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124:. During her time in France she learned French and became acquainted with French literature and the arts. After returning to the US, her father became deputy collector in the Custom House. In January 1831 he wrote a report with recommendations on the consular service of the United States that is seen as a valuable source that gives insight into the history of US foreign relations. After her father died in 1839 Louisa married the ten-year-younger Benjamin Nicholas Martin who was a divinity student she met in New Haven, Connecticut. He became a clergyman and she travelled with him to Massachusetts and Albany, before settling in New York City where he became professor of philosophy at the University of the State of New York. It is believed that she stopped painting after marriage.
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109:, but there is no evidence they ever met. The museum in Bordeaux has many similar miniature portraits by anonymous painters, so it is possible there was a school there of some sort. Like many well-to-do young women painters of her time, she was not commercially active and her works were kept in the family.
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105:, where they stayed until 1830. It is in Bordeaux that Louisa Strobel was taught to paint, though it is unknown who her teacher was. Her style is reminiscent of the work of the Franco-American miniature painter
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Proceedings of the Twenty-First
Convocation of the University of the State of New York (held July 10, 11 and 12, 1883), edited by Weed, Parsons & Company, Printers, Albany, N.Y., 1884, page 241.
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of her parents. These were painted before Louisa was born and she would have been familiar with them all her life. They were possibly her initial inspiration to become an artist.
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on the request of her son, Daniel
Strobel Martin, she lived in Liverpool next door to the Gladstone family and played with the older brother of the later prime minister
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Proceedings of the Twenty-First
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139:(Carolina Art Association), donated by her son. The Metropolitan also has miniature portraits by
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The
American Consul : a history of the United States Consular Service, 1776-1924
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the family returned to the United States, only to leave a few years later for
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while her father Daniel
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90:(1806–1883) was an American painter of portrait miniatures.
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Portrait of her mother with her brother George on her lap
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