Louise Brooks - Knowledge (XXG)

432:. As a member of the globe-trotting troupe, Brooks spent a season abroad in London and in Paris. In her second season with the Denishawn company, she advanced to a starring role in one work opposite Shawn. But one day, a long-simmering personal conflict between Brooks and St. Denis boiled over, and St. Denis abruptly fired Brooks from the troupe in the spring of 1924, telling her in front of the other members: "I am dismissing you from the company because you want life handed to you on a silver salver." These words made a strong impression on Brooks; when she drew up an outline for a planned autobiographical novel in 1949, "The Silver Salver" was the title she gave the tenth and final chapter. Brooks was 17 years old at the time of her dismissal. Thanks to her friend 950:

body language and facial expressions. Brooks's acting style was subtle because she understood that the close-up images of the actors' bodies and faces made such exaggerations unnecessary. Explaining her method, Brooks said that acting "does not consist of descriptive movement of face and body but in the movements of thought and soul transmitted in a kind of intense isolation." This innovative style continues to be used by contemporary film actors but, at the time, it was surprising to viewers who assumed she wasn't acting at all. Film critic

38: 697: 757:. While partying with Lederer, Brooks had a brief sexual liaison with her. At some point in their friendship, Hearst and Davies were made aware of Lederer's lesbianism. Hearst arranged for Lederer to be committed to a mental institution for drug addiction. Several days after her arrival at the institution, Lederer — Brooks's closest friend and companion — committed suicide by jumping to her death from a hospital window. This event traumatized Brooks and likely led to her further dissatisfaction with 401:

her career. That early abuse caused her later to acknowledge that she was incapable of real love, explaining that this man: "must have had a great deal to do with forming my attitude toward sexual pleasure ... For me, nice, soft, easy men were never enough — there had to be an element of domination." When Brooks at last told her mother of the incident, many years later, her mother suggested that it must have been Louise's fault for "leading him on". In 1919, Brooks and her family moved to

1330:, discovered Brooks "living as a recluse" in New York City. He persuaded her in 1956 to move to be near the George Eastman House film collection where she could study cinema and write about her past career. With Card's assistance, she became a noted film writer. Although Brooks had been a heavy drinker since the age of 14, she remained relatively sober to begin writing perceptive essays on cinema in film magazines, which became her second career. A collection of her writings, titled 1441: 1228:, where she was raised, but this undesired return "turned out to be another kind of hell." "I retired first to my father's home in Wichita," she later recalled, "but there I found that the citizens could not decide whether they despised me for having once been a success away from home or for now being a failure in their midst." For her part, Brooks admitted that "I wasn't exactly enchanted with them," and "I must confess to a lifelong curse: My own failure as a social creature." 817: 6715: 6703: 1499: 1019: 547: 6739: 6667: 6727: 935:, Pabst counseled Brooks not to return to Hollywood and instead to stay in Germany and to continue her career as a serious actress. Pabst expressed concern that Brooks's carefree approach towards her career would end in dire poverty "exactly like Lulu's". He further cautioned Brooks that Marshall and her "rich American friends" would likely shun her when her career stalled. 6679: 6691: 1935: 374: 1221:" if she remained in Hollywood. Upon hearing Wanger's warning, Brooks purportedly also remembered Pabst's earlier predictions about the dire circumstances to which she would be driven if her career stalled in Hollywood: "I heard his words again — hissing back to me. And listening this time, I packed my trunks and went home to Kansas." 1541:, leaving the lesbian theme in question marks. All my life it has been fun for me. ... When I am dead, I believe that film writers will fasten on the story that I am a lesbian ... I have done lots to make it believable ... All my women friends have been lesbians. But that is one point upon which I agree positively with 6655: 1119: 939: 2684:: "I'd never heard of Mr. Pabst when he offered me the part . It was George who insisted that I should accept it. He was passionately fond of the theater and films, and he slept with every pretty show-business girl he could find, including all my best friends. George took me to Berlin with his English valet." 1549:

According to biographer Barry Paris, Brooks had a "clear preference for men", but she did not discourage the rumors that she was a lesbian, both because she relished their shock value, which enhanced her aura, and because she personally valued feminine beauty. Paris claims that Brooks "loved women as

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Throughout the late 1920s and early 1930s, Brooks continued her on-again, off-again relationship with George Preston Marshall, which she later described as abusive. Marshall was purportedly "her frequent bedfellow and constant adviser between 1927 and 1933." Marshall repeatedly asked her to marry him

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When audiences and critics first viewed Brooks's German films, they were bewildered by her naturalistic acting style. Viewers purportedly exited the theatre vocally complaining, "She doesn't act! She does nothing!" In the late 1920s, cinemagoers were habituated to stage-style acting with exaggerated

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In Hollywood, I was a pretty flibbertigibbet whose charm for the executive department decreased with every increase in my fan mail. In Berlin I stepped to the station platform to meet Mr. Pabst and became an actress. And his attitude was the pattern for all. Nobody offered me humorous or instructive

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football team, following a chance meeting with him that she later referred to as "the most fateful encounter of my life". She divorced Sutherland, mainly due to her budding relationship with Marshall, in June 1928. Sutherland was purportedly extremely distraught when Brooks divorced him and, on the

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for a magazine. Soon, however, Brooks found herself unemployed and increasingly desperate for a steady income. She also realized during this time that "the only people who wanted to see me were men who wanted to sleep with me." That realization was underscored by Brooks's longtime friend, Paramount

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community where the inhabitants "prayed in the parlor and practiced incest in the barn." When Louise was nine years old, a neighborhood man sexually abused her. Beyond the physical trauma at the time, the event continued to have damaging psychological effects on her personal life as an adult and on

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In her later years, Brooks insisted that both her previous marriages were loveless and that she had never loved anyone in her lifetime: "As a matter of fact, I've never been in love. And if I had loved a man, could I have been faithful to him? Could he have trusted me beyond a closed door? I doubt

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Belfarge elaborated on Brooks's opinion of Hollywood, and referred to Pabst's firsthand knowledge of that opinion. "The very mention of the place," he stated, "gives her a sensation of nausea." He continued, "The pettiness of it, the dullness, the monotony, the stupidity — no, no, that is no place

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Brooks insisted her affair with Pabst was brief. "In 1929, though, when he was in Paris trying to set up Prix de Beauté, we went out to dinner at a restaurant and I behaved rather outrageously. I slapped a close friend of mine across the face with a bouquet of roses. Mr. Pabst was horrified. He

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the eminent Herr Pabst described it to me over a cocktail in the Bristol Bar, Berlin. "Louise,'" said Herr Pabst, "has a European soul. You can't get away from it. When she described Hollywood to me — I have never been there — I cry out against the absurd fate that ever put her there at all. She

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Brooks departed Paramount Pictures to leave Hollywood for Berlin to work for Pabst. It was not until thirty years later that this rebellious decision would come to be seen as arguably the most beneficial to her career, securing her immortality as a silent film legend and independent spirit.

1467:, but abruptly left him in March 1934 after only five months of marriage, "without a good-bye ... and leaving only a note of her intentions" behind her. According to Card, Davis was just "another elegant, well-heeled admirer", nothing more. The couple officially divorced in 1938. 896:, Mr. Pabst was a man of 43 who astonished me with his knowledge on practically any subject. I, who astonished him because I knew practically nothing on every subject, celebrated my twenty-second birthday with a beer party on a London street." Brooks claimed her experience shooting 509: 4606:

These days, even though she is bedridden - in addition to osteoarthritis, she suffers from emphysema - the eyes remain unclouded. Over the phone, she sounds every bit as forthright as she is said to have been in her heyday, and she is delighted by the renewed interest in her

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Brooks spent subsequent years "drinking and escorting" while subsisting in obscurity and poverty in a small New York apartment. By this time, "all of her rich and famous friends had forgotten her." Angered by this ostracism, she attempted to write a tell-all memoir titled

385:, the daughter of Leonard Porter Brooks, a lawyer, who was usually preoccupied with his legal practice, and Myra Rude, an artistic mother who said that any "squalling brats she produced could take care of themselves". Rude was a talented pianist who played the latest 687:

and, according to Brooks, Arlen took a dim view of her casual liaisons with crew members. Amid these tensions, Brooks repeatedly clashed with Wellman, whose risk-taking directing style nearly killed her in a scene where she recklessly climbs aboard a moving train.

606:. Wanger tried to persuade her to take the MGM contract to avoid rumors that she only obtained the Paramount contract because of her intimate relationship with him. Despite his advice, she accepted Paramount's offer. During this time, Brooks gained a 1729:(1940) about a man attracted to Faustine, a woman who is only a projected 3-D image. In a 1995 interview, Casares explained that Faustine is directly based on his love for Louise Brooks who "vanished too early from the movies". Elements of 1397: 905:

comments on my acting. Everywhere I was treated with a kind of decency and respect unknown to me in Hollywood. It was just as if Mr. Pabst had sat in on my whole life and career and knew exactly where I needed assurance and protection.

1187:, the nation's leading entertainment publication, also devoted very little ink to her in its review. "Louise Brooks is the femme appeal with nothing much to do", it reports, "except look glamorous in a shoulder-length straight-bang 891:

as "too old and too obvious". In choosing Brooks, a relative unknown who had only appeared — not to very great effect — in secondary roles, Pabst was going against the advice of those around him. Brooks recalled that "when we made

1057:(1931), but her performances were largely ignored by critics, and few other job offers were forthcoming due to her informal "blacklisting". As the sole member of the cast who had refused to return to make the talkie version of 2719:

into a talkie and needed me for retakes. I said I wouldn't go In the end, after they were finally convinced that nothing would induce me to do the retakes, I signed a release (gratis) for all my pictures, and they dubbed in

1545:: There is no such thing as bisexuality. Ordinary people, although they may accommodate themselves, for reasons of whoring or marriage, are one-sexed. Out of curiosity, I had two affairs with girls — they did nothing for me. 1279:. After working on that autobiography for years, Brooks destroyed the entire manuscript by throwing it into an incinerator. As time passed, she increasingly drank more and continued to suffer from suicidal tendencies. 961:, the films "expos her animal sensuality and turn her into one of the most erotic figures on the screen — the bold, black-helmeted young girl who, with only a shy grin to acknowledge her 'fall,' became a prostitute in 1259:

I found that the only well-paying career open to me, as an unsuccessful actress of thirty-six, was that of a call girl ... and (I) began to flirt with the fancies related to little bottles filled with yellow sleeping

931:, Brooks drew upon her memories of being molested as a 9-year-old and then being blamed by her mother for her own molestation, later recalling on that day she became one of the "lost". On the final day of shooting 512: 355:. Following the rediscovery of her films by cinephiles in the 1950s, a reclusive Brooks began writing articles about her film career; her insightful essays drew considerable acclaim. She published her memoir, 516: 515: 511: 510: 517: 6116:

Louise Brooks, late of the Follies, has startled Broadway with an injunction suit to restrain John De Mirjian, theatrical photographer, from further distribution of nude portraits which he has made of her.

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I went to my father , and asked him, what can you tell me about Thirties glamour? Should I be emulating Marlene Dietrich or something? And he said no, I should study everything I can about Louise Brooks.

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Brooks traveled to Europe accompanied by Marshall and his English valet. The German film industry was Hollywood's only major rival at the time, and the film industry based in Berlin was known as the

6594: 2621:. He was just twice my age, and I had an affair with him for two happy summer months. Ever since he died, my mind has gone back fifty years, trying to define that lovely being from another world." 648:) happens on the murder scene and convinces Brooks to disguise herself as a young boy and escape the law by "riding the rails" with him. In a hobo encampment, or "jungle," they meet another hobo ( 2734:

hustled me out of the place and took me back to my hotel , so I decided to banish his disgust by giving the best sexual performance of my career. He wanted the affair to continue. But I didn't."

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a homosexual man, rather than as a lesbian, would love them. ... The operative rule with Louise was neither heterosexuality, homosexuality, or bisexuality. It was just sexuality ..."

