis Moreau Gottschalk
1467:Souvenir de Porto Rico
700:Souvenir de Porto Rico
629:, which was played by
569:A Night in the Tropics
534:Souvenirs d'Andalousie
529:A Night in the Tropics
444:
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322:The Heart of the Andes
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213:Charles-Valentin Alkan
145:New Orleans, Louisiana
71:New Orleans, Louisiana
1514:Vera Brodsky Lawrence
1130:Haiti Vodou 1937-1962
1063:Philip Martin (piano)
538:Memories of Andalusia
443:
355:
302:Frederic Edwin Church
283:
127:performer of his own
1108:can be found on the
345:, Op. 67, subtitled
1689:Composers for piano
1350:Ann Arbor, Michigan
1270:Jewish Encyclopedia
1242:Library of Congress
1238:Biographical sketch
618:Aux Petits Bonheurs
423:Green-Wood Cemetery
370:Oakland, California
347:CĂ©lĂšbre Tarentelle,
298:Hudson River School
184:Paris Conservatoire
163:by the New Orleans
21:Louis F. Gottschalk
1212:2011-01-08 at the
1012:Grove Music Online
935:yourdictionary.com
803:Notes of a Pianist
688:Litanie des Saints
645:In popular culture
519:Escenas campestres
451:"Tournament Galop"
445:
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337:American Civil War
300:landscape painter
294:Erastus Dow Palmer
290:
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1476:Grande Tarantelle
990:. 15 October 2012
577:Maurice Abravanel
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342:Grande Tarantelle
335:cause during the
169:St. Charles Hotel
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1233:Find a Grave
1167:. Retrieved
1165:. 2019-06-07
1162:
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195:
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84:(1869-12-18)
44:Mathew Brady
1694:Contradanza
1604:1869 deaths
1599:1829 births
1434:Le Bananier
1335:Cradle Song
1313:Creole Eyes
1280:Free scores
994:15 November
940:15 November
663:Eugene List
623: [
585:Vox Records
501:Le Bananier
240:West Indian
232:Puerto Rico
209:Franz Liszt
149:Vieux Carré
98:Occupations
67:May 8, 1829
1593:Categories
1503:Tarantella
1169:2021-01-15
1114:Bruno Blum
744:References
679:Bruno Blum
605:Alan Marks
563:Recordings
479:media help
267:Venezuelan
234:after his
63:1829-05-08
1571:Biography
1458:The Banjo
1425:La Savane
1400:Orchestra
1346:fan dance
1337:), Op. 47
1319:), Op. 37
1295:Listening
542:Malagueña
512:Louisiana
495:La Savane
329:New World
288:for piano
269:student,
256:folk song
196:La Savane
180:classical
165:bourgeois
1532:Category
1478:, Op. 67
1469:, Op. 31
1460:, Op. 15
1451:, Op. 11
1331:Berceuse
1210:Archived
1089:Bamboula
819:22 April
707:See also
683:Dr. John
667:Bamboula
659:Bamboula
631:Noël Lee
579:and the
523:Bamboula
489:Bamboula
427:Brooklyn
310:Colombia
129:romantic
125:virtuoso
104:Composer
92:, Brazil
1545:Portals
1488:Related
1436:, Op. 5
1427:, Op. 3
1342:YouTube
1324:YouTube
1303:at the
1282:at the
1266:(IMSLP)
1262:at the
1240:at the
1181:Sources
1163:Jazz.fm
919:. 1865.
649:Author
620:
416:empyema
408:quinine
397:Tremolo
306:Ecuador
252:jĂbaros
224:Central
161:prodigy
121:pianist
107:pianist
1480:(1864)
1471:(1857)
1462:(1853)
1453:(1848)
1444:(1848)
1438:(1846)
1429:(1846)
1409:(1859)
1352:, 2017
865:
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404:Tijuca
393:Morte!
385:Brazil
258:form.
236:Havana
176:Europe
123:, and
1583:Music
1417:Piano
1048:8 May
772:8 May
749:Notes
691:from
627:]
615:film
544:" by
516:opera
433:Works
333:Union
244:music
157:piano
1050:2024
996:2015
942:2015
863:ISBN
821:2018
808:ISBN
774:2024
592:and
504:and
308:and
226:and
220:Cuba
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