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357:. This was the start of a profitable lengthy association with Lorimer, although he also continued to exhibit & sell work in various exhibitions. His last & largest work for Lorimer was the bronze group for the Glenelg War Memorial. After that his commissions from Lorimer declined, but, working independently, he did model a large Madonna & Child, a memorial to Miss McLaggan, in
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from 1887 to 1888. During his time in the city he was working as a stained-glass painter, possibly for a firm of decorators, such as J & W Guthrie. His series of lithographs, 'Picturesque
Glasgow' was published in 'The Bailie' (1893â95). After sending a selection of his drawings to
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Boreham, Louise âFrom
Cumnock to Comptonâ, in âNorthern Ceramic Society Journalâ, Volume 29, 2013, pp. 79â96, plus âFrom Cumnock to Compton â Updateâ in âNorthern Ceramic Society Newsletterâ no 170, June 2013,
349:. Deuchars's style of modelling appealed to Lorimer with the result that he made all the plaster models for the figure work, inside and outside, carved either in stone by Joseph Hayes & his men, in oak by the
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Boreham, Louise "The
Thistle Chapel : a reassessment of the windows and carving" in "Architectural Heritage X, The Journal of the Architectural Heritage Society of Scotland", 1999, pp. 54 â 65.
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from 1895 to 1900. He helped her to run the classes attended by the local villagers, who modelled the decorative terra cotta tiles for the chapel. Then he went on in 1900 to do the same job at the
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Boreham, Louise âNew Bosses for the Roof of
Glasgow Cathedral Choirâ in Architectural Heritage XV, The Journal of the Architectural Heritage Society of Scotland", 2004, pp. 117â128.
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Louis
Deuchars died on 19 September 1927 and was buried at Saughton Cemetery in south-west Edinburgh. His funeral was attended by all the major figures in the local art world.
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Boreham, Louise "Louis Reid
Deuchars â Collaboration with Sir Robert Lorimer", in "Church Monuments, Journal of the Church Monuments Society" Volume XII 1977, pp. 87â93.
333:(now on Coates Crescent), took Deuchars to Edinburgh, but after a few weeks there was a disagreement and Deuchars found himself without work and he was replaced by
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Boreham, Louise âWood
Carving in Dunblane Cathedral Choirâ in âJournal of the Society of Friends of Dunblane Cathedralâ, Vol. XIX, 2002, Part 1, pp. 4 â 10.
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Boreham, Louise "Louis Reid
Deuchars (1870â1927) & the Relationship between Sculptors & Architects", PhD Thesis, Edinburgh College of Art, December 1998.
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Boreham, Louise "Sculptors v. Architects" in "Architectural
Heritage IX, The Journal of the Architectural Heritage Society of Scotland", 1998, pp. 84â98.
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Boreham, Louise âNotable
Contributors to the Chapel Decorationâ in Mary Watts, âThe Word in the Patternâ, facsimile, Surrey 2012, pp. 97â103.
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Boreham, Louise "Louis Reid Deuchars and the Aldourie Pottery" in "Journal of the Scottish Society for Art History" Volume 2 1997, pp. 1 â 9.
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Boreham, Louise âLouis Reid Deucharsâ in âThe Architectural Heritage Society of Scotland â The Journal and Annual Report 1988 No 15, pp. 14â20.
272:, 'England's Michelangelo', Deuchars secured work as an assistant to Watts at Compton, Surrey, England, where he worked on Watts' sculptures
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Boreham, Louise âSculptors and Architects â two Scottish case studiesâ, in âSculpture Journalâ, Volume 21.2, 2012, pp. 157â167.
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Boreham, Louise âLouis Reid Deuchars and the Altar at Mount Stuartâ in âSculpture Journal VIIâ, PMSA London, 2002, pp. 83 â 94.
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Boreham, Louise âCompton Chapel" in "The Victorian, the Magazine of the Victorian Society", No. 3, March 2000, pp. 10 â 13.
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Boreham, Louise "Aldourie Pottery, Dores, Inverness-shire" in "Scottish Pottery Historical Review No.9", 1984/5, pp. 37â39.
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Blair, Robin; Boreham, Louise; Burnett, Charles; Cumming, Elizabeth; Roads, Elizabeth "The Thistle Chapel", Edinburgh, 2009.
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Boreham, Louise âA Fitting Tribute â The Story of the Glenelg War Memorialâ, in âWester Ross Lifeâ, Issue 12, 1998, p14.
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Boreham, Louise âIn Grandfatherâs Footstepsâ in âMotorcaravan and Motorhome Monthlyâ, March 1988, pp. 34 & 36.
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Boreham, Louise "The Early Days of The Compton Pottery" in "Watts Magazine", Issue 9 Summer 2010, pp. 14â18.
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Boreham, Louise âLouis Reid Deuchars at Limnersleaseâ in âWatts Magazineâ, Issue 5 Winter 2009, pp. 21,2.
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Boreham, Louise âG. F. Wattsâs della Robbia tondoâ, in âSculpture Journalâ Volume 22.1 , pp. 133â139.
382:"Louis Reid Deuchars - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951"
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Boreham, Louise âVictoriaâs Diamond Jubileeâ, in âWatts Magazineâ, Issue 14 Spring 2012, p. 23.
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282:. However, his main employment there was as one of the four main workers assisting Mrs Watts,
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Boreham, Louise "Aldourie: Testament of hopeâ in âThe Scotsman â Weekendâ, 11 July 1987.
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in St John's Wood, London. Then he moved to be assistant to another sculptor,
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had just embarked on his commission for the new Chapel of the Knights of the
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Following that he was assistant to the sculptor Sir William
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240:(1870â1927) was a Scottish artist and sculptor.
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478:George Frederick Watts by Louis Deuchars
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146:Relevant discussion may be found on the
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