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While her snubbing of Paramount alone would not have finished her altogether in Hollywood, her subsequent refusal, after returning from Germany, to come back to Paramount for sound retakes of

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screen test featuring Brooks was discovered by archivist Jane Fernandes, the only color film footage of the actress during her prime known to exist. Another lost scene was found in 2018 in a

2700:. "Goaded to fury, Paramount planted in the columns a petty but damaging little story to the effect that it had been compelled to replace Brooks because her voice was unusable in talkies." 514: 6080: 1894: 1204:

Brooks's career prospects as a film actress had significantly declined by 1940. According to the federal census in May that year, she was living in a $ 55-a-month apartment at 1317 North

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belongs to Europe and to Europeans. She has been a sensational hit in her German pictures. I do not have her play silly little cuties. She plays real women, and plays them marvelously."

1766:, the character Brooke Bayoude is revealed at a dinner party to have been named after Louise Brooks, though in a play on Brooks's name the dinner guests apparently mistake Brooks for 880:), and Brooks plays the central figure, Lulu. This film is notable for its frank treatment of modern sexual mores, including one of the first overt on-screen portrayals of a lesbian. 5844: 1383:

was allowed into Brooks's small apartment for an interview, and later wrote about the often awkward and tense conversation in his article "My Afternoon with Louise Brooks".

1086:, who came to know Brooks intimately later in her life, said that Brooks "just wasn't interested ... She was more interested in Marshall". In the opinion of biographer 1349: 321:

Dissatisfied with her mediocre roles in Hollywood films, Brooks went to Germany in 1929 and starred in three feature films that launched her to international stardom:

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as a film icon, much to her purported amusement. This rediscovery led to a Louise Brooks film festival in 1957 and rehabilitated her reputation in her home country.

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declared, 'There is no Garbo! There is no Dietrich! There is only Louise Brooks!' Brooks must have smiled to hear her name linked with two of her reputed lovers."

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Brooks, who now loathed the Hollywood "scene", refused to stay on at Paramount after being denied a promised raise. Learning of her refusal, her friend and lover

6320: 652:). Brooks's disguise is soon uncovered and she finds herself the only female in a world of brutal, sex-hungry men. Much of this film was shot on location in the 1027: 100: 2258:

In 2016, a 23-minute fragment was found at the Czech national film archive in Prague. The surviving material was preserved and shown for the first time at the

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in which Brooks, "her movie career having sputtered to a stop," returns to her native Kansas in 1940 and becomes a private investigator who solves murders.

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it." Despite her two marriages, she never had children, referring to herself as "Barren Brooks." Her many paramours from years before had included a young

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later wrote that, by employing this method, "Brooks became one of the most modern and effective of actors, projecting a presence that could be startling."

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portrays a character with a strong resemblance to Ms. Brooks for the cut of her hair, her mannerisms and facial expressions. More recently, in 2018, the

2647:" were dismayed when Billy persuaded me to take the place of my double, Harvey, and hop a fast-moving boxcar, which nearly sucked me under its wheels." 6789: 6262: 1045:

Dissatisfied with Europe, Brooks returned to New York in December 1929. When she returned to Hollywood in 1931, she was cast in two mainstream films,

982:. According to Belfrage, Pabst attributed Brooks's acting success outside the U.S. to her seemingly inherent or instinctive "European" sensibilities: 6769: 705: 1945:

As is the case with many of her contemporaries, a number of Brooks's films are considered to be lost. Her key films survive, however, particularly

1533:. She later described Garbo as masculine but a "charming and tender lover". Despite all this, she considered herself neither lesbian nor bisexual: 289:, and signed a five-year contract with the studio. She appeared in supporting roles in various Paramount films before taking the heroine's role in 6809: 6799: 1433:

but, after learning that she had had many affairs while they were together and believing her to be incapable of fidelity, he married film actress

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Brooks declared bankruptcy in 1932, and began dancing in nightclubs to earn a living. She attempted a film comeback in 1936 and did a bit part in

1336:, published in 1982 and still in print, was heralded by film critic Roger Ebert as "one of the few film books that can be called indispensable." 1158:, who "specialised in giving jobs to destitute and sufficiently grateful actresses." Unfortunately, after filming, Brooks's scenes were deleted. 513: 6839: 6829: 343:. By 1938, she had starred in 17 silent films and eight sound films. After retiring from acting, she fell upon financial hardship and became a 6539: 6495: 6476: 5824: 5796: 5764: 5737: 5633: 5602: 5467: 5425: 5387: 5358: 5300: 5257: 5232: 5204: 5172: 5141: 5106: 5077: 5009: 4984: 1856:, which began publication in 1965 and continued for many years. Crepax became a friend and regular correspondent of Brooks late in her life. 1863:

Other comics have drawn upon Brooks's distinctive hair-style. Brooks was the visual model for the character of Ivy Pepper in Tracy Butler's

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She returned to Hollywood after being offered of a $ 500 weekly salary from Columbia Pictures but, after refusing to do a screen test for a

6814: 6267: 1171:, with a long hairstyle that rendered her all but unrecognizable from her Lulu days. In contemporary reviews of the film in newspapers and 976:

interviewed Pabst for an article about Brooks's film work in Europe that was published in the February 1930 issue of the American monthly

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in September 1938 provides one example, barely mentioning her, saying only, "Louise Brooks makes an appearance as a female attraction."

683:. Concurrently, Brooks's interactions with her co-star Richard Arlen deteriorated, as Arlen was a close friend of Brooks's then-husband 5945: 1082:, who then began her own rise to stardom. Brooks later claimed she declined the role because she "hated Hollywood," but film historian 6794: 6560: 6514: 6299: 6111: 5574: 5276: 2259: 1327: 2656:

Brooks claimed she departed Hollywood as soon as circumstances permitted: "It pleased me on the day I finished the silent version of

1901:'s 1998 song "St. Louise Is Listening" contains several references to Brooks, and the song "Interior Lulu" released the next year by 5661: 5446: 5328: 4909: 4672: 3224: 1890: 794:. Angered by her refusal, the studio allegedly claimed that Brooks's voice was unsuitable for sound pictures and another actress, 6849: 6844: 6784: 6779: 2445: 2297: 1699:

was released, which depicts Brooks's initial arrival in New York and alludes to her career decline as an actress. The film stars

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uses Brooks as an actual character in the leading character's visions. Brooks appears as a central character in the 2012 novel

2751: 640:(1928), Brooks plays an abused country girl who kills her foster father when he "attempts, one sunny morning, to rape her." A 6774: 5196: 5069: 1379:

in his essay "The Girl in the Black Helmet", the title an allusion to her bobbed hair, worn since childhood. In 1982, writer

2057:. In the late 1990s some fragments in both black & white and color were found in Australia. In 2018 a three-second-long 6416: 1510:

By her own admission, Brooks was a sexually liberated woman, unafraid to experiment, even posing nude for art photography.

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and Susan Woll, released a year before her death but filmed a decade earlier. In 1979, she was profiled by the film writer

6804: 5001: 2715: 2658: 2533: 2360: 2348: 2140: 2089: 1144: 786: 737:(1929). By this time she was socializing with wealthy and famous persons. She was a frequent house guest of media magnate 733: 714: 234:(November 14, 1906 – August 8, 1985) was an American film actress during the 1920s and 1930s. She is regarded today as an 6645: 913:

concluded, Brooks had a one-night stand with Pabst, and the director cast Brooks again in his controversial social drama

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with a few select wealthy men as clients. As her finances eroded, an impoverished Brooks began working regularly for an

844: 822: 807: 323: 147: 1078:. Brooks turned down Wellman's offer in order to visit Marshall in New York City, and the coveted role instead went to 6254: 5320: 2011: 1364: 758: 571: 1831:. The strip began in the late 1920s and ran until 1966. It grew out of the serialized novel and later stage musical, 479:. An infatuated Wanger signed her to a five-year contract with the studio in 1925. Soon after, Brooks met movie star 5703: 6616: 6213: 5625: 2489: 1848: 1657: 1359: 1103: 1036: 494: 446: 263: 6402:. May 24, 1940. Digital image of original census page, "Brooks, Louise", West Hollywood, California, May 24, 1940 6393: 2103: 1787: 1695: 1255:

in New York. Recalling this difficult period in her memoirs, Brooks wrote that she frequently pondered suicide:

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Her appearances in Pabst's two films made Brooks an international star. According to film critic and historian

575:, in an uncredited role in 1925. Soon she was playing the female lead in a number of silent light comedies and 560: 1118: 1101:

Western film, the contract offer was withdrawn. She made one more film at that time, a two-reel comedy short,

5692: 2713:, Paramount's New York office called to order me to get on the train at once for Hollywood. They were making 6819: 5565:. Volume 29 of Classic and Modern Film Scripts. Translated by Holme, Charles; Holme, Christopher. New York: 5249: 4856: 2675: 2418: 2244: 1806: 1421: 997: 978: 876: 765: 738: 675:

with a stuntman who — the next day — spread a malicious false rumor on the set that Brooks had contracted a

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Since her death in 1985, significant allusions to Brooks have appeared in novels, comics, music, and film.

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to Brooks for the remainder of her life, and this stipend kept her from committing suicide at one point.

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In her later years, Brooks rarely granted interviews, yet had special relationships with film historians

838:("film world"), reflecting its self-image as a highly glamorous "exclusive club". After their arrival in 6589: 6436: 5871:

The Parade's Gone By: BBC Radio Documentary on Kevin Brownlow, Silent Film & the Making of Hollywood

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first night after their separation, he attempted to take his life with an overdose of sleeping pills.

1148:, uncredited, as a specialty ballerina in the chorus. In 1937, Brooks obtained a bit part in the film 6764: 6759: 6719: 6081:"Fox Searchlight Sets Simon Curtis-Directed 'The Chaperone' With 'Downton Abbey's Elizabeth McGovern" 5192: 5024: 2396: 2112: 1954: 1860:, another comics artist, also used her as inspiration for characters, and even named them after her. 1771: 1413: 1323: 1128:(1938), her final film. Note her long hairstyle, drastically different from her trademark bob haircut 915: 811: 684: 627:

helped start a trend, and many women styled their hair in imitation of both her and fellow film star

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Brooks asserted her career was sabotaged by Paramount when she refused to record her dialogue for

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have also seen limited North American DVD release. Her short film (and one of her only talkies)

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on Broadway. Chaplin and Brooks had a two-month affair that summer while Chaplin was married to

6612: 5164: 4590: 6580: 6556: 6535: 6510: 6491: 6472: 6131: 5820: 5792: 5760: 5733: 5657: 5629: 5598: 5570: 5505:"Overland Stage Raiders – Fast-Moving Cowboy and Bandit Story Will Entertain the Western Fans" 5478: 5463: 5442: 5421: 5383: 5354: 5324: 5296: 5272: 5253: 5228: 5200: 5186: 5168: 5137: 5102: 5073: 5028: 5005: 4980: 4905: 4861: 4668: 3262: 1762: 1667: 1487: 1456:

to prevent publication of his risqué studio portraits of her; the lawsuit made him notorious.

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Brooks also had a significant influence in the graphics world. She inspired the long-running

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that led Columbia to offer her a screen test, contingent on appearing in the 1937 musical

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The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt

3232: 6171:"Louise Brooks Society: And yet more of the lost Louise Brooks film, The American Venus" 1307:

rediscovered Brooks's films, proclaiming her an unparalleled actress who surpassed even

6743: 6695: 6683: 6018: 5995: 5865: 5816: 5698: 5614: 5509: 5504: 5417: 5402: 5153: 5133: 5057: 4916:...includes an introduction by Thomas Gladysz, Director of the Louise Brooks Society... 2755: 2588: 2476: 2427: 2230: 2162: 2020: 1886: 1686: 1652: 1559: 1513:

Brooks enjoyed fostering speculation about her sexuality, cultivating friendships with

1344: 1304: 1295: 1209: 1205: 1177: 1002: 865: 607: 580: 421: 1756:, the character Czernobog refers to Brooks as the greatest movie star of all time. In 483:

at a cocktail party given by Wanger. Chaplin was in town for the premiere of his film

6753: 6731: 6244: 6240: 6126: 5968:"Speculative Cinema: The Invention of Marienbad – Is Every Art Film Science Fiction?" 5788: 5749: 5687: 5310: 4933: 2631: 2630:

Brooks later wrote: "By Monday morning, everybody in Hollywood, including Eddie and

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Brooks as a sophomore in high school, 1922. She had worn bobbed hair since childhood.

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made her a star. In looking for the right actress to play Lulu, Pabst had rejected

754: 611: 584: 490: 441: 362: 1498: 1235:, she returned to New York City. Following brief stints there as a radio actor in 995:

After the success of her German films, Brooks appeared in one more European film,

6550: 6525: 6466: 5810: 5778: 5727: 5647: 5588: 5560: 5457: 5436: 5411: 5369: 5348: 5290: 5243: 5218: 5127: 5019:——————— (September 1956). "Mr. Pabst". 4995: 4899: 4885: 1926:'s self-titled 2014 album, the song "Lulu" is a biographical portrait of Brooks. 965:

and who, with no more sense of sin than a baby, drives men out of their minds in

6671: 6598: 6364: 6342: 6321:"Natalie Merchant Unveils 'Lulu' Video Featuring Silent-Film Star Louise Brooks" 5986: 5875: 5584: 5214: 5123: 4429: 4427: 4425: 2747: 2405: 2383: 2280: 2207: 2058: 1934: 1823: 1747: 1676: 1648: 1530: 1526: 1312: 1236: 1087: 1079: 951: 827: 769: 664:, who needed it for one of the first experimental talking scenes in the movies. 417: 340: 304: 258: 373: 6122: 5903: 5869: 5556: 1958: 1870: 1865: 1857: 1802:, the protagonist is called "Lulu" because her bobbed hair resembles Brooks'. 1681: 1347:. In the 1970s, she was interviewed extensively on film for the documentaries 1340: 1319: 1247:

store in Manhattan. Between 1948 and 1953, Brooks embarked upon a career as a

1213: 1168: 1098: 1083: 768:

counseled her to sail with him to Europe in order to make films with director

750: 615: 397: 348: 315: 5032: 450:, followed by an appearance as a semi-nude dancer in the 1925 edition of the 2615:: "I was eighteen in 1925, when Chaplin came to New York for the opening of 2054: 1909: 1902: 1757: 1630: 1563: 1248: 1218: 1112: 791: 773: 498: 425: 254: 6621: 1061:

Brooks became convinced that "no major studio would hire to make a film."

6635: 1396: 1064:

Purportedly, Wellman — despite their previous acrimonious relationship on

249:

At the age of 15, Brooks began her career as a dancer and toured with the

6607: 6289:

The exhibit ran from January 19 through April 29, 2007 at the ICP museum.

6169:———————— (May 21, 2018). 6037:"Lulu in Rochester: Louise Brooks and the Cinema Screen as a Tabula Rasa" 5723: 1913: 1518: 1188: 676: 594:

offered her contracts. At the time, Brooks had an on-and-off affair with

6603: 6368: 5459:

Talking to the Piano Player II: Stars, Writers, and Bandleaders Remember

1217:

executive Walter Wanger, who warned her that she would likely "become a

444:

Bennett, Brooks almost immediately found employment as a chorus girl in

6576: 5886: 2062: 1514: 1480: 624: 576: 386: 243: 239: 6678: 5040:——————— (January 13, 1975). 1289:

There is no Garbo! There is no Dietrich! There is only Louise Brooks!

6059:"Hidden Treasure in a Film Can: Notes on our Technicolor Rediscovery" 5784: 5094: 1270: 502: 6191:"The American Venus (1926): Louise Brooks discovered in Technicolor" 671:

proved to be an ordeal for Brooks. During the production, she had a

546: 295:(1928). During this time, she became an intimate friend of actress 5594: 4976: 2709:

According to Brooks: "When I got back to New York after finishing

1933: 1885:

Brooks has been referenced in a number of songs. In 1991, British

1497: 1439: 1395: 1161:

Brooks made two more films after that, including the 1938 Western

937: 815: 390: 372: 6505:———————— (2018). 6486:———————— (2017). 6437:"Guido Crepax: Erotic cartoonist in tune with contemporary Italy" 1665:) who calls herself "Lulu" and wears a bob, and in the 1992 film 1400:

In her later years, Brooks's friend and one-time youthful lover,

393:

for her children, inspiring them with a love of books and music.

3225:"Wichita's silent movie star is subject of upcoming documentary" 2662:

for Paramount to leave Hollywood for Berlin to work for Pabst."

641: 5353:. Translated by Schein, Gideon Y. New York: New York Zoetrope. 5292:

Louise Brooks, Frank Zappa, & Other Charmers & Dreamers

2436:. Brooks's first sound film. Silent and sound versions survive 2336:

Sound version is considered lost; only silent version survives

1175:, Brooks received little attention from critics. The review by 412:

Brooks began her entertainment career as a dancer, joining the

6630: 6374: 4852:"Their European Souls: Some Stars' Spirits Flower Only Abroad" 4785: 4783: 1905:

is a reference to Brooks and mentions her in its first lines.

1690: 1476: 1405: 591: 6012:—————— (April 26, 1998). 3920: 3918: 3916: 3914: 1715:

Brooks's film persona served as the literary inspiration for

6552:

The Street of Forgotten Men: From Story to Screen and Beyond

5316:

From Reverence to Rape: The Treatment of Women in the Movies

4364: 4362: 2810: 2808: 1733:, minus the science fiction elements, served as a basis for 1651:" based on Brooks's 1920s persona. Similarly, films such as 856:, known for his refined, elegant films that represented the 396:

Brooks described the hometown of her childhood as a typical

4954:: Louise Brooks School of Ballroom Dancing (Self-published) 4018: 4016: 4014: 1675:

plays Lisle von Rhoman, a character inspired by Brooks. In

1448:

to prevent him from distributing his nude portraits of her.

1154:

after a private interview on a Paramount set with director

679:

during a previous weekend stay with a producer, ostensibly

246:

that she helped popularize during the prime of her career.

4994:——————— (2000). 4967:——————— (1982). 4941:——————— (1940). 3645: 3643: 3641: 3489: 3487: 3450: 3448: 3399: 3397: 3290: 3288: 3286: 3284: 3282: 3280: 1953:, which have been released on DVD in North America by the 2920: 2918: 2905: 2903: 2901: 2899: 2795: 2793: 2791: 2692: 2690: 972:

Near the end of 1929, English film critic and journalist

6300:"Louise Brooks, Proud Star of Silent Screen, Dead at 78" 5845:"Louise Brooks, '20s Starlet, Memoirist, Dies at Age 78" 4758: 4756: 4447: 4445: 4033: 4031: 3807: 3805: 3668: 3666: 3664: 3662: 3660: 3658: 3384: 3382: 3083: 3081: 2825: 2823: 1424:, owner of a chain of laundries and future owner of the 420:

at the age of 15 in 1922. The company included founders

6417:"1920s Hairstyles – The Bobbed Hair Phenomenon of 1924" 4634: 4632: 4619: 4617: 4615: 4488: 4486: 4484: 4188: 4186: 4184: 4182: 4180: 4178: 4176: 4174: 4172: 4090: 4088: 4001: 3999: 3974: 3972: 3959: 3957: 3006: 3004: 2991: 2989: 2987: 2985: 1452:

In 1925, Brooks sued the New York glamour photographer

4048: 4046: 3901: 3899: 3886: 3884: 3882: 3845: 3843: 3780: 3778: 3776: 3568: 3566: 3564: 3562: 3369: 3367: 3365: 3363: 3194: 3192: 3190: 3188: 3163: 3161: 3159: 3110: 3108: 3053: 3051: 2941: 2939: 2937: 2935: 2933: 2886: 2884: 2871: 2869: 2867: 2742: 2740: 852:

period. Pabst was one of the leading directors of the

753:, being intimate friends with Davies's lesbian niece, 6643: 6102:"Follies girl, now in films, shocked by own Pictures" 4265: 4263: 4261: 4105: 4103: 3830: 3828: 3826: 3824: 3822: 3820: 3703: 3701: 3038: 3036: 2778: 2776: 2774: 2638:, knew that I had spent the night with Jack Pickford. 1558:

On August 8, 1985, after suffering from degenerative

1371:(1984) is another rare filmed interview, produced by 1094:

marked the real end of Louise Brooks's film career".

820:

Brooks in her famous role as Lulu in the German film

6263:"Louise Brooks and the 'New Woman' in Weimar Cinema" 5946:"Rare Technicolor Snippets of Lost Films Discovered" 4163: 3699: 3697: 3695: 3693: 3691: 3689: 3687: 3685: 3683: 3681: 3023: 3021: 3019: 2972: 2970: 2968: 2966: 2964: 2962: 2960: 2958: 2956: 2954: 2854: 2852: 2850: 2848: 2846: 2844: 2842: 2840: 2838: 1068:— offered Brooks the female lead in his new picture 2750:, Brooks visited Paris "for a retrospective at the 162: 142: 134: 114: 106: 96: 77: 51: 28: 6638:Memories of Berlin: The Twilight of Weimar Culture 5748: 5691: 5613: 5152: 5061: 4968: 2065:video that had been uploaded to the site in 2007. 1350:Memories of Berlin: The Twilight of Weimar Culture 590:After her small roles in 1925, both Paramount and 6390:"The Sixteenth Census of the United States: 1940" 1625:Brooks has inspired cinematic characters such as 860:"at the height of its creative powers". The film 6212:(1973). Peters, David; Alexander, Geoff (eds.). 4747: 4350: 4064: 1486:Sometime in September 1953, Brooks converted to 1107:(1931), directed by disgraced Hollywood outcast 798:, was hired to dub Brooks's voice for the film. 610:in Europe for her pivotal vamp role in the 1928 5539:. New York, N.Y. September 28, 1938. p. 21 4293: 1984:, was released on VHS and then in 2012 on DVD. 1846:Brooks also inspired the erotic comic books of 1590: 1535: 1408:, gave her a check every month until her death. 1287: 1257: 1167:in which she played the romantic lead opposite 984: 902: 790:(1929) irrevocably placed her on an unofficial 347:. For the next two decades, she struggled with 257:. After being fired, she found employment as a 5780:Vampires & Violets: Lesbians in the Cinema 5513:. New York, N.Y. September 28, 1938. p. 8 4789: 4775:The Street of Forgotten Men (filmography page) 4133: 2814: 1922:with a Brooks-like mannequin on the cover. In 505:; she declined to write him a thank-you note. 501:. When their affair ended, Chaplin sent her a 6468:Beggars of Life: A Companion to the 1928 Film 4904:(Louise Brooks ed.). PandorasBox Press. 4516: 1231:After an unsuccessful attempt at operating a 579:films over the next few years, starring with 101:Holy Sepulchre Cemetery (Rochester, New York) 8: 4433: 3069: 1897:" as a tribute to Brooks's film. Similarly, 1774:. In her 2011 novel of supernatural horror, 414:Denishawn School of Dancing and Related Arts 361:, in 1982. Three years later, she died of a 251:Denishawn School of Dancing and Related Arts 110:Lulu, Brooksie, The Girl in the Black Helmet 5289:(2015). "My Afternoon With Louise Brooks". 3427: 2670: 2668: 660:was invented for this film by the director 569:Brooks made her screen debut in the silent 5368:Krenn, Günter; Moser, Karin, eds. (2006). 5093:. Bio-Bibliographies in Music, Number 76. 4813: 4463: 2611:In 1979, Brooks recalled her liaison with 1986: 1001:(1930), a French film by Italian director 36: 25: 5729:Dear Stinkpot: Letters From Louise Brooks 5347:Jaccard, Roland; Brooks, Louise (1986) . 4825: 4699: 4317: 3294: 1869:comic series. More recently, illustrator 1459:In 1933, she married Chicago millionaire 1420:, but by 1927 had become infatuated with 1416:, the director of the film she made with 5616:Encyclopedia of Hair: A Cultural History 4762: 4552: 3924: 3529: 2799: 1873:published a 2015 graphic novel entitled 1839:had loosely based on Brooks's days as a 1303:In 1955, French film historians such as 1239:and a gossip columnist, she worked as a 1117: 727:was completed, Brooks began filming the 507: 6650: 6149:"Long Missing Louise Brooks Film Found" 5732:(Paperback ed.). BearManor Media. 5649:The Great Movie Stars: The Golden Years 5371:Louise Brooks: Rebellin, Ikone, Legende 5350:Louise Brooks: Portrait of an Anti-Star 4638: 4623: 4380: 4148: 4022: 3873: 3811: 3517: 3087: 3057: 2782: 2770: 2604: 2001: 1813:, in which Louise Brooks plays a role. 339:(1930); the first two were directed by 6218:Academic Film Archive of North America 6079:Fleming, Mike Jr. (February 1, 2013). 4723: 4711: 4687: 4650: 4475: 4416: 4368: 4329: 4281: 4204: 4109: 4079: 4037: 3978: 3963: 3948: 3936: 3834: 3755: 3719: 3672: 3649: 3632: 3620: 3608: 3596: 3584: 3553: 3541: 3493: 3403: 3388: 3306: 3150: 3114: 3099: 3042: 2995: 2924: 2909: 2875: 2858: 2829: 1412:In the summer of 1926, Brooks married 842:, she starred in the 1929 silent film 6189:Hutchinson, Pamela (April 27, 2018). 6114:from the original on March 28, 2005. 5868:; Pointon, Michael (March 12, 2005). 5706:from the original on October 24, 2009 5462:. BearManor Media. pp. 135–140. 5397:"Louise Brooks Declares Bankruptcy". 4944:Fundamentals of Good Ballroom Dancing 4801: 4735: 4576: 4564: 4540: 4528: 4504: 4492: 4451: 4404: 4392: 4305: 4252: 4240: 4228: 4216: 4192: 4121: 4094: 4052: 4005: 3990: 3905: 3890: 3861: 3849: 3796: 3784: 3731: 3707: 3572: 3505: 3478: 3466: 3454: 3439: 3415: 3373: 3354: 3342: 3330: 3318: 3210: 3198: 3179: 3167: 3138: 3126: 3010: 2976: 2945: 2890: 1444:Brooks sued the glamour photographer 776:director. On the last day of filming 7: 6636:A Louise Brooks interview clip from 6415:Van Wycks, Carolyn (April 6, 2014). 6268:International Center for Photography 5991:"Great Movies: Diary of a Lost Girl" 5271:. San Francisco: PandorasBox Press. 4269: 3767: 3743: 3027: 6825:Paramount Pictures contract players 6214:"A Conversation with Louise Brooks" 6147:Gladysz, Thomas (March 30, 2017a). 5413:The Girls: Sappho Goes to Hollywood 5151:Da, Lottie; Alexander, Jan (1989). 5090:George Gershwin: A Bio-Bibliography 4997:Lulu in Hollywood: Expanded Edition 3255:"Life & Times of Louise Brooks" 1976:was included on the DVD release of 1490:, but she left the church in 1964. 6507:Louise Brooks, the Persistent Star 5812:Wild Bill Wellman: Hollywood Rebel 5477:Oettinger, Malcolm (August 1926). 5376:Louise Brooks: Rebel, Icon, Legend 5269:Louise Brooks, the Persistent Star 5242:Garebian, Keith (April 20, 2011). 4589:Chase, Chris (16 September 1983). 2365:Silent and sound versions survive 2260:San Francisco Silent Film Festival 1661:features a reckless femme fatale ( 471:, Brooks came to the attention of 281:, Brooks came to the attention of 14: 6855:20th-century American LGBT people 6435:Willan, Philip (August 3, 2003). 6057:Fernandes, Jane (July 18, 2018). 5438:Louise Brooks: Una Fiaba Notturna 5295:. Memphis: Devault-Graves Books. 1891:Orchestral Manoeuvres in the Dark 1598: — 1566:for many years, Brooks died of a 1479:. Paley provided a small monthly 1353:(1976), produced and directed by 656:near the Mexican border, and the 267:and as a semi-nude dancer in the 6790:20th-century American memoirists 6737: 6725: 6713: 6701: 6689: 6677: 6665: 6653: 6527:Pandora's Box: BFI Film Classics 6035:Farmer, Robert (July 11, 2010). 5843:Arnold, Gary (August 10, 1985). 1017: 695: 545: 218: 189: 19:For the American socialite, see 6770:20th-century American actresses 6370:Louise Brooks: Looking for Lulu 5899:"Character Profile: Ivy Pepper" 5487:. New York, N.Y. pp. 74–75 5342:. New York: Simon and Schuster. 4667:. Pantheon Books. p. 107. 3223:Tanner, Beccy (April 3, 2016). 1643:reinvented the character with " 1639:. For her portrayal of Bowles, 900:in Germany was a pleasant one: 467:As a result of her work in the 214: 185: 6810:People from Cherryvale, Kansas 6800:American silent film actresses 5966:DeWeese, Dan (February 2014). 5693:"The Girl in the Black Helmet" 5197:University of California Press 5155:Bad Girls of the Silver Screen 5070:University of California Press 4922:Brooks, Louise (Spring 1966). 1908:In 2011, American metal group 634:In the early sound film drama 1: 6840:20th-century American dancers 6830:Converts to Roman Catholicism 5944:Daley, Jason (May 10, 2018). 5757:Carroll & Graf Publishers 5674:(Yearbook). Available at the 5161:Carroll & Graf Publishers 5060:(1968). "David O. Selznick". 5002:University of Minnesota Press 723:Soon after the production of 253:where she performed opposite 43: 6367:; Neely, Hugh Munro (1998). 6014:"Film Review: Pandora's Box" 5562:Pandora's Box (Lulu): A Film 5441:. Italy: Editori del Grifo. 5378:] (in German). Austria: 5338:Hull, David Stewart (1969). 5319:(second ed.). Chicago: 4924:"Charlie Chaplin Remembered" 2678:for her decision to star in 2025:Incomplete (missing reel 2) 1811:The Saint of the Clockmakers 558:Brooks and Gregory Kelly in 242:culture, in part due to the 16:American actress (1906–1985) 6815:Actors from Wichita, Kansas 6524:Hutchinson, Pamela (2017). 5321:University of Chicago Press 5129:Louise Brooks: Lulu Forever 5087:Carnovale, Norbert (2000). 5023:. Vol. 5, no. 7. 4294:Brownlow & Pointon 2005 2012:The Street of Forgotten Men 1537:I had a lot of fun writing 1392:Marriages and relationships 1322:, the film curator for the 1224:Brooks briefly returned to 848:, directed by Pabst in his 572:The Street of Forgotten Men 6871: 6617:Internet Broadway Database 6127:"Louise Brooks: Detective" 5747:Wayne, Jane Ellen (2003). 5626:Greenwood Publishing Group 5612:Sherrow, Victoria (2006). 5590:Louise Brooks: A Biography 5435:Mollica, Vincenzo (1984). 5042:"Stardom and Evelyn Brent" 2815:Lipton & Minnelli 2006 2490:Windy Riley Goes Hollywood 1974:Windy Riley Goes Hollywood 1916:released the double album 1805:In 1987, the Dutch author 1104:Windy Riley Goes Hollywood 1037:Windy Riley Goes Hollywood 805: 18: 6795:American women memoirists 6394:U.S. Bureau of the Census 4890:. New York: Hudson Press. 4517:Jaccard & Brooks 1986 4164:United States Census 1940 864:is based on two plays by 808:Pandora's Box (1929 film) 35: 6549:Gladysz, Thomas (2023). 6465:Gladysz, Thomas (2017). 6357:The Criterion Collection 6253:. Season 12. Episode 6. 6250:Inside the Actors Studio 5531:"Overland Stage Raiders" 5456:Oderman, Stuart (2009). 5410:McLellan, Diana (2001). 5267:Gladysz, Thomas (2018). 5225:Headline Book Publishing 4901:The Diary of a Lost Girl 4777:at Louise Brooks Society 4579:, pp. 239, 417–418. 4219:, pp. 408–409, 412. 1875:Louise Brooks: Detective 1605:Inside the Actors Studio 1363:(1980), by Brownlow and 1034:) on the lobby card for 1030:Brooks and Jack Shutta ( 883:Brooks's performance in 416:modern dance company in 6850:American LGBT actresses 6845:LGBT people from Kansas 6785:American film actresses 6780:American female dancers 5751:The Golden Girls of MGM 5479:"Just a Prairie Flower" 5340:Film in the Third Reich 5250:Oxford University Press 4887:The Diary of a Lost One 3428:Da & Alexander 1989 2676:George Preston Marshall 1807:Willem Frederik Hermans 1422:George Preston Marshall 1111:, who worked under the 1059:The Canary Murder Case, 766:George Preston Marshall 739:William Randolph Hearst 602:and husband of actress 447:George White's Scandals 405:, before relocating to 308:William Randolph Hearst 277:. While dancing in the 264:George White's Scandals 6835:Former Roman Catholics 6532:British Film Institute 6064:British Film Institute 5676:Wichita Public Library 5399:Waterloo Daily Courant 4464:Krenn & Moser 2006 2752:Cinémathèque Française 2716:The Canary Murder Case 2698:The Canary Murder Case 2659:The Canary Murder Case 2580:Overland Stage Raiders 2349:The Canary Murder Case 2306:Marie, Girl in France 2177:Love 'Em and Leave 'Em 2104:It's the Old Army Game 1982:Overland Stage Raiders 1942: 1940:Alfred Cheney Johnston 1938:Portrait of Brooks by 1912:and singer-songwriter 1740:Last Year at Marienbad 1731:The Invention of Morel 1726:The Invention of Morel 1595: 1547: 1507: 1465:Nathan Smith Davis Jr. 1449: 1409: 1291: 1262: 1164:Overland Stage Raiders 1129: 1125:Overland Stage Raiders 989: 946: 907: 877:Die Büchse der Pandora 831: 787:The Canary Murder Case 778:The Canary Murder Case 734:The Canary Murder Case 715:The Canary Murder Case 710:Gustav von Seyffertitz 528: 378: 21:Louise Cromwell Brooks 6775:Actresses from Kansas 6631:Louise Brooks Society 6555:. PandorasBox Press. 6509:. PandorasBox Press. 6490:. PandorasBox Press. 6471:. PandorasBox Press. 6243:(February 5, 2006). " 6175:Louise Brooks Society 6110:. November 30, 1925. 5922:(November 14, 2006). 5622:Westport, Connecticut 5484:Picture-Play Magazine 5245:The Making of Cabaret 4748:Natalie Merchant 2014 3544:, pp. 25, 30–31. 3259:Louise Brooks Society 1937: 1610:on her portrayal of " 1543:Christopher Isherwood 1501: 1443: 1399: 1269:, a title drawn from 1212:and was working as a 1121: 941: 909:After the filming of 819: 806:Further information: 520: 428:, as well as a young 376: 299:and joined the elite 6805:Nightclub performers 6488:Now We're in the Air 5924:"Lulu-Louise at 100" 5807:Wellman, William Jr. 5567:Simon & Schuster 5405:. February 12, 1932. 5064:The Parade's Gone By 5046:Toronto Film Society 5027:. pp. 152–155. 5025:George Eastman House 4407:, pp. 215, 246. 4124:, pp. 147, 209. 2754:, where rumpled old 2746:According to critic 2446:It Pays to Advertise 2397:Diary of a Lost Girl 2298:A Girl in Every Port 2245:Now We're in the Air 2113:A. Edward Sutherland 1978:Diary of a Lost Girl 1955:Criterion Collection 1951:Diary of a Lost Girl 1649:helmet-like coiffure 1570:in her apartment in 1539:Marion Davies' Niece 1324:George Eastman House 1115:"William Goodrich". 1054:It Pays to Advertise 992:for Louise Brooks." 963:Diary of a Lost Girl 933:Diary of a Lost Girl 929:Diary of a Lost Girl 916:Diary of a Lost Girl 826:(1929), directed by 812:Diary of a Lost Girl 761:and the West Coast. 620:A Girl in Every Port 403:Independence, Kansas 330:Diary of a Lost Girl 217: 1933; 188: 1926; 174:A. Edward Sutherland 155:Diary of a Lost Girl 6298:(August 10, 1985). 6275:on January 16, 2007 6222:Rochester, New York 6022:. Ebert Digital LLC 5999:. Ebert Digital LLC 5850:The Washington Post 5680:Wichita High School 4790:American Venus 2018 4663:Smith, Ali (2011). 4567:, pp. 394–395. 3939:, pp. 47, 166. 3722:, pp. 58, 124. 3265:on December 7, 2021 2722:Margaret Livingston 2534:When You're in Love 2468:God's Gift to Women 2154:Just Another Blonde 1827:newspaper strip by 1717:Adolfo Bioy Casares 1701:Haley Lu Richardson 1572:Rochester, New York 1502:Studio portrait by 1426:Washington Redskins 1404:, later founder of 1328:Rochester, New York 1145:When You're in Love 1048:God's Gift to Women 796:Margaret Livingston 731:crime-mystery film 381:Brooks was born in 353:suicidal tendencies 89:Rochester, New York 6590:TCM Movie Database 6353:New York, New York 6305:The New York Times 6086:Deadline Hollywood 5989:(March 22, 2012). 5972:Propeller Magazine 5656:. pp. 81–83. 5380:Filmarchiv Austria 4595:The New York Times 4371:, pp. 21, 45. 4255:, pp. 60, 65. 4243:, pp. 428–30. 3927:, pp. 84, 96. 3635:, pp. 25, 29. 3457:, pp. 126–28. 3235:on January 7, 2018 2332:William A. Wellman 2272:The City Gone Wild 2250:Griselle/Grisette 2167:Fragments survive 2078:A Social Celebrity 2038:The American Venus 1980:. Her final film, 1943: 1809:published a book, 1719:when he wrote his 1705:Elizabeth McGovern 1673:Isabella Rosselini 1508: 1450: 1410: 1318:During this time, 1173:trade publications 1130: 947: 832: 623:. Her distinctive 600:Paramount Pictures 529: 524:The American Venus 521:Test footage from 477:Paramount Pictures 383:Cherryvale, Kansas 379: 287:Paramount Pictures 232:Mary Louise Brooks 70:Cherryvale, Kansas 56:Mary Louise Brooks 6541:978-1-844-57968-6 6497:978-0-692-97668-5 6478:978-0-692-87953-5 6132:Publishers Weekly 5826:978-1-101-87028-0 5798:978-0-224-03575-0 5766:978-0-7867-1303-5 5739:978-1-59393-474-3 5690:(June 11, 1979). 5635:978-0-313-33145-9 5604:978-0-394-55923-0 5469:978-1-59393-320-3 5427:978-0-312-28320-9 5389:978-3-902-53112-4 5360:978-0-918-43277-3 5302:978-1-942-53107-4 5259:978-0-199-83129-6 5234:978-0-747-27417-9 5206:978-0-520-25790-0 5174:978-0-881-84512-9 5143:978-0-847-82866-1 5108:978-0-313-26003-2 5079:978-0-520-03068-8 5011:978-0-816-63731-7 4986:978-0-394-52071-1 4971:Lulu in Hollywood 4864:. pp. 84, 96 4862:Chicago, Illinois 4850:(February 1930). 4665:There but for the 4519:, pp. 90–94. 4284:, pp. 38–39. 4025:, pp. 81–83. 3652:, pp. 33–40. 3556:, pp. 30–31. 3496:, pp. 21–26. 3406:, pp. 17–21. 3229:The Wichita Eagle 3182:, pp. 65–66. 2927:, pp. 34–35. 2912:, pp. 22–23. 2596: 2595: 2432:Alternate title: 2424:Lucienne Garnier 2361:Malcolm St. Clair 2328:The Girl (Nancy) 2262:on June 2, 2017. 2159:Diana O'Sullivan 2141:Malcolm St. Clair 2109:Mildred Marshall 2090:Malcolm St. Clair 1763:There But For The 1668:Death Becomes Her 1488:Roman Catholicism 1475:, the founder of 1333:Lulu in Hollywood 1245:Saks Fifth Avenue 1200:Economic hardship 1009:Return to America 942:Brooks in a 1930 919:(1929), based on 741:and his mistress 654:Jacumba Mountains 604:Justine Johnstone 518: 458:Amsterdam Theater 358:Lulu in Hollywood 229: 228: 135:Years active 66:November 14, 1906 6862: 6742: 6741: 6740: 6730: 6729: 6728: 6718: 6717: 6716: 6706: 6705: 6704: 6694: 6693: 6692: 6682: 6681: 6670: 6669: 6668: 6658: 6657: 6656: 6649: 6566: 6545: 6520: 6501: 6482: 6453: 6451: 6449: 6431: 6429: 6427: 6411: 6409: 6407: 6385: 6383: 6381: 6360: 6338: 6336: 6334: 6326:Nonesuch Journal 6316: 6314: 6312: 6296:Mitgang, Herbert 6291: 6285:Internet Archive 6282: 6280: 6271:. Archived from 6258: 6232: 6230: 6228: 6210:Leacock, Richard 6205: 6203: 6201: 6185: 6183: 6181: 6165: 6163: 6161: 6143: 6141: 6139: 6118: 6097: 6095: 6093: 6075: 6073: 6071: 6053: 6051: 6049: 6042:Senses of Cinema 6031: 6029: 6027: 6008: 6006: 6004: 5982: 5980: 5978: 5962: 5960: 5958: 5940: 5938: 5936: 5920:Corliss, Richard 5915: 5913: 5911: 5895:Butler, Tracy J. 5890: 5884: 5882: 5861: 5859: 5857: 5830: 5802: 5770: 5754: 5743: 5719: 5716:Internet Archive 5713: 5711: 5695: 5683: 5667: 5639: 5619: 5608: 5580: 5552: 5549:Internet Archive 5546: 5544: 5526: 5523:Internet Archive 5520: 5518: 5500: 5497:Internet Archive 5494: 5492: 5473: 5452: 5431: 5406: 5393: 5364: 5343: 5334: 5306: 5282: 5263: 5238: 5210: 5183:Eisner, Lotte H. 5178: 5158: 5147: 5119: 5117: 5115: 5083: 5067: 5053: 5050:Toronto, Ontario 5036: 5015: 4990: 4974: 4963: 4961: 4959: 4949: 4937: 4918: 4896:Böhme, Margarete 4891: 4882:Böhme, Margarete 4877: 4874:Internet Archive 4871: 4869: 4848:Belfrage, Cedric 4829: 4823: 4817: 4811: 4805: 4799: 4793: 4787: 4778: 4772: 4766: 4760: 4751: 4745: 4739: 4733: 4727: 4721: 4715: 4709: 4703: 4697: 4691: 4685: 4679: 4678: 4660: 4654: 4648: 4642: 4636: 4627: 4621: 4610: 4609: 4603: 4601: 4586: 4580: 4574: 4568: 4562: 4556: 4550: 4544: 4538: 4532: 4526: 4520: 4514: 4508: 4502: 4496: 4490: 4479: 4473: 4467: 4461: 4455: 4449: 4440: 4431: 4420: 4414: 4408: 4402: 4396: 4390: 4384: 4378: 4372: 4366: 4357: 4352:Looking for Lulu 4348: 4333: 4327: 4321: 4315: 4309: 4303: 4297: 4291: 4285: 4279: 4273: 4267: 4256: 4250: 4244: 4238: 4232: 4226: 4220: 4214: 4208: 4202: 4196: 4190: 4167: 4161: 4155: 4146: 4140: 4131: 4125: 4119: 4113: 4107: 4098: 4092: 4083: 4077: 4071: 4066:Waterloo Courant 4062: 4056: 4050: 4041: 4035: 4026: 4020: 4009: 4003: 3994: 3988: 3982: 3976: 3967: 3961: 3952: 3946: 3940: 3934: 3928: 3922: 3909: 3903: 3894: 3888: 3877: 3871: 3865: 3859: 3853: 3847: 3838: 3832: 3815: 3809: 3800: 3794: 3788: 3782: 3771: 3765: 3759: 3753: 3747: 3741: 3735: 3729: 3723: 3717: 3711: 3705: 3676: 3670: 3653: 3647: 3636: 3630: 3624: 3618: 3612: 3606: 3600: 3594: 3588: 3582: 3576: 3570: 3557: 3551: 3545: 3539: 3533: 3527: 3521: 3515: 3509: 3508:, p. 51–52. 3503: 3497: 3491: 3482: 3476: 3470: 3464: 3458: 3452: 3443: 3437: 3431: 3425: 3419: 3413: 3407: 3401: 3392: 3386: 3377: 3371: 3358: 3352: 3346: 3340: 3334: 3328: 3322: 3316: 3310: 3304: 3298: 3292: 3275: 3274: 3272: 3270: 3261:. Archived from 3251: 3245: 3244: 3242: 3240: 3231:. Archived from 3220: 3214: 3208: 3202: 3196: 3183: 3177: 3171: 3165: 3154: 3148: 3142: 3136: 3130: 3124: 3118: 3112: 3103: 3097: 3091: 3085: 3076: 3067: 3061: 3055: 3046: 3040: 3031: 3025: 3014: 3008: 2999: 2993: 2980: 2974: 2949: 2943: 2928: 2922: 2913: 2907: 2894: 2888: 2879: 2873: 2862: 2856: 2833: 2832:, pp. 8–11. 2827: 2818: 2812: 2803: 2797: 2786: 2780: 2759: 2744: 2735: 2731: 2725: 2707: 2701: 2694: 2685: 2674:Brooks credited 2672: 2663: 2654: 2648: 2645: 2639: 2628: 2622: 2609: 2557:King of Gamblers 2547:Uncredited role 2353: 2352: 2351: 2302: 2301: 2300: 2254:Frank R. Strayer 2222:Rolled Stockings 2133: 2132: 2131: 2082: 2081: 2080: 2042: 2041: 2040: 1987: 1961:, respectively. 1924:Natalie Merchant 1829:John H. Striebel 1663:Melanie Griffith 1621: 1521:women including 1473:William S. Paley 1435:Corinne Griffith 1414:Eddie Sutherland 1309:Marlene Dietrich 1299: 1267:Naked on My Goat 1151:King of Gamblers 1090:, "turning down 1071:The Public Enemy 1021: 927:. In performing 889:Marlene Dietrich 772:, the prominent 699: 685:Eddie Sutherland 677:venereal disease 587:, among others. 549: 519: 475:, a producer at 453:Ziegfeld Follies 436:, the sister of 285:, a producer at 270:Ziegfeld Follies 222: 220: 216: 193: 191: 187: 107:Other names 84: 65: 63: 45: 40: 26: 6870: 6869: 6865: 6864: 6863: 6861: 6860: 6859: 6750: 6749: 6748: 6738: 6736: 6726: 6724: 6714: 6712: 6702: 6700: 6690: 6688: 6676: 6666: 6664: 6654: 6652: 6644: 6573: 6563: 6548: 6542: 6523: 6517: 6504: 6498: 6485: 6479: 6464: 6461: 6459:Further reading 6456: 6447: 6445: 6434: 6425: 6423: 6414: 6405: 6403: 6388: 6379: 6377: 6373:(Documentary). 6363: 6341: 6332: 6330: 6319: 6310: 6308: 6294: 6278: 6276: 6261: 6235: 6226: 6224: 6208: 6199: 6197: 6188: 6179: 6177: 6168: 6159: 6157: 6154:Huffington Post 6146: 6137: 6135: 6121: 6100: 6091: 6089: 6078: 6069: 6067: 6056: 6047: 6045: 6034: 6025: 6023: 6011: 6002: 6000: 5985: 5976: 5974: 5965: 5956: 5954: 5943: 5934: 5932: 5918: 5909: 5907: 5893: 5880: 5878: 5866:Brownlow, Kevin 5864: 5855: 5853: 5842: 5838: 5833: 5827: 5805: 5799: 5773: 5767: 5746: 5740: 5722: 5709: 5707: 5686: 5670: 5664: 5642: 5636: 5611: 5605: 5583: 5577: 5555: 5542: 5540: 5529: 5516: 5514: 5503: 5490: 5488: 5476: 5470: 5455: 5449: 5434: 5428: 5409: 5396: 5390: 5367: 5361: 5346: 5337: 5331: 5309: 5303: 5285: 5279: 5266: 5260: 5241: 5235: 5227:. p. 366. 5213: 5207: 5181: 5175: 5150: 5144: 5122: 5113: 5111: 5109: 5099:Greenwood Press 5086: 5080: 5058:Brownlow, Kevin 5056: 5039: 5018: 5012: 5000:. 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No. 40. 4921: 4912: 4894: 4880: 4867: 4865: 4846: 4842: 4837: 4832: 4824: 4820: 4814:Hutchinson 2018 4812: 4808: 4800: 4796: 4788: 4781: 4773: 4769: 4761: 4754: 4746: 4742: 4734: 4730: 4722: 4718: 4710: 4706: 4698: 4694: 4686: 4682: 4675: 4662: 4661: 4657: 4649: 4645: 4637: 4630: 4622: 4613: 4599: 4597: 4591:"AT THE MOVIES" 4588: 4587: 4583: 4575: 4571: 4563: 4559: 4551: 4547: 4539: 4535: 4527: 4523: 4515: 4511: 4503: 4499: 4491: 4482: 4474: 4470: 4462: 4458: 4450: 4443: 4432: 4423: 4415: 4411: 4403: 4399: 4391: 4387: 4379: 4375: 4367: 4360: 4349: 4336: 4328: 4324: 4316: 4312: 4304: 4300: 4292: 4288: 4280: 4276: 4268: 4259: 4251: 4247: 4239: 4235: 4227: 4223: 4215: 4211: 4203: 4199: 4191: 4170: 4162: 4158: 4147: 4143: 4132: 4128: 4120: 4116: 4108: 4101: 4093: 4086: 4078: 4074: 4063: 4059: 4051: 4044: 4036: 4029: 4021: 4012: 4004: 3997: 3989: 3985: 3977: 3970: 3962: 3955: 3947: 3943: 3935: 3931: 3923: 3912: 3904: 3897: 3889: 3880: 3872: 3868: 3860: 3856: 3848: 3841: 3833: 3818: 3810: 3803: 3795: 3791: 3783: 3774: 3766: 3762: 3754: 3750: 3742: 3738: 3730: 3726: 3718: 3714: 3706: 3679: 3671: 3656: 3648: 3639: 3631: 3627: 3619: 3615: 3607: 3603: 3595: 3591: 3583: 3579: 3571: 3560: 3552: 3548: 3540: 3536: 3528: 3524: 3516: 3512: 3504: 3500: 3492: 3485: 3477: 3473: 3465: 3461: 3453: 3446: 3438: 3434: 3426: 3422: 3414: 3410: 3402: 3395: 3387: 3380: 3372: 3361: 3353: 3349: 3341: 3337: 3329: 3325: 3317: 3313: 3305: 3301: 3293: 3278: 3268: 3266: 3253: 3252: 3248: 3238: 3236: 3222: 3221: 3217: 3209: 3205: 3197: 3186: 3178: 3174: 3166: 3157: 3149: 3145: 3137: 3133: 3125: 3121: 3113: 3106: 3102:, pp. 4–5. 3098: 3094: 3086: 3079: 3068: 3064: 3056: 3049: 3041: 3034: 3026: 3017: 3009: 3002: 2994: 2983: 2975: 2952: 2944: 2931: 2923: 2916: 2908: 2897: 2889: 2882: 2874: 2865: 2857: 2836: 2828: 2821: 2813: 2806: 2798: 2789: 2781: 2772: 2768: 2763: 2762: 2745: 2738: 2732: 2728: 2708: 2704: 2695: 2688: 2673: 2666: 2655: 2651: 2646: 2642: 2634:'s girlfriend, 2629: 2625: 2613:Charlie Chaplin 2610: 2606: 2601: 2570:Scenes deleted 2521:Lesley Selander 2499:Roscoe Arbuckle 2357:Margaret Odell 2347: 2346: 2345: 2323:Beggars of Life 2296: 2295: 2294: 2199:Evening Clothes 2127: 2126: 2125: 2076: 2075: 2074: 2036: 2035: 2034: 1932: 1883: 1819: 1772:Louise Woodward 1721:science fiction 1713: 1623: 1609: 1597: 1588: 1580: 1562:of the hip and 1556: 1496: 1454:John de Mirjian 1446:John de Mirjian 1394: 1389: 1373:Richard Leacock 1301: 1293: 1285: 1202: 1197: 1195:Life after film 1066:Beggars of Life 1043: 1042: 1041: 1029: 1024: 1023: 1022: 1011: 974:Cedric Belfrage 944:publicity still 925:Margarete Böhme 850:New Objectivity 814: 804: 725:Beggars of Life 721: 720: 719: 707: 702: 701: 700: 673:one-night stand 669:Beggars of Life 667:The filming of 662:William Wellman 658:boom microphone 637:Beggars of Life 567: 566: 565: 557: 552: 551: 550: 539: 537:Paramount films 534: 508: 481:Charlie Chaplin 434:Barbara Bennett 371: 292:Beggars of Life 225: 224: 221: 1938) 212: 208: 205: 195: 192: 1928) 183: 179: 176: 152: 130: 92: 86: 82: 73: 67: 61: 59: 58: 57: 47: 31: 24: 17: 12: 11: 5: 6868: 6866: 6858: 6857: 6852: 6847: 6842: 6837: 6832: 6827: 6822: 6820:Ziegfeld girls 6817: 6812: 6807: 6802: 6797: 6792: 6787: 6782: 6777: 6772: 6767: 6762: 6752: 6751: 6747: 6746: 6734: 6722: 6710: 6698: 6686: 6674: 6662: 6642: 6641: 6633: 6628: 6619: 6610: 6601: 6592: 6583: 6572: 6571:External links 6569: 6568: 6567: 6562:979-8218209858 6561: 6546: 6540: 6521: 6516:978-0692151020 6515: 6502: 6496: 6483: 6477: 6460: 6457: 6455: 6454: 6432: 6412: 6386: 6361: 6351:(Commentary). 6339: 6329:. May 16, 2014 6317: 6292: 6259: 6241:Minnelli, Liza 6233: 6206: 6186: 6166: 6144: 6119: 6098: 6076: 6054: 6032: 6019:RogerEbert.com 6009: 5996:RogerEbert.com 5983: 5963: 5941: 5916: 5891: 5862: 5839: 5837: 5836:Online sources 5834: 5832: 5831: 5825: 5817:Pantheon Books 5803: 5797: 5791:. p. 24. 5771: 5765: 5744: 5738: 5720: 5699:The New Yorker 5688:Tynan, Kenneth 5684: 5668: 5662: 5644:Shipman, David 5640: 5634: 5609: 5603: 5581: 5576:978-0671206154 5575: 5553: 5527: 5510:The Film Daily 5501: 5474: 5468: 5453: 5447: 5432: 5426: 5407: 5403:Waterloo, Iowa 5394: 5388: 5365: 5359: 5344: 5335: 5329: 5311:Haskell, Molly 5307: 5301: 5283: 5278:978-0692151020 5277: 5264: 5258: 5239: 5233: 5211: 5205: 5179: 5173: 5148: 5142: 5120: 5107: 5101:. p. 12. 5084: 5078: 5054: 5037: 5016: 5010: 4991: 4985: 4964: 4938: 4919: 4910: 4892: 4878: 4857:Motion Picture 4843: 4841: 4838: 4836: 4833: 4831: 4830: 4826:Fernandes 2018 4818: 4806: 4794: 4779: 4767: 4752: 4740: 4728: 4716: 4704: 4700:Carnovale 2000 4692: 4680: 4673: 4655: 4653:, p. 366. 4643: 4628: 4611: 4581: 4569: 4557: 4545: 4533: 4521: 4509: 4497: 4480: 4468: 4466:, p. 209. 4456: 4454:, p. 364. 4441: 4421: 4409: 4397: 4395:, p. 199. 4385: 4373: 4358: 4334: 4322: 4318:Van Wycks 2014 4310: 4308:, p. 251. 4298: 4286: 4274: 4257: 4245: 4233: 4231:, p. 421. 4221: 4209: 4197: 4168: 4156: 4141: 4135:The Film Daily 4126: 4114: 4099: 4097:, p. 244. 4084: 4082:, p. 166. 4072: 4057: 4042: 4040:, p. 133. 4027: 4010: 4008:, p. 359. 3995: 3993:, p. 358. 3983: 3968: 3953: 3941: 3929: 3910: 3895: 3878: 3876:, p. 101. 3866: 3854: 3839: 3816: 3801: 3789: 3772: 3760: 3758:, p. 306. 3748: 3736: 3734:, p. 311. 3724: 3712: 3677: 3675:, p. 124. 3654: 3637: 3625: 3613: 3601: 3589: 3577: 3558: 3546: 3534: 3532:, p. 432. 3522: 3520:, p. 183. 3510: 3498: 3483: 3471: 3459: 3444: 3442:, p. 214. 3432: 3420: 3408: 3393: 3391:, p. 132. 3378: 3359: 3357:, p. 109. 3347: 3335: 3333:, p. 429. 3323: 3311: 3299: 3295:Oettinger 1926 3276: 3246: 3215: 3213:, p. 548. 3203: 3184: 3172: 3155: 3143: 3131: 3119: 3104: 3092: 3077: 3062: 3047: 3032: 3015: 3013:, p. 423. 3000: 2981: 2950: 2929: 2914: 2895: 2893:, p. 100. 2880: 2863: 2834: 2819: 2804: 2802:, p. 142. 2787: 2769: 2767: 2764: 2761: 2760: 2756:Henri Langlois 2736: 2726: 2702: 2686: 2664: 2649: 2640: 2623: 2603: 2602: 2600: 2597: 2594: 2593: 2591: 2589:George Sherman 2586: 2583: 2576: 2572: 2571: 2568: 2563: 2560: 2553: 2549: 2548: 2545: 2540: 2537: 2530: 2526: 2525: 2523: 2518: 2517:"Boots" Boone 2515: 2508: 2504: 2503: 2501: 2496: 2493: 2486: 2482: 2481: 2479: 2477:Michael Curtiz 2474: 2471: 2464: 2460: 2459: 2457: 2452: 2451:Thelma Temple 2449: 2442: 2438: 2437: 2434:Prix de Beauté 2430: 2428:Augusto Genina 2425: 2422: 2415: 2411: 2410: 2408: 2403: 2400: 2393: 2389: 2388: 2386: 2381: 2378: 2371: 2367: 2366: 2363: 2358: 2355: 2342: 2338: 2337: 2334: 2329: 2326: 2319: 2315: 2314: 2312: 2307: 2304: 2291: 2287: 2286: 2283: 2278: 2275: 2268: 2264: 2263: 2256: 2251: 2248: 2241: 2237: 2236: 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1007: 1003:Augusto Genina 979:Motion Picture 866:Frank Wedekind 840:Weimar Germany 803: 802:European films 800: 704: 703: 694: 693: 692: 691: 690: 608:cult following 581:Adolphe Menjou 554: 553: 544: 543: 542: 541: 540: 538: 535: 533: 530: 495:Strand Theatre 422:Ruth St. Denis 370: 367: 227: 226: 210: 206: 201: 200: 199: 198: 181: 177: 172: 171: 170: 169: 166: 164: 160: 159: 144: 143:Known for 140: 139: 136: 132: 131: 129: 128: 125: 122: 118: 116: 112: 111: 108: 104: 103: 98: 94: 93: 87: 85:(aged 78) 81:August 8, 1985 79: 75: 74: 68: 55: 53: 49: 48: 41: 33: 32: 29: 15: 13: 10: 9: 6: 4: 3: 2: 6867: 6856: 6853: 6851: 6848: 6846: 6843: 6841: 6838: 6836: 6833: 6831: 6828: 6826: 6823: 6821: 6818: 6816: 6813: 6811: 6808: 6806: 6803: 6801: 6798: 6796: 6793: 6791: 6788: 6786: 6783: 6781: 6778: 6776: 6773: 6771: 6768: 6766: 6763: 6761: 6758: 6757: 6755: 6745: 6735: 6733: 6723: 6721: 6720:United States 6711: 6709: 6699: 6697: 6687: 6685: 6680: 6675: 6673: 6663: 6661: 6651: 6647: 6640: 6639: 6634: 6632: 6629: 6627: 6623: 6622:Louise Brooks 6620: 6618: 6614: 6613:Louise Brooks 6611: 6609: 6605: 6604:Louise Brooks 6602: 6600: 6596: 6595:Louise Brooks 6593: 6591: 6587: 6586:Louise Brooks 6584: 6582: 6578: 6577:Louise Brooks 6575: 6574: 6570: 6564: 6558: 6554: 6553: 6547: 6543: 6537: 6533: 6529: 6528: 6522: 6518: 6512: 6508: 6503: 6499: 6493: 6489: 6484: 6480: 6474: 6470: 6469: 6463: 6462: 6458: 6444: 6443: 6438: 6433: 6422: 6418: 6413: 6401: 6400: 6395: 6391: 6387: 6376: 6372: 6371: 6366: 6362: 6358: 6354: 6350: 6349: 6348:Pandora's Box 6344: 6340: 6328: 6327: 6322: 6318: 6307: 6306: 6301: 6297: 6293: 6290: 6286: 6274: 6270: 6269: 6264: 6260: 6256: 6252: 6251: 6246: 6245:Liza Minnelli 6242: 6238: 6237:Lipton, James 6234: 6223: 6219: 6215: 6211: 6207: 6196: 6195:Silent London 6192: 6187: 6176: 6172: 6167: 6156: 6155: 6150: 6145: 6134: 6133: 6128: 6125:(June 2015). 6124: 6120: 6117: 6113: 6109: 6108: 6103: 6099: 6088: 6087: 6082: 6077: 6066: 6065: 6060: 6055: 6044: 6043: 6038: 6033: 6021: 6020: 6015: 6010: 5998: 5997: 5992: 5988: 5984: 5973: 5969: 5964: 5953: 5952: 5947: 5942: 5931: 5930: 5925: 5921: 5917: 5906: 5905: 5900: 5896: 5892: 5888: 5877: 5873: 5872: 5867: 5863: 5852: 5851: 5846: 5841: 5840: 5835: 5828: 5822: 5818: 5814: 5813: 5808: 5804: 5800: 5794: 5790: 5789:Jonathan Cape 5786: 5782: 5781: 5776: 5775:Weiss, Andrea 5772: 5768: 5762: 5758: 5753: 5752: 5745: 5741: 5735: 5731: 5730: 5725: 5721: 5717: 5705: 5701: 5700: 5694: 5689: 5685: 5681: 5677: 5673: 5669: 5665: 5663:0-600-33817-7 5659: 5655: 5651: 5650: 5645: 5641: 5637: 5631: 5627: 5623: 5618: 5617: 5610: 5606: 5600: 5596: 5592: 5591: 5586: 5582: 5578: 5572: 5568: 5564: 5563: 5558: 5554: 5550: 5538: 5537: 5532: 5528: 5524: 5512: 5511: 5506: 5502: 5498: 5486: 5485: 5480: 5475: 5471: 5465: 5461: 5460: 5454: 5450: 5448:9788885282377 5444: 5440: 5439: 5433: 5429: 5423: 5419: 5415: 5414: 5408: 5404: 5400: 5395: 5391: 5385: 5381: 5377: 5373: 5372: 5366: 5362: 5356: 5352: 5351: 5345: 5341: 5336: 5332: 5330:0-226-31885-0 5326: 5322: 5318: 5317: 5312: 5308: 5304: 5298: 5294: 5293: 5288: 5284: 5280: 5274: 5270: 5265: 5261: 5255: 5251: 5247: 5246: 5240: 5236: 5230: 5226: 5222: 5221: 5220:American Gods 5216: 5212: 5208: 5202: 5198: 5194: 5190: 5189: 5184: 5180: 5176: 5170: 5166: 5162: 5157: 5156: 5149: 5145: 5139: 5135: 5131: 5130: 5125: 5121: 5110: 5104: 5100: 5096: 5092: 5091: 5085: 5081: 5075: 5071: 5066: 5065: 5059: 5055: 5051: 5047: 5043: 5038: 5034: 5030: 5026: 5022: 5017: 5013: 5007: 5003: 4999: 4998: 4992: 4988: 4982: 4978: 4973: 4972: 4965: 4953: 4946: 4945: 4939: 4935: 4931: 4930: 4925: 4920: 4917: 4913: 4911:9780557508488 4907: 4903: 4902: 4897: 4893: 4889: 4888: 4883: 4879: 4875: 4863: 4859: 4858: 4853: 4849: 4845: 4844: 4840:Print sources 4839: 4834: 4827: 4822: 4819: 4815: 4810: 4807: 4803: 4798: 4795: 4791: 4786: 4784: 4780: 4776: 4771: 4768: 4764: 4763:Gladysz 2017a 4759: 4757: 4753: 4749: 4744: 4741: 4737: 4732: 4729: 4725: 4720: 4717: 4713: 4708: 4705: 4702:, p. 12. 4701: 4696: 4693: 4689: 4684: 4681: 4676: 4674:9780375424090 4670: 4666: 4659: 4656: 4652: 4647: 4644: 4640: 4635: 4633: 4629: 4625: 4620: 4618: 4616: 4612: 4608: 4596: 4592: 4585: 4582: 4578: 4573: 4570: 4566: 4561: 4558: 4555:, p. 81. 4554: 4553:McLellan 2001 4549: 4546: 4543:, p. 89. 4542: 4537: 4534: 4531:, p. 24. 4530: 4525: 4522: 4518: 4513: 4510: 4506: 4501: 4498: 4495:, p. 68. 4494: 4489: 4487: 4485: 4481: 4477: 4472: 4469: 4465: 4460: 4457: 4453: 4448: 4446: 4442: 4438: 4436: 4430: 4428: 4426: 4422: 4419:, p. 46. 4418: 4413: 4410: 4406: 4401: 4398: 4394: 4389: 4386: 4382: 4377: 4374: 4370: 4365: 4363: 4359: 4355: 4353: 4347: 4345: 4343: 4341: 4339: 4335: 4331: 4326: 4323: 4319: 4314: 4311: 4307: 4302: 4299: 4295: 4290: 4287: 4283: 4278: 4275: 4271: 4266: 4264: 4262: 4258: 4254: 4249: 4246: 4242: 4237: 4234: 4230: 4225: 4222: 4218: 4213: 4210: 4206: 4201: 4198: 4195:, p. 60. 4194: 4189: 4187: 4185: 4183: 4181: 4179: 4177: 4175: 4173: 4169: 4165: 4160: 4157: 4154:, p. 21. 4153: 4151: 4145: 4142: 4138: 4136: 4130: 4127: 4123: 4118: 4115: 4111: 4106: 4104: 4100: 4096: 4091: 4089: 4085: 4081: 4076: 4073: 4069: 4067: 4061: 4058: 4055:, p. 59. 4054: 4049: 4047: 4043: 4039: 4034: 4032: 4028: 4024: 4019: 4017: 4015: 4011: 4007: 4002: 4000: 3996: 3992: 3987: 3984: 3981:, p. 21. 3980: 3975: 3973: 3969: 3966:, p. 58. 3965: 3960: 3958: 3954: 3951:, p. 47. 3950: 3945: 3942: 3938: 3933: 3930: 3926: 3925:Belfrage 1930 3921: 3919: 3917: 3915: 3911: 3908:, p. 57. 3907: 3902: 3900: 3896: 3893:, p. 58. 3892: 3887: 3885: 3883: 3879: 3875: 3870: 3867: 3863: 3858: 3855: 3852:, p. 77. 3851: 3846: 3844: 3840: 3836: 3831: 3829: 3827: 3825: 3823: 3821: 3817: 3814:, p. 83. 3813: 3808: 3806: 3802: 3798: 3793: 3790: 3787:, p. 45. 3786: 3781: 3779: 3777: 3773: 3769: 3764: 3761: 3757: 3752: 3749: 3745: 3740: 3737: 3733: 3728: 3725: 3721: 3716: 3713: 3709: 3704: 3702: 3700: 3698: 3696: 3694: 3692: 3690: 3688: 3686: 3684: 3682: 3678: 3674: 3669: 3667: 3665: 3663: 3661: 3659: 3655: 3651: 3646: 3644: 3642: 3638: 3634: 3629: 3626: 3623:, p. 25. 3622: 3617: 3614: 3611:, p. 29. 3610: 3605: 3602: 3599:, p. 27. 3598: 3593: 3590: 3587:, p. 44. 3586: 3581: 3578: 3575:, p. 52. 3574: 3569: 3567: 3565: 3563: 3559: 3555: 3550: 3547: 3543: 3538: 3535: 3531: 3530:Brownlow 1968 3526: 3523: 3519: 3514: 3511: 3507: 3502: 3499: 3495: 3490: 3488: 3484: 3481:, p. 51. 3480: 3475: 3472: 3469:, p. 33. 3468: 3463: 3460: 3456: 3451: 3449: 3445: 3441: 3436: 3433: 3430:, p. 50. 3429: 3424: 3421: 3418:, p. 47. 3417: 3412: 3409: 3405: 3400: 3398: 3394: 3390: 3385: 3383: 3379: 3376:, p. 74. 3375: 3370: 3368: 3366: 3364: 3360: 3356: 3351: 3348: 3345:, p. 54. 3344: 3339: 3336: 3332: 3327: 3324: 3321:, p. 53. 3320: 3315: 3312: 3309:, p. 77. 3308: 3303: 3300: 3297:, p. 74. 3296: 3291: 3289: 3287: 3285: 3283: 3281: 3277: 3264: 3260: 3256: 3250: 3247: 3234: 3230: 3226: 3219: 3216: 3212: 3207: 3204: 3201:, p. 66. 3200: 3195: 3193: 3191: 3189: 3185: 3181: 3176: 3173: 3170:, p. 65. 3169: 3164: 3162: 3160: 3156: 3152: 3147: 3144: 3141:, p. 11. 3140: 3135: 3132: 3129:, p. 46. 3128: 3123: 3120: 3116: 3111: 3109: 3105: 3101: 3096: 3093: 3090:, p. 65. 3089: 3084: 3082: 3078: 3074: 3072: 3066: 3063: 3059: 3054: 3052: 3048: 3044: 3039: 3037: 3033: 3029: 3024: 3022: 3020: 3016: 3012: 3007: 3005: 3001: 2998:, p. 38. 2997: 2992: 2990: 2988: 2986: 2982: 2978: 2973: 2971: 2969: 2967: 2965: 2963: 2961: 2959: 2957: 2955: 2951: 2948:, p. 72. 2947: 2942: 2940: 2938: 2936: 2934: 2930: 2926: 2921: 2919: 2915: 2911: 2906: 2904: 2902: 2900: 2896: 2892: 2887: 2885: 2881: 2878:, p. 17. 2877: 2872: 2870: 2868: 2864: 2860: 2855: 2853: 2851: 2849: 2847: 2845: 2843: 2841: 2839: 2835: 2831: 2826: 2824: 2820: 2816: 2811: 2809: 2805: 2801: 2800:Garebian 2011 2796: 2794: 2792: 2788: 2784: 2779: 2777: 2775: 2771: 2765: 2757: 2753: 2749: 2743: 2741: 2737: 2730: 2727: 2723: 2718: 2717: 2712: 2711:Pandora's Box 2706: 2703: 2699: 2693: 2691: 2687: 2683: 2682: 2681:Pandora's Box 2677: 2671: 2669: 2665: 2661: 2660: 2653: 2650: 2644: 2641: 2637: 2633: 2627: 2624: 2620: 2619: 2618:The Gold Rush 2614: 2608: 2605: 2598: 2592: 2590: 2587: 2584: 2582: 2581: 2577: 2574: 2573: 2569: 2567: 2566:Robert Florey 2564: 2562:Joyce Beaton 2561: 2559: 2558: 2554: 2551: 2550: 2546: 2544: 2543:Robert Riskin 2541: 2538: 2536: 2535: 2531: 2528: 2527: 2524: 2522: 2519: 2516: 2514: 2513: 2512:Empty Saddles 2509: 2506: 2505: 2502: 2500: 2497: 2494: 2492: 2491: 2487: 2484: 2483: 2480: 2478: 2475: 2472: 2470: 2469: 2465: 2462: 2461: 2458: 2456: 2453: 2450: 2448: 2447: 2443: 2440: 2439: 2435: 2431: 2429: 2426: 2423: 2421: 2420: 2416: 2413: 2412: 2409: 2407: 2404: 2401: 2399: 2398: 2394: 2391: 2390: 2387: 2385: 2382: 2379: 2377: 2376: 2375:Pandora's Box 2372: 2369: 2368: 2364: 2362: 2359: 2356: 2354: 2350: 2343: 2340: 2339: 2335: 2333: 2330: 2327: 2325: 2324: 2320: 2317: 2316: 2313: 2311: 2308: 2305: 2303: 2299: 2292: 2289: 2288: 2284: 2282: 2279: 2277:Snuggles Joy 2276: 2274: 2273: 2269: 2266: 2265: 2261: 2257: 2255: 2252: 2249: 2247: 2246: 2242: 2239: 2238: 2234: 2232: 2229: 2226: 2224: 2223: 2219: 2216: 2215: 2211: 2209: 2206: 2203: 2201: 2200: 2196: 2193: 2192: 2189: 2187: 2184: 2181: 2179: 2178: 2174: 2171: 2170: 2166: 2164: 2161: 2158: 2156: 2155: 2151: 2148: 2147: 2144: 2142: 2139: 2136: 2134: 2130: 2123: 2120: 2119: 2116: 2114: 2111: 2108: 2106: 2105: 2101: 2098: 2097: 2093: 2091: 2088: 2085: 2083: 2079: 2072: 2069: 2068: 2064: 2060: 2056: 2053: 2051: 2048: 2046:Miss Bayport 2045: 2043: 2039: 2032: 2029: 2028: 2024: 2022: 2019: 2016: 2014: 2013: 2009: 2006: 2005: 1998: 1995: 1992: 1989: 1988: 1985: 1983: 1979: 1975: 1971: 1967: 1962: 1960: 1956: 1952: 1948: 1947:Pandora's Box 1941: 1936: 1929: 1927: 1925: 1921: 1920: 1915: 1911: 1906: 1904: 1900: 1899:Soul Coughing 1896: 1895:Pandora's Box 1892: 1888: 1880: 1878: 1876: 1872: 1868: 1867: 1861: 1859: 1855: 1851: 1850: 1844: 1843:on Broadway. 1842: 1838: 1834: 1830: 1826: 1825: 1816: 1814: 1812: 1808: 1803: 1801: 1800:Just One Year 1797: 1793: 1789: 1785: 1784:The Chaperone 1781: 1780:Ki Longfellow 1777: 1776:Houdini Heart 1773: 1769: 1765: 1764: 1759: 1755: 1754: 1753:American Gods 1749: 1744: 1742: 1741: 1737:'s 1961 film 1736: 1735:Alain Resnais 1732: 1728: 1727: 1722: 1718: 1710: 1708: 1706: 1702: 1698: 1697: 1696:The Chaperone 1692: 1688: 1684: 1683: 1679:'s 1994 film 1678: 1674: 1670: 1669: 1664: 1660: 1659: 1654: 1650: 1646: 1642: 1641:Liza Minnelli 1638: 1637: 1633:'s 1972 film 1632: 1628: 1622: 1619: 1618: 1613: 1607: 1606: 1601: 1600:Liza Minnelli 1594: 1585: 1583: 1577: 1575: 1573: 1569: 1565: 1561: 1553: 1551: 1546: 1544: 1540: 1534: 1532: 1528: 1524: 1520: 1516: 1511: 1505: 1500: 1493: 1491: 1489: 1484: 1482: 1478: 1474: 1468: 1466: 1462: 1461:Deering Davis 1457: 1455: 1447: 1442: 1438: 1436: 1430: 1427: 1423: 1419: 1415: 1407: 1403: 1402:William Paley 1398: 1391: 1387:Personal life 1386: 1384: 1382: 1378: 1377:Kenneth Tynan 1374: 1370: 1366: 1362: 1361: 1356: 1352: 1351: 1346: 1342: 1337: 1335: 1334: 1329: 1325: 1321: 1316: 1314: 1310: 1306: 1300: 1297: 1290: 1282: 1280: 1278: 1277: 1272: 1268: 1261: 1256: 1254: 1253:escort agency 1250: 1246: 1242: 1238: 1234: 1229: 1227: 1222: 1220: 1215: 1211: 1207: 1199: 1194: 1192: 1190: 1186: 1185: 1180: 1179: 1174: 1170: 1166: 1165: 1159: 1157: 1156:Robert Florey 1153: 1152: 1147: 1146: 1141: 1137: 1136: 1135:Empty Saddles 1127: 1126: 1120: 1116: 1114: 1110: 1106: 1105: 1100: 1095: 1093: 1089: 1085: 1081: 1077: 1073: 1072: 1067: 1062: 1060: 1056: 1055: 1050: 1049: 1039: 1038: 1033: 1028: 1020: 1008: 1006: 1004: 1000: 999: 993: 988: 983: 981: 980: 975: 970: 968: 967:Pandora's Box 964: 960: 959:Molly Haskell 955: 953: 945: 940: 936: 934: 930: 926: 922: 918: 917: 912: 911:Pandora's Box 906: 901: 899: 898:Pandora's Box 895: 894:Pandora's Box 890: 886: 885:Pandora's Box 881: 879: 878: 873: 872: 867: 863: 862:Pandora's Box 859: 855: 851: 847: 846: 845:Pandora's Box 841: 837: 829: 825: 824: 823:Pandora's Box 818: 813: 809: 801: 799: 797: 793: 789: 788: 782: 779: 775: 771: 767: 762: 760: 756: 752: 748: 747:Hearst Castle 744: 743:Marion Davies 740: 736: 735: 730: 726: 717: 716: 711: 706: 698: 689: 686: 682: 681:Jack Pickford 678: 674: 670: 665: 663: 659: 655: 651: 650:Wallace Beery 647: 646:Richard Arlen 643: 639: 638: 632: 630: 629:Colleen Moore 626: 622: 621: 617: 613: 609: 605: 601: 597: 596:Walter Wanger 593: 588: 586: 582: 578: 574: 573: 563: 562: 556: 548: 536: 531: 526: 525: 506: 504: 500: 496: 492: 488: 487: 486:The Gold Rush 482: 478: 474: 473:Walter Wanger 470: 465: 463: 459: 455: 454: 449: 448: 443: 439: 435: 431: 430:Martha Graham 427: 423: 419: 415: 410: 408: 404: 399: 394: 392: 388: 384: 375: 368: 366: 364: 360: 359: 354: 350: 346: 342: 338: 337: 332: 331: 326: 325: 324:Pandora's Box 319: 317: 313: 312:Hearst Castle 309: 306: 302: 301:social circle 298: 297:Marion Davies 294: 293: 288: 284: 283:Walter Wanger 280: 276: 275:New York City 272: 271: 266: 265: 260: 256: 252: 247: 245: 244:bob hairstyle 241: 237: 233: 204: 203:Deering Davis 197: 196: 175: 168: 167: 165: 161: 157: 156: 150: 149: 148:Pandora's Box 145: 141: 137: 133: 126: 123: 120: 119: 117: 113: 109: 105: 102: 99: 97:Resting place 95: 90: 80: 76: 71: 54: 50: 39: 34: 30:Louise Brooks 27: 22: 6637: 6626:Find a Grave 6551: 6526: 6506: 6487: 6467: 6446:. Retrieved 6442:The Guardian 6440: 6424:. Retrieved 6421:Glamour Daze 6420: 6404:. Retrieved 6399:FamilySearch 6397: 6378:. Retrieved 6369: 6365:Paris, Barry 6347: 6343:Pabst, G. W. 6331:. Retrieved 6324: 6311:November 14, 6309:. Retrieved 6303: 6288: 6283:– via 6277:. Retrieved 6273:the original 6266: 6248: 6225:. Retrieved 6217: 6198:. Retrieved 6194: 6178:. Retrieved 6174: 6158:. Retrieved 6152: 6136:. Retrieved 6130: 6115: 6107:Daily Mirror 6105: 6090:. Retrieved 6084: 6068:. Retrieved 6062: 6046:. Retrieved 6040: 6024:. Retrieved 6017: 6001:. Retrieved 5994: 5987:Ebert, Roger 5975:. Retrieved 5971: 5955:. Retrieved 5949: 5933:. Retrieved 5927: 5908:. Retrieved 5902: 5885:– via 5879:. Retrieved 5870: 5854:. Retrieved 5848: 5815:. New York: 5811: 5779: 5750: 5728: 5714:– via 5708:. Retrieved 5702:. New York. 5697: 5672:The Wichitan 5671: 5648: 5615: 5593:. New York: 5589: 5585:Paris, Barry 5561: 5547:– via 5541:. Retrieved 5534: 5521:– via 5515:. Retrieved 5508: 5495:– via 5489:. Retrieved 5482: 5458: 5437: 5416:. New York: 5412: 5398: 5375: 5370: 5349: 5339: 5314: 5291: 5268: 5244: 5223:. New York: 5219: 5215:Gaiman, Neil 5187: 5159:. New York: 5154: 5132:. New York: 5128: 5124:Cowie, Peter 5112:. Retrieved 5089: 5068:. Berkeley: 5063: 5045: 5020: 4996: 4975:. New York: 4970: 4958:February 10, 4956:. Retrieved 4943: 4929:Film Culture 4927: 4915: 4900: 4886: 4872:– via 4866:. Retrieved 4855: 4835:Bibliography 4821: 4809: 4797: 4770: 4743: 4731: 4719: 4707: 4695: 4683: 4664: 4658: 4646: 4639:DeWeese 2014 4624:Fleming 2013 4605: 4598:. Retrieved 4594: 4584: 4572: 4560: 4548: 4536: 4524: 4512: 4500: 4471: 4459: 4435:Daily Mirror 4434: 4412: 4400: 4388: 4381:Leacock 1973 4376: 4351: 4325: 4313: 4301: 4289: 4277: 4272:, p. 2. 4248: 4236: 4224: 4212: 4207:, p. 6. 4200: 4159: 4149: 4144: 4139:, p. 8. 4134: 4129: 4117: 4075: 4065: 4060: 4023:Shipman 1970 3986: 3944: 3932: 3874:Gladysz 2018 3869: 3857: 3812:Haskell 1987 3792: 3770:, p. 6. 3763: 3751: 3746:, p. 5. 3739: 3727: 3715: 3628: 3616: 3604: 3592: 3580: 3549: 3537: 3525: 3518:Wellman 2015 3513: 3501: 3474: 3462: 3435: 3423: 3411: 3350: 3338: 3326: 3314: 3302: 3267:. Retrieved 3263:the original 3258: 3249: 3237:. Retrieved 3233:the original 3228: 3218: 3206: 3175: 3153:, p. 7. 3146: 3134: 3122: 3117:, p. 4. 3095: 3088:Sherrow 2006 3071:The Wichitan 3070: 3065: 3058:Mitgang 1985 3030:, p. 1. 2783:Corliss 2006 2729: 2714: 2710: 2705: 2697: 2679: 2657: 2652: 2643: 2636:Bebe Daniels 2626: 2616: 2607: 2578: 2555: 2539:Chorus Girl 2532: 2510: 2488: 2466: 2455:Frank Tuttle 2444: 2433: 2417: 2395: 2373: 2344: 2321: 2310:Howard Hawks 2293: 2270: 2243: 2220: 2197: 2186:Frank Tuttle 2182:Janie Walsh 2175: 2152: 2129:The Show Off 2124: 2102: 2073: 2050:Frank Tuttle 2033: 2010: 1981: 1977: 1973: 1970:The Show Off 1969: 1965: 1964:As of 2007, 1963: 1950: 1946: 1944: 1917: 1907: 1884: 1874: 1864: 1862: 1854:Guido Crepax 1847: 1845: 1841:Follies girl 1837:J. P. McEvoy 1832: 1822: 1820: 1810: 1804: 1799: 1796:Just One Day 1795: 1792:Gayle Forman 1783: 1775: 1768:Debbie Flood 1761: 1751: 1745: 1738: 1730: 1724: 1714: 1694: 1680: 1666: 1656: 1634: 1627:Sally Bowles 1624: 1615: 1612:Sally Bowles 1603: 1596: 1591: 1581: 1568:heart attack 1557: 1548: 1538: 1536: 1523:Pepi Lederer 1512: 1509: 1504:Russell Ball 1485: 1469: 1458: 1451: 1431: 1418:W. C. Fields 1411: 1368: 1358: 1355:Gary Conklin 1348: 1338: 1331: 1317: 1302: 1292: 1288: 1274: 1266: 1263: 1258: 1233:dance studio 1230: 1223: 1203: 1182: 1176: 1162: 1160: 1149: 1143: 1133: 1131: 1123: 1102: 1096: 1092:Public Enemy 1091: 1076:James Cagney 1069: 1065: 1063: 1058: 1052: 1046: 1044: 1035: 1031: 996: 994: 990: 985: 977: 971: 966: 962: 956: 948: 932: 928: 914: 910: 908: 903: 897: 893: 884: 882: 875: 869: 861: 857: 853: 843: 835: 833: 821: 785: 783: 777: 763: 755:Pepi Lederer 732: 724: 722: 713: 668: 666: 635: 633: 618: 612:Howard Hawks 589: 585:W. C. 